• Rental ID: R306178
Included in Rental
  • 1 Zoom F4 Multitrack Field Recorder
  • 1 Zoom DC-HIROSE Cable
  • 1 Zoom PCF-4 Protective Case
  • 1 Zoom BCF-8 Battery Case F8
  • 1 Zoom 12V AC Adapter
  • 1 Acumem 2GB SD Card 133x
  • 1 Acumem 4GB SDHC Pro Card Class 6
  • 1 Acumem 16GB SDHC Pro Card Class 6
  • 1 Acumem 8GB (120 Minute) Video SDHC Card Class 6
  • 1 Acumem 4GB SDHC Pro Card Class 10
  • 1 Acumem 16GB SDHC Pro Card Class 10
  • 1 Acumem 8GB SDHC Pro Card Class 10
  • 1 Sandisk Ultra 32GB SDHC UHS-1 U1 Class 10 Card, 80MB/s, 533x
Product Highlights
  • 8 Channels
  • XLR/TRS, 1/8", USB, 1/4" Connection
  • 16 / 24-bit Sample Rate
  • 44.1 / 48 / 96 kHz Sample Frequency
Available in Edmonton

Overview

Zoom F4

Professional Field Recording Has Never Been So Accessible

Creators are making more waves in film than ever before. Thanks to affordable technology and distribution channels like YouTube, we’re ushering in a new era of creativity… and it’s only just begun. The Zoom F4 propels your film's sound to a whole new level. With 6-input/8-track recording, super-low-noise mic preamps, and time code with pinpoint accuracy, the F4 offers Hollywood sound at an indie budget.

Key Features:

  • 6-input/8-track multitrack field recorder with integrated mixer 
  • 6 discrete inputs, including with 4 locking Neutrik XLR/TRS combo connectors, a stereo 3.5mm input, and Zoom mic capsule input
  • Input 5/6 can be used as a camera return for monitoring only.
  • Compact and lightweight metal chassis, weighing just 2 pounds (without batteries)
  • High-quality mic preamps with up to 75 dB gain, less than -127 dBu EIN, and +4 dB line inputs

You've changed the industry.

By putting high-quality sound front and center, you've changed how audiences experience film. That's why Zoom created the F4. So professional quality sound is always within reach.

The Essentials For Professional Recording

Super-low-noise microphone preamps

The F4 is equipped with our highest-quality mic preamps. Like the F8, the F4’s mic preamps enable pristine recording and playback at resolutions up to 24-bit/192 kHz. Its impressive audio specs include an extremely low noise floor (-127 dBu EIN) and high gain (up to 75 dB), with +4 dB line-level inputs.

TCXO Time Code

For precise audio/video syncing, the F4 utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy—a first for this price point. The F4 supports all standard drop frame and non-drop formats, and can jam sync to time code provided by external devices. Standard BNC connectors enable easy integration into any rig.

Advanced onboard limiters

Advanced onboard limiters provide overload protection which lets you capture audio in a wide range of dynamic sound environments. Limiting can be applied to all four channels simultaneously at full resolution, with 10 dB of headroom and controls for setting threshold, attack, and release.

Rock-solid build and lightweight design

A compact metal chassis makes the F4 both rugged and durable, and keeps its weight down to just 2.27 pounds without batteries.

Recording Features:

  • Multi-track recording

    With four XLR/TRS combo inputs, a 3.5mm stereo input, and a Zoom mic capsule input, the F4 can record up to six discrete tracks with an additional stereo mix track—all at resolutions up to 24-bit/192 kHz.
  • Camera return

    Input 5/6 can be used as a camera return for monitoring only. This allows you to monitor audio being sent to the camera for confidence checks.
  • Dual SD card recording

    A dual SD card recording feature lets you record simultaneously on two SD/SDHC/SDXC cards* (up to 512 GB each). This means you can instantly back up or split recordings. For example, you can save eight tracks on one card and a stereo mix on another.

    * View a list of confirmed compatible SD cards
  • File protection

    The F4 periodically saves files while recording, providing an extra level of protection from unexpected file interruptions like power loss or sudden SD card removal.
  • Dual-channel recording

    Dual-channel recording mode lets you create safety tracks for inputs 1 and 2, each with independent level, limiting, delay, phase inversion, and high-pass filtering.
  • Shortcuts

    Built-in shortcuts allow easy access to important menus and features. Hold the front panel OPTION button for access to TC Jam, Trim Link, Clear Clip and other important shortcuts.
  • Three power sources

    Power up your F4 with 8 AA batteries or an external DC battery pack with a converter cable connector. The F4 also includes a Zoom AD-19 power supply and a DC-HIROSE adapter which serves as a third power option.

Add Two Additional Mic/Line Inputs

The F4 is outfitted with a 10-pin Zoom mic capsule input to expand your recording capabilities even further. Connecting the optional EXH-6 XLR/TRS Combo Input Capsule adds two extra mic/line inputs to your F4, giving you a total of six discrete XLR/TRS combo inputs.

