• Webcode: 429679 • Mfr: 34304
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Product Highlights
  • 24.5 MP Full-Frame Nikon Z6 CMOS Sensor
  • 12 fps Continuous Shooting
  • ISO 100 - 51,200 ISO (Expandable to 204,800)
  • 4K Ultra HD Video
  • 10-bit N-Log HDMI Output
  • NIKKOR Z 24-70mm f/4 Lens
  • FTZ Adapter Mounts Nikon F Lenses to Z6 Camera
  • Atomos Ninja V 5" 4K60P ProRes Recorder
  • MOZA Air 2 3-Axis Gimbal
  • VideoMic Pro Plus On-Camera Shotgun Microphone
  • Vimeo Pro Subscription

Estimated Release Date: Feb 28, 2019

This exciting new product is being released in limited quantity. Orders will be filled on a first-come, first-served basis. A credit card authorization will be processed upon placing your order. We will only charge your credit card at time of shipment.

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Overview




Nikon Z 6 Filmmaker's Kit

 

Nikon Z6

A versatile multi-media powerhouse.

The Z 6 is perhaps the most adaptable camera Nikon has ever created. It’s at the sweet spot of speed, resolution and low-light performance. All combined with the advantages of a lightweight mirrorless design, a revolutionary new full-frame lens mount with matched lenses and seamless integration with Nikon’s DSLR system—including the F-Mount NIKKOR lenses you love. This is mirrorless versatility as only Nikon could create.

Nikon Z6 Features:

  • 24.5 Megapixels
  • FX Format
  • 12 fps Continuous Shooting
  • 100–51,200 ISO (Expandable to 204,800)
  • 4K UHD 3840x2160 at 30/25/24p

Fast speed. Brilliant low-light performance.

Adaptability. It’s about remaining fluid, open. Preparing for nothing, but being ready for anything. Thriving in whatever situation comes along.

At home in your hands

A deep grip design and balanced weight feel great with both NIKKOR lenses and the Mount Adapter FTZ. Buttons and dials are comfortably placed - features like the sub-selector and AF-On button are in the same position as the D850. Unmistakably Nikon.

Flagship Nikon durability

A skeleton forged from ultra-strong Magnesium Alloy, the same material used in the D850 and D5 for its extreme durability and incredible strength-to-weight ratio. The same brake mechanism and shutter blade material used in the D850, tested for 200,000 cycles while actually loaded in the camera. The Z 6 is ready for the field.

Big performance.
Small footprint

One of the major benefits of the Z 6's thin 16mm flange back distance is that cameras can be made smaller and lighter. The Z 6 is 26% lighter than the D850, yet it maintains outstanding handling and balance, even when using telephoto F-Mount NIKKOR lenses. It's as comfortable to carry as it is to shoot with.

The forecast is:
It doesn't matter

Like the D850 and other high-end Nikon DSLRs, The Z 6 is extremely weather sealed against dust and moisture, as are NIKKOR Z lenses and the Mount Adapter FTZ. No need to baby this camera.

Proven Form Factor

A familiar interface

Inspired by D850, Z series cameras embody the elegance, durability, handling and operation of award-winning Nikon DSLRs—just in a smaller package. A clear, simple menu system that’ll be familiar to existing Nikon DSLR shooters and easy to master for newcomers.
 

 

A Mirrorless You Can Hold

A large, deep grip for balanced handling, even when using telephoto F-Mount NIKKOR lenses. Comfortable ergonomics, thoughtful button placement and an easy to use GUI.

 

A Touch of Genius

Intuitive touchscreen control for navigating menus, adjusting settings, reviewing shots, selecting focus and even shooting photos and videos.

 

Feather Light

Lighter than comparable DSLR camera bodies with a thinner, more compact footprint.

 

Battle Ready

Built with the same rugged Magnesium Alloy material and weather-sealing as Nikon professional DSLRs.

Let There Be More Light.

The largest full-frame mount on any camera system.


17% Wider Mount

At 55mm, it’s the largest full-frame mount on any camera system*, allowing more of everything: more light capture, more data sharing between lens and camera and more image quality performance.


65% Slimmer Flange*

By seemingly breaking the laws of optics with just 16mm of flange distance, Nikon can now deliver smaller and lighter cameras and lens designs impossible in any other mirrorless system.
* Compared to Nikon F-Mount



Unconventional compatibility

Seamless compatibility with beloved F-Mount NIKKOR lenses*, Speedlights and other DSLR accessories as well as new NIKKOR Z lenses.



Powerfully cinematic

The video advantages of mirrorless design—fast, accurate on-sensor Phase Detection Auto Focus (PDAF), in-camera VR and a brilliant Electronic Viewfinder—plus the most robust 4K UHD video feature set on any Nikon camera yet.

Built for Video.

Portable Cinematic Powerhouses.

Full-frame 4K Ultra HD

Cinematic 16:9 4K UHD/30p video with the sharpness and dynamic range of Nikon’s full-frame image sensors.

New Nikon N-Log

Preserve maximum detail, dynamic range, shadows and highlights for more control and creativity in post-processing.

Hybrid AF for video

Silky smooth, near-silent AF with automatic switching between phase-detect and contrast-detect AF.

10-bit HDMI Output

Record uncompressed footage with 64X more color data directly to an external capture device.
* Compared to 8-bit. Requires optional HDMI Connecting Cable.

