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Revolutionary Speed. Incredible Accuracy.
A Whole New Level.
Introducing the OM-D E-M1 Mark II, an advanced system of innovative technology and features designed to forever change your photography. Up to 18 frames per second sequential shooting with precision C-AF Tracking. 121 Cross-Type On-Chip Phase Detection AF points. Up to 5.5 shutter speed steps of compensation with powerful in-body image stabilization. Plus a 50MP High-Res Shot Mode. It’s all enclosed in a magnesium alloy weatherproof body that weighs a mere 600 grams. Paired with the superior resolution of M.Zuiko PRO lenses, the E-M1 Mark II will deliver brilliant imagery that’s coveted by professionals everywhere.
- 20 Megapixel Live MOS Sensor
- Advanced 5-Axis Image Stabilization
- Lightweight, Weatherproof Body
- 15fps Seq. Shooting (Mechanical)
- 60fps Seq. Shooting (Electronic)
- 1/8000s High-Speed Mechanical Shutter
- Cinema 4K Video
- 121-Point Dual FAST AF
- Fully-Articulating 3.0” Touch Monitor
- 50 Megapixel High-Res Shot Mode
- Focus Bracketing and Stacking
- Built-In Wi-Fi
The World's Fastest
Experience sequential shooting speeds that far surpass those of DSLR cameras. Using its advanced silent electronic shutter, the E-M1 Mark II captures 20 MP RAW image files at up to an astonishing 60 fps in S-AF Mode and 18 fps in C-AF Tracking Mode. Or, use the E-M1 Mark II’s high-speed mechanical shutter to shoot full resolution photos at a blazing 15 fps in S-AF Mode, far surpassing other cameras in its class. Thanks to cutting-edge processing speeds, even fast-moving subjects are captured in stunning detail.
Capturing the best moments can be difficult, especially when your subject is in motion. Pro Capture Mode ensures you’ll catch the exact moment you want without any lag. Pro Capture uses the silent electronic shutter to start buffering a running series of full resolution JPEG / RAW images when you press the shutter release button halfway. Then, fully press the shutter release to capture an image plus the 14 previous frames all at once. You can keep the shutter release fully depressed to continue sequential shooting. With its time machine-like capability, Pro Capture always has the perfect shot stored and ready to save.
M.Zuiko ED 40-150mm f/2.8 PRO Lens Black
Powerful Portability with the Professional in Mind
The new M.ZUIKO 40-150mm f2.8 PRO is a compact, full-featured zoom that sports premium metal construction and professional-quality lens elements.
It’s light in weight and fully sealed for weather protection, delivers super-sharp edge-to-edge image quality, and boasts the world’s first Dual VCM autofocus mechanism. This lens is an excellent complement to your fast primes and 12-40mm f2.8 PRO.
TWO IS BETTER THAN ONE
Smooth, rapid autofocus is a crucial factor in image quality. The 40-150mm f2.8 PRO’s innovative, industry-first Dual VCM (voice coil motor) AF delivers. Separating the focusing mechanism into two lens groups controlled by individual linear drive motors makes AF performance extremely fast and, with no gears involved, nearly friction-free and incredibly quiet.
PROFESSIONAL BUILD QUALITY
We know that serious shooters need the highest quality equipment, so we built the 40-150mm f2.8 PRO zoom accordingly. The premium metal lens body incorporates 16 lens elements in 10 groups, including Olympus ZERO-coated HD, ED, EDA and – for the first time in an M.ZUIKO lens – Super EDA glass for significantly reduced chromatic aberration, ghosting and flares.
SPLASHPROOF. DUSTPROOF. FREEZEPROOF.
Sometimes the harshest conditions produce the most dramatic photo opportunities. With 11 separate seals to keep out moisture and dust, the 40-150mm f2.8 PRO is ready to take on the elements. You don’t have to baby this baby!
At less than two pounds and a constant 6.2-inch length (lens movement is internal), the 40-150mm f2.8 PRO combines with OM-D or PEN camera bodies to create a very stable shooting platform. And its fixed f2.8 aperture is bright enough to capture sharp images across the entire zoom range.
ENHANCE YOUR ZOOM.
A 1.4x teleconverter is available for the 40-150mm f2.8 PRO that extends its focal length to a whopping 210mm (35mm equivalent of 420mm) for those really long shots. You can also get a ZUIKO protective filter that features Olympus' renowned ZERO coating technology.
