• Webcode: 279342
Product Highlights
  • 8.29MP Super 35mm CMOS Sensor
  • Full HD (1920x1080) up to 60 FPS
  • DIGIC DV 4 Image Processor
  • ISO Sensitivity 320-102,400
  • Includes EF 24-105mm f/4.0L IS USM Zoom Lens
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Overview

Powerfully Evolved HD Freedom.

The Canon EOS C100 Mark II Digital HD Camera offers all of the advantages of its predecessor while adding advanced new imaging and operational features by popular demand.

Key Features:

  • Canon Super 35mm CMOS Sensor
  • Canon DIGIC DV 4 Image Processor
  • Simultaneous AVCHD and MP4 Recording
  • Slow and Fast Motion Recording
  • MP4 Conversion

Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, this greatly evolved camera integrates the same Emmy®-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor. In addition to improved RGB video processing, the camera's dual codec capability supports simultaneous AVCHD and MP4 recording, including 59.94P capture along with slow and fast motion recording. Dual Pixel CMOS AF and Face AF, wireless FTP video transfer, a built-in Canon Log LUT, GPS support and support for an extensive range of workflows, are additional operational features that have been added. A re-designed 270-degree rotating 3.5-inch OLED panel, and a tiltable large-size EVF with large-size eyecup, further empower the camera operator.

The compact, redesigned, lightweight body of the Canon EOS C100 Mark II Digital HD Camera has also evolved, and now includes a built-in microphone, START/STOP buttons clearly labeled in red, transparent covers on its twin SD card slots, improved battery insertion and removal, and an increased number of assignable buttons. Add to this its built-in ND filters, removable rotating pistol grip, removable top handle with twin XLR inputs, built-in stereo mic, and audio controls, and the Canon EOS C100 Mark II emerges as a powerfully evolved Super 35mm Digital HD camera designed to serve your quest for greater freedom of creative expression in HD video production.

Canon Super 35mm CMOS Sensor

The EOS C100 Mark II Digital HD Camera employs the same single Super 35mm Canon CMOS image sensor as the rest of the Cinema EOS camera family and includes the same innovative strategies that have established the outstanding image performance of these cameras. This 8.3 megapixel sensor maximizes the size of the individual photosite ? each of which deploys two photodiodes to ensure high speed removal of accumulated charge, which in turn helps elevate the effective sensor dynamic range.  Allied with innovative Canon signal extraction strategies that enhance the sensor signal to noise performance allows unprecedented elevation of the ISO setting in this professional Super 35mm camera, while always protecting its dynamic range.

Canon DIGIC DV 4 Image Processor

The four 1920 x 1080 HD R Gr Gb B video components from the image sensor are pre-processed and then sent to the DIGIC DV 4 processor for advanced video processing. This includes separate interpolation of the sparsely sampled R and B HD components to form full frame 4K for each. The two green HD components are also interpolated to form a single full frame 4K Green component. These three 4K RGB components are then down-sampled to create a set of  YCC 422 HD components that have high MTF, improved edge transitions, low false color moiré, and enhanced overall color reproduction. These components are further processed preparatory to sending them to the AVCHD and MP4 codecs.

Simultaneous AVCHD and MP4 Recording

The EOS C100 Mark II Digital HD Camera enables users to record in both the AVCHD and the MP4 recording formats in a variety of bit rates (up to 28 Mbps and 35 Mbps, respectively), resolutions, and frame rates, including 59.94p, to address practically any production need. Both formats have their own particular advantages. AVCHD is a professional standard that enables long-duration recording of full HD using moderate total data capacities. MP4 has advantages for Web and smartphone sharing. Both formats are easily accepted by most nonlinear editing applications. The EOS C100 Mark II camera's dual SD card slots can record in either or both formats simultaneously and can convert AVCHD and MP4 files into smaller MP4 files for web upload.

Slow and Fast Motion Recording

The EOS C100 Mark II Digital HD Camera can provide slow and fast-motion video effects when recording in the MP4 format. Sound is not recorded, and the feature is not available during double-slot recording. Slow and fast-motion playback speeds can range from x0.4 slow up to x2.5 fast.

