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* Kit does not include an SSD card or battery for the Atomos Ninja V. These accessories must be purchased separately.
A versatile multi-media powerhouse.
The Z 6 is perhaps the most adaptable camera Nikon has ever created. It’s at the sweet spot of speed, resolution and low-light performance. All combined with the advantages of a lightweight mirrorless design, a revolutionary new full-frame lens mount with matched lenses and seamless integration with Nikon’s DSLR system—including the F-Mount NIKKOR lenses you love. This is mirrorless versatility as only Nikon could create.
Nikon Z6 Features:
- 24.5 Megapixels
- FX Format
- 12 fps Continuous Shooting
- 100–51,200 ISO (Expandable to 204,800)
- 4K UHD 3840x2160 at 30/25/24p
Proven Form Factor
A familiar interface
Inspired by D850, Z series cameras embody the elegance, durability, handling and operation of award-winning Nikon DSLRs—just in a smaller package. A clear, simple menu system that’ll be familiar to existing Nikon DSLR shooters and easy to master for newcomers.
Let There Be More Light.
The largest full-frame mount on any camera system.
The video advantages of mirrorless design—fast, accurate on-sensor Phase Detection Auto Focus (PDAF), in-camera VR and a brilliant Electronic Viewfinder—plus the most robust 4K UHD video feature set on any Nikon camera yet.
Built for Video.
Portable Cinematic Powerhouses.
Full-frame 4K Ultra HD
Cinematic 16:9 4K UHD/30p video with the sharpness and dynamic range of Nikon’s full-frame image sensors.
New Nikon N-Log
Preserve maximum detail, dynamic range, shadows and highlights for more control and creativity in post-processing.
Hybrid AF for video
Silky smooth, near-silent AF with automatic switching between phase-detect and contrast-detect AF.
10-bit HDMI Output
Record uncompressed footage with 64X more color data directly to an external capture device.
* Compared to 8-bit. Requires optional HDMI Connecting Cable.
With Z 7, shoot up to 9,999 full resolution stills with zero shutter vibration. Just like D850.
120 FPS Slow Motion
Bend time with ultra-smooth 1080p slow motion sequences.
A Feast for the Eyes.
Cutting-edge EVF and 3.2" tilting touchscreen.
Compose with crystal clarity on a large, 2.1M dot display that tilts for easier high and low shots. Touch to focus and fire the shutter. Navigate menus, playback and more as if you were using a smartphone.
Larger mount. Smaller lenses. Huge performance.
FTZ Mount Adapter
Superb glass never goes out of style.
Great glass endures. That's why Nikon cameras—from the Nikon F in 1959 all the way to D850—have remained compatible with nearly all F-mount NIKKOR lenses. Why would things be any different with the Nikon Z? The Mount Adapter FTZ lets you keep shooting the lenses you know and love while also gaining the benefits of the new Z system. The legacy of compatibility continues.
Teach your favorite lenses some new tricks.
Proven optics meet the latest imaging advancements.
On a Z camera with the Mount Adapter FTZ, compatible F-Mount NIKKOR lenses retain all of their sharpness and superb rendering power. Plus, they gain so much—smooth, fast Hybrid-AF*, silent shooting, breakthrough low-light performance, the benefits of the camera's built-in VR image stabilization and more.
* Full AF/AE supported when using FX or DX AF-S Type G/D/E, AF-P type G/E, AF-I type D and AF-S/AF-I Teleconverters
Steadier than ever.
On a Z camera, every lens has VR.
For the first time, you can experience fast aperture NIKKOR primes like the AF-S NIKKOR 105mm f/1.4E ED or AF-S NIKKOR 24mm f/1.4G ED with up to 5 stops of 3-axis VR image stabilization. NIKKOR lenses that already have VR, like the AF-S NIKKOR 70-200mm f/2.8E FL ED VR, get the added benefit of roll axis for a total of 3-axis VR. Just add the optional Mount Adapter FTZ and you're good to go.
* Many non-CPU lenses can also benefit from in-camera VR when registering the focal length into the camera.
Camera and lens in harmony.
Crafted from rugged Magnesium Alloy and weather-sealed against dust and moisture, the Mount Adapter FTZ preserves the durability of your camera body and lens. An integrated tripod mount keeps the stress of long lenses off the camera body.**
So many possibilities.
Compatible with a huge selection of NIKKOR lenses.
The Mount Adapter FTZ works with approx. 360 lenses in total, 90 of which are AF-S, AF-P or AF-I type and have full AF/AE capability.
