• Webcode: 418201 • Mfr: 2245C002
Product Highlights
  • 8.3MP Super 35mm CMOS Sensor
  • Full HD (1920x1080) Up to 59.94p
  • DIGIC DV 4 Image Processor
  • Simultaneous AVCHD and MP4 Recording
  • Optical Image Stabilization
  • Includes EF24-105mm II f4/L IS USM Lens
Kit Options:
C100 Mark II Body
C100 Mark II Body & EF24-105mm II Lens
Web Availability: In Stock
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Overview

Powerfully Evolved HD Freedom.

The Canon EOS C100 Mark II Digital HD Camera offers all of the advantages of its predecessor while adding advanced new imaging and operational features by popular demand.

Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, this greatly evolved camera integrates the same Emmy®-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor. In addition to improved RGB video processing, the camera's dual codec capability supports simultaneous AVCHD and MP4 recording, including 59.94P capture along with slow and fast motion recording. Dual Pixel CMOS AF and Face AF, wireless FTP video transfer, a built-in Canon Log LUT, GPS support and support for an extensive range of workflows, are additional operational features that have been added. A re-designed 270-degree rotating 3.5-inch OLED panel, and a tiltable large-size EVF with large-size eyecup, further empower the camera operator.

The compact, redesigned, lightweight body of the Canon EOS C100 Mark II Digital HD Camera has also evolved, and now includes a built-in microphone, START/STOP buttons clearly labeled in red, transparent covers on its twin SD card slots, improved battery insertion and removal, and an increased number of assignable buttons. Add to this its built-in ND filters, removable rotating pistol grip, removable top handle with twin XLR inputs, built-in stereo mic, and audio controls, and the Canon EOS C100 Mark II emerges as a powerfully evolved Super 35mm Digital HD camera designed to serve your quest for greater freedom of creative expression in HD video production.

Key Features:

Canon Super 35mm CMOS Sensor

The EOS C100 Mark II Digital HD Camera employs the same single Super 35mm Canon CMOS image sensor as the rest of the Cinema EOS camera family and includes the same innovative strategies that have established the outstanding image performance of these cameras. This 8.3 megapixel sensor maximizes the size of the individual photosite ? each of which deploys two photodiodes to ensure high speed removal of accumulated charge, which in turn helps elevate the effective sensor dynamic range.  Allied with innovative Canon signal extraction strategies that enhance the sensor signal to noise performance allows unprecedented elevation of the ISO setting in this professional Super 35mm camera, while always protecting its dynamic range.

Canon DIGIC DV 4 Image Processor

The four 1920 x 1080 HD R Gr Gb B video components from the image sensor are pre-processed and then sent to the DIGIC DV 4 processor for advanced video processing. This includes separate interpolation of the sparsely sampled R and B HD components to form full frame 4K for each. The two green HD components are also interpolated to form a single full frame 4K Green component. These three 4K RGB components are then down-sampled to create a set of  YCC 422 HD components that have high MTF, improved edge transitions, low false color moiré, and enhanced overall color reproduction. These components are further processed preparatory to sending them to the AVCHD and MP4 codecs.

Simultaneous AVCHD and MP4 Recording

The EOS C100 Mark II Digital HD Camera enables users to record in both the AVCHD and the MP4 recording formats in a variety of bit rates (up to 28 Mbps and 35 Mbps, respectively), resolutions, and frame rates, including 59.94p, to address practically any production need. Both formats have their own particular advantages. AVCHD is a professional standard that enables long-duration recording of full HD using moderate total data capacities. MP4 has advantages for Web and smartphone sharing. Both formats are easily accepted by most nonlinear editing applications. The EOS C100 Mark II camera's dual SD card slots can record in either or both formats simultaneously and can convert AVCHD and MP4 files into smaller MP4 files for web upload.

Slow and Fast Motion Recording

The EOS C100 Mark II Digital HD Camera can provide slow and fast-motion video effects when recording in the MP4 format. Sound is not recorded, and the feature is not available during double-slot recording. Slow and fast-motion playback speeds can range from x0.4 slow up to x2.5 fast.

