• Webcode: 433135 • Mfr: 600020970
Product Highlights
  • 102MP BSI CMOS Sensor
  • Medium Format
  • 5 FPS Continuous Shooting
  • ISO 100-12800 Expandable to 50-102400
  • 4K 3840 x 2160 at 30p
  • 156 x 144 x 75 mm (6 x 5.7 x 3") Dimensions
  • 1155 g (40.7 oz.) Weight
  • Tilting Touchscreen

Estimated Release Date: Jun 27, 2019

This exciting new product is being released in limited quantity. Orders will be filled on a first-come, first-served basis. A credit card authorization will be processed upon placing your order. We will only charge your credit card at time of shipment.

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Overview






GFX 100 combines decades of experience, knowledge, and research into a mirrorless large format camera that redefines the  boundaries and limitations of how photographers and filmmakers creatively express themselves. By raising the bar in large format auto-focus performance, being the first large format system to have in-body stabilization, and providing filmmakers with a way to push the limits of wide format 4K/30p motion capture, GFX 100 is not only re shaping how images are being made, but it is also re defining large format for the world’s next generation of image makers.

Key Features:

  • High Resolution 102MP BSI CMOS Sensor
  • X-Processor 4 Quad-Core Imaging Engine
  • ISO 100-12800 Sensitivity Range
  • In-Body 5-Axis Stabilization
* Lens pictured not included.

Unleash the Power of High Resolution Digital

A powerful 102-megapixel mirrorless digital camera that takes large format to places it’s never been before.


Blazing Trails

with Michael Clark

Digital Done Differently

Fujifilm has packed some of the world’s most advanced imaging technology inside a weather-sealed, portable body.
The result is a camera that goes as far as you do to get the shot, from the studio to the Sierras.

Reach for More

GFX 100 Megapixels

Resolution Redefined

The FUJIFILM GFX 100 pairs a newly-developed back-illuminated 102MP imaging sensor with their blazingly fast X Processor 4 processing engine to create a combination capable of outputting 16-bit images with amazing colour fidelity, rich shadow detail, and incredible dynamic range. Its back-illuminated structure enhances image quality by bringing the exposure plane closer to the colour filter array. This reduces noise levels from that typically experienced with mirrorless cameras and extends the native ISO to ISO 100. Sharpness is also enhanced, while moire and false colours are near eliminated through the omission of an optical low-pass filter.

 

Practical Auto-Focus for large format

Compared to traditional large format digital systems, GFX 100 raises the bar in auto-focus performance by utilizing AF phase detection pixels across most of the sensor to help photographers obtain focus wherever they choose to position their subjects in the frame. At approximately 100% coverage, increased auto-focus performance with speed and accuracy is now a complete reality for photographers needing optimum performance in subject tracking, face/ eye detection and low-contrast environments.

Enhanced Stability When it Matters

High-Resolution Image Sensors require a particularly high level of stability to ensure image clarity and sharpness. Small vibrations can often cause interruptions during the capture process and may even lead to soft and out of focus images despite the use of a tripod. GFX 100 addresses these critical issues by providing filmmakers and photographers with built-in 5-axis image stabilization. A dedicated dual processor works together with gyroscopic accelerometers to achieve sensor stability with speed and precision to provide up to five-stops of image stabilization, even if the camera is fitted with a non-optically stabilized FUJINON lens. Precise large format capture is now feasible in low-light conditions or when shooting handheld.

Scraping Skies

with Beno Saradzic


Pioneering Image Stabilization

Innovative new technology inside the GFX 100 brings IBIS to a large format camera for the very first time,* helping you stay sharp when you need to most.

*Fujifilm research as of April 2019.

5-Axis In-Body Image Stabilization

Correcting across five axes including pitch, yaw, and roll, the GFX 100’s IBIS helps to ensure precise stills and video capture in some of the most challenging shooting conditions.

Dedicated Dual-Core IBIS Processor

Working together with a three-axis accelerometer and three-axis gyro sensor to perform 10,000 corrections every second.

Up to 5.5 Stops of Image Stabilization

Offering up to 5.5 stops* of image stabilization, this revolutionary large format technology provides exceptional performance in low light.