NIKKOR Z 24-70mm f/4.0 S Lens
A standard zoom that's anything but standard.
A 24-70mm zoom lens covers a sweet spot of the focal length range. Capture wide-angle views one moment, close-ups the next and everything in between. This reimagining of the classic everyday zoom, optimized and evolved for new Z cameras, achieves breakthrough image quality and performance for both stills and videos.
Breakthrough Z system performance
Cutting-edge optical technology
Empowered by the Z system's larger mount, shorter flange distance and cutting-edge imaging advancements, the NIKKOR Z 24-70mm f/4 S delivers uncanny sharpness, vibrance and even lighting across the entire frame.
A constant f/4 max aperture maintains consistent exposure at any zoom setting. Record smooth zoom transitions with even lighting across the entire sequence.
Not rough around the edges
The larger Z Mount enables epic definition and resolution from the center of the frame to the edges. No need to stop this lens down.
True to life
A new optical formula achieves faithful color reproduction with minimal axial/lateral chromatic aberration and virtually zero sagittal coma flare, even at 24mm.
Small and mighty
At home away from home
With a highly versatile zoom range for both stills and video, yet a wonderfully compact, lightweight design, the NIKKOR Z 24-70mm f/4 S is an ideal travel companion.
Close focus is less than 1 foot (11.8-inches) from your subject (at any focal length) for macro-style shots with a 0.3X reproduction ratio—much larger than most comparable lenses.
New Dual Detect 5 Axis VR
Uses Z cameras' superior in-camera image stabilization system for up to 5 stops of pitch, roll, yaw, X and Y shake correction. Additional electronic VR (e-VR) during video capture.
Durable & lightweight
Extensively sealed against dust and moisture, especially around all moving parts of the barrel. Includes nonstick Fluorine coating on the front element for easy cleaning.
The front line of an imaging revolution
Next-generation Z design and optics
Z lenses, perfectly matched to Z camera bodies, are designed with a sense of consistency that combines reliability and beauty with next-dimension optical performance for freedom in image creation.
The larger Z Mount allows more data to be shared between lens and camera for faster, more accurate focusing and improved distortion control.
Designed specifically for the new Z Mount size, an ultra-quiet new stepping motor (STM) powers fast, near-silent AF and aperture adjustments.
New Customizable Control Ring
Can be used for manual focusing (default), aperture control (great for iris transitions during video recording) or exposure compensation.
NIKKOR Z lenses use a stepping motor for fast, accurate, smooth, quiet autofocus with reduced wobbling. This quiet drive system makes the lenses ideal for use when shooting video.
Aspherical – Extra-low Dispersion Glass Elements
An ED (Extra-low Dispersion) glass element that features the characteristics of an Aspheric glass element for a more compact size lens. Like Aspherical lenses, AS-ED lens elements minimize coma and other types of lens aberrations, even when used at the widest aperture by continuously changing the refractive index from the center of the lens. The AS-ED lens elements are optical glass developed by Nikon to obtain optimum correction of chromatic aberrations.
A lens with a curved, non-spherical surface. Used to reduce aberrations and enable a more compact lens size. Aspherical lenses minimize coma and other types of lens aberrations, even when used at the widest aperture. They are particularly useful in correcting distortion in wide-angle lenses and help contribute to a lighter, more compact design by reducing the number of standard (spherical) elements necessary. Aspherical lens elements correct these distortions by continuously changing the refractive index from the center of the lens.
Nano Crystal Coat
An anti-reflective coating developed by Nikon that virtually eliminates internal lens element reflections across a wide range of wavelengths. Nano Crystal Coat solves ghost effects caused by red light and effectively reduces ghost and flare caused by light entering the lens diagonally.
Electromagnetic Diaphragm Mechanism
An electromagnetic diaphragm mechanism in the lens barrel provides highly accurate electronic diaphragm or aperture blade control when using auto exposure during continuous shooting. With conventional D/G type lenses, the diaphragm blades are operated by mechanical linkage levers.
A NIKKOR lens in which only the internal lens group shifts during focusing. Thus, IF NIKKORS do not change in size during AF operation, allowing for compact, lightweight lenses capable of closer focusing distances. These lenses will be designated with the abbreviation IF on the lens barrel.
Photographers need gear that can withstand the elements. Nikon’s fluorine coat effectively repels dust, water droplets, grease or dirt, ensuring easy removal even when they adhere to the lens surface. Nikon’s fluorine coat endures a high frequency of lens surface wiping and its anti-reflective effect also contributes to the capture of clear images.