MP4 Conversion

This feature allows for converting an AVCHD or MP4 recording on the SD card in the EOS C100 Mark II camera's main slot into a 3 Mbps (640 x 360) MP4 file on the SD card in the alternate slot. This gives users a smaller file that is easier to transmit. MP4 conversion is not possible for MP4 files at 35 Mbps and AVCHD files at 28 Mbps.

Redesigned 3.5-Inch OLED Panel

OLED (Organic Light-Emitting Diode) is a newer display technology that provides vivid colors, high contrast, and dramatically improved responsiveness compared to traditional LCD screens. The 3.5-inch 1.23 megapixel OLED display on the EOS C100 Mark II delivers virtually 100 percent field of view coverage, wide and faithful color range support, and improved viewing even in bright sunshine. The EOS C100 Mark II camera's OLED screen has a new hinge design to help maximize monitoring versatility. The design allows the panel to fold shut when stowed and protect the OLED surface. It can then open 180 degrees to reveal function keys and a joystick, or open further to 270 degrees to deploy against the side of the camera and provide monitoring for directors, producers, or other production personnel.

1.23 Megapixel Tilting Color EVF

Larger and totally redesigned from what was featured on its predecessor model, the EOS C100 Mark II camera's EVF (Electronic ViewFinder) uses a 0.45 inch 1.23 megapixel color panel surrounded by a large professional-style eyecup like the one used on the Canon EOS C300 and EOS C500 Cinema cameras. In addition, the new EVF has a 68 degree tilt angle, allowing it to be used more effectively in a variety of shooting situations.

Dual Pixel CMOS AF

A standard feature of the EOS C100 Mark II Digital HD Camera, Dual Pixel CMOS AF (AutoFocus) ingeniously deploys the two photodiodes within each sensor Photosite to facilitate a powerful phase difference detection that provides measurement data that ultimately controls the EF lens focusing system helps ensure that proper focus is always maintained, even in unpredictable "run and gun" news or documentary-type shooting situations. Dual Pixel CMOS AF operates within the center portion of the frame and is compatible with more than 100 Canon EF lenses.

Face AF Mode

Face AF mode detects and focuses on human faces. Both the Dual Pixel CMOS AF and Face AF capabilities give camera operators more freedom to concentrate on composing their shots and paying attention to potentially unpredictable shooting environments.

59.94p Frame Rate

By popular demand, the EOS C100 Mark II HD Digital Camera can capture 1920 x 1080 HD video at a 59.94p frame rate (59.94p is available in MP4 mode at 35 Mbps and in AVCHD at 28 Mbps). This frame rate can provide captured video with a very "smooth" look that is useful for sports and news applications.

Wireless FTP Video Transfer

MP4 and AVCHD video files (and still images) can be wirelessly transferred to a selected FTP server. This feature is particularly useful for transferring time-critical video for news and for backing-up files. The feature uses the 5GHz band for quick, reliable file transfers. Up to 100 files can be selected to transfer at one time.

Built-In Microphone

A monaural "mono" microphone is built into the body of the EOS C100 Mark II Digital HD Camera for the capture of reference audio, for spoken notes, or as an aid to synching sound in post. This microphone works only when the removable top handle with twin XLR inputs is not attached.

Built-In Canon Log LUT

Many filmmakers prefer to shoot in Canon Log to protect the integrity of the total dynamic range of which the image sensor is capable, which, in turn, can provide greater latitude in post-production grading processes. As the picture is being monitored during Canon Log-enabled shooting, however, the image seen will not accurately represent its final "look". A built-in LUT (Look-Up Table) in the EOS C100 Mark II can be applied to facilitate viewing the video live on a monitor connected to the camera's HDMI® output in a more visually appealing Wide DR (Dynamic Range) or BT.709 (television standard) color space. The Canon Log LUT feature can be turned on or off in the camera's menu.

Red Record Buttons

There are three start/stop record buttons on the EOS C100 Mark II Digital HD Camera (one on the front of the camera, one on the removable pistol grip, and one on the detachable top handle) and all are red for bright visibility. Besides aiding with quick identification, this industry-standard color helps reduce the chance of accidentally stopping a recording.

New Ergonomic Re-Design

The EOS C100 Mark II Digital HD Camera features a compact design for comfortable use by a single operator. Subtle but important modifications for smoother operator comfort include indentations around control buttons and a recessed power switch.