8K Timelapse

With Z 7, shoot up to 9,999 full resolution stills with zero shutter vibration. Just like D850.

120 FPS Slow Motion

Bend time with ultra-smooth 1080p slow motion sequences.

 

A Feast for the Eyes.

Cutting-edge EVF and 3.2" tilting touchscreen.

Compose with crystal clarity on a large, 2.1M dot display that tilts for easier high and low shots. Touch to focus and fire the shutter. Navigate menus, playback and more as if you were using a smartphone.

The need for speed.

High-speed shooting, operation and lens-to-camera communication.

Fast continuous shooting

Shoot up to 12 FPS with Z 6 and 9 FPS with Z 7 at full resolution in 12-bit RAW or JPEG without the need for an external battery pack.

Faster lens-to-camera communication

The Z Mount allows higher-speed, larger-volume communication between the lens and camera body for dramatic gains in AF adjustments and image processing—for today and the even faster cameras of tomorrow.

Larger mount. Smaller lenses. Huge performance.


More Light Capture

The larger Z Mount and extremely short flange distance means NIKKOR Z lenses can gather substantially more light for thrilling low-light performance and maximum apertures up to f/0.95.


More Sharpness

The combination of new optical formulas and NIKKOR’s proven glass types results in greater resolution from the center of the frame to the far edges. No need to stop down these lenses.


More Data Transfer

The larger Z Mount allows for faster communication between lens and camera for improved performance across the board.


Less Distortion

Even at their widest apertures, NIKKOR Z lenses show virtually no distortion—flare, ghosting, coma, chromatic, axial and spherical aberration are all greatly minimized.
The strong silent types.

FTZ Mount Adapter

Superb glass never goes out of style.

Great glass endures. That's why Nikon cameras—from the Nikon F in 1959 all the way to D850—have remained compatible with nearly all F-mount NIKKOR lenses. Why would things be any different with the Nikon Z? The Mount Adapter FTZ lets you keep shooting the lenses you know and love while also gaining the benefits of the new Z system. The legacy of compatibility continues.

Teach your favorite lenses some new tricks.

Proven optics meet the latest imaging advancements.

On a Z camera with the Mount Adapter FTZ, compatible F-Mount NIKKOR lenses retain all of their sharpness and superb rendering power. Plus, they gain so much—smooth, fast Hybrid-AF*, silent shooting, breakthrough low-light performance, the benefits of the camera's built-in VR image stabilization and more.

* Full AF/AE supported when using FX or DX AF-S Type G/D/E, AF-P type G/E, AF-I type D and AF-S/AF-I Teleconverters

Steadier than ever.

On a Z camera, every lens has VR.

For the first time, you can experience fast aperture NIKKOR primes like the AF-S NIKKOR 105mm f/1.4E ED or AF-S NIKKOR 24mm f/1.4G ED with up to 5 stops of 3-axis VR image stabilization. NIKKOR lenses that already have VR, like the AF-S NIKKOR 70-200mm f/2.8E FL ED VR, get the added benefit of roll axis for a total of 3-axis VR. Just add the optional Mount Adapter FTZ and you're good to go.

* Many non-CPU lenses can also benefit from in-camera VR when registering the focal length into the camera.

Precisely matched.

Camera and lens in harmony.

Crafted from rugged Magnesium Alloy and weather-sealed against dust and moisture, the Mount Adapter FTZ preserves the durability of your camera body and lens. An integrated tripod mount keeps the stress of long lenses off the camera body.**

So many possibilities.

Compatible with a huge selection of NIKKOR lenses.

The Mount Adapter FTZ works with approx. 360 lenses in total, 90 of which are AF-S, AF-P or AF-I type and have full AF/AE capability.

NIKKOR Z 24-70mm f/4.0 S Lens

A standard zoom that's anything but standard.

A 24-70mm zoom lens covers a sweet spot of the focal length range. Capture wide-angle views one moment, close-ups the next and everything in between. This reimagining of the classic everyday zoom, optimized and evolved for new Z cameras, achieves breakthrough image quality and performance for both stills and videos.

Breakthrough Z system performance

Cutting-edge optical technology

Empowered by the Z system's larger mount, shorter flange distance and cutting-edge imaging advancements, the NIKKOR Z 24-70mm f/4 S delivers uncanny sharpness, vibrance and even lighting across the entire frame.

Consistently brilliant

A constant f/4 max aperture maintains consistent exposure at any zoom setting. Record smooth zoom transitions with even lighting across the entire sequence.

Not rough around the edges

The larger Z Mount enables epic definition and resolution from the center of the frame to the edges. No need to stop this lens down.

True to life

A new optical formula achieves faithful color reproduction with minimal axial/lateral chromatic aberration and virtually zero sagittal coma flare, even at 24mm.

Small and mighty

At home away from home

With a highly versatile zoom range for both stills and video, yet a wonderfully compact, lightweight design, the NIKKOR Z 24-70mm f/4 S is an ideal travel companion.

Think small

Close focus is less than 1 foot (11.8-inches) from your subject (at any focal length) for macro-style shots with a 0.3X reproduction ratio—much larger than most comparable lenses.

New Dual Detect 5 Axis VR

Uses Z cameras' superior in-camera image stabilization system for up to 5 stops of pitch, roll, yaw, X and Y shake correction. Additional electronic VR (e-VR) during video capture.