Super Integrated Coating
Nikon Super Integrated Coating is Nikon's term for its multilayer coating of the optical elements in NIKKOR lenses.
Atomos Ninja V
Perfect for Mirrorless, DSLRs and Gaming.
Record up to 4Kp60 10-bit HDR video direct from your camera's sensor, over HDMI 2.0. Store edit-ready ProRes or DNxHR on affordable SSD drives and bypass your cameras internal compression and record time limits. A tiny 1TB AtomX SSDmini will give you 2.5 hrs of 4K recording.
Record like a Ninja
A stealthy, 5-inch, 4Kp60 10bit HDR daylight viewable 1000nit portable monitor/recorder.
The SSD ... made Mini!
The new AtomX SSDmini is a little over 1/4 inch tall and 3" long. It is also 20% shorter than traditional SSDs, yet keeps the standard SATA III connector. It is backward compatible with previous Atomos drives by adding a clever extension handle. These tiny, slimline SSDs are a true innovation and our close drive partners Angelbird, G-technology and Sony are all making custom versions for your Ninja!
Small Monitor made perfect
The stunningly bright 5.2-inch 10-bit HDR monitor has an astounding 1,000 nits of output. It’s a sleek 1” (2.5cm) aluminium body, is crafted for maximum durability, weighs in at just 11oz (320g), and attaches to any camera rig easily.
HDR/SDR perfection every time
The Ninja screen displays a stunning 10+ stops of dynamic range in realtime from Log/ PQ/HLG signals. Clearly see your images in daylight on the near edge-to-edge anti-reflection screen. The display can be calibrated for perfect color accuracy every time, with playout to HDR or SDR TV sets.
Record HDR Games
4kp60 or HDp240 Game Recording just became fun and simple from any HDMI gaming unit. Place the Ninja V in-between your unit and the TV, and record for hours to off-the-shelf SSD drives. Auto HDR flags mean perfect TV set up every time! Show off your skills or check your game development on the most stunning video recorder ever built!
AtomOS Tools and Pocket Size Playback
AtomOS gives simple tools for accurate set up and one-touch operation, ensuring a great recording every time. Of course, a recording isn't 100% complete until checked; AtomOS gives speedy playback, slow motion and frame-by-frame analysis for instant review.
Ultimate Pro-Video & Broadcast Monitor
Any production large or small needs high quality viewing. Even if you aren’t recording, the Ninja V is the best monitor available today. Audio can be input directly from the camera digitally via HDMI, or fed in analogue via a stereo 3.5mm line/mic socket – especially useful for cameras that do not have a mic input.
Edit, finish & upload on Mac & PC
The recorded Ninja files are available immediately on your Mac or PC for editing. Tag while recording on the fly for direct-to-edit look-up with up to six streams, edited directly from the SSD in Final Cut Pro X, Adobe Premiere or Avid Media Composer. Video and gaming workflows are supported for the fastest path to your audience.
Endless Open Expansion
Enhance the Ninja V through the in-built modular expansion slot. Bi-directional high speed video, audio and power are available. Expansion modules will dock onto the battery slot of the unit and offer advanced features.
MOZA Air 2 3-Axis Gimbal
More power. More control. More runtime.
Empowered by the newly optimized high torque motors and the new generation FOC technology, MOZA Air 2 is capable of handling most DSLRs, mirrorless cameras and pocket sinema cameras, weighing up to 4.2 kg (9 lbs). This allows you the freedom to choose from a wider range of camera and lens combinations and accessories. Four high-rate Li-Ion 18650 rechargeable batteries give the MOZA Air 2 a maximum runtime of 16 hours. You can easily bring extra batteries with you to last through a whole day of filming.
- For DSLRs, mirrorless cameras and pocket cinema cameras weighing up to 9 lbs(4.2kg)
- A maximum runtime of 16 hours
- An angled motor arm for an unobstructed view of the camera's screen
- Compatible with MOZA iFocus wireless lens control systems
- Shoot Motion Time-Lapse With MOZA Assistant App
- Multiple Operation Modes
* Follow Focus pictured not included.
Unleash Your Creativity
MOZA SPARK Power Supply System
The MOZA SPARK Power Supply System equips the MOZA Air 2 with four power ports. The input port allows for alternative ways to power your gimbal, and the output ports provide ways to power the camera and other accessories like follow focus, LED lights, and monitors. The newly added Battery Management System (BMS) has greatly enhanced the Air 2's working time while powering the MOZA Air 2 and accessories.