Outstanding Low Light Sensitivity and Wide Dynamic Range

The combined performance of the camera's Canon Super 35mm CMOS sensor and DIGIC DV 4 Image Processor achieve a very high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light. This advanced performance yields a maximum ISO speed of 102,400 and a wide dynamic range with up to 12 stops.

Full Manual Control and Focusing Aids

Digital filmmakers preferring complete manual control have that ability with the Canon EOS C100 Mark II Digital HD Camera. Shooters can also create, save, and recall custom picture settings, camera functions, and display options. Highly effective built-in Focus Aids to confirm critical focus can be displayed on both the tilting EVF and folding OLED monitor, including Peaking (white, red, blue, yellow) and a magnification function that can be shifted to 25 locations across the image. Also included is an Edge Monitor feature, which shows red and green displays at the bottom of the OLED panel with three red focus-check areas shown. The green waveform shows overall focus of the image while the red waveform shows the focus status of the focus-check boxes. Through this dynamic focus feedback technology shooters can intuitively tune focus or quickly change the zone of focus.

Removable Pistol Grip and Top Handle with XLR Inputs and Stereo Mic

The removable top handle on the Canon EOS C100 Mark II Digital HD Camera integrates a built-in tally light, stereo microphone, dual XLR audio inputs for stereo recording, and a mic mount. Audio is captured in16-bit 48 kHz linear PCM format or Dolby Digital. A compact array of audio-level dials and channel/input switches built into the handle (under a hinged clear plastic protective cover) enables shooters to select signals from the built-in stereo mic or mics attached to the XLR inputs and adjust the gain independently on a channel-by-channel basis. Users can also power a wide range of audio-capture devices with the XLR inputs phantom power supply.

HDMI® Out with Time Code

The Canon EOS C100 Mark II Digital HD Camera includes a screw-locking HDMI connector for output of live HD video from the camera to monitors or other devices. The camera's HDMI signal features superimposed SMPTE time code for attachment to recorders or other third-party devices.

EF 24-105mm f/4L IS II USM

For incredible versatility, the EF 24-105mm f/4L IS II USM has been redesigned to deliver superb L-series optical performance that pairs smoothly with the high-resolution, full-frame sensors of SLR cameras.

Featuring a zoom range of 24-105mm and a constant f/4 aperture, the EF 24-105mm f/4L IS II USM is ideal for landscapes, portraits, sports and more, offering effective all-day performance for advanced photography and videography. It helps reduce ghosting and flare, and has improved peripheral brightness as well as a 10-blade circular aperture that helps deliver sharp, evenly illuminated images with gorgeous background blur. It even has an improved IS system for better handheld performance, especially in challenging light. From wide-angle to mid-telephoto and everywhere in-between, the EF 24-105mm f/4L IS II USM is a durable, compact performer you can count on for excellent performance and gorgeous results in more places, more often.

All-new optical design

With improvements in peripheral brightness.

The EF 24–105mm f4/L IS II USM’s new optical composition includes 17 elements in 12 groups, including 4 glass-molded (GMo) aspherical lenses on 5 surfaces for excellent overall resolving power. These improvements help increase peripheral brightness for better edge-to-edge results with reduced distortions, delivering still photos and video of great clarity and resolution.

Wide-angle to mid-telephoto

High-performance standard zoom lens with constant f/4L aperture and a broad angle of view

Offering coverage from 24mm wide-angle to 105mm mid-telephoto, the EF 24–105mm f/4L IS II USM is a true walk-around lens that can be used for any number of shooting scenarios. From landscapes and portraits to snapshots and videos of breaking news, and anything else that catches the photographer’s or filmmaker’s eye, the EF 24–105mm f/4L IS II USM range is highly adaptable. You can spend less time changing lenses and more time taking pictures or recording video.

Air Sphere Coating (ASC)

Significantly reduces flare and ghosting

The EF 24–105mm f/4L IS II USM features Air Sphere Coatings (ASC) on its lens elements to help combat flare, ghosting and reflections, and deliver clean images with reduced aberrations from reflected light. Designed to significantly reduce distortions, this technology puts an ultra-low refractive layer on the lens element. This layer works with the EF 24–105mm f/4L IS II USM’s overall optical formula to help deliver a clean image to the camera’s sensor, which can decrease the need for post-production.