Durable & lightweight

Extensively sealed against dust and moisture, especially around all moving parts of the barrel. Includes nonstick Fluorine coating on the front element for easy cleaning.

The front line of an imaging revolution

Next-generation Z design and optics

Z lenses, perfectly matched to Z camera bodies, are designed with a sense of consistency that combines reliability and beauty with next-dimension optical performance for freedom in image creation.

Accuracy abounds

The larger Z Mount allows more data to be shared between lens and camera for faster, more accurate focusing and improved distortion control.

Silent stepping

Designed specifically for the new Z Mount size, an ultra-quiet new stepping motor (STM) powers fast, near-silent AF and aperture adjustments.

New Customizable Control Ring

Can be used for manual focusing (default), aperture control (great for iris transitions during video recording) or exposure compensation.

Design Features:

Stepping Motor

NIKKOR Z lenses use a stepping motor for fast, accurate, smooth, quiet autofocus with reduced wobbling. This quiet drive system makes the lenses ideal for use when shooting video.

Aspherical – Extra-low Dispersion Glass Elements

An ED (Extra-low Dispersion) glass element that features the characteristics of an Aspheric glass element for a more compact size lens. Like Aspherical lenses, AS-ED lens elements minimize coma and other types of lens aberrations, even when used at the widest aperture by continuously changing the refractive index from the center of the lens. The AS-ED lens elements are optical glass developed by Nikon to obtain optimum correction of chromatic aberrations.

Aspherical Lens

A lens with a curved, non-spherical surface. Used to reduce aberrations and enable a more compact lens size. Aspherical lenses minimize coma and other types of lens aberrations, even when used at the widest aperture. They are particularly useful in correcting distortion in wide-angle lenses and help contribute to a lighter, more compact design by reducing the number of standard (spherical) elements necessary. Aspherical lens elements correct these distortions by continuously changing the refractive index from the center of the lens.

Nano Crystal Coat

An anti-reflective coating developed by Nikon that virtually eliminates internal lens element reflections across a wide range of wavelengths. Nano Crystal Coat solves ghost effects caused by red light and effectively reduces ghost and flare caused by light entering the lens diagonally.

Electromagnetic Diaphragm Mechanism

An electromagnetic diaphragm mechanism in the lens barrel provides highly accurate electronic diaphragm or aperture blade control when using auto exposure during continuous shooting. With conventional D/G type lenses, the diaphragm blades are operated by mechanical linkage levers.

IF Lens

A NIKKOR lens in which only the internal lens group shifts during focusing. Thus, IF NIKKORS do not change in size during AF operation, allowing for compact, lightweight lenses capable of closer focusing distances. These lenses will be designated with the abbreviation IF on the lens barrel.

Fluorine Coat

Photographers need gear that can withstand the elements. Nikon’s fluorine coat effectively repels dust, water droplets, grease or dirt, ensuring easy removal even when they adhere to the lens surface. Nikon’s fluorine coat endures a high frequency of lens surface wiping and its anti-reflective effect also contributes to the capture of clear images.

Super Integrated Coating

Nikon Super Integrated Coating is Nikon's term for its multilayer coating of the optical elements in NIKKOR lenses.

Atomos Ninja V

Perfect for Mirrorless, DSLRs and Gaming.

Record up to 4Kp60 10-bit HDR video direct from your camera's sensor, over HDMI 2.0. Store edit-ready ProRes or DNxHR on affordable SSD drives and bypass your cameras internal compression and record time limits. A tiny 1TB AtomX SSDmini will give you 2.5 hrs of 4K recording.

Record like a Ninja

A stealthy, 5-inch, 4Kp60 10bit HDR daylight viewable 1000nit portable monitor/recorder.

The SSD ... made Mini!

The new AtomX SSDmini is a little over 1/4 inch tall and 3" long. It is also 20% shorter than traditional SSDs, yet keeps the standard SATA III connector. It is backward compatible with previous Atomos drives by adding a clever extension handle. These tiny, slimline SSDs are a true innovation and our close drive partners Angelbird, G-technology and Sony are all making custom versions for your Ninja!

Small Monitor made perfect

The stunningly bright 5.2-inch 10-bit HDR monitor has an astounding 1,000 nits of output. It’s a sleek 1” (2.5cm) aluminium body, is crafted for maximum durability, weighs in at just 11oz (320g), and attaches to any camera rig easily.

HDR/SDR perfection every time

The Ninja screen displays a stunning 10+ stops of dynamic range in realtime from Log/ PQ/HLG signals. Clearly see your images in daylight on the near edge-to-edge anti-reflection screen. The display can be calibrated for perfect color accuracy every time, with playout to HDR or SDR TV sets.

Record HDR Games

4kp60 or HDp240 Game Recording just became fun and simple from any HDMI gaming unit. Place the Ninja V in-between your unit and the TV, and record for hours to off-the-shelf SSD drives. Auto HDR flags mean perfect TV set up every time! Show off your skills or check your game development on the most stunning video recorder ever built!

AtomOS Tools and Pocket Size Playback

AtomOS gives simple tools for accurate set up and one-touch operation, ensuring a great recording every time. Of course, a recording isn't 100% complete until checked; AtomOS gives speedy playback, slow motion and frame-by-frame analysis for instant review.

