• Webcode: 424756 • Mfr: PXWFS5M2
Product Highlights
  • 8.8MP Exmor CMOS Sensor
  • 4K (4096x2160) Up to 120 FPS
  • 2K RAW (2048x1024) Up to 240 FPS
  • ISO 2000 Sensitivity
  • Electronic Variable ND Filters Built-In
  • Kit includes Atomos Shogun Inferno 7" & Accessory Kit
Kit Options:
PXW-FS5 II, Shogun Inferno & Case
PXW-FS5 II, E PZ 18-105mm Lens, Shogun Inferno & Case
Sony PXW-FS5M2 4K XDCAM with Atomos Shogun Inferno 7" 4K and Atomos Accessory Kit Sony PXW-FS5M2 4K XDCAM with Atomos...
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Overview

* Lens pictured not included.
 

Stunning New Super 35 Look

FS5 II is Sony’s Super35 handheld camcorder with stunning 4K HDR and 120fps performance.

FS5 II’s all-new default look is specifically tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look tuned with the same expertise as Sony’s world-leading VENICE digital cinematography camera. Straight out of the camera your content will look fresh and vivid, with subjects that really stand out, while still retaining plenty of latitude for post production refinement due to the high performance Super 35 ExmorTM sensor.

4K Super 35  Exmor (TM) sensor

FS5 II is built around a high-sensitivity 4K Super35 ‘Exmor’ CMOS Sensor that offers all the benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture shooting and super slow motion.

  • 4K Resolution

    11.6 million total pixels and 8.8 million* effective pixels deliver 4K resolution. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.
  • Super 35 Sensor

    The Super 35 size sensor offers ‘bokeh,’ the defocussed backgrounds made possible by shallow depth of field, as well as excellent low-light sensitivity and an expansive field of view.
  • 14 Stops of Exposure Latitude

    Deliver powerful grayscale rendition without crushing shadow detail or blowing out highlight detail.
  • Sony’s Exmor CMOS Design

    Provides high-speed full-pixel read-out capability (without pixel binning) and sophisticated camera processing to ensure jaggies and moiré are minimized.
  • Record 10bit 4:2:2 in Full HD

    At up 50Mbps internally.
  • Record 4K at 60**/50 fps

    In FS-RAW via a compatible third-party external recorder, such as ATOMOS Shogun and Convergent Design® Odyssey 7Q.

Making an Impact

Standing out from the crowd isn’t easy. FS5 II makes it easy with complete creative freedom: slow down time with phenomenal high frame rates up to 120fps in 4K and 240fps 2K/Full HD. Deliver spectacularly vivid HDR imagery with a choice of HLG and S-log2/3.

Grab and Shoot Mobility

Lightweight but robust, FS5 II is an endlessly adaptable camcorder for capturing breath-taking imagery anywhere the action takes you. Its modular design makes it easy to reconfigure for any application including mounting on a gimbal or drone.

High Frame Rate (HFR) Recording

FS5 II delivers stunning slow motion imagery, including four seconds of 120fps in 4K, continuous 240fps in 2K RAW when used in partnership with a compatible third-party external recorder, such as the ATOMOS Shogun and Convergent Design® Odyssey 7Q.

FS5 II also offers High Frame Rate (HFR) cache recording at Full HD 10bit 4:2:2 image quality and a frame rate of up to 240 fps. 8-second cache recording on to SDXC card means no more mistimed shots leading to extra takes. It also lets you pick out footage at exactly the point that you want. FS5 II also records continuous 120fps internally in Full HD. Higher frame rates of 480 fps and 960 fps are possible at specific resolutions.

Spectacular HDR performance

Demand for HDR content is increasing and FS5 II offers you a choice of two powerful workflows. Whichever option you choose, a phenomenal fourteen stops of exposure latitude ensures the highest fidelity in capturing highlights and details within shadows.

  • Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content.
  • S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading.

α Mount Flexibility

Sony’s α mount system offers unsurpassed compatibility with both Sony and third-party lenses. FS5 II’s E-Mount can take cinema lenses and SLR lenses with a third-party adaptor, as well as Sony’s E-mount and A-mount lenses. So whether buying new lenses, or making use of lenses you’ve already purchased, FS5 II makes it easy. You can also purchase FS5II on its own (PXW-FS5M2) or with lens SELP18105G (PXW-FS5M2K).