Capture sharp images

Image Stabilizer performance at up to 4 stops* of shake correction

For consistently sharper results, the EF 24–105mm f/4L IS II USM features an improved Image Stabilizer system that provides significantly enhanced shake reduction for up to 4 stops* of shutter speeds. This means more reliable handheld performance and clearer detail in low-light situations or at lower ISOs. Because of its enhanced stabilization, the EF 24–105mm f/4L IS II USM can also minimize the need for a tripod.

Circular aperture (10 blades)

Helps deliver beautiful, soft backgrounds

Thanks to its 10-blade, circular aperture, the EF 24–105mm f/4L IS II USM is capable of gorgeous, evocative out-of-focus areas and soft backgrounds throughout its zoom range. By delivering an incredible level of control over background blur, it helps you define the mood of your image, creating impactful photos and videos.

Fluorine coating on front and rear lens surfaces

Helps reduce smears and fingerprints

To help maintain a clean lens, even after multiple lens changes in sub-optimal conditions, the EF 24–105mm f/4L IS II USM has a specially designed non-stick fluorine coating on its front and rear surfaces. This fluorine coating helps prevent dust, water, oil and other surface residue like fingerprints from sticking to the lens, resulting in quick and easy wiping, without the use of solvents.

Shoot, even in harsh conditions

Highly resistant to dust and water intrusion

Befitting an L-series lens, the EF 24–105mm f/4L IS II USM is built to endure photography and moviemaking in even the harshest conditions. It features a dust- and water-resistant construction on the switch panel, the zoom and focus rings, and on the lens mount, helping to prevent dust and moisture from interfering with operation.

Fast and accurate autofocusing

Inner focusing, ring USM, high-speed CPU and optimized AF algorithms

The EF 24–105mm f/4L IS II USM is engineered to provide fast, accurate operation for efficient performance across the board. It features a high-performance control CPU that drives Canon’s quick inner focusing with ring USM for quick starts and stops. Plus, it’s programmed with optimized AF algorithms that help achieve fast, accurate focus and maintain it consistently.

Full-time manual focus

Allows manual focus adjustment while in AF Mode.

The EF 24–105mm f/4L IS II USM offers complete manual control, even when AF is engaged, with a simple twist of the lens’s focus ring. Additionally, full-time manual focus means it’s easy to achieve and maintain focus manually, which can be especially handy when shooting video or composing still images on an SLR’s screen.

What's Included

EOS C100 Mark II Body
Eyecup
Handle Unit
Thumb Rest
Tripod Base
Shoulder Strap (SS-1200)
Battery Pack (BP-955)
Compact Power Adaptor (CA-940N) - for North America
Compact Power Adaptor (CA-941) - for other than North America
Battery Charger (CG-940)
DC Cable (for CA-930)
AC Cable
Data Import Utility Disc
Canon EF 24-105mm f/4L IS II USM Lens
E-77 II 77mm Lens Cap
Lens Dust Cap E (Rear)
Lens Hood EW-83M
LP1219 Soft Lens Case

Reviews

Product Specifications

EOS C100 Mark II

Image Sensor
Sensor Super 35mm CMOS (24.6 x 13.8 mm) (28.2 mm diagonal)
Total Pixels Approx. 9.84 megapixels (4206 x 2340)
Effective Pixels Approx. 8.29 megapixels (3840 x 2160 pixels)
Processor DIGIC DV 4
Colour Filter RGB Primary Color Filter (Bayer Array)
Lens System
Lens Mount Canon EF mount with EF contacts
ND Filters Clear, 2 stops (1/4), 4 stops (1/16), 6 stops (1/64)
Iris Dial Manual setting in 1/2-step increments, 1/3-step increments, or fine
Push auto iris control
Peripheral Illumination Correction On supported Canon EF, EF-S, and Cinema lenses
Exposure Control
Exposure Modes Manual
Push Auto Iris Control (metering system selection/AE shift possible)
Metering Modes Standard Center Weighted, Spotlight, Backlight
Gain Normal: -6 to 30 dB TBD
Fine: 0 to 24 dB, in 0.5 dB increments
ISO Range 320 to 102,400 in 1/3-step increments
Shutter Modes OFF, ISO Speed, Shutter Angle, Slow Shutter, or Clear Scan