MP4 Conversion

This feature allows for converting an AVCHD or MP4 recording on the SD card in the EOS C100 Mark II camera's main slot into a 3 Mbps (640 x 360) MP4 file on the SD card in the alternate slot. This gives users a smaller file that is easier to transmit. MP4 conversion is not possible for MP4 files at 35 Mbps and AVCHD files at 28 Mbps.

Redesigned 3.5-Inch OLED Panel

OLED (Organic Light-Emitting Diode) is a newer display technology that provides vivid colors, high contrast, and dramatically improved responsiveness compared to traditional LCD screens. The 3.5-inch 1.23 megapixel OLED display on the EOS C100 Mark II delivers virtually 100 percent field of view coverage, wide and faithful color range support, and improved viewing even in bright sunshine. The EOS C100 Mark II camera's OLED screen has a new hinge design to help maximize monitoring versatility. The design allows the panel to fold shut when stowed and protect the OLED surface. It can then open 180 degrees to reveal function keys and a joystick, or open further to 270 degrees to deploy against the side of the camera and provide monitoring for directors, producers, or other production personnel.

1.23 Megapixel Tilting Color EVF

Larger and totally redesigned from what was featured on its predecessor model, the EOS C100 Mark II camera's EVF (Electronic ViewFinder) uses a 0.45 inch 1.23 megapixel color panel surrounded by a large professional-style eyecup like the one used on the Canon EOS C300 and EOS C500 Cinema cameras. In addition, the new EVF has a 68 degree tilt angle, allowing it to be used more effectively in a variety of shooting situations.

Dual Pixel CMOS AF

A standard feature of the EOS C100 Mark II Digital HD Camera, Dual Pixel CMOS AF (AutoFocus) ingeniously deploys the two photodiodes within each sensor Photosite to facilitate a powerful phase difference detection that provides measurement data that ultimately controls the EF lens focusing system helps ensure that proper focus is always maintained, even in unpredictable "run and gun" news or documentary-type shooting situations. Dual Pixel CMOS AF operates within the center portion of the frame and is compatible with more than 100 Canon EF lenses.

Face AF Mode

Face AF mode detects and focuses on human faces. Both the Dual Pixel CMOS AF and Face AF capabilities give camera operators more freedom to concentrate on composing their shots and paying attention to potentially unpredictable shooting environments.

59.94p Frame Rate

By popular demand, the EOS C100 Mark II HD Digital Camera can capture 1920 x 1080 HD video at a 59.94p frame rate (59.94p is available in MP4 mode at 35 Mbps and in AVCHD at 28 Mbps). This frame rate can provide captured video with a very "smooth" look that is useful for sports and news applications.

Wireless FTP Video Transfer

MP4 and AVCHD video files (and still images) can be wirelessly transferred to a selected FTP server. This feature is particularly useful for transferring time-critical video for news and for backing-up files. The feature uses the 5GHz band for quick, reliable file transfers. Up to 100 files can be selected to transfer at one time.

Built-In Microphone

A monaural "mono" microphone is built into the body of the EOS C100 Mark II Digital HD Camera for the capture of reference audio, for spoken notes, or as an aid to synching sound in post. This microphone works only when the removable top handle with twin XLR inputs is not attached.

Built-In Canon Log LUT

Many filmmakers prefer to shoot in Canon Log to protect the integrity of the total dynamic range of which the image sensor is capable, which, in turn, can provide greater latitude in post-production grading processes. As the picture is being monitored during Canon Log-enabled shooting, however, the image seen will not accurately represent its final "look". A built-in LUT (Look-Up Table) in the EOS C100 Mark II can be applied to facilitate viewing the video live on a monitor connected to the camera's HDMI® output in a more visually appealing Wide DR (Dynamic Range) or BT.709 (television standard) color space. The Canon Log LUT feature can be turned on or off in the camera's menu.