Built-In Electronic Variable ND Filters

FS5 II features Sony’s unique built-in electronic variable Neutral Density (ND) filter, further expanding the depth of field capability of its large format sensor. Unlike conventional optical ND Filters, the electronic ND Filter on FS5 II can be controlled from 1/4ND to 1/128ND linearly. ND Filters can also be set to auto. This makes FS5 II ideal for fast-moving shoots in changeable environments – there’s no need to change filters as lighting conditions change and variable control makes it easy to keep depth of field under control.

New Look and Creative Picture Profiles

FS5 II features an all-new default look with beautiful highlights and subtle, well rendered facial tones for more emotive visuals where your subjects naturally stand out. FS5 II saves time in post production while still providing all the flexibility and creative latitude you require. There’s also an additional nine Picture Profiles, including ones customised for S-Log2, S-Log3 and a profile specifically tuned to provide vibrant, high contrast visuals for creators who desire a DSLR-style look. Each profile can be individually adjusted to suit your specific requirements and switched between in seconds.

Clear Image Zoom

This proprietary Sony technology significantly extends your ability to get closer to a remote scene while preserving image quality. Once you’ve zoomed in at maximum optical magnification, By Pixel Super Resolution technology can enlarge the image by additional 200% in Full HD and 150% in 4K. It is also compatible with fixed focal length lenses, so you can zoom into a scene while using a prime lens.

Lightweight, Modular and Robust

Despite its amazingly light 0.8kg body, FS5 II is more than tough enough for the rigours of real-world shooting. A magnesium chassis ensures high rigidity with ¼-inch screw holes on handle, top and bottom of the body to support mounting on a drone, gimbal or in an underwater housing. A detachable Smart Grip puts all of the FS5’s key functions are at your fingertips and is easily adjusted with the press of a single button.

Versatile Monitoring

However you want to shoot, the FS5 II adapts to fit your style. A high resolution  0.39-inch OLED viewfinder enables precise manual focus and is perfectly offset for right-eye or left-eye viewing. A 3.5-inch LCD screen can be attached in no less than nine different locations: three on top of the handle and another six on top of the body. And once attached, the positioning of the screen can be freely adjusted – for example either beside the camera body or directly along the axis of the lens.

Networked for High Mobility

  • Live Stream from any event thanks to a choice of Wi-Fi or built-in wired LAN.
  • Control FS5 II from your smartphone or tablet.
  • Built-in NFC supports one-touch authentication possible with appropriate devices.
  • Be first with breaking news thanks to a built-in wired LAN jack for high-speed FTP transfer of full resolution content.
  • GPS Function automatically records GPS data.

  • Dual SD card slots with independent record control

    To extend recording time and workflow flexibility, FS5 II is equipped with two SDXC/SDHC memory card slots. ‘RELAY’ mode automatically switches recording from the first to the second memory card when the first is full, while ‘SIMUL’ mode permits simultaneous recording to two memory cards (for example to create an immediate back-up version). FS5 II’s three start/stop buttons on the grip, handle and camcorder body, can independently start and stop recording on different memory cards while recording in ‘SIMUL’ mode.
  • Multi-interface (MI) Shoe

    FS5 II takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light.
  • Dual XLR inputs

    FS5 II has two XLR connecters – so even if you remove the handle with its standard, easy-access XLR connector then a second on the body is still available, making it ideal for applications such as shooting in a confined space, such as a car interior, or when mounting on a gimbal.

Atomos Shogun Inferno

4K Monitor Recorder

Atomos invented the all-in-one monitor recorder category and now redefine it with the Shogun Inferno. It is the combination of the most advanced monitor technologies – 1500nit/10bit/HDR, the latest recording capability – 4Kp60 over Quad-SDI, along with playback & editing functionality that encourages on set collaboration. Shogun Inferno makes mastering a high resolution, high frame rate, high dynamic range workflow available to all filmmakers.

Simple OS, Sophisticated Shots

The Shogun Inferno is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Safe Area, luma/RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LUTs or upload .cube files) and options for de-squeezing anamorphic content.

Shoot HDR with Log Cameras

AtomHDR image processing lets you shoot with the high brightness range of your camera’s Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.


Continuous Power & Super Fast Charging

Inferno features our patented continuous power system - a hot swappable dual battery system that automatically swaps to the second battery when power is low. To support the dual battery system we include a blazingly fast battery charger, two 4-cell batteries and a D-Tap to DC coiled cable to ensure continuous power in the field is all but assured.
 

Monitor & Record XLR Audio

The Shogun Inferno has multiple audio options replacing the need for a separate audio recorder. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power.