NO DETAIL SPARED
The bundled lens hood has been marvelously designed to collapse back onto the lens for easy storage. When extended, the locking mechanism will fully support the weight of the lens and camera body. And to keep your investment safe, the bundled lens pouch will help protect against dings and scratches.
M.Zuiko ED 12-40mm f/2.8 PRO Lens Black
This large-aperture 3.3X Zoom lens is the first in the newly created “M.ZUIKO PRO” category. Covering a 35mm equivalent focal length of 24-80mm, this lens features all metallic construction and makes extensive use of high grade optical components including Dual Aspherical, High Refractive and ED lens elements configured in 9 groups to assure the highest level of reproduction. A fast maximum aperture of f2.8 throughout the zoom range, a manual focus clutch as well as Splash-proof, Dust-proof and Freeze-proof construction make it suitable for the most demanding professionals and enthusiasts. An “MSC” (movie and still compatible) AF lens drive system ensures fast and quiet auto-focusing – especially important when shooting HD movies. A seven blade circular aperture produces pleasing background defocusing effects. Included accessories are LH-66 Petal type hood, LC-62D Aluminum Protective Lens Cap, LR-2 Rear Lens Cap, LSC 0918 Lens Pouch and One Year World-Wide Warranty.
OM-D E-M1 Mark II Body
BLH-1 Li-ion battery
BCH-1 Li-ion battery charger
Olympus 40-150mm MSC ED f/2.8 PRO Micro 4/3 Lens
Rear Lens Cap(LR-2)
Olympus M. Zuiko Digital ED 12-40mm f/2.8 PRO Lens
Lens Rear Cap(LR-2)
Olympus Worldwide Warranty Card
OM-D E-M1 Mark II
Sensor / Dust Reduction
|Sensor Type||4/3" Live MOS Sensor|
|Effective Pixels||20.4 million|
|Total Pixels||21.8 million|
|Aspect Ratio & Area||4:3 / 17.4 x 13.0mm|
|Dust Reduction||Super Sonic Wave Filter|
|Processor Type||TruePic™ VIII|
|AF System Type||High-speed imager AF: Imager phase detection AF and imager contrast AF (active AF automatically selected by camera; when a Micro Four Thirds lens is attached, imager phase detection AF is always selected)|
|Focus Modes||Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) / Preset MF*1
*1 Distance setting values are rough estimates and not compatible lens except the AF lens.
|Full Time AF||N/A|
|AF Limiter||Available (Fn button can be assigned to On/Off; can save 3 settings) *Distance setting values are rough estimates.|
|AF Performance||C-AF lock (5 steps) , AF scanner (3 types)|
|Magnified Frame||3x , 5x , 7x , 10x , 14x
*Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on and to activate magnification; touch icon on monitor to turn off; enables selection of AF point from over 800.
|Face Detection AF / Eye Detection||Available
Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority
|Focusing Points / Focusing Points Selection Mode||121-point cross-type phase detection AF and 121-point contrast AF / All target, group target (9-area or 5-area), single target|
|AF Targeting Pad||Available (activate / deactivate with double tap on rear monitor)|
|Manual Focus Assist* Customize FunctionFocus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode||Manual Focus Assist* Customize FunctionFocus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode|
|Peaking Function||Activate with Fn button or focus ring
Change peaking settings using the Info button
Color selection: white, black, red, yellow
Intensity selection: high, normal, low
Back light effect: on, off
|System Type||Built-in 5-axis* sensor-shift image stabilization for movie and still photos
*yaw/pitch/roll/vertical shift/horizontal shift
|Modes||4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF|
|5-Axis Sync IS||Available*
*When using M.Zuiko Digital lenses equipped with image stabilization
|Live View Image Stabilization||Activation by half-pressing shutter button or enlarging view|
|Focal Length Setting||11 settings: 10 programmable settings (10 lenses), 1 open setting|
|IS For Live View Image||Activation by half-pressing shutter button or enlarging view|
|Stabilization Performance||5.5 EV*
*Based on CIPA measurement conditions.