With comprehensively upgraded time-lapse functions, there are up to 20 optimizations that can help users easily film various personalized and professional types of time-lapses, such as motion-lapse, tracking time-lapse, zoom time-lapse and more. All your inspiration can be captured bay the MOZA Air 2.
4-Axis and 8 Follow Modes
With the free combination of 3-axis and 8 follow modes, various cool shooting modes such as Inception Mode, FPV Mode, Sport Gear Mode, Panorama and Tracking are available. The iFOCUS is the 4th axis of MOZA Air 2, offering focus and zoom control when connected with the MOZA Air 2. There's no limit to your creativity anymore.
Auto-Tuning for Optimal Performance
The efficient AI calculation system enables the MOZA App to select the optimal parameters based on the total weight on your gimbal, reducing the inconveniece of readjusting.
Easy to Balance
The MOZA Air 2 features a visually identifiable balancing information that can help guide users to adjust the gimbal to the optimal balancing parameters. Save a lot of time and energy to open up more possibilities and create more. MOZA Air 2 also comes with the mechanical memory quick release system, which can help you move the camera among different fixtures without rebalancing. Only adjust once at the start and you are set to go.
The MOZA Air 2 features an angled motor arm, which gives you an unobstructed view of the camera's screen and more room to balance camera setups. This makes it easier to frame your shots and follow the action. 12 physical buttons not only provide the most intuitive, fast and comprehensive operation experience, but also control settings such as recording, zoom, focus, ISO, shutter, aperture, exposure compensation and white balance.
Customize the Joystick, smart wheel and smart trigger of the MOZA Air 2 to fit your shooting style. Five sets of customized gimbal parameters can be saved according to your needs to make ever-changing combinations. An intelligent OLED display provides intuitive information feedback, accurately indicates the gimbal and camera parameters.
More Expansion PossibilitiesThe 1/4" screw holes at the bottom and back of the handgrip offer expansions for your device. The gimbal can be mounted to a tripod, slider, jib, crane or anything else with universal connection.
Rode VideoMic Pro Plus
The RØDE VideoMic Pro+ is a new addition to the best-in-market on-camera category. It is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.
- Automatic Power Function with plug-in power
- Power via LB-1, 2 x AA Batteries, Micro USB
- Ships with LB-1 Lithium-Ion Rechargeable Battery, Detachable 3.5mm TRS Cable, Micro USB Cable
- Built-in Battery Door
- Optimised Windshield Shape
- Digital Switching
- 10-year extended warranty when you register your microphone
Best-In-Class Rycote Lyre Suspension System Onboard
Still with the best-in-class Rycote Lyre suspension system onboard, the VideoMic Pro+ improves on the existing VideoMic Pro capsule/line tube and windshield, plus boasts a host of new features.
Automatic Power Function (with plug-in power availability)
Perfect for the run-and-gun shooter, automatically turning the microphone off when unplugged from the camera.
Built-in Battery Door
The built-in battery door makes replacing the battery a breeze - plus it won't get lost.
The VideoMic Pro+ can be powered by the all-new and included RØDE LB-1 Lithium-Ion Rechargeable Battery, 2 x AA Batteries or continuously via Micro USB.
Digital Switching will ensure the user has ultimate capture of the audio signal at the source, reducing post production and editing times.