Advanced Recording Capability

Outside of RAW and high frame rate 4:2:2 Apple ProRes / AVID DNxHR recording, the Shogun Inferno adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI or SDI popular cameras, convert interlace to progressive signals on the fly with built-in 3:2 and 2:2 pulldown or use features like Pre-roll (continuous cache recording) and Time lapse to maximise your creativity.

Battle-Ready for the Field

Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, XLR breakout cable, Lanc cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.

  • Batteries Included

    NP style 4-cell batteries (1.5 hours monitoring & recording in 4K)
  • AtomHDR

    10 stops of dynamic range, 1500nit 7" Full HD calibrated monitor
  • Snap-fast HDR Sun Hood

    Strong blockout and magnetic snap-fast design for easy screen access

Atomos Accessory Kit for Shogun/Ninja Inferno & Flame

Atomos has developed a tailored Accessory Kit that works across the Shogun Inferno, Shogun Flame, Ninja Inferno and Ninja Flame to arm users with everything needed to power, control, dock, charge and safely carry the units. Bundled together to save money.

What's Included

PXW-FS5M2 4K XDCAM Super 35mm Compact Camcorder
Handle
Grip Remote
LCD Panel
BP-U30 Battery Pack
Accessory Shoe Kit
(Accessory shoe, Accessory shoe plate, 4x Screws)
USB Cable
AC Adapter/Charger (BC-U1A)
Power Cord
Wireless Remote Commander (RMT-845)
LCD Protector
CD-ROM "Manuals for Solid-State Memory Camcorder"
2x Operating Guides
Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor
XLR Breakout Cable
Master Caddy II
AC Power Adapter
Atomos Accessory Kit
High grade HPRC case
Control cable
2x 5200mAh battery
Fast charger & docking station
DC to D-Tap cable
4x Master Caddy
Power Supply
HDR Sunhood


 

Kit Components
Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G- SDI Recording Monitor
PXW-FS5M2 4K XDCAM Super 35mm Compact Camcorder
Accessory Kit for Shogun/Ninja Inferno & Flame

Reviews

Product Specifications

PXW-FS5M2

General

 
Mass Approx. 830g (Body only)
Approx. 1lb 13.2 oz (Body only)
Approx. 2.2kg (with SELP18105G and lens hood[optional], battery pack BP-U30, large eyecup, lcd panel, handle, grip w/o gripbelt)
Approx. 4lb 14.5 oz (with SELP18105G and lens hood[optional], battery pack BP-U30, large eyecup, lcd panel, handle, grip w/o gripbelt) 
Dimensions (W x H x D) Approx. 111.3 x 128.7 x 172.4 mm (Body only including the projecting parts)
Approx. 185.2 x 218.3 x 369.5 mm (with SELP18105G and lens hood[optional], large eyecup, lcd panel, handle, grip w/o grip belt and including the projecting parts)
Approx. 4 1/2 x 5 1/8 x 6 7/8 inches (Body only including the projecting parts)
Approx. 7 3/8 x 8 5/8 x 14 5/8 inches (with SELP18105G and lens hood[optional], large eyecup, lcd panel, handle, grip w/o grip belt and including the projecting parts)
Power Requirements DC 14.4V (battery pack)
DC 12.0V (AC adaptor)
Power Consumption Approx. 11.8W [60i]
Approx. 11.5W [50i]
(while recording with LCD Off, EVF On when the external device connector is not used.)
Approx. 12.6W [60i]
Approx. 12.3W [50i]
(while recording with LCD On, EVF On when the external device connector is used.)
Operating Temperature 0°C to 40°C
32°F to 104°F
Storage Temperature -20°C to +60°C
-4°F to +140°F
Battery Operating Time With battery pack BP-U90: approx. 6 hours, 40 minutes [60i] approx. 6 hours, 45 minutes [50i]
(While recording with LCD On, EVF Off when the external device connector is not used.)
With battery pack BP-U60: approx. 4 hours, 15 minutes [60i]
approx. 4 hours, 20 minutes [50i]
(While recording with LCD On, EVF Off when the external device connector is not used.)
With battery pack BP-U30: approx. 2 hours, 10 minutes [60i]
approx. 2 hours, 10 minute [50i]
(While recording with LCD On, EVF Off when the external device connector is not used.)
Recording Format (Video) XAVC QFHD : MPEG-4 AVC/H.264
4:2:0 Long profile
XAVC HD : MPEG-4 AVC/H.264
4:2:2 Long profile
AVCHD : MPEG-4 AVC/H.264
AVCHD 2.0 format compatible
Recording Format (Audio) XAVC : Linear PCM 2ch, 24bit, 48kHz
AVCHD : Linear PCM 2ch, 16bit, 48kHz / Dolby Digital 2ch, 16bit, 48kHz
Recording Frame Rate XAVC QFHD (3840 x 2160) @29.97p, 25p, 23.98p,
100Mbps/60Mbps
XAVC HD (1920 x 1080) @59.94p, 50p,
50Mbps/35Mbps
XAVC HD (1920 x 1080)@59.94i, 50i,
50Mbps/35Mbps/25Mbps
XAVC HD (1920 x 1080)@29.97p, 25p, 23.98p,
50Mbps/35Mbps
XAVC HD (1280 x 720)@59.94p, 50p,
50Mbps
AVCHD (1920 x 1080)@59.94p, 50p,
PS mode (28Mbps)
AVCHD (1920 x 1080)
@59.94i/50i/29.97p/25p/23.98p,
FX mode (24Mbps)
FH mode (17Mbps)
AVCHD (1280 x 720)@59.94p, 50p,
FX mode (24Mbps)
FH mode (17Mbps)
HQ mode (9Mbps)
Recording/Playback Time