Red Record Buttons

There are three start/stop record buttons on the EOS C100 Mark II Digital HD Camera (one on the front of the camera, one on the removable pistol grip, and one on the detachable top handle) and all are red for bright visibility. Besides aiding with quick identification, this industry-standard color helps reduce the chance of accidentally stopping a recording.

New Ergonomic Re-Design

The EOS C100 Mark II Digital HD Camera features a compact design for comfortable use by a single operator. Subtle but important modifications for smoother operator comfort include indentations around control buttons and a recessed power switch.

Outstanding Low Light Sensitivity and Wide Dynamic Range

The combined performance of the camera's Canon Super 35mm CMOS sensor and DIGIC DV 4 Image Processor achieve a very high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light. This advanced performance yields a maximum ISO speed of 102,400 and a wide dynamic range with up to 12 stops.

Full Manual Control and Focusing Aids

Digital filmmakers preferring complete manual control have that ability with the Canon EOS C100 Mark II Digital HD Camera. Shooters can also create, save, and recall custom picture settings, camera functions, and display options. Highly effective built-in Focus Aids to confirm critical focus can be displayed on both the tilting EVF and folding OLED monitor, including Peaking (white, red, blue, yellow) and a magnification function that can be shifted to 25 locations across the image. Also included is an Edge Monitor feature, which shows red and green displays at the bottom of the OLED panel with three red focus-check areas shown. The green waveform shows overall focus of the image while the red waveform shows the focus status of the focus-check boxes. Through this dynamic focus feedback technology shooters can intuitively tune focus or quickly change the zone of focus.

Removable Pistol Grip and Top Handle with XLR Inputs and Stereo Mic

The removable top handle on the Canon EOS C100 Mark II Digital HD Camera integrates a built-in tally light, stereo microphone, dual XLR audio inputs for stereo recording, and a mic mount. Audio is captured in16-bit 48 kHz linear PCM format or Dolby Digital. A compact array of audio-level dials and channel/input switches built into the handle (under a hinged clear plastic protective cover) enables shooters to select signals from the built-in stereo mic or mics attached to the XLR inputs and adjust the gain independently on a channel-by-channel basis. Users can also power a wide range of audio-capture devices with the XLR inputs phantom power supply.

HDMI® Out with Time Code

The Canon EOS C100 Mark II Digital HD Camera includes a screw-locking HDMI connector for output of live HD video from the camera to monitors or other devices. The camera's HDMI signal features superimposed SMPTE time code for attachment to recorders or other third-party devices.

Canon EF 24-105mm f/4.0L IS USM Zoom Lens

The Canon EF 24-105mm f/4L IS USM lens is an easy-to-use standard zoom lens that can cover a large zoom area ranging from 24mm wide-angle to 105mm portrait-length telephoto.

The EF 24-105mm f/4L IS USM incorporates Canon's highest standards of precision optics. The L-series is Canon's flagship professional lens range, combining outstanding image performance and ultimate operability with dust and moisture resistant construction.

Canon's ring-type USM gives silent but quick AF, along with full-time manual focus. Moreover, with dust- and moisture-resistant construction, this is a durable yet sophisticated lens that meets the demands of advanced amateur photographers and professional photographers alike. 

Image Stabilizer

Image Stabilizer (IS) dramatically reduces image blur caused by camera shake. Gyro sensors detect unwanted vibrations, triggering the corresponding movement of a correcting lens group perpendicular to the optical axis. This alters the light path, returning the image to its correct position on the sensor or film plane.

The 3-stop advantage means that photographers normally shooting a 105mm lens handheld at 1/125 sec can obtain a shake free result with a shutter speed as low as 1/15 sec, for vastly extended options in low light conditions.

Superb Auto-focus

The ring-type USM motor found in the EF 24-105mm f/4L IS USM employs ultra-sonic frequency vibrations to drive auto focus with unrivalled speed and near-silent operation. A powerful CPU and improved AF algorithm contribute to speed performance. Good holding torque stops the lens with precision and accuracy, the instant it arrives at the correct focus point and without overshoot. Photographers can choose manual focus instantly and at any time simply by moving the manual focus ring without first having to switch out of auto focus mode.