Ultimate Pro-Video & Broadcast Monitor

Any production large or small needs high quality viewing. Even if you aren’t recording, the Ninja V is the best monitor available today. Audio can be input directly from the camera digitally via HDMI, or fed in analogue via a stereo 3.5mm line/mic socket – especially useful for cameras that do not have a mic input.

Edit, finish & upload on Mac & PC

The recorded Ninja files are available immediately on your Mac or PC for editing. Tag while recording on the fly for direct-to-edit look-up with up to six streams, edited directly from the SSD in Final Cut Pro X, Adobe Premiere or Avid Media Composer. Video and gaming workflows are supported for the fastest path to your audience.

Endless Open Expansion

Enhance the Ninja V through the in-built modular expansion slot. Bi-directional high speed video, audio and power are available. Expansion modules will dock onto the battery slot of the unit and offer advanced features.

 

MOZA Air 2 3-Axis Gimbal

More power. More control. More runtime.

Empowered by the newly optimized high torque motors and the new generation FOC technology, MOZA Air 2 is capable of handling most DSLRs, mirrorless cameras and pocket sinema cameras, weighing up to 4.2 kg (9 lbs). This allows you the freedom to choose from a wider range of camera and lens combinations and accessories. Four high-rate Li-Ion 18650 rechargeable batteries give the MOZA Air 2 a maximum runtime of 16 hours. You can easily bring extra batteries with you to last through a whole day of filming.

Gimbal Features:

  • For DSLRs, mirrorless cameras and pocket cinema cameras weighing up to 9 lbs(4.2kg)
  •  A maximum runtime of 16 hours
  • An angled motor arm for an unobstructed view of the camera's screen
  • Compatible with MOZA iFocus wireless lens control systems
  • Shoot Motion Time-Lapse With MOZA Assistant App 
  • Multiple Operation Modes

* Follow Focus pictured not included.

Unleash Your Creativity

Powerful

MOZA SPARK Power Supply System

The MOZA SPARK Power Supply System equips the MOZA Air 2 with four power ports. The input port allows for alternative ways to power your gimbal, and the output ports provide ways to power the camera and other accessories like follow focus, LED lights, and monitors. The newly added Battery Management System (BMS) has greatly enhanced the Air 2's working time while powering the MOZA Air 2 and accessories.

Intelligent

Smart Time-Lapse

With comprehensively upgraded time-lapse functions, there are up to 20 optimizations that can help users easily film various personalized and professional types of time-lapses, such as motion-lapse, tracking time-lapse, zoom time-lapse and more. All your inspiration can be captured bay the MOZA Air 2.

4-Axis and 8 Follow Modes

With the free combination of 3-axis and 8 follow modes, various cool shooting modes such as Inception Mode, FPV Mode, Sport Gear Mode, Panorama and Tracking are available. The iFOCUS is the 4th axis of MOZA Air 2, offering focus and zoom control when connected with the MOZA Air 2. There's no limit to your creativity anymore.
Considerate

Auto-Tuning for Optimal Performance

The efficient AI calculation system enables the MOZA App to select the optimal parameters based on the total weight on your gimbal, reducing the inconveniece of readjusting.

Easy to Balance

The MOZA Air 2 features a visually identifiable balancing information that can help guide users to adjust the gimbal to the optimal balancing parameters. Save a lot of time and energy to open up more possibilities and create more. MOZA Air 2 also comes with the mechanical memory quick release system, which can help you move the camera among different fixtures without rebalancing. Only adjust once at the start and you are set to go.

Compact Design

The MOZA Air 2 features an angled motor arm, which gives you an unobstructed view of the camera's screen and more room to balance camera setups. This makes it easier to frame your shots and follow the action. 12 physical buttons not only provide the most intuitive, fast and comprehensive operation experience, but also control settings such as recording, zoom, focus, ISO, shutter, aperture, exposure compensation and white balance.

Intelligent Operations

Customize the Joystick, smart wheel and smart trigger of the MOZA Air 2 to fit your shooting style. Five sets of customized gimbal parameters can be saved according to your needs to make ever-changing combinations. An intelligent OLED display provides intuitive information feedback, accurately indicates the gimbal and camera parameters.

More Expansion Possibilities

The 1/4" screw holes at the bottom and back of the handgrip offer expansions for your device. The gimbal can be mounted to a tripod, slider, jib, crane or anything else with universal connection.

Rode VideoMic Pro Plus

The RØDE VideoMic Pro+ is a new addition to the best-in-market on-camera category. It is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.

Microphone Features:

  • Automatic Power Function with plug-in power
  • Power via LB-1, 2 x AA Batteries, Micro USB
  • Ships with LB-1 Lithium-Ion Rechargeable Battery, Detachable 3.5mm TRS Cable, Micro USB Cable
  • Built-in Battery Door
  • Optimised Windshield Shape
  • Digital Switching
  • 10-year extended warranty when you register your microphone

Best-In-Class Rycote Lyre Suspension System Onboard

Still with the best-in-class Rycote Lyre suspension system onboard, the VideoMic Pro+ improves on the existing VideoMic Pro capsule/line tube and windshield, plus boasts a host of new features.

Automatic Power Function (with plug-in power availability)

Perfect for the run-and-gun shooter, automatically turning the microphone off when unplugged from the camera.

Built-in Battery Door

The built-in battery door makes replacing the battery a breeze - plus it won't get lost.