<XAVC Long>
XAVC-L QFHD 100 mode
Approx. 65 min with 64 GB memory card
XAVC-L QFHD 60 mode
Approx. 100 min with 64 GB memory card
XAVC-L HD 50 mode
Approx. 120 min with 64 GB memory card
XAVC-L HD 35 mode
Approx. 170 min with 64 GB memory card
XAVC-L HD 25 mode
Approx. 220 min with 64 GB memory card

<AVCHD>
AVCHD@LPCM 2ch PS Mode
Approx. 290 min with 64 GB memory card
Approx. 145 min with 32 GB memory card
AVCHD@LPCM 2ch FX Mode
Approx. 340 min with 64 GB memory card
Approx. 170 min with 32 GB memory card
AVCHD@LPCM 2ch FH Mode
Approx. 450 min with 64 GB memory card
Approx. 225 min with 32 GB memory card
AVCHD@LPCM 2ch HQ Mode
Approx. 590 min with 64 GB memory card
Approx. 290 min with 32 GB memory card

Lens

 
Lens Mount E-mount 
Focal Length 5.8x (optical), servo
(SELP18105G)
f = 18 - 105mm
equivalent to f = 30.6 -178.5 mm on 35 mm lens (16:9)
(SELP18105G)
Iris F4
(SELP18105G)
Focus AF/MF selecable,
Wide: 450 mm to ∞
Tele: 950 mm to ∞
(SELP18105G)
Image Stabilizer ON/OFF selectable, shift lens
(SELP18105G)
Filter Diameter 72 mm
(SELP18105G)

Camera

 
Imaging Device (Type) "Exmor" Super35 CMOS Sensor 
Effective Picture Elements 3840 (H) x 2160 (V)(16:9)
4096 (H) x 2160 (V)(17:9, at RAW output)
Built-in Optical Filters ND filters
OFF: CLEAR
1: 1/4ND
2: 1/16ND
3: 1/64ND
Linear variable ND (1/4ND to 1/128ND)
ISO Sensitivity S-Log2/Log3 Gamma ISO2000 
Minimum Illumination 0.16Lux [60i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/24)
0.18Lux [50i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/25)
Horizontal Rezolution 1000 TV lines or more (1920 x 1080i mode) 
Shutter Speed 1/8 to 1/10000 sec. (60i)
1/6 to 1/10000 sec. (50i/24p)
Slow and Quick Motion Function [30p]:2160p: Frame rate selectable
1.2.4.8.15.30 fps
[25p]:2160p: Frame rate selectable
1.2.3.6.12.25 fps
[60i]:1080p: Frame rate selectable
1,2,4,8,15,30,60,120 fps
[50i]: 1080p: Frame rate selectable
1,2,3,6,12,25,50,100 fps
Super Slow Motion Function [60i] Frame rate selectable
120, 240, 480, 960 fps
[50i] Frame rate selectable
100, 200, 400, 800 fps
White Balance Preset (3200K), Memory A,
Memory B/ATW
Gain 0,3,6,9,12,15,18,24,27,30dB,AGC 
Gamma Curve Selectable 