The Digital Switching includes:
- 2-Stage High Pass Filter to reduce low frequencies such as rumble from traffic or air conditioning
- 3-Stage Gain Control, with +20dB function – designed to improve audio quality on DSLR or mirrorless cameras
- High Frequency Boost will boost high frequencies enhancing detail and clarity in the recording
- Safety Channel to help ensure the signal does not clip when unexpected spikes occur
What's IncludedZ 6 Mirrorless Camera Body
2x EN-EL15b Rechargeable Li-ion Batteries
MH-25a Battery Charger
UC-E24 USB Cable
HDMI/USB Cable Clip
BS-1 Accessory Shoe Cap
AN-DC19 Camera Strap
BF-N1 Body Cap
DK-29 Rubber Eyecup
NIKKOR Z 24-70mm f/4 S
LC-72B Snap-On Front Lens Cap
LF-N1 Rear Lens Cap
HB-85 Bayonet Lens Hood
CL-C1 Lens Case
FTZ Mount Adapter
Atomos Ninja V 4K Recorder
Atomos Full to Mini HDMI Coiled Cable (11.8-17.7")
MOZA Air 2 Gimbal
MOZA Arm Accessory
Rode VideoMic Pro Plus
Vimeo Pro 12 Month Subscription
|Type||Digital camera with support for interchangeable lenses|
|Lens Mount||Nikon Z mount|
|Effective Pixels||24.5 million|
|Sensor Size||35.9 x 23.9mm|
|Image Sensor Format||FX|
|Image Sensor Type||CMOS|
|Total Pixels||25.28 million|
|Dust-Reduction System||Image Dust Off reference data (requires Capture NX-D); image sensor cleaning|
|Dust-Off Reference Photo||Yes|
|Image Area (pixels)||FX-format
(L) 6,048 x 4,024
(M) 4,528 x 3,016
(S) 3,024 x 2,016
(L) 3,936 x 2,624
(M) 2,944 x 1,968
(S) 1,968 x 1,312
1:1 (24 x 24)
(L) 4,016 x 4,016
(M) 3,008 x 3,008
(S) 2,000 x 2,000
16:9 (24 x 24)
(L) 6,048 x 3,400
(M) 4,528 x 2,544
(S) 3,024 x 1,696
Photographs taken during movie recording at a frame size of 3,840 x 2,160:
3,840 x 2,160 Photographs taken during movie recording at other frame sizes: 1,920 x 1,080:
1,920 x 1,080
|File Format Still Images||NEF (RAW): 12 or 14 bit (lossless compressed, compressed, or uncompressed); large, medium, and small available (medium and small images are recorded at a bit depth of 12 bits using lossless compression)
JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression; optimal quality compression available
NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats
|Storage Media||XQD memory cards|
|Card Slot||1 slot|
|File System||DCF 2.0
|Viewfinder||1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED with color balance and auto and 11-level manual brightness controls|
|Viewfinder Frame Coverage||Approx. 100% horizontal
|Viewfinder Magnification||Approx. 0.8x (50 mm lens at infinity, -1.0 m -1)|
|Viewfinder Eyepoint||21 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens)|
|Viewfinder Diopter Adjustment||-4 to +2 m−1|
|Eye Sensor||Automatically switches between monitor and viewfinder displays|
|Lens Compatibility||Z mount NIKKOR lenses
F mount NIKKOR lenses with FTZ Mount Adapter; restrictions may apply
|Shutter Type||Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter|
|Shutter Speed||1/8000 to 30 sec. in steps of 1/3 or 1/2 EV, bulb, time, X200|
|Fastest Shutter Speed||1/8000 sec.|
|Slowest Shutter Speed||30 sec.|
|Flash Sync Speed||Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported|
|Bulb Shutter Setting||Yes|
|Shutter Release Modes||Single frame
High-speed continuous (extended)
|Frame Advance Rate||Low-speed continuous: 1-5 fps
High-speed continuous: 5.5 fps
High-speed continuous (extended): 12 fps
|Continuous Shooting Options||Low-speed continuous: 1-5 fps
High-speed continuous: 5.5 fps
High-speed continuous (extended): 12 fps
|Top Continuous Shooting Speed at Full Resolution||12 frames per second|
|Self-Timer||2, 5, 10, 20 sec.; 1-9 exposures at intervals of 0.5, 1, 2, or 3 sec.