When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length = 40mm (35mm equivalent: 80mm))
|Lens IS Priority||Available|
Shutter / Sequential Shooting
|Shutter Type||Computerized focal-plane, high-speed mechanical shutter Silent electronic shutter|
|Shutter Speed||Mechanical Shutter: 1/8000 - 60 sec. (1/3, 1/2, 1 EV steps selectable)
Electronic Shutter (Silent Mode): 1/32000 - 60 sec
Bulb / Time: default setting 8 min. (1/2/4/8/15/20/25/30 min. selectable)
|Sequential Shooting Maximum Speed||[Sequential shooting H] approx. 15 fps with selectable 10-15 fps (AF / AE locked)
[Sequential shooting L] approx. 10 fps with selectable 1-10 fps (including AF tracking: C-AF+TR)
[Anti-shock sequential shooting L] approx. 8.5 fps with selectable 1-8 fps (including AF tracking: C-AF+TR)
[Silent sequential shooting H] approx. 60 fps with selectable 15, 20, 30, 60 fps (AF / AE locked)
[Silent sequential shooting L] approx. 18 fps with selectable 1-10, 15, 18 fps (including AF tracking: C-AF+TR)
[Pro Capture H] approx. 60 fps with selectable 15, 20, 30, 60 fps (AF / AE locked)
[Pro Capture L] approx. 18 fps with selectable 1-10, 15, 18 fps (including AF tracking: C-AF+TR)
*When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO
*Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting.
*When in Pro Capture mode, slower shutter speeds and flash can not be used?
*When ISO is 8000 or above, 30 fps becomes the maximum sequential shooting speed, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above.
*Focus and exposure are fixed at the values of the first shot when using sequential shooting H.
*Maximum sequential shooting speed is 8.5 fps for anti-shock sequential shooting L, even when set to 9 or 10 fps.
|Self Timer||Operation time: 12 sec., 2 sec.,custom (Waiting time 1-30sec.,Shooting interval 0.5/1/2/3sec.,Number of shots 1-10|
|Finder Type||Eye-level electronic viewfinder, approx. 2.36M dots|
|Field of View / Viewfinder Magnification||Approx. 100% / Approx. 1.30x*1 - 1.48x*2 (-1m-1, 50mm lens, Infinity)
*1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3)
|Eye Point / Diopter Adjustment Range||Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1|
|Preview||Live View preview with depth of field preview lock|
|Display Grid||Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid
*grid color is selectable
|Level Gauge||2-axis (horizontal / vertical) level gauge|
|One Touch Tele-Converter||Available (2x)|
|Finder Style||3 styles|
|Brightness / Color Temp Control||Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control|
|S-OVF (Simulated OVF)||Expands the Live View dynamic range. *Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.|
|Eyecup||Optional eyecup EP-13 available|
|Rear Monitor Size||3.0-inch vari-angle monitor* *Approx.1037k dots (3:2), electrostatic capacitance touch panel|
|Touch Control||Shutter release, magnification, AF area selection, AF area size adjustment, AF touch pad, frame forward/backward, magnified playback, Live Guide, Super Control Panel, Wi-Fi connection, movie controls, movie effects, movie teleconverter , selfie controls (shutter release, e-Portrait, custom self timer)|
|Tilting Capability||With (mirror display when monitor is in self portrait position)|
|Brightness / Color Temp Control (Rear Monitor)||±7 levels / ±7 levels|
|Color Tone Select||Vivid / Natural|
|Live View||Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3/x5/x7/x10/x14),
Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)
|Field of View||100%|
|Display Mode||Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)|
|Monitor Information||Aperture value, Shutter speed, Auto Bracket, AE Lock, AF mode, IS, Shooting Mode, Battery %, Custom Set, Internal Temperature Warning, Face / Eye Detection, Histogram, Number of storable still pictures, Record mode, ISO, Sequential shooting, Self-timer, White Balance, Metering Mode, AF confirmation, Exposure Compensation Value, Spot metering Area Flash Mode, Flash Status, Flash intensity Control, Super FP, Focal length, Tone control, Eye-Fi condition, Digital teleconverter|
|Display of Face Detection||Max 8 frames of face detection can be displayed.|
Exposure Control / Flash
|Metering System||Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering|
|Metering Range||EV -2 - 20 (using 17mm f2.8, ISO 100)|
|Exposure Mode / Shooting Mode||i Auto (Live Guide can be used) , P: program AE (program shift can be performed),
A: aperture priority AE
S: Shutter priority AE
M: Manual (Live Bulb, Live Time and Live Composite are available)
Underwater wide/Underwater macro (to be assigned to the Fn1 button)
|Scene Select AE||No|
|ISO Sensitivity||AUTO ISO (default) : LOW (approx.64) - 6400 with customizable upper limit (200 - 6400)
Manual ISO : LOW (approx.64), 200 - 25600 (adjustable in 1/3 or 1 EV steps)
|Exposure Compensation||±5 EV, adjustable by 1/3, 1/2 or 1 EV steps When shooting in HDR or in video, only adjustable up to ±3 EV steps Live View only reflects up to ±3 EV steps|
|AE Lock||Locks with a half-press of the shutter button , AEL/AFL button(can be set to Fn button as well)|
|Noise Filter at High ISO Setting||Off, Low, Standard, High|
|Noise Reduction at Slow Shutter Speed||Off, On, Auto On : effective when shutter speed is slower than 1 sec.