Constant f/4 Aperture from 24 to 105mm

The EF 24-105mm f/4L IS USM offers the highest possible optical quality with no change in aperture over the full focal range of the lens. This allows photographers to set exposure at the widest aperture and zoom all the way through to 105mm without having to vary the shutter speed. It is the perfect lens for professional photographers looking for a lightweight and extended zoom alternative to its EF 24-70mm f/2.8L USM counterpart. The lens employs an almost perfectly circular barrel aperture, helping create attractive, defocused backgrounds.

Image Quality

To limit lens size and improve image clarity over the total image area, an Ultra-Low Dispersion glass (UD) element is used to eliminate the secondary chromatic aberrations that otherwise reduce sharpness and introduce colour fringing. Aspherical lens elements correct spherical aberration for crisp, high contrast corner-to-corner quality. By optimising Super Spectra lens coatings and lens element shaping, Canon's engineers have been effective in suppressing flare and ghosting - more prone to occur with digital cameras due to reflection off the image sensor. By increasing light absorption, coatings reduce reflections off lens element surfaces to deliver crisp, undistorted images with natural colour balance.

Super Spectra Coatings

Optimized Super Spectra lens coatings and lens element shaping suppress flare and ghosting - more prone to occur with digital cameras due to reflection off the image sensor. Coatings also help achieve true color balance and increase contrast for vivid hi-fidelity images.

Sample Image

What's Included

  • EOS C100 Mark II Body
  • Eyecup
  • Handle Unit
  • Thumb Rest
  • Tripod Base
  • Shoulder Strap (SS-1200)
  • Battery Pack (BP-955)
  • Compact Power Adaptor (CA-940N) - for North America
  • Compact Power Adaptor (CA-941) - for other than North America
  • Battery Charger (CG-940)
  • DC Cable (for CA-930)
  • AC Cable
  • Data Import Utility Disc
  • Canon EF 24-105mm f/4L IS USM Autofocus Lens
  • 77mm Snap-On Lens Cap
  • Lens Dust Cap E (Rear)
  • EW-83H Lens Hood
  • LP1219 Soft Lens Case
  • Limited Warranty

Reviews

Product Specifications

Image Sensor
Sensor Super 35mm CMOS (24.6 x 13.8 mm) (28.2 mm diagonal)
Total Pixels Approx. 9.84 megapixels (4206 x 2340)
Effective Pixels Approx. 8.29 megapixels (3840 x 2160 pixels)
Processor DIGIC DV 4
Colour Filter RGB Primary Color Filter (Bayer Array)
Lens System
Lens Mount Canon EF mount with EF contacts
ND Filters Clear, 2 stops (1/4), 4 stops (1/16), 6 stops (1/64)
Iris Dial Manual setting in 1/2-step increments, 1/3-step increments, or fine
Push auto iris control
Peripheral Illumination Correction On supported Canon EF, EF-S, and Cinema lenses
Exposure Control
Exposure Modes Manual
Push Auto Iris Control (metering system selection/AE shift possible)
Metering Modes Standard Center Weighted, Spotlight, Backlight
Gain Normal: -6 to 30 dB TBD
Fine: 0 to 24 dB, in 0.5 dB increments
ISO Range 320 to 102,400 in 1/3-step increments
Shutter Modes OFF, ISO Speed, Shutter Angle, Slow Shutter, or Clear Scan

Speed setting can be set in 1/2 or 1/3 stop increments
Shutter Speed Range 59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.51 Hz

PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15; CS: 29.97 Hz - 250.51 Hz

23.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.98 Hz - 250.51 Hz

50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.51 Hz

PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.51 Hz
Shutter Angle Settings 59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25