Timer duration electronically controlled
|Exposure Metering System||TTL metering using camera image sensor|
|Metering Method||Matrix metering
Center-weighted metering: Weight of 75% given to 12 mm circle in center of frame; weighting can instead be based on average of entire frame
Spot metering: Meters 4 mm circle (about 1.5% of frame) centered on selected focus point
|Metering Range||Matrix or center-weighted metering: -4 to +17 EV
Spot metering: -4 to +17 EV
Highlight-weighted metering: -4 to +17 EV
|Exposure Meter Coupling||CPU|
Programmed auto with flexible program (P)
Shutter-priority auto (S)
Aperture-priority auto (A)
User settings (U1, U2, U3)
Exposure Compensation -5 to +5 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M
Exposure Lock Luminosity locked at detected value
Picture Control Auto
Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon)
Selected Picture Control can be modified
Storage for custom Picture Controls
|ISO Sensitivity||ISO 100 - 51,200 in steps of 1/3 or 1/2 EV
Can also be set to approx. 0.3, 0.5, 0.7 or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1 or 2 EV (ISO 204,800 equivalent) above ISO 51,200; auto ISO sensitivity control available
|Lowest Standard ISO Sensitivity||100|
|Highest Standard ISO Sensitivity||51,200|
|Lowest Expanded ISO Sensitivity||50|
|Highest Expanded ISO Sensitivity||204,800|
|Active D-Lighting||Can be selected from:
|Active D-Lighting Bracketing||Yes|
|Autofocus System||Hybrid phase-detection/contrast AF with AF assist|
|Detection Range||-2 to +19 EV (-4 to +19 EV with low-light AF)
Detection range (ISO 100, f/2.0 lens, 20 °C/68 °F)
|Lens Servo||Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); full-time AF (AF-F; available only in movie mode); predictive focus tracking
Manual focus (M): Electronic rangefinder can be used
|Focus Point||273 (single-point AF)|
Wide-area AF (S)
Wide-area AF (L)
Pinpoint and Dynamic-area AF available in photo mode only
|Focus Lock||Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing center of sub-selector|
Wide-area AF (S)
Wide-area AF (L)
Pinpoint and Dynamic-area AF available in photo mode only
|Maximum Autofocus Areas/Points||273|
|Vibration Reduction||5-axis image sensor shift|
|Autofocus Fine Tune||Yes|
|X-Sync Speed||1/200th sec.|
|Top FP High Speed Sync||Up to 1/8000 sec.|
|Flash Control||TTL: i-TTL flash control; i-TTL balanced fill-flash for digital SLR is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash for digital SLR with spot metering|
|Flash Sync Modes||Front-curtain sync
Red-eye reduction with slow sync
Slow rear-curtain sync
|Flash Compensation||-3 to +1 EV in increments of 1/3 or 1/2 EV available|
|Flash-ready Indicator||Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output|
|Accessory Shoe||ISO 518 hot-shoe with sync and data contacts and safety lock|
|Nikon Creative Lighting System (CLS)||i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, unified flash control|
|White Balance||Auto (3 types)
Choose color temperature (2,500 K–10,000 K)
Fluorescent (7 types)
Natural light auto
Preset manual (up to 6 values can be stored), all with fine-tuning
|White Balance Bracketing||Exposure, flash, white balance, and ADL|
|Live View Shooting||Photography Live View Mode
Movie Live View Mode
|Movie Metering||TTL exposure metering using main image sensor|
|Movie Maximum Recording Time||29 minutes 59 seconds|
|Movie File Format||MOV
|Movie Video Compression||H.264/MPEG-4 Advanced Video Coding|
|Movie Audio Recording Format||Linear PCM
|Movie||4K UHD 3,840x2,160 / 30 fps
4K UHD 3,840x2,160 / 25 fps
4K UHD 3,840x2,160 / 24 fps
Full HD 1,920x1,080 / 120 fps
Full HD 1,920x1,080 / 100 fps
Full HD 1,920x1,080 / 60 fps
Full HD 1,920x1,080 / 50 fps
Full HD 1,920x1,080 / 30 fps
Full HD 1,920x1,080 / 25 fps
Full HD 1,920x1,080 / 24 fps
Full HD 1,920x1,080 slow-mo / 30 fps x4
Full HD 1,920x1,080 slow-mo / 25 fps x4
Full HD 1,920x1,080 slow-mo / 24 fps x5
Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively
Quality selection available at all sizes except
3,840 x 2,160, 1,920 x 1,080 120p/100p, and 1,920 x 1,080 slow-mo, when quality is fixed at high
|Movie Audio||Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted|
|Movie ISO||Auto ISO sensitivity control (ISO 100 to 51,200)
P, S, A: Auto ISO sensitivity control (ISO 100 to Hi 2) with selectable upper limit
M: Auto ISO sensitivity control (ISO 100 to Hi 2) available with selectable upper limit; manual selection (ISO 100 to 51,200 in steps of 1/3 or 1/2 EV) with additional options available equivalent to approximately 0.3, 0.5, 0.7, 1, or 2 EV (ISO 204,800 equivalent) above ISO 51,200
|Movie Active D-Lighting||Can be selected from:
|Movie Log Gamma Output||N-Log with View Assist (HDMI output only)|
|Movie HDMI Output||Yes, up to 10bit
|Movie Focus Peaking||Yes|
|Movie Highlight Display (Zebras)||Yes|
|Time-Lapse Movie||Up to 4K UHD; Silent mode option|
|AF for Movie||AF Speed and AF Tracking Sensitivity can be adjusted|
|Monitor Size||3.2 in. diagonal|
|Monitor Resolution||2,100,000 dots|
|Monitor Type||Tilting TFT
|Monitor Angle of View||170° viewing angle|
|Monitor Adjustments||Color balance
11-level manual brightness controls
|Virtual Horizon Camera Indicator||Also visible in LiveView Modes
Also visible in Viewfinder
|Playback Functions||Auto Image Rotation
Full-frame and Thumbnail (4, 9, or 72 images)
Location Data Display
Photo and/or Movie Slide Shows
Playback with Playback Zoom
Playback Zoom Cropping
|In-Camera Image Editing||Distortion Control
NEF (raw) Processing
Side by Side Comparison
|Interface||USB: Type C connector (SuperSpeed USB)
HDMI: Type C HDMI connector
Accessory terminal: Can be used with MC-DC2 and other optional accessories
Audio Input: Stereo mini-pin jack (3.5 mm diameter; plug-in power supported)
Audio Output: Stereo mini-pin jack (3.5 mm diameter)
|Wi-Fi Functionality||Standards: IEEE 802.11b/g/n/a/ac
Operating frequency: 2412–2472 MHz (channel 13) and 5180–5700 MHz
Maximum output power (EIRP): 2.4 GHz band: 7.0 dBm 5 GHz band: 12.1 dBm
Authentication: Open system, WPA2-PSK
|Smart Device App Connectivity||SnapBridge|
|Bluetooth||Communication protocols: Bluetooth Specification
Operating frequency: Bluetooth: 2402–2480 MHz
Bluetooth Low Energy: 2402–2480 MHz
Approximately 10 m (32 ft.) without interference; range may vary with signal strength and presence or absence of obstacles
|GPS||Via the SnapBridge app|
|Save/Load Camera Settings||Yes|
|Date, Time and Daylight Savings Time Settings||Yes|
|World Time Setting||Yes|
|Total Custom Settings||38|
|Battery / Batteries||One EN-EL15b rechargeable Li-ion battery
EN-EL15a/EN-EL15 can also be used, but note that fewer pictures can be taken on a single charge and that charging AC adapter can be used to charge EN-EL15b batteries only
|Battery Life (shots per charge)||330 shots (CIPA)
Movies: Approx. 85 min. of movie recording
|AC Adapter||EH-7P Charging AC Adapter
EH-5c/EH-5b AC adapter (requires EP-5B power connector, available separately)
|Battery Charger||MH-25A Battery Charger|
|Tripod Socket||1/4 in. (ISO 1222)|
134 x 100.5 x 67.5mm (5.3 x 4 x 2.7")
|Weight||Approx. 585 g (20.7 oz.)
* camera body only
|Operating Environment||Temperature: 32 to 104°F (0 to 40°C)
Humidity: Less than 85% (no condensation)
NIKKOR Z 24-70mm f/4 S
|Mount Type||Nikon Z Mount|
|Focal Length Range||24 - 70 mm|
|Zoom Ratio||2.9 x|
|Maximum Aperture||f/ 4|
|Minimum Aperture||f/ 22|
|Maximum Angle of View (DX-format)||22°50′|
|Minimum Angle of View (DX-format)||61°|
|Maximum Angle of View (FX-format)||34°20′|
|Minimum Angle of View (FX-format)||84°|
|Maximum Reproduction Ratio||0.3 x|
|Nano Crystal Coat||Yes|
|ED Glass Elements||1|
|Super Integrated Coating||Yes|
|Minimum Focus Distance||0.99 ft. (0.3 m) from focal plane at all zoom positions|
|Filter Size||72 mm|
|Accepts Filter Type||Screw in|
(Diameter x Length)
|77.5 x 88.5 mm (3.1 x 3.5")
Distance from camera lens mount flange when lens is retracted
Based on CIPA guidelines
|Weight||Approx. 500g (17.7 oz.)