Zoom Interchangeable Mic Capsules

Use the proprietary Zoom capsule input to connect any of the available Zoom mic capsules—such as the SGH-6 Shotgun Mic Capsule or the XYH-6 Stereo X/Y Mic Capsule—to add an on-board microphone to your F4. The optional ECM extension cable allows for remote positioning of all capsules.

The Best Connections

Inputs

The F4 features four discrete inputs with locking Neutrik XLR/TRS combo connectors. Each input provides a dedicated preamp with gain control knob, phantom power, a six-segment LED level meter, and a Record Ready and PFL switch. The 1/8" stereo input or the Zoom mic capsule input can provide input for tracks 5 and 6. The F4 also includes a variable-frequency slate tone generator to confirm levels.

Outputs

In addition to the 1/4” headphone jack with dedicated volume control, the F4 provides four other outputs. Two Main Outs (on balanced XLR jacks) let you connect to external mixers and processing devices. Two Sub Outs (on a single unbalanced 1/8" stereo mini-jack) enable easy connection to a camera. The front panel OUTPUT button allows easy access to output levels and routing.

Time code and USB connections

Time code I/O is provided on BNC connectors. The USB port facilitates firmware updates and file transfer. It also allows the F4 to be used as a 6-in/4-out USB audio interface with sample rates up to 96 kHz.

An LCD For All Lighting Conditions

An easy-to-read 1.9-inch white 

backlit monochromatic LCD display makes the F4 suitable for all lighting environments— from low light to direct sunlight. It also performs well in harsh conditions, like dusty and hard-to-see environments.

Monitor Your Recordings

Flexible options help you easily monitor recordings in the field. Route any input, as well as the stereo track (pre- or post-fader), to the left or right headphone  channels. A built-in 100 mW headphone amplifier provides plenty of volume for noisy environments. You can even set headphone alert tones for low battery, recording start/stop, or recording errors.

Onboard Mixer And Effects

An onboard mixer allows for flexible signal routing from all inputs to all outputs (pre- or post-fader) with user-adjustable level, pan, and input/output delay. Built-in limiters can be applied to all channels and tracks simultaneously. The F4 also includes built-in high-pass filtering to reduce the sound of wind and other noise, plus phase inversion and Mid-Side decoding.

The Nitty Gritty

The F4 records in BWF-compatible WAV format at 16-bit or 24-bit resolution, and at any standard sample rate up to 192 kHz. When recording MP3 files, you can choose bit rates of 128, 192, or 320 kbps.

Easy to Navigate Menus and Metadata

Thanks to simple menu navigation, cataloging with the F4 is easy and straightforward. The F4 features a simple file structure and allows you to enter extensive metadata (both BWF and iXML) directly onto the device.

Includes Recording and Editing Software

The F4 comes with free download licenses for Steinberg’s Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit.

 Additional Features:

  • Support for up to 24-bit/192 kHz recording as well as 96 kHz, 88.2 kHz, 48 kHz, and 44.1 kHz, plus 47.952 kHz/48.048 kHz for HD video compatibility; 16-/24-bit resolution
  • Accurate time code (0.2 ppm) I/O on standard BNC connectors; drop frame/non-drop formats with Jam Sync
  • Three different power supply options: 8x AA batteries, external DC battery pack with 4-pin HIROSE connector, and Zoom AD-19 12V AC Adapter with DHC-1 DC-HIROSE cable (included)
  • Dedicated gain control knob, 6-segment LED level meter, and PFL/Solo switch for each channel
  • Phantom power (+48V/+24V) on every preamp 
  • High pass filter, phase invert, and Mid-Side decoder
  • Advanced onboard limiters for input and output
  • Input delay of up to 30 msec per channel / output delay of up to 10 frames per output
  • Compatible with all Zoom mic capsules; optional ECM extender cable enables remote positioning
  • Dedicated headphone output (100 mW) with front panel volume control
  • Dual XLR balanced Main Outs plus 1/8" stereo mini-jack Sub Out
  • Front panel OPTION button gives quick access to important shortcuts
  • 1.9” white, backlit monochrome LCD
  • Dual SD/SDHC/SDXC card slots, up to 512 GB each 
  • Support for extensive metadata (BWF and iXML); input time, date, project, scene number, etc.
  • Built-in tripod mount; camera mount adapter also included
  • Use as a 6-in/4-out USB audio interface (@ 96 kHz)

What's Included

Zoom F4 Multitrack Field Recorder with Timecode - 6 Inputs / 8 Tracks
Camera-Mount Adapter
Zoom AD-19 12 VAC Adapter
Cubase LE Download Code
Wavelab LE Download Code
Limited 1-Year Warranty

Product Specifications

Zoom F4

RECORDING MEDIA

 
Dual SD card slot supports 16 MB–2 GB SD cards
4 GB–32 GB SDHC cards
64 GB–512 GB SDXC cards

INPUTS 1-4

 
Connectors XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot)

INPUTS: XLR (MIC)

 
Input gain +10 – +75 dB
Input impedance 3.0 kΩ or more 
Maximum input level +14 dBu (at 0 dBFS, limiter ON) 
Phantom power +24/+48V 10mA maximum for each channel 

INPUTS: TRS (LINE)