Auto : effective when shutter speed is slower than 4 sec. (at ISO 200 or higher) or 8 sec. (at lower than ISO200)
|Flash Intensity Control Mode||TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL)
* Available on the external flash
|Bundled Flash||FL-LM3(dustproof and splashproof flash)
Bounce Capability (up and down:45, 60, 75, 90 degree / left and right 30, 60, 90, 120, 150, 180 degree)
* Powered by the camera
|Flash Mode||Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64)|
|Synchronization Speed||1/250 sec.
*When using Super FP: 1/125-1/8000 sec.
*When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing
|Flash Intensity Control||Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable|
|Compatible External Flash||FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8|
|Wireless Flash Control||Wireless flash transmission channel settings enable selection of the flash/no flash for groups of multiple flash units. In addition, it allows TTL auto, auto and manual models to be set; offers a bounce and swivel head; and flash coverage is automatically adjusted in several steps to correspond to the image area when zooming.|
|Wireless Flash Control Method||Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R and FL-900R , STF-8|
|Wireless Flash Intensity Control Mode||TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL|
|Channel No.||4 channels|
|Group No.||4 groups (External flash 3 groups + commander flash)|
Memory / Image Recording
|Compatible Memory||SD, SDHC*1, SDXC*1, Eye-Fi Card compatible*2
*1 Slot1:UHS-I,II compatible , Slot2:UHS-I compatible.
*2 Not compatible with Endless Memory.
|Recording Format||DCF2.0, Exif2.3|
|File Format||RAW (12-bit lossless compression), JPEG, RAW+JPEG|
|Recording Image Size||[RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels|
|Dual Card Slot Settings||Standard, Auto Switch, Dual Independent, Dual Same *When two cards are inserted, card to be saved on to or to be viewed can be designated.|
|Folder Creation and Selection||Available|
|Copy||Copy single file, copy multiple files, copy all *When copied, the new file will be given a different name from that of the original file.|
White Balance / Color Mode
|White Balance Mode||Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)|
|White Balance Compensation*||±7 steps along A-B / G-M axis * Except for Custom WB|
|Preset White Balance||7 preset WBs (3000K - 7500K) - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)|
|CWB (Kelvin Setting)||2000 - 14000K|
|Capture White Balance||4 custom settings can be registered|
|Color Modes||RGB, Adobe RGB|
Brackting / HDR
|Exposure Bracketing||2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable|
|ISO Bracketing||3 frames in 0.3/0.7/1.0EV steps selectable|
|White Balance Bracketing||3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.|
|Flash Bracketing||3 frames in 0.3/0.7/1.0EV step selectable|
|Art Filter Bracketing||i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable|
|Focus Bracketing||3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)|
|Focus Stacking Mode||8 shots are taken at different focus points and automatically composited together into a single image
* Angle of view becomes slightly smaller
* Compatible with:
M.Zuiko Digital ED 60mm f/2.8 Macro
M.Zuiko Digital ED 12-40mm f/2.8 PRO
M.Zuiko Digital ED 40-150mm f/2.8 PRO
M.Zuiko Digital ED 30mm f/3.5 Macro
M.Zuiko Digital ED 7-14mm f/2.8 PRO
M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO
M.Zuiko Digital ED 300mm f/4.0 IS PRO
|HDR (Auto Composite)||HDR1, HDR2 (painting-like)
* ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
* Exposure compensation can be performed.
|Bracketing for HDR post-process||3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps.