PF30: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25

23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25

50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25

PF25: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
Focus Control
Settings Manual
One-Shot AF
Continuous AF
Autofocus AF is dependent on interchangeable lenses
Dual Pixel CMOS AF with Canon EF, EF-S, and Cinema lenses
Video
Signal System NTSC and PAL
Recording Format Compression: MPEG-4, AVC/H.264, MP4
Maximum bit rate: AVCHD 28Mb/s, MP4 35Mb/s
Frame Rates AVCHD
1920 x 1080p: 59.94. 50, 23.98
1920 x 1080i: 59.94, 50
1920 x 1080PF: 29.97, 25


MP4
1920 x 1080p: 59.94, 50, 29.97, 25, 23.98
1280 x 720p: 29.97, 25, 23.98
640 x 360p: 29.97, 25, 23.98
Audio
Audio Record Mode AVCHD
28 Mb/s: Linear PCM; 2-Channel; 16-Bit; 48 kHz
24 Mb/s: Linear PCM; 2-Channel; 16-Bit; 48 kHz
All other modes: Dolby Digital AC3
Built-In Microphone Monaural microphone in camera body
Stereo microphone in Handle Unit
Audio Inputs 2 x XLR on top handle (Auto and Manual level settings)
1 x 3.5 mm terminal
XLR Mic Trimming -12, -6, 0, +6, or +12 dB
Limiter Available
Audio Level Control Infinity to +18 dB, Automatic
Separate controls for internal and externally connected microphones
Phantom Power +48 V
Headphone Output Level 16 Settings; volume is muted at lowest setting
Built-in Speaker Yes; 16 level settings
Tone 1 KHz tone available; -12, -18, or -20 dB
Media
Recording Media 2 x SD/SDHC/SDXC card slots
File system: FAT 32
Maximum Recording Time AVCHD
8GB SD Memory Card
28 Mb/s 1920 x 1080: 35 minutes
24 Mb/s 1920 x 1080: 40 minutes
17 Mb/s 1920 x 1080: 1 hour
7 Mb/s 1440 x 1080: 2 hours 20 minutes

16GB SD Memory Card
28 Mb/s 1920 x 1080: 1 hour 15 minutes
24 Mb/s 1920 x 1080: 1 hour 25 minutes
17 Mb/s 1920 x 1080: 2 hours 5 minutes
7 Mb/s 1440 x 1080: 4 hours 45 minutes

32GB SD Memory Card
28 Mb/s 1920 x 1080: 2 hours 30 minutes 24 Mb/s 1920 x 1080: 2 hours 55 minutes
17 Mb/s 1920 x 1080: 4 hours 10 minutes
7 Mb/s 1440 x 1080: 9 hours 35 minutes
64GB SD Memory Card
28 Mb/s 1920 x 1080: 5 hours 24 Mb/s 1920 x 1080: 5 hours 55 minutes
17 Mb/s 1920 x 1080: 8 hours 20 minutes
7 Mb/s 1440 x 1080: 19 hours 10 minutes

128GB SD Memory Card
28 Mb/s 1920 x 1080: 10 hours 10 minutes
24 Mb/s 1920 x 1080: 11 hours 55 minutes
17 Mb/s 1920 x 1080: 16 hours 45 minutes
7 Mb/s 1440 x 1080: 38 hours 25 minutes

MP4
8GB SD Memory Card
35 Mb/s 1920 x 1080: 30 minutes
24 Mb/s 1920 x 1080: 40 minutes
17 Mb/s 1920 x 1080: 1 hour
4 Mb/s 1280 x 720: 4 hours 20 minutes
3 Mb/s 640 x 360: 5 hours 40 minutes

16GB SD Memory Card
35 Mb/s 1920 x 1080: 60 minutes
24 Mb/s 1920 x 1080: 1 hour 25 minutes
17 Mb/s 1920 x 1080: 2 hours 5 minutes
4 Mb/s 1280 x 720: 8 hours 40 minutes
3 Mb/s 640 x 360: 11 hours 25 minutes