Power Options

The VideoMic Pro+ can be powered by the all-new and included RØDE LB-1 Lithium-Ion Rechargeable Battery, 2 x AA Batteries or continuously via Micro USB.

Digital Switching

Digital Switching will ensure the user has ultimate capture of the audio signal at the source, reducing post production and editing times.

The Digital Switching includes:

  • 2-Stage High Pass Filter to reduce low frequencies such as rumble from traffic or air conditioning
  • 3-Stage Gain Control, with +20dB function – designed to improve audio quality on DSLR or mirrorless cameras
  • High Frequency Boost will boost high frequencies enhancing detail and clarity in the recording
  • Safety Channel to help ensure the signal does not clip when unexpected spikes occur

What's Included

Z 6 Mirrorless Camera Body
2x EN-EL15b Rechargeable Li-ion Batteries
MH-25a Battery Charger
UC-E24 USB Cable
HDMI/USB Cable Clip
BS-1 Accessory Shoe Cap
AN-DC19 Camera Strap
BF-N1 Body Cap
DK-29 Rubber Eyecup
NIKKOR Z 24-70mm f/4 S
LC-72B Snap-On Front Lens Cap
LF-N1 Rear Lens Cap
HB-85 Bayonet Lens Hood
CL-C1 Lens Case
FTZ Mount Adapter
Atomos Ninja V 4K Recorder

Atomos Full to Mini HDMI Coiled Cable (11.8-17.7")
MOZA Air 2 Gimbal
MOZA Arm Accessory
Rode VideoMic Pro Plus
Vimeo Pro 12 Month Subscription

Reviews

Product Specifications

Z 6

Type Digital camera with support for interchangeable lenses
Lens Mount  Nikon Z mount

Image Sensor

 
Effective Pixels 24.5  million
Sensor Size 35.9 x 23.9mm
Image Sensor Format FX
Image Sensor Type CMOS
Total Pixels 25.28 million
Dust-Reduction System Image Dust Off reference data (requires Capture NX-D); image sensor cleaning
Dust-Off Reference Photo Yes
Image Area (pixels) FX-format
(L)  6,048 x 4,024 
(M)  4,528 x 3,016 
(S)  3,024 x 2,016 
DX-format
(L)  3,936 x 2,624 
(M)  2,944 x 1,968 
(S)  1,968 x 1,312 
1:1 (24 x 24)
(L)  4,016 x 4,016 
(M)  3,008 x 3,008 
(S)  2,000 x 2,000 
16:9 (24 x 24)
(L)  6,048 x 3,400 
(M)  4,528 x 2,544 
(S)  3,024 x 1,696 
Photographs taken during movie recording at a frame size of 3,840 x 2,160:
3,840 x 2,160 Photographs taken during movie recording at other frame sizes: 1,920 x 1,080:
1,920 x 1,080

File System

 
File Format Still Images NEF (RAW): 12 or 14 bit (lossless compressed, compressed, or uncompressed); large, medium, and small available (medium and small images are recorded at a bit depth of 12 bits using lossless compression) 
TIFF (RGB) 
JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression; optimal quality compression available 
NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats
Storage Media XQD memory cards
Card Slot 1 slot
File System DCF 2.0 
Exif 2.31 
PictBridge

Viewfinder

 
Viewfinder 1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED with color balance and auto and 11-level manual brightness controls
Viewfinder Frame Coverage Approx.  100% horizontal 
100% vertical
Viewfinder Magnification Approx.  0.8x (50 mm lens at infinity, -1.0 m -1)
Viewfinder Eyepoint 21 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens)
Viewfinder Diopter Adjustment -4 to +2 m−1
Eye Sensor Automatically switches between monitor and viewfinder displays

Lens

 
Depth-of-Field Control Yes
Lens Compatibility Z mount NIKKOR lenses 
F mount NIKKOR lenses with FTZ Mount Adapter; restrictions may apply

Shutter

 
Shutter Type Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter
Shutter Speed 1/8000 to 30 sec. in steps of 1/3 or 1/2 EV, bulb, time, X200
Fastest Shutter Speed 1/8000  sec.
Slowest Shutter Speed 30  sec.
Flash Sync Speed Up to:  X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported
Bulb Shutter Setting Yes
Shutter Release Modes Single frame 
Low-speed continuous 
High-speed continuous 
High-speed continuous (extended) 
Self-timer
Frame Advance Rate Low-speed continuous: 1-5 fps 
High-speed continuous: 5.5 fps 
High-speed continuous (extended): 12 fps
Continuous Shooting Options Low-speed continuous: 1-5 fps 
High-speed continuous: 5.5 fps 
High-speed continuous (extended): 12 fps
Top Continuous Shooting Speed at Full Resolution 12  frames per second
Self-Timer 2, 5, 10, 20 sec.; 1-9 exposures at intervals of 0.5, 1, 2, or 3 sec. 
Timer duration electronically controlled