Freezing Seas

with Russell Ord



Pushing Creative Boundaries for Filmmakers

While digital cinema has pushed into the world of larger format (35mm x 24mm), limited options still exist for creatives interested in big sensors. With a sensor size of 43.9mm x 32.9mm, GFX 100 offers filmmakers a viable alternative in achieving their creative visions. The new sensor and processor combination support 4K video recording at 30p/10bit with a uniquely cinematic, large format look for cinematographers who want exceptional control over depth of field and film-like tonality. With the ability to apply Fujifilm’s highly respected Film Simulations, record in F-Log Rec 2020, and capture 10-bit, 4:2:2 uncompressed footage through the HDMI port, GFX 100 should certainly be coming soon to a screen near you.


A Legacy in Colour Science

FUJIFILM’s legacy in colour science has helped create one of the most widely-acclaimed digital colour processing engines in the world. Benefiting from 85 years of research and development in colour imaging, the GFX 100 utilizes this same venerated colour processing engine found in other X Series and GFX digital cameras. Offering 16 Film Simulation modes gives photographers and filmmakers a way to match their artistic intent much like they do when choosing purpose-specific photographic emulsions. This not only builds upon Fujifilm’s heritage and colour science know-how, but also exposes a new generation to the aesthetic benefits of Fujifilm’s contributions to the photographic arts.

Moving Mountains

with Victor Liu



Focus on What Matters

  • Hybrid Phase Detection AF
  • Face and Eye Detection
  • Subject Tracking
  • Approximate 100% Coverage
  • Low-Light Precision to -2.0EV

The Power to Move With Large Format Video

  • 43.8 x 32.9mm Sensor
  • 4K/30P Resolution
  • 10-Bit Colour
  • F-Log Capture

Compatible with the full range of outstanding GF lenses

Future-proof optical precision and spectacular results.

Every lens in the GF lineup has been designed by FUJIFILM to perform at resolutions higher than 100 megapixels, providing outstanding image quality now and into the future.
8 High-Quality Fujinon GF Lenses Covering 23-250mm



Perfect from Every Angle

The 3.2-inch 3-way tilting LCD touchscreen on the GFX 100 gives you the versatility to ensure your composition is always on point, whatever your position.

16 Distinctive Film Simulation Modes

A lifetime of experience creating some of the most iconic photographic films in history has been poured into this collection of unique shooting modes.


Pål Laukli

PROJECT REAL


Eric Malo

PROJECT REAL


Yusuke Kashiwazaki

PROJECT REAL


Jan Gonzales

PROJECT REAL


Samuel Zeller

PROJECT REAL


Serkan Günes

PROJECT REAL


Shenjie Wu

PROJECT REAL


Philipp Rathmer

PROJECT REAL


Tethered Support for Capture One Professionals Everywhere

  • Compatible with Capture One / Adobe Lightroom / Adobe Photoshop
  • USB-C & HDMI Interfaces
  • WI-FI & Bluetooth Connectivity Via Fujifilm Camera Remote App

Tethered capture is a necessity for many professional large format camera users and the GFX 100 works with Capture One software to help photographers create, manage, and maintain a streamlined workflow from capture through to delivery.

With Capture One, raw Fujifilm images can be processed quickly with the option to apply Fujifilm's unique Film Simulations during file conversion for even greater artistic possibilities.

Seamless Workflow

Move effortlessly from all-weather capture on location to tethered capture in the studio. Spectacular images. Smooth processing. Sensational results.

What's Included

GFX 100 Medium Format Mirrorless Camera Body
2x Li-ion batteries NP-T125
Battery charger BC-T125
Plug adapter
Interchangeable electronic viewfinder EVF-GFX2
Body cap
2x Metal strap clips
Clip attaching tool
2x Protective covers
Shoulder strap
Cable protector
Hot shoe cover (Body/EVF)
Connector cover (EVF)
Sync terminal cover
Owner's manual