Input/Output

 
Audio Input XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
Video Output Integrated into Multi/Micro USB jack
Composite
1.0Vp-p, 75Ω
Audio Output Integrated into Multi/Micro USB jack 
SDI Output BNC type (x1), SD/HD/3G(Level-B) selectable
SMTPE 259M/292M/424M/425M standards
USB Multi/Micro USB jack (x1) 
Headphone Output Stereo mini jack (x1) 
Speaker Output Monaural 
DC Input DC jack 
Remote Stereo mini-mini jack (Φ2.5 mm) 
HDMI Output HDMI connector (Type A) 

Monitoring

 
Viewfinder 1.0cm (0.39 type) OLED
Approx. 1.44M dots
LCD 8.8cm (3.5 type) Approx. 1.56M dots 

Built-in Microphone

 
Built-in Microphone Omni-directional stereo electret condenser microphone

Media

 
Type MS/SD(1),SD(1) 

Wi-Fi/NFC

 
Supported Format IEEE  802.11 b/g/n 
Frequency Band 2.4 GHz bandwidth 
Security WEP/WPA-PSK/WPA2-PSK 
NFC NFC Forum Type 3 Tag compliant

Shogun Inferno

Weight

 
Without batteries & media 709g / 25.0oz 
With batteries & media 1153g / 40.7oz 
Dimensions (W x H x D mm) 214 x 127 x 45mm (8.4 x 5 x 1.8”)
Construction

High quality lightweight ABS Polycarbonate for durability & portability

Built-in armor protection

Power

 
Operating power 10 - 27W 
Compatible batteries NP series and supporting accessories 
Input voltage (battery) 6.2V to 16.8V 
Battery time (based on 7.4V)

5200mAh - up to 1.5hrs (monitor & record 4K 30p)

7800mAh - up to 2.2hrs (monitor & record 4K 30p)

DC In 1 x DC in (6.2 - 16.8V) 
Continuous Power
* Patent pending
Primary-secondary battery system Change batteries without losing power Loop batteries continuously

Touchscreen

 
Size 7.1” 
Resolution 1920 x 1200 
PPI 325 
Aspect ratio 16:9 native 
Color Gamut REC709 HDTV 
Look up table (LUT) support 3D LUT (.cube le format) 
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3 
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit 

HDR

 
AtomHDR Yes 
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC) 
Brightness 1500nit (+/- 10%) 
PQ in/out
In = Post   Out = Monitor
Yes / Yes 

Video input /
loop out

 
HDMI 1 x HDMI (2.0) 
SDI Quad link 4 x 3G SDI or up to 12G single link SDI 
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)

Video output
(play out)

 
HDMI 1 x HDMI (2.0) 
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G 
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)

Supported loop out formats

 
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to SDI 720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60

Video signal conversion

 
HDMI to SDI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60

Supported Codecs & frame rates
(record & playback)

 
Raw to CDNG (Record only)*

Codecs: Cinema DNG for supported cameras (Sony FS5/FS7 / FS700, Canon C300MKII, C500, Panasonic Varicam RAW*)

Frame rates: 4K DCI / 4K UHD; 24/25/30p
2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p

Raw to ProRes / DNxHR

Codecs: Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates: 4K DCI / 4K UHD; 24/25/30/50/60p
2K*** / 1080p; 24/SF24/25/SF25/30/
SF30/50/60/100/120/200/240p

Video to ProRes / DNxHR

Codecs: Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates: 4K DCI / 4K UHD; 24/25/30/50/60p
2K*** / 1080p; 24/SF24/25/SF25/30/
SF30/50/60/100/120/200/240p
1080i; 50/60i
720p; 50/60p

Onboard processing

 
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale
for HD monitoring
Yes - Loop-out and playback (Not available in RAW) 

Audio in/out (48kHz PCM audio)

 
HDMI 2 or 8ch 24-bit, camera dependent 
SDI 12ch 48kHz 24-bit 
Audio 2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic

Remote start/stop

 
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable 
Other LANC control - Slave 

Playback

 
Playlist Yes 
Genlock / LTC Yes / Yes 
Pre-roll record Yes (HD 8s, 4K 2s) 
Custom timelapse Yes 
Meta data tagging Yes (10 tags available) 
Supported media
(Approved List Only)

4K / HD (50/60/120p*)
SSD 2.5”, HDD (7,200 up to 1080p60)

HD
SSD 2.5”, HDD (5,400 up to 1080p30)

Master caddy case Master Caddy II (included)
75 x 105 x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
XML support FCPX XML native, FCP7 supported with conversion
(Adobe compatible)

Questions & Answers

Sony PXW-FS5M2 4K XDCAM with Atomos Shogun Inferno 7" 4K and Atomos Accessory Kit

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