Exposure

 
Exposure Metering System TTL metering using camera image sensor
Metering Method Matrix metering 
Center-weighted metering: Weight of 75% given to 12 mm circle in center of frame; weighting can instead be based on average of entire frame 
Spot metering: Meters 4 mm circle (about 1.5% of frame) centered on selected focus point 
Highlight-weighted metering
Metering Range Matrix or center-weighted metering: -4 to +17 EV 
Spot metering: -4 to +17 EV 
Highlight-weighted metering: -4 to +17 EV
Exposure Meter Coupling CPU
Exposure Modes Auto 
Programmed auto with flexible program (P) 
Shutter-priority auto (S) 
Aperture-priority auto (A) 
Manual (M) 
User settings (U1, U2, U3)
Exposure Compensation -5 to +5 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M
Exposure Lock Luminosity locked at detected value
Picture Control Auto 
Flat 
Landscape 
Monochrome 
Neutral 
Portrait 
Standard 
Vivid 
Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon) 
Selected Picture Control can be modified 
Storage for custom Picture Controls

Sensitivity

 
ISO Sensitivity ISO 100 - 51,200 in steps of 1/3 or 1/2 EV 
Can also be set to approx. 0.3, 0.5, 0.7 or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1 or 2 EV (ISO 204,800 equivalent) above ISO 51,200; auto ISO sensitivity control available
Lowest Standard ISO Sensitivity 100
Highest Standard ISO Sensitivity 51,200
Lowest Expanded ISO Sensitivity 50
Highest Expanded ISO Sensitivity 204,800
Active D-Lighting Can be selected from:
Auto 
Extra High 
High 
Normal 
Low 
Off
Active D-Lighting Bracketing Yes

Focus/Autofocus

 
Autofocus System Hybrid phase-detection/contrast AF with AF assist
Detection Range -2 to +19 EV (-4 to +19 EV with low-light AF) 
Detection range (ISO 100, f/2.0 lens, 20 °C/68 °F)
Lens Servo Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); full-time AF (AF-F; available only in movie mode); predictive focus tracking 
Manual focus (M): Electronic rangefinder can be used
Focus Point 273 (single-point AF)
AF-area Mode Pinpoint 
Single-Point 
Dynamic-area AF 
Wide-area AF (S) 
Wide-area AF (L) 
Auto-area AF
Pinpoint and Dynamic-area AF available in photo mode only
Focus Lock Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing center of sub-selector
Focus Modes Pinpoint 
Single-point 
Dynamic-area AF 
Wide-area AF (S) 
Wide-area AF (L) 
Auto-area AF
Pinpoint and Dynamic-area AF available in photo mode only
Maximum Autofocus Areas/Points 273
Vibration Reduction 5-axis image sensor shift
Autofocus Fine Tune Yes

Flash

 
Flash Bracketing Yes
X-Sync Speed 1/200th sec.
Top FP High Speed Sync Up to 1/8000 sec.
Flash Control TTL: i-TTL flash control; i-TTL balanced fill-flash for digital SLR is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash for digital SLR with spot metering
Flash Sync Modes Front-curtain sync 
Rear-curtain sync 
Red-eye reduction 
Red-eye reduction with slow sync 
Slow rear-curtain sync 
Slow sync 
Off
Flash Compensation -3 to +1 EV in increments of 1/3 or 1/2 EV available
Flash-ready Indicator Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output
Accessory Shoe ISO 518 hot-shoe with sync and data contacts and safety lock
Nikon Creative Lighting System (CLS) i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, unified flash control

White Balance

 
White Balance Auto (3 types) 
Choose color temperature (2,500 K–10,000 K) 
Cloudy 
Direct sunlight 
Flash 
Fluorescent (7 types) 
Incandescent 
Natural light auto 
Preset manual (up to 6 values can be stored), all with fine-tuning 
Shade
White Balance Bracketing Exposure, flash, white balance, and ADL

Live View

 
Live View Shooting Photography Live View Mode 
Movie Live View Mode

Movie

 
Movie Metering TTL exposure metering using main image sensor
Movie Maximum Recording Time 29 minutes 59 seconds
Movie File Format MOV 
MP4
Movie Video Compression H.264/MPEG-4 Advanced Video Coding
Movie Audio Recording Format Linear PCM 
AAC
Movie 4K UHD 3,840x2,160 / 30 fps 
4K UHD 3,840x2,160 / 25 fps 
4K UHD 3,840x2,160 / 24 fps 
Full HD 1,920x1,080 / 120 fps 
Full HD 1,920x1,080 / 100 fps 
Full HD 1,920x1,080 / 60 fps 
Full HD 1,920x1,080 / 50 fps 
Full HD 1,920x1,080 / 30 fps 
Full HD 1,920x1,080 / 25 fps 
Full HD 1,920x1,080 / 24 fps 
Full HD 1,920x1,080 slow-mo / 30 fps x4 
Full HD 1,920x1,080 slow-mo / 25 fps x4 
Full HD 1,920x1,080 slow-mo / 24 fps x5 
Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively 
Quality selection available at all sizes except 
3,840 x 2,160, 1,920 x 1,080 120p/100p, and 1,920 x 1,080 slow-mo, when quality is fixed at high
Movie Audio Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted
Movie ISO Auto ISO sensitivity control (ISO 100 to 51,200) 
P, S, A: Auto ISO sensitivity control (ISO 100 to Hi 2) with selectable upper limit 
M: Auto ISO sensitivity control (ISO 100 to Hi 2) available with selectable upper limit; manual selection (ISO 100 to 51,200 in steps of 1/3 or 1/2 EV) with additional options available equivalent to approximately 0.3, 0.5, 0.7, 1, or 2 EV (ISO 204,800 equivalent) above ISO 51,200
Movie Active D-Lighting Can be selected from:
Auto 
Extra high 
High 
Normal 
Low 
Off
Time Code Yes 
Drop frame
Movie Log Gamma Output N-Log with View Assist (HDMI output only)
Movie e-VR Yes
Movie HDMI Output Yes, up to 10bit 
Start/Stop supported
Movie Focus Peaking Yes
Movie Highlight Display (Zebras) Yes
Time-Lapse Movie Up to 4K UHD; Silent mode option
AF for Movie AF Speed and AF Tracking Sensitivity can be adjusted