Speed setting can be set in 1/2 or 1/3 stop increments
Shutter Speed Range 59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.51 Hz

PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15; CS: 29.97 Hz - 250.51 Hz

23.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.98 Hz - 250.51 Hz

50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.51 Hz

PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.51 Hz
Shutter Angle Settings 59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25

PF30: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25

23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25

50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25

PF25: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
Focus Control
Settings Manual
One-Shot AF
Continuous AF
Autofocus AF is dependent on interchangeable lenses
Dual Pixel CMOS AF with Canon EF, EF-S, and Cinema lenses
Video
Signal System NTSC and PAL
Recording Format Compression: MPEG-4, AVC/H.264, MP4
Maximum bit rate: AVCHD 28Mb/s, MP4 35Mb/s
Frame Rates AVCHD
1920 x 1080p: 59.94. 50, 23.98
1920 x 1080i: 59.94, 50
1920 x 1080PF: 29.97, 25


MP4
1920 x 1080p: 59.94, 50, 29.97, 25, 23.98
1280 x 720p: 29.97, 25, 23.98
640 x 360p: 29.97, 25, 23.98
Audio
Audio Record Mode AVCHD
28 Mb/s: Linear PCM; 2-Channel; 16-Bit; 48 kHz
24 Mb/s: Linear PCM; 2-Channel; 16-Bit; 48 kHz
All other modes: Dolby Digital AC3
Built-In Microphone Monaural microphone in camera body
Stereo microphone in Handle Unit
Audio Inputs 2 x XLR on top handle (Auto and Manual level settings)
1 x 3.5 mm terminal
XLR Mic Trimming -12, -6, 0, +6, or +12 dB
Limiter Available
Audio Level Control Infinity to +18 dB, Automatic
Separate controls for internal and externally connected microphones
Phantom Power +48 V
Headphone Output Level 16 Settings; volume is muted at lowest setting
Built-in Speaker Yes; 16 level settings
Tone 1 KHz tone available; -12, -18, or -20 dB
Media
Recording Media 2 x SD/SDHC/SDXC card slots
File system: FAT 32
Maximum Recording Time AVCHD
8GB SD Memory Card
28 Mb/s 1920 x 1080: 35 minutes
24 Mb/s 1920 x 1080: 40 minutes
17 Mb/s 1920 x 1080: 1 hour
7 Mb/s 1440 x 1080: 2 hours 20 minutes

16GB SD Memory Card
28 Mb/s 1920 x 1080: 1 hour 15 minutes
24 Mb/s 1920 x 1080: 1 hour 25 minutes
17 Mb/s 1920 x 1080: 2 hours 5 minutes
7 Mb/s 1440 x 1080: 4 hours 45 minutes

32GB SD Memory Card
28 Mb/s 1920 x 1080: 2 hours 30 minutes 24 Mb/s 1920 x 1080: 2 hours 55 minutes
17 Mb/s 1920 x 1080: 4 hours 10 minutes
7 Mb/s 1440 x 1080: 9 hours 35 minutes
64GB SD Memory Card
28 Mb/s 1920 x 1080: 5 hours 24 Mb/s 1920 x 1080: 5 hours 55 minutes
17 Mb/s 1920 x 1080: 8 hours 20 minutes
7 Mb/s 1440 x 1080: 19 hours 10 minutes

128GB SD Memory Card
28 Mb/s 1920 x 1080: 10 hours 10 minutes
24 Mb/s 1920 x 1080: 11 hours 55 minutes
17 Mb/s 1920 x 1080: 16 hours 45 minutes
7 Mb/s 1440 x 1080: 38 hours 25 minutes

MP4
8GB SD Memory Card
35 Mb/s 1920 x 1080: 30 minutes
24 Mb/s 1920 x 1080: 40 minutes
17 Mb/s 1920 x 1080: 1 hour
4 Mb/s 1280 x 720: 4 hours 20 minutes
3 Mb/s 640 x 360: 5 hours 40 minutes