*This sequential shooting H AE bracketing is specifically for shooting images that will be HDR-processed on a PC.
|Picture Mode||i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters|
|Gradation||Auto, Normal, High Key, Low Key [except when using i-Enhance, Underwater, Art Filters, Color Creator]|
|Filter Effect (B&W Filter)||Neutral, Yellow, Orange, Red, Green for Monotone|
|Picture Tone||Neutral, Sepia, Blue, Purple, Green for Monotone|
(Variation / Art Effect)
|Pop Art (I, II / a.b.c.d.e)
Soft Focus ( - / c.e)
Pale & Light Color (I, II / a.b.c.d)
Light Tone ( - / d)
Grainy Film (I, II / b.c.d.f.g)
Pin Hole (I, II, III / d.)
Diorama ( - / d.)
Cross Process (I, II / b.c.d.)
Gentle Sepia ( - / a.b.c.d.f.)
Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
Key Line (I, II / a.b.c.d.e.)
Watercolor (I, II / a.b.c.d.)
Vintage (I, II, III / a.b.c.d.e.f.i)
Partial Color (I, II, III / a.b.c.d.e.f)
|Art Effect||a. Soft Focus Effect
b. Pin-Hole Effect
c. White Edge Effect
d. Frame Effect
e. Star Light Effect
f. Blur Effect (Top & bottom, Left & Right)
g. B&W Effect (None, Yellow, Orange, Red, Green)
h. Picture Tone (None, Sepia, Blue, Purple, Green)
i. Shade Effect (Top & bottom, Left & Right)
|Color Ring (for partial color)||18 color selectable|
|Live Bulb / Live Time||Update Interval Time - 0.5 sec – 60 sec|
|Live Composite||Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization)|
|Interval Shooting||"Interval Time 1sec. - 24 Hours, Max 999 frames. Available on making Time-lapse movie automatically"|
(# of pictures / function)
|2 frames / Auto gain, Exposing on Recorded picture(RAW)|
|Keystone Compensation||Available (can be confirmed in Live View) *Horizontal and vertical compensation can be performed simultaneously.|
Video / Audio Recording
|Video Recording Format||MOV(MPEG-4AVC/H.264) , AVI(Motion JPEG)|
|Movie Mode / Frame Rate / Compression Method||4096 × 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
3840 × 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N)
1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
60p: 59.94 fps, 50p: 50.00 fps, 30p: 29.97 fps, 25p: 25.00 fps,
24p: 23.98 fps, C4K 24.00 fps
FHD ALL-I (A-I: ALL-Intra / approx. 202 Mbps),
FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx.. 30 Mbps,
N: Normal / approx. 18 Mbps)
HD ALL-I (A-I:ALL-Intra / approx. 102 Mbps),
HD IPB(SF:SuperFine / approx.26Mbps, F:Fine / approx.14Mbps?N:Normal / approx.10Mbps)
HD (1280 x 720) / 30p
*Frame rates may drop when particular Art Filters and Movie Effects are used.
*Class 10 or higher SD card is recommended for shooting movies.
*UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting.
|Maximum Video Recording Time||[MOV] Approx.. 29min [AVI] Approx. 7min*
*Excluding when particular Art Filters are used
|Movie Tele-converter||Approx. 3x (enlarges view of selected area)|
|Art Filter Movie||Available (Frame rates may drop when certain Art Filters are used)|
|Movie Effect||One-shot Echo / Multi-echo / Art Fade / Old Film|
|IS for Movie||M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS),
M-IS2(Image sensor shift with multi motion IS), Off
* While using M-IS1, field of view may be affected.
|Video Exposure Control||Program AE, aperture priority AE, shutter priority AE, manual|
|Grid Lines / Focus Peaking||4 types of grid lines / 4 colors for focus peaking|
|Time Code||Rec run/free run, drop frame/non-drop frame|
|Clips||1, 2, 4, 8 sec.
(Further continued shooting possible up to 16 seconds by pressing movie record button again)
|Quick Movie / Slow Movie||With (this function is not available for videos with certain frame rates)|
|Audio Recording Format||Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)|
|Microphone / Speaker||Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached|
|Microphone Function||Wind noise reduction, recording volume, microphone volume limiter
Audio dubbing possible for still pictures (up to 30 sec.)