Monitor

 
Monitor Size 3.2  in. diagonal
Monitor Resolution 2,100,000  dots
Monitor Type Tilting TFT 
Touch-Sensitive LCD
Monitor Angle of View 170° viewing angle
Monitor Adjustments Color balance 
11-level manual brightness controls
Virtual Horizon Camera Indicator Also visible in LiveView Modes 
Also visible in Viewfinder

Playback

 
Playback Functions Auto Image Rotation 
Full-frame and Thumbnail (4, 9, or 72 images) 
Highlights 
Histogram Display 
Location Data Display 
Movie Playback 
Photo and/or Movie Slide Shows 
Photo Information 
Picture Rating 
Playback with Playback Zoom 
Playback Zoom Cropping
In-Camera Image Editing Distortion Control 
D-Lighting 
Image Overlay 
NEF (raw) Processing 
Perspective Control 
Red-eye Reduction 
Resize 
Side by Side Comparison 
Straighten 
Trim 
Trim Movie
Image Comment Yes

Interface

 
Interface USB: Type C connector (SuperSpeed USB) 
HDMI: Type C HDMI connector 
Accessory terminal: Can be used with MC-DC2 and other optional accessories 
Audio Input: Stereo mini-pin jack (3.5 mm diameter; plug-in power supported) 
Audio Output: Stereo mini-pin jack (3.5 mm diameter)
Wi-Fi Functionality Standards: IEEE 802.11b/g/n/a/ac 
Operating frequency: 2412–2472 MHz (channel 13) and 5180–5700 MHz 
Maximum output power (EIRP): 2.4 GHz band: 7.0 dBm 5 GHz band: 12.1 dBm 
Authentication: Open system, WPA2-PSK
Smart Device App Connectivity SnapBridge
Bluetooth Communication protocols: Bluetooth Specification 
Version 4.2 
Operating frequency: Bluetooth: 2402–2480 MHz 
Bluetooth Low Energy: 2402–2480 MHz 
Approximately 10 m (32 ft.) without interference; range may vary with signal strength and presence or absence of obstacles
GPS Via the SnapBridge app
Save/Load Camera Settings Yes
Supported Languages English 
French 
Portuguese (Brazil) 
Spanish
Date, Time and Daylight Savings Time Settings Yes
World Time Setting Yes

Menus

 
Total Custom Settings 38
My Menu Yes
Recent Settings Yes

Power

 
Battery / Batteries One EN-EL15b rechargeable Li-ion battery 
EN-EL15a/EN-EL15 can also be used, but note that fewer pictures can be taken on a single charge and that charging AC adapter can be used to charge EN-EL15b batteries only
Battery Life (shots per charge) 330  shots (CIPA) 
Movies:  Approx. 85 min. of movie recording
AC Adapter EH-7P Charging AC Adapter 
EH-5c/EH-5b AC adapter (requires EP-5B power connector, available separately)
Battery Charger MH-25A Battery Charger

Misc

 
Tripod Socket 1/4 in. (ISO 1222)
Dimensions (WxHxD) Approx.
134 x 100.5 x 67.5mm (5.3 x 4 x 2.7")
Weight Approx. 585 g (20.7 oz.)
* camera body only
Operating Environment Temperature: 32 to 104°F (0 to 40°C) 
Humidity: Less than 85% (no condensation)

NIKKOR Z 24-70mm f/4 S

Mount Type Nikon Z Mount
Focal Length Range 24 - 70 mm
Zoom Ratio 2.9 x
Maximum Aperture f/ 4
Minimum Aperture f/ 22
Format FX
Maximum Angle of View (DX-format) 22°50′
Minimum Angle of View (DX-format) 61°
Maximum Angle of View (FX-format) 34°20′
Minimum Angle of View (FX-format) 84°
Maximum Reproduction Ratio 0.3 x
Lens Elements 14
Lens Groups 11
Compatible Format(s) FX 
DX
Diaphragm Blades 7
Nano Crystal Coat Yes
ED Glass Elements 1
Fluorine Coat Yes
Aspherical Elements 3
Super Integrated Coating Yes
Autofocus Yes
Internal Focusing Yes
Minimum Focus Distance 0.99 ft. (0.3 m) from focal plane at all zoom positions
Focus Mode Autofocus
Manual
E-type Yes
Filter Size 72 mm
Accepts Filter Type Screw in
Dimensions
(Diameter x Length)
77.5 x 88.5 mm (3.1 x 3.5")
Distance from camera lens mount flange when lens is retracted
Based on CIPA guidelines
Weight Approx. 500g (17.7 oz.)
Based on CIPA guidelines
Lens Type Zoom