16GB SD Memory Card
35 Mb/s 1920 x 1080: 60 minutes
24 Mb/s 1920 x 1080: 1 hour 25 minutes
17 Mb/s 1920 x 1080: 2 hours 5 minutes
4 Mb/s 1280 x 720: 8 hours 40 minutes
3 Mb/s 640 x 360: 11 hours 25 minutes

32GB SD Memory Card
35 Mb/s 1920 x 1080: 2 hours
24 Mb/s 1920 x 1080: 2 hours 55 minutes
17 Mb/s 1920 x 1080: 4 hours 10 minutes
4 Mb/s 1280 x 720: 17 hours 20 minutes
3 Mb/s 640 x 360: 22 hours 55 minutes

64GB SD Memory Card
35 Mb/s 1920 x 1080: 4 hours
24 Mb/s 1920 x 1080: 5 hours 55 minutes
17 Mb/s 1920 x 1080: 8 hours 20 minutes
4 Mb/s 1280 x 720: 34 hours 45 minutes
3 Mb/s 640 x 360: 45 hours 55 minutes

128GB SD Memory Card
35 Mb/s 1920 x 1080: 8 hours
24 Mb/s 1920 x 1080: 11 hours 55 minutes
17 Mb/s 1920 x 1080: 16 hours 45 minutes
4 Mb/s 1280 x 720: 69 hours 30 minutes
3 Mb/s 640 x 360: 91 hours 55 minutes
Simultaneous REC./Relay REC. Yes
Display
Type 3.5" / 8.9 cm, OLED
640 x 480
922,000 pixels
Adjustments Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)
Viewfinder
Type 0.24" (0.61 cm) color
960x540 resolution
1,560,000 pixels
Diopter Adjustment +2.0 to -5.5
Adjustments Brightness, Contrast, Color, and Backlight
Inputs/Outputs
HDMI Output 1 x Type A
Timecode Embedded in HDMI output
Audio Input 2 x Balanced 3-pin XLR on top handle unit
1 x 3.5 mm input jack on main body
Headphone Jack 1 x 3.5mm stereo mini-jack
Remote Terminal LANC compatible
USB 1 x Mini-B USB 2.0
General
White Balance Auto, Kelvin, Daylight, Tungsten, Set A, Set B
White balance shift is available within Presets (-9 to +9)
Waveform Monitor 2 Modes (Standard and RGB Component)
Minimum Subject Illumination 59.94 Hz: 0.3 lux
50 Hz: 0.25 lux
Language Support English, Japanese, Simplified Chinese, German, Spanish, French, Italian, Polish, Russian, Korean
Power Supply 7.4 V DC (battery pack: BP-955)
8.4 V DC (DC IN)
Operating Temperature Performance requirements
32 - 104°F (0 - 40°C), 85% relative humidity
Operating requirements:
32 - 113°F (0 - 45°C), 60% relative humidity
Dimensions (W x H x D) Body with Thumb Rest: 5.3 x 6.7 x 5.1 in (13.5 x 17 x 12.9 cm)
Body with Grip: 7.2 x 6.7 x 5.1 in (18.2 x 17 x 12.9 cm)
W/ Thumb Rest and handle: 5.6 x 11.1 x 9.3 in (14.2 x 28.1 x 23.6 cm)
W/ Grip and handle: 7.2 x 11.1 x 9.3 in (18.2 x 28.1 x 23.6 cm)
Weight Body only: approx. 2.2 lb (1.0 kg)
Grip: approx. 8.1 oz (230 g)
BP-955 Battery: 7.8 oz (220 g)

EF 24-105mm f/4L IS II USM

Focal Length & Maximum Aperture 24-105mm f/4 
Lens Construction 17 elements in 12 groups 
Diagonal Angle of View 84°00' - 23° 20' 
Focus Adjustment AF with full-time manual 
Closest Focusing Distance 1.5 ft. / 0.45m 
Filter Size 3.0 in. / 77mm diameter 
Max. Diameter x Length φ83.5 x 118mm (φ3.3 x 4.7")
Weight Approx. 795g (28.04 oz.)

Questions & Answers

Canon EOS C100 Mark II w/ EF24-105mm II f4L IS USM Lens

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