* May affect audio quality.
|IC Recorder Linkage||Slate Tone / Synchronized Audio Rec-Movie Rec *LS-100 compatible|
QR code setting
Self timer (w/Countdown guidance, Sequential shooting, movie recording capability)
Touch AF & Shutter
P/A/S/M exposure modes (Live Bulb, Live Time, Live Composite)
Aperture, shutter speed, exposure, ISO sensitivity, white balance can be adjusted.*
* When in private connection
|Tethered Shooting||Via USB cable (camera can be operated by both PC or camera controls)|
|Playback Mode||Single-frame, information display, index display (4/9/25/100 frames), Clips, calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), slideshow (with sound including BGM, Slide show effects, replaceable BGM), Light Box display|
|Information Display||Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF|
|Custom Settings / Reset||Modes C1, C2, and C3 can be accessed by mode dial
Modes C1, C2, and C3 can be accessed via the menu
Dial function and dial direction are customizable for both dials
|Button Customization||Buttons can be customized (select from 35 functions)
* Buttons on lenses and HLD-9 power batter holder can also be customized from the camera
* Some buttons may have restrictions to what functions can be assigned
|Copyright Settings / Lens Info Settings||Available / With (save up to 10 lenses)|
|RAW Image Editing Functions||Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Aspect, e-Portrait, Image Overlay, Post recording|
|JPEG Image Editing Functions|
|Image Overlay||Up to 3 RAW images|
|English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai|
Connectivity / Power Requirements
|USB Connector||USB Type-C|
|Remote Connector||φ2.5Pin Jack (when using separately available RM-CB2).|
|HDMI Connector||Micro HDMI (type D)|
|Flash Attachment||Hot shoe, sync terminal|
|Wireless LAN||Built-in(IEEE 802.11b/g/n)|
|MIC Input Jack||φ3.5 stereo mini jack (plug-in power on/off)|
|Headphone Jack||φ3.5 stereo mini jack|
|Battery||BLH-1 Li-ion battery (included)|
|Battery Status Display||Remaining power (4 steps, %, or by-minute display), shot count, degradation|
|Power Battery Holder||HLD-9 power battery holder is separately available (holds one BLH-1 battery).|
|AC Adapter||AC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera).|
|Sleep Mode||Available (1/3/5 min. off)|
|Weight||Approx. 574 g (with BLH-1 battery and Memory card, based on CIPA standards)
Approx. 498 g (body only)
|Dimensions (W x H x D)||134 x 91 x 69mm
(based on CIPA standards: excludes protrusions)
|Environmentally Sealed||Dust, Splash, Freezeproof|
|Operating Temperature Range||-10°C ~ +40°C (when in operation) / -20 ~ +60°C (when stored)|
|Operating Humidity Range||30 - 90% (when in operation) / 10 - 90% (when stored)|
M.Zuiko ED 40-150mm f/2.8 PRO
|35mm Equivalent Focal Length||80-300mm|
|Lens Construction||16 Elements in 10 Groups(1 Aspherical ED lens, 2 Aspherical lenses, 1 SED lens, 3 ED lenses, 1 HD lens)|
|Dust & Splash Proof||Yes|
|Focusing System||High-speed Imager AF (MSC) - Linear Motor Drive System|
|Angle of View||30 - 8.2 Degree|
|Closest Focusing Distance||27.55 inches from Imager plane (0.7m)|
|Maximum Image Magnification||0.21x|
|35mm Equivalent Max. Image Magnification||0.42x|
|Minimum Field Size||82 x 62 mm|
|Number of Blades||9 (Circular Aperture Diaphragm)|
|Filter Size||Diameter 72mm|
|Dimensions||Diameter 3.1 inch x 6.29 inch (79.4x160mm)|
|Weight||1.67 lbs. Tripod not included / 1.94 lbs. Tripod included (760 g/880 g)|
M.Zuiko ED 12-40mm f/2.8 PRO Lens
|35mm Equivalent Focal Length||24-80mm|
|Lens Construction||14 Elements in 9 Groups
(Aspherical ED lens, 2 Aspherical lenses, DSA lens, 2 ED lenses, HD lens, 2 HR lenses)
|Dust & Drip Proof||Yes|
|Focusing System||High-speed Imager AF (MSC) - Linear Motor Drive System|
|Angle of View||84 - 30 Degree|
|Closest Focusing Distance||7.87 inches|
|Maximum Image Magnification||0.3x|
|35mm Equivalent Max. Image Magnification||0.6x|
|Minimum Field Size||58 x 44 mm|
|Number of Blades||7 (Circular Aperture Diaphragm)|
|Filter Size||Diameter 62mm|
|Dimensions||Diameter 2.7" X 3.3"|
Questions & Answers
Olympus OM-D E-M1 Mark II Mirrorless Body w/ M.Zuiko ED 12-40mm & M.Zuiko ED 40-150mm f/2.8 PRO Lenses
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