Reviews

Product Specifications

GFX 100

Number of effective pixels 102 million pixels
Image sensor 43.8mm x 32.9mm Bayer array with primary color filter
Sensor Cleaning system
Ultra Sonic Vibration
Storage media SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-512GB) UHS-I / UHS-II / Video Speed Class V90
File format Still image
JPEG (Exif Ver.2.3)*2, RAW : 14bit / 16bit RAW (RAF original format), RAW+JPEG, 8-bit /16-bit(10-bit output in 16bit file) TIFF (In-camera Ra w Conversion Only)
Number of recorded pixels L: (4:3) 11648×8736 / (3:2) 11648×7768 / (16:9) 11648×6552 / (1:1) 8736×8736 (65:24) 11648×4304 / (5:4) 10928×8736 / (7:6) 10192×8736M: (4:3) 8256×6192 / (3:2) 8256×5504 / (16:9) 8256×4640 / (1:1) 6192×6192 (65:24) 8256×3048 / (5:4) 7744×6192 / (7:6) 7232×6192S: (4:3) 4000×3000 / (3:2) 4000×2664 / (16:9) 4000×2248 / (1:1) 2992×2992 (65:24) 4000×1480 / (5:4) 3744×3000 / (7:6) 3504×3000
Lens mount FUJIFILM G mount
Sensitivity Standard Output Sensitivity
AUTO1/AUTO2/AUTO3 (up to ISO12800) / ISO100-12800 (1/3 step)(Movie: AUTO / ISO200-12800)
Extended output sensitivity
ISO50 / 25600 / 51200 / 102400(Movie: ISO25600)
Exposure control TTL 256-zone metering, Multi / Spot / Average / Center Weighted
Exposure mode P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensation -5.0EV -+5.0EV 1/3EV step(Movie: -2.0EV -+2.0EV)
Image Stabilizer Mechanism
Image sensor shift mechanism with 5-axis compensation
Compensation Effect
5.5 stops (based on CIPA standard). Pitch/yaw shake only. With GF63mmF2.8 R WR lens mounted.
Shutter type Focal Plane Shutter
Shutter speed Mechanical Shutter Pmode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.S/M mode: 60min. to 1/4000sec. Bulb mode: up to 60min.Electronic Shutter*3P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.S/M mode: 60min. to 1/16000sec. Bulb mode: up to 60min.Electronic Front Curtain Shutter*4P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.S/M mode: 60min. to 1/4000sec. Bulb mode: up to 60min.Mechanical + Electronic Shutter*3P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.S/M mode: 60min. to 1/16000sec. Bulb mode: up to 60min. Electronic Front Curtain Shutter + Electronic Shutter*3*4P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb mode: up to 60min.Movie1/4000sec.-1/4sec*.
* Cannot choose slower shutter speed than framerate with LongGOPrecording.Synchronized shutter speed for flash1/125sec. or slower
Continuous shooting CH Approx. 5.0fps(JPEG: 41 Frames Lossless compression RAW: 14 Frames Uncompressed RAW: 13 Frames)CL Approx. 2.0fps(JPEG: Endless Lossless compression RAW: 20 Frames Uncompressed RAW: 15 Frames)*When Using the Electronic Shutter CH continuous shooting speed drops to approx. 2.9fps.•*Electronic Front Curtain Shutter support CL only.•*Recorda ble frame depends on recording media.•*Speed of continuous shooting depends on shooting environment and shooting frames.
Auto bracketing AE Bracketing (Frames: -2, -3, +3, +2, ±9, ±7, ±5, ±3 Step: 1/3EV, 2/3EV, 1EV, 4/3EV, 5/3EV, 2EV, 7/3EV, 8/3EV, 3EV)Film Simulation bracketing (Any 3 types of film simulation selectable)Dynamic Range Bracketing (100%, 200%, 400%)ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV)White Balance Bracketing (±1, ±2, ±3)Focus Bracketing (Frames: 1-999, Step: 1-10, Interval: 0-10s)
Focus Mode
Single AF / Continuous AF / MF
Type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)AF frame selectionSingle point AF: EVF / LCD: 13×9 / 25×17 (Changeable size of AF frame)Zone AF: 3×3 / 5×5 / 7×7 from 117 areas on 13×9 gridWide/Tracking AF: (up to 18 area) * AF-S: Wide / AF-C: TrackingAll