Ninja V

Weight

 
Without batteries & media 320g / 11.28oz 
With stand 6.0kg / 13.2lb 
Dimensions (W x H x D mm) 151 x 91.5 x 31mm 
Construction Aluminium alloy chassis with ABS polycarbonate back plate 
Mounting points 1/4-20 UNCscrew mount; 1x top, 1x bottom 

Power

 
Operating power 10 - 19W 
Compatible batteries NP-F series and supporting accessories 
Input voltage (battery) 6.2V to 16.8V 
Battery time
(based on 2 x 7.4V)
5200mAh - up to 2hrs (monitor & record 4K +60p) 
800mAh - up to 3hrs (monitor & record 4K 60p) 
DC In  
Continuous power
*Patent pending
Continuous power with external adaptor* 

Touchscreen

 
Size 5” 
Resolution 1920 x 1080
PPI 427
Aspect ratio 16:9 native
Color Gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit

HDR

 
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
HDR Recording (Gamut) Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3,
Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320
/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /
LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog,
JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm
Flog, PQ10k, HLG
HDR Monitoring (Gamma) Sony SGamut / SGamut3 / SGamut3.cine / BT2020
Canon Cinema / DCI P3 / DCI P3+ / BT2020
Panasonic V Gamut
Arri Alexa Wide Gamut
Rec709
JVC LS300
Red DragonColor / DragonColor2 / RedColor2 /
RedColor3 / RedColor4 / RedWideGamut
HDR Monitoring (Gamut) Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out
Bit depth 10-bit (8+2 FRC)
Brightness 1000nit (+/- 10% @ center)
HDR input (PQ/HLG)
HDR output (PQ/HLG)
Yes / Yes
Yes / Yes

Video Input/Loop Out

 
HDMI 1 x HDMI (2.0) 
SDI
Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent) 

Video Output (Play Out)

 
HDMI 1 x HDMI (2.0) 
SDI
Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent) 

Supported Loop Out Formats

 
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60
SDI to SDI -

Video Signal Conversion

 
HDMI to SDI -
SDI to HDMI

AtomXpansion Video Audio Power Extender In/Out

 
Video Up to 4Kp60 
Audio 12 channels digital 24-bit 96KHz 
Power 5V-16.6V 

Supported Codecs & Frame Rates (Record & Playback)

 
Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper) Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K
1080p; 24/25/30/50/60/100^/120^
1080i; 50/60i, 720p; 50/60p

Onboard Processing

 
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) 
4K UHD downscale for HD monitoring Yes - Loop-out and playback 

Audio In/Out (48kHz PCM Audio)

 
HDMI 2 or 8ch 24-bit, camera dependent 
SDI
Audio Line in / Mic in / Headphone out 2ch 48kHz 24-bit 
Headphone out 3.5mm 
Built-in speakers Yes 

Remote Start/Stop

 
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard 
SDI
Other LANC control - Slave 

Playback

 
Playlist / Genlock / LTC Yes / - / - 
CDNG (Recorded content) N/A 
ProRes (Recorded content) All recorded files can playback. Playback in slow motion. 
DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion. 

Recording

 
Pre-roll record Yes (HD 8s, 4K 2s) 
Custom timelapse Yes 
Meta data tagging Yes (10 tags available) 
Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate.
Master caddy case Master Caddy II (included)
75 x 105 x 12mm 
Master caddy dock 2.5” SATA to USB 2.0/3.0 
Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools 

MOZA Air 2

Max. Payload 4.2kg (9.3lbs)
Gimbal Weight

1.4kg (3.1 lbs)
(battery included) 1.6kg (3.5lbs)

Dimensions 230 x 240 x 470 mm (9.1 x 0.2 x 18.5")
Mechanical Endpoint Range 275 x 360 x 360 (10.8 x 14.2 x 14.2)
Controlled Rotation Range 285 x 60 x 360 (11.2 x 2.4 x 14.2")
Camera Control Interface Mini-10P
Middle Screw Hole 1/4‘ and 3/8’

Battery

 
Battery Model 18650
Capacity 2500mAh
Battery Life 16 hrs
Charger Type 4-slot
Charging Time 5 hrs

Functions

 
Modes FPV Mode
Inception Mode (360° rotation)
Sport Gear Mode (fast follow speed)
Follow Modes
Track
Panorama
Stop-motion Animation
Motion Timelapse
Zoom Timelapse
Video Recording Control
Photo Taking Control

VideoMic Pro+

Acoustic Principle Line Gradient 
Active Electronics JFET impedance converter 
Capsule 0.55" 
Polar Pattern Supercardioid 
Address Type End 
Frequency Range 20Hz - 20kHz (selected HPF @75Hz/150Hz) 
Output Impedance 200Ω 
Maximum SPL 133dBSPL 
Maximum Output Level 7.7dBu (@ 1kHz, 1% THD into 1KΩ load) 
Sensitivity -33.6dB re 1 Volt/Pascal (21.20mV @ 94 dB SPL) +/- 2 dB @ 1kHz 
Equivalent Noise Level
(A-weighted)
14dBA 
Power Options Internal batteryUSB bus poweredAA Battery 
Weight 122 g 
Dimensions (H x W x D) 111 x 66 x 170 mm 
Output Minijack Output

Questions & Answers

Nikon Z6 Filmmaker's Kit (inc. Atomos V, HDMI Cable, Moza 2 Air Gimbal & Arm, Rode VideoMic Pro Plus)

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