Based on CIPA guidelines
|Without batteries & media||320g / 11.28oz|
|With stand||6.0kg / 13.2lb|
|Dimensions (W x H x D mm)||151 x 91.5 x 31mm|
|Construction||Aluminium alloy chassis with ABS polycarbonate back plate|
|Mounting points||1/4-20 UNCscrew mount; 1x top, 1x bottom|
|Operating power||10 - 19W|
|Compatible batteries||NP-F series and supporting accessories|
|Input voltage (battery)||6.2V to 16.8V|
(based on 2 x 7.4V)
|5200mAh - up to 2hrs (monitor & record 4K +60p)
800mAh - up to 3hrs (monitor & record 4K 60p)
|Continuous power with external adaptor*|
|Resolution||1920 x 1080|
|Aspect ratio||16:9 native|
|Color Gamut||REC709 HDTV|
|Look up table (LUT) support||3D LUT (.cube format)|
|Anamorphic de-squeeze||2x, 1.5x, 1.33x, Panasonic 8:3|
|Technology||SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit|
|Supported Log formats||Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm|
|HDR Recording (Gamut)||Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3,
Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320
/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /
LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog,
JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm
Flog, PQ10k, HLG
|HDR Monitoring (Gamma)||Sony SGamut / SGamut3 / SGamut3.cine / BT2020
Canon Cinema / DCI P3 / DCI P3+ / BT2020
Panasonic V Gamut
Arri Alexa Wide Gamut
Red DragonColor / DragonColor2 / RedColor2 /
RedColor3 / RedColor4 / RedWideGamut
|HDR Monitoring (Gamut)||Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out|
|Bit depth||10-bit (8+2 FRC)|
|Brightness||1000nit (+/- 10% @ center)|
|HDR input (PQ/HLG)
HDR output (PQ/HLG)
|Yes / Yes
Yes / Yes
Video Input/Loop Out
|HDMI||1 x HDMI (2.0)|
|Signal||Uncompressed true 10-bit or 8-bit 422 (camera dependent)|
Video Output (Play Out)
|HDMI||1 x HDMI (2.0)|
|Signal||Uncompressed true 10-bit or 8-bit 422 (playback file dependent)|
Supported Loop Out Formats
|HDMI to HDMI||720p 50/60, 1080i 50/60,
|SDI to SDI||-|
Video Signal Conversion
|HDMI to SDI||-|
|SDI to HDMI||-|
AtomXpansion Video Audio Power Extender In/Out
|Video||Up to 4Kp60|
|Audio||12 channels digital 24-bit 96KHz|
Supported Codecs & Frame Rates (Record & Playback)
|Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper)||Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
1080i; 50/60i, 720p; 50/60p
|Pulldown removal||24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)|
|4K UHD downscale for HD monitoring||Yes - Loop-out and playback|
Audio In/Out (48kHz PCM Audio)
|HDMI||2 or 8ch 24-bit, camera dependent|
|Audio||Line in / Mic in / Headphone out 2ch 48kHz 24-bit|
|HDMI||Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
|Other||LANC control - Slave|
|Playlist / Genlock / LTC||Yes / - / -|
|CDNG (Recorded content)||N/A|
|ProRes (Recorded content)||All recorded files can playback. Playback in slow motion.|
|DNxHR / DNxHD (recorded content)||All recorded files can playback. Playback in slow motion.|
|Pre-roll record||Yes (HD 8s, 4K 2s)|
|Meta data tagging||Yes (10 tags available)|
|Supported media||2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate.|
|Master caddy case||Master Caddy II (included)
75 x 105 x 12mm
|Master caddy dock||2.5” SATA to USB 2.0/3.0|
|Supported Applications||FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
|XML support||FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools|
MOZA Air 2
|Max. Payload||4.2kg (9.3lbs)|
1.4kg (3.1 lbs)
|Dimensions||230 x 240 x 470 mm (9.1 x 0.2 x 18.5")|
|Mechanical Endpoint Range||275 x 360 x 360 (10.8 x 14.2 x 14.2)|
|Controlled Rotation Range||285 x 60 x 360 (11.2 x 2.4 x 14.2")|
|Camera Control Interface||Mini-10P|
|Middle Screw Hole||1/4‘ and 3/8’|
|Battery Life||16 hrs|
|Charging Time||5 hrs|
Inception Mode (360° rotation)
Sport Gear Mode (fast follow speed)
Video Recording Control
Photo Taking Control
|Acoustic Principle||Line Gradient|
|Active Electronics||JFET impedance converter|
|Frequency Range||20Hz - 20kHz (selected HPF @75Hz/150Hz)|
|Maximum Output Level||7.7dBu (@ 1kHz, 1% THD into 1KΩ load)|
|Sensitivity||-33.6dB re 1 Volt/Pascal (21.20mV @ 94 dB SPL) +/- 2 dB @ 1kHz|
|Equivalent Noise Level
|Power Options||Internal batteryUSB bus poweredAA Battery|
|Dimensions (H x W x D)||111 x 66 x 170 mm|
Questions & Answers
Nikon Z6 Filmmaker's Kit (inc. Atomos V, HDMI Cable, Moza 2 Air Gimbal & Arm, Rode VideoMic Pro Plus)
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