White balance Automatic Scene recognition / Custom1-3 / Color temperature selection (2500K~10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater
Self-timer 10sec. / 2sec.
Interval timer shooting Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Flash modes When EF-X500 is set
SYNC. MODE1ST CURTAIN / 2ND CURTAIN / AUTO FP(HSS)FLASH MODETTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF
Hot shoe Yes (Dedicated TTL Flash compatible)
Viewfinder 0.5 inch Approx. 5.76 million dots OLED Color Viewfinder
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment: -4 -+2m-1Magnification: 0.86×with 50mm Lens (35mm Equivalent) at infinityand Diopter set to -1.0m-1
Diagonal Angle of View: Approx. 41°(Horizontal Angle of View: Approx. 33°)
Built-In Eye Sensor
LCD monitor 3.2 inch, Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type(Three Direction), Touch Screen Color LCD Monitor (Approx. 100% Coverage)
Touch Screen Mode Shooting ModeTouch AF, Focus Area, OFFDouble Tap ON/OFF Setting, Touch Function ON/OFF SettingPlayback ModeSwipe, Zoom, Pinch-in / Pinch-out, Double-tap, Drag (ON/OFF Selectable)
Sub LCD monitor 1.80 inch, Aspect Ratio 4:3, 303×230-dot Monochrome LCD Monitor
Rear sub monitor 2.05 inch, Aspect Ratio 4:1, 256×64-dot Monochrome OLED Monitor
Movie recording File format
MOV(MPEG-4 AVC / H.264, HEVC / H.265, Audio : Linear PCM / Stereo sound 24bit / 48KHz sampling)
Movie compression
All Intra/Long-GOP* All Intra can be used with following settings.DCI4K/4K 29.97p/25p/24p/23.98p 400MbpsFull HD(2048×1080)/Full HD(1920×1080) 59.94p/50p/29.97p/25p/24p/23.98p200Mbps•File size / Frame rate / Recording time[DCI4K (4096×2160)]29.97p / 25p / 24p / 23.98p 400Mbps/200Mbps/100Mbps up to Approx. 60min.[4K (3840×2160)]29.97p / 25p / 24p / 23.98p 400Mbps/200Mbps/100Mbps up to Approx. 60min.[Full HD (2048×1080)]29.97p / 25p / 24p / 23.98p 200Mbps/100Mbps/50Mbps up to Approx. 80min.[Full HD (1920×1080)]29.97p / 25p / 24p / 23.98p 200Mbps/100Mbps/50Mbps up to Approx. 80min.* For recording movies, use a SD memory card with UHS Speed Class 3 or higher.•* For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher.•* Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p.
Film Simulation mode 16 modes ( PROVIA / Sta ndard, Velvia / Vivid, ASTIA / Soft, Cla ssic Chrome, PRO Neg.Hi, PRO Neg.Std, ETERNA / CINEMA, Black&White, Black&White+Ye Filter, Black&White+R Filter, Black&White+Gfilter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter)
B&W ADJ. (Warm/Cool) -9 -+9
*When ACROS or Black&White is selected.
Grain Effect STRONG, WEAK, OFF
Color Chrome Effect STRONG, WEAK, OFF
Smooth Skin Effect STRONG, WEAK, OFF
Dynamic range setting AUTO, 100%, 200%, 400%
Photography functions D range priority, Highlight tone, Shadow tone, Color, Sharpness, Noise reduction, Long exposure NR, Lens Modulation Optimizer, Color space, Pixel mapping, Select custom setting, Edit/Save custom setting, AF-C custom setting, Store AF mode by orientation, AF point display, Pre-AF, AF Illuminator, Face/Eye detection AF, AF+MF, MF a ssist(Digital Split Image, Digita l Microprism, Focus peak highlight), Focus check, Interlock spot AE & focus area, Instant AF setting (AF-S/AF-C), Depth-of-field scale, Release/Focus priority, Touch screen mode, Flicker reduction, Mount a dapter setting, 35mm Format Mode, Red eye removal, RGB Histogram, Highlight alert, Electronic level, Preview depth of field, AE lock, AF lock, AF-ON, AWB lock, Multiple exposure