 
Input gain −10 – +55 dB 
Input impedance 22 kΩ or more 
Maximum input level +24 dBu (at 0 dBFS, limiter ON) 

INPUTS: ADDITIONAL INFO

 
Equivalent input noise −127 dBu or less
(A-weighted, +75 dB input gain, 150Ω input)
Frequency characteristics 10 Hz – 80 kHz +0.5 dB/−1.5 dB
(192 kHz sampling rate)
A/D dynamic range 120 dB typ (−60 dBFS input, A-weighted) 
Crosstalk −90 dB or less
(between adjacent channels, 1 kHz)
MIC IN ZOOM mic capsule input
(use disables Inputs 5/6)

RTN IN

 
Connectors 3.5 mm stereo mini unbalanced output jack 
Reference input level -10 dBV (Level: -10 dBV setting),
+4 dBu (Level: +4 dBu setting)
Input impedance 10k Ω or more 
Maximum input level -10 dBV (Level: -10 dBV setting)
+24 dBu (Level: +4 dBu setting)

OUTPUTS: MAIN OUT 1/2

 
Connectors XLR balanced output (2: hot) 
Output impedance 150 Ω or less 
Reference output level −10 dBV, 1 kHz, 600Ω load 
Maximum output level +10 dBV, 1 kHz, 600Ω load 

OUTPUTS: SUB OUT 1/2

 
Connector 3.5 mm stereo mini unbalanced output jack 
Output impedance 1k Ω or less 
Reference output level −10 dBV (Normal Output Type),
−40 dBV (Mic Output Type), 1 kHz, 10kΩ load
Maximum output level +10 dBV (Normal Output Type), 
−20 dBV (Mic Output Type), 1 kHz, 10kΩ load

HEADPHONE

 
Connector 1/4" unbalanced stereo output jack 
Output impedance 15 Ω or less 
Maximum output level 100 mW + 100 mW 
(32Ω load)

D/A

 
D/A dynamic range 106 dB typical (−60dBFS input, A-weighted) 

RECORDING FORMATS

WHEN MP3 SELECTED

 
Supported formats 128/192/320 kbps, 44.1/48 kHz, ID3v1 tags 
Maximum simultaneous recording tracks

RECORDING TIME

 
Using a 32 GB card 30:51:00 (48 kHz/24-bit stereo WAV)
7:42:00 (192 kHz/24-bit stereo WAV)

TIME CODE

 
Connector BNC 
Modes Off, Int Free Run, Int Record Run, Int RTC Run, Ext, Ext Auto Rec (audio clock can be synchronized to timecode) 
Frame rates 23.976ND, 24ND, 25ND, 29.97ND, 29.97D, 30ND, 30D 
Precision ±0.2 ppm 
Supported input levels 0.2 – 5.0 Vpp 
Input impedance 4.3k Ω or more 
Output level 3.0 Vpp ±10% 
Output impedance 50 Ω or less 

POWER SUPPLIES

 
Batteries 8 AA
AC adapter Zoom AD-19 DC12 V 2A (center plus) via DC-HIROSE cable adapter (both included)
External DC power supply HIROSE HR10A-7R-4S 4-pin connector
(1 pin: −, 4 pin: +), 9–16 V

CONTINUOUS RECORDING TIME

WHEN RECORDING 2 CHANNELS AT 48 KHZ/16-BIT WITHOUT HEADPHONES

 
Alkaline batteries: 9.5 hours or more
NiMH (2450mAh) 11.5 hours or more
Lithium batteries 17.5 hours or more

CONTINUOUS RECORDING TIME

WHEN RECORDING 8 CHANNELS AT 48 KHZ/24-BIT WITH HEADPHONES

 
Alkaline batteries 9 hours or more
NiMH (2450mAh) 10.5 hours or more
Lithium batteries 16.5 hours or more

CONTINUOUS RECORDING TIME

WHEN RECORDING 8 CHANNELS AT 192 KHZ/24-BIT WITH HEADPHONES, PHANTOM POWER, AND DISPLAY BACKLIGHTING

 
Alkaline batteries 2 hours or more
NiMH (2450mAh) 3.5 hours or more
Lithium batteries 6 hours or more

DISPLAY

 
Display 1.9" monochrome LCD with white backlight 

USB

MASS STORAGE OPERATION

 
Class USB 2.0 High Speed 

USB

MULTITRACK AUDIO INTERFACE OPERATION (DRIVER REQUIRED FOR WINDOWS, NOT REQUIRED FOR MAC)

 
Class USB 2.0 High Speed 
Specifications 44.1/48/96 kHz, 16/24-bit, 6-in/4-out 

USB

STEREO MIX AUDIO INTERFACE OPERATION (NO DRIVER REQUIRED)

 
Class USB 2.0 High Speed 
Specifications 44.1/48 kHz, 16-bit, 2-in/2-out
* Note: iPad audio interface operation supported (Stereo Mix mode only)

PHYSICAL SPECS

MAIN UNIT

 
Dimensions (W x D x H) 177.8 × 141.1 × 54.3 mm (7.0 × 5.5 × 2.1")
Weight 1030 g (2.27 lbs)