32GB SD Memory Card
35 Mb/s 1920 x 1080: 2 hours
24 Mb/s 1920 x 1080: 2 hours 55 minutes
17 Mb/s 1920 x 1080: 4 hours 10 minutes
4 Mb/s 1280 x 720: 17 hours 20 minutes
3 Mb/s 640 x 360: 22 hours 55 minutes

64GB SD Memory Card
35 Mb/s 1920 x 1080: 4 hours
24 Mb/s 1920 x 1080: 5 hours 55 minutes
17 Mb/s 1920 x 1080: 8 hours 20 minutes
4 Mb/s 1280 x 720: 34 hours 45 minutes
3 Mb/s 640 x 360: 45 hours 55 minutes

128GB SD Memory Card
35 Mb/s 1920 x 1080: 8 hours
24 Mb/s 1920 x 1080: 11 hours 55 minutes
17 Mb/s 1920 x 1080: 16 hours 45 minutes
4 Mb/s 1280 x 720: 69 hours 30 minutes
3 Mb/s 640 x 360: 91 hours 55 minutes
Simultaneous REC./Relay REC. Yes
Display
Type 3.5" / 8.9 cm, OLED
640 x 480
922,000 pixels
Adjustments Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)
Viewfinder
Type 0.24" (0.61 cm) color
960x540 resolution
1,560,000 pixels
Diopter Adjustment +2.0 to -5.5
Adjustments Brightness, Contrast, Color, and Backlight
Inputs/Outputs
HDMI Output 1 x Type A
Timecode Embedded in HDMI output
Audio Input 2 x Balanced 3-pin XLR on top handle unit
1 x 3.5 mm input jack on main body
Headphone Jack 1 x 3.5mm stereo mini-jack
Remote Terminal LANC compatible
USB 1 x Mini-B USB 2.0
General
White Balance Auto, Kelvin, Daylight, Tungsten, Set A, Set B
White balance shift is available within Presets (-9 to +9)
Waveform Monitor 2 Modes (Standard and RGB Component)
Minimum Subject Illumination 59.94 Hz: 0.3 lux
50 Hz: 0.25 lux
Language Support English, Japanese, Simplified Chinese, German, Spanish, French, Italian, Polish, Russian, Korean
Power Supply 7.4 V DC (battery pack: BP-955)
8.4 V DC (DC IN)
Operating Temperature Performance requirements
32 - 104°F (0 - 40°C), 85% relative humidity
Operating requirements:
32 - 113°F (0 - 45°C), 60% relative humidity
Dimensions (W x H x D) Body with Thumb Rest: 5.3 x 6.7 x 5.1 in (13.5 x 17 x 12.9 cm)
Body with Grip: 7.2 x 6.7 x 5.1 in (18.2 x 17 x 12.9 cm)
W/ Thumb Rest and handle: 5.6 x 11.1 x 9.3 in (14.2 x 28.1 x 23.6 cm)
W/ Grip and handle: 7.2 x 11.1 x 9.3 in (18.2 x 28.1 x 23.6 cm)
Weight Body only: approx. 2.2 lb (1.0 kg)
Grip: approx. 8.1 oz (230 g)
BP-955 Battery: 7.8 oz (220 g)

 

Lens Specifications
Focal Length     24 - 105 mm
Aperture     Maximum: f/4
Minimum: f/22
Camera Mount Type     Canon EF
Format Compatibility     35mm Film / Full-Frame Digital Sensor
Canon (APS-C)
Angle of View     84° - 23°
Minimum Focus Distance     1.48' (45 cm)
Magnification     0.23x
Maximum Reproduction Ratio 1:4.34
Groups/Elements     13/18
Diaphragm Blades     8
Image Stabilization     Yes
Autofocus     Yes
Tripod Collar     No
Filter Thread     77 mm
Dimensions (DxL)     Approx. 3.3 x 4.2" (8.38 x 10.67 cm)
Weight     1.47 lb (670 g)

Questions & Answers

Canon EOS C100 Mark II w/EF 24-105mm f/4.0L IS USM Zoom Lens White Box

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