Movie functions Interframe NR, F-Log/HLG recording, Peripheral light correction, Movie AF mode, 4K movie output, Full HD movie output, HDMI output info display, 4K HDMI standby quality, HDMI rec control, Zebra setting, Zebra level, Audio setting, Time code setting, Tally light, Movie silent control
Playback functions Switch slot, RAW conversion, Erase, Erase selected frames, Simultaneous delete(Raw Slot1/JPG Slot2), Crop, Resize, Protect, Ima ge rotate, Red eye removal, Voice memo setting, Copy, Photobook assist, Multi-frame playback (with micro thumbnail), Favorites, RGB histogram, Highlight alert
Wireless transmitter StandardIEEE802.11a/b/g/n/ac (standard wireless protocol)EncryptionWEP/WPA/WPA2 mixed modeAccess modeInfrastructure
Bluetooth® StandartdsBluetooth Ver. 4.2(Bluetooth low energy)Operating frequency2402 -2480MHz(Center frequency)
Wireless function Geotagging, Image transfer (Individual image/Selected multiple images), View & Obtain Images, instax Printer Print, Pairing registration, Delete pairing registration, Bluetooth ON/OFF setting, Auto image transfer, Smartphone Sync. Setting, Wireless com. frequency setting
Other functions Exif Print, Date/Time, Time difference, 35 Languages, My menu setting, Sensor cleaning, Battery age, Regulatory, Sound set-up, EVF brightness, EVF color, EVF color a djustment, LCD brightness, LCD color, LCD color adjustment, Image disp, Auto rotate displays, Preview exp./WB in manual mode, Natural live view, Framing guideline, Auto rotate PB, Focus scale units, Dual display setting, Disp. custom setting, Large indicators mode(EVF/LCD), Large indicators disp. setting, Information contrast adj. Sub monitor setting, Rear sub monitor setting, Sub monitor background color, Rear sub monitor brightness, Focus lever setting, Edit/Save Quick menu, Function(Fn) setting, Comma nd dial setting, Shutter AF, Shutter AE, Shoot without lens, Shoot without card, Focus ring, Focus ring operation, AE/AF-Lock mode, AWB-Lock mode, Expo. Comp. button setting, Touch screen setting, Lock, Auto power off, Performa nce, Shooting stand by mode, Auto power save, Frame No., Save org ima ge, Edit file name, Card slot setting, Select slot, Select Folder a nd Crea te Folder, Copyright Info
Terminal Digital interface
USB Type-C(USB3.2 Gen1x1)HDMI outputHDMI Micro connector (Type D)
Other
ø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Remote Relea se ConnectorDC IN 15V Connecter
*Compatible with AC-15V (Optional) OnlyHot shoe
Synchronized terninal
Power supply NP-T125 (x2) Li-ion battery (included)
Battery life for still images
Approx. 800 frames When GF63mmF2.8 R WR is set. (2 batterys installed, Auto power sa ve ON)
Actual battery life of movie capture
Face detection is set to OFF•[4K] Approx. 100min. [Full HD] Approx. 150min.
Continuance battery life of movie capture
Face detection is set to OFF[4K] Approx. 170min. [Full HD] Approx. 240min.
USB power supply Support USB PD(Power Delivery) power source to supply or ra pidly recharge battery (USB PD Rev2.0 ver1.3)

Physical Specs

 
Dimensions (WxHxD) Including EVF
156.2 x 163.6 x 102.9 mm (6.15 x 6.44 x 4.05")
Minimum Depth: 48.9mm (1.93")

Excluding EVF
156.2 x 144 x 75.1 mm (6.15 x 5.67 x 2.96")
Minimum Depth: 48.9 mm (1.93")
Weight Approx. 1,400 g (49.4 oz.)
* Including EVF, battery x2 and memory card
Approx. 1,320 g (46.6 oz.)
* Including battery x2 and memory card
Approx. 1,155g (40.7 oz.)
* Excluding accessories, battery and memory card
Operating Temperature -10°C -+40°C (+14°F -+104°F)
Operating Humidity 10 -80%
* No condensation
Starting up period Approx 0.4 sec.
* Fujifilm research

Questions & Answers

Fujifilm GFX 100 Large Format Mirrorless Body (no lens) 102 MP

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