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Built for Speed, Reliability and Productivity
The α9 II offers advances that answer the demands of professional workflows, including sophisticated operability and network connectivity for enhanced support in the field, rugged go-anywhere reliability and unrivalled speed.
- Full-Frame Stacked CMOS Sensor with Integral Memory
- High-speed BIONZ X™ image processing engine
- Uncompromising Image Quality
- Blackout-Free Shooting21 with Quad-VGA OLED Tru-Finder
- Incredibly Fast Continuous Shooting
- AF/AE Calculations up to 60 Times/Sec
- Silent shooting
- High-Speed 1/32000 Sec Anti-Distortion Shutter
- Anti-flicker shooting
* Lens pictured not included
Full-Frame Stacked CMOS Sensor with Integral Memory
α9 II is the mirrorless camera that delivers next-generation high-speed performance far exceeding SLRs. It’s equipped with the outstanding 35 mm stacked CMOS image sensor with integral memory for impressively fast overall readout speed. This 24.2 MP image sensor achieves high sensitivity of up to ISO 204800 (extended) with the design of back-illuminated structure.
High-speed BIONZ X image processing engine
The camera’s image-processing algorithms represent the latest generation of advancements, allowing higher levels of natural tonal gradations and more stable AWB for continuous shooting.
Uncompromising Image Quality
The combination of a 24.2 effective megapixel integral-memory full-frame stacked CMOS image sensor and the latest-generation BIONZ X make possible high-sensitivity performance up to ISO 51200, high dynamic range, and support for 14-bit RAW output and 16-bit image processing. Together, they help capture maximum detail and image quality while reproducing rich tonal gradations and natural colour, such as human skin.
Blackout-Free Shooting with Quad-VGA OLED Tru-Finder
In continuous shooting, the electronic shutter system banishes blackout interruption typical of optical viewfinders, and the high-speed image sensor eliminates distracting EVF display lag. A high 120fps refresh rate minimizes display blurring of moving subjects, and the Quad-VGA OLED Tru-Finder with approx. 3.68 million-dot high resolution, employs ZEISS T Coating to reduce reflections. A dirt-repelling fluorine coating on the outer lens to enhance usability on location. (A) Blackout-free Shooting (B) Shooting with blackouts
Incredibly Fast Continuous Shooting
Thanks to the α9 II’s incredible speed, continuous shooting is possible at up to 20fps with the electronic shutter, and 10fps with the mechanical shutter, to capture fast-moving subjects with either shutter mode, and even at its highest speed, the flash can be synchronized with the mechanical shutter.
AF/AE Calculations up to 60 Times/Sec
AF/AE is calculated up to 60 times per second and is virtually uninterrupted, both while composing the image and even upon releasing the shutter. Continuous AF/AE—operated on the image sensor—locks onto and tracks erratically moving subjects with high speed, precision, and reliability. Additionally, AWB Lock capability, makes it possible to lock/unlock auto white balance operation at any time, which is useful in mixed lighting situations where natural and man-made light sources coexist. (1) AF/AE calculations (2) 60 times/sec (3) 20 frames/sec
Explore the advantages of high-speed silent shooting with a shutter that is fully digital — without a physical mechanism. The electronic shutter allows silent shooting without mechanical mirror and shutter noise. It’s ideal for sports and subjects that demand quiet operation, greatly expanding camera versatility.
High-Speed 1/32000 Sec Anti-Distortion Shutter
A result of Sony’s image sensor innovation, this shutter achieves speeds up to 1/32000 sec., beyond the limits of mechanical systems. Additionally, the high curtain speed of the electronic shutter suppresses rolling shutter effect to excellently capture moving subjects during sports and other fast-moving activities.
4D FOCUS: From AF Wide Coverage, Speed, and Tracking Stability
4D FOCUS means highly accurate subject detection, reliable rapid autofocusing, and continuous tracking of subjects in motion, based on uninterrupted AF and an optimized AF algorithm as well as the approximately 93% AF coverage from 693 focal-plane phase-detection AF points that track random subject motion even during shutter release.
Flicker from fluorescent and other artificial lighting is automatically detected and shutter action is timed to minimize the effect of flicker on still images. This suppresses exposure and colour anomalies at the top and bottom of images shot at high shutter speeds, as well as exposure and colour inconsistency between continuous shots, so you can take images indoors with more confidence. (1) Anti-flicker ON (2) Anti-flicker OFF
The Real-time Tracking technology uses AI to detect moving subjects from the wealth of information captured by the image sensor. Spatial data consisting of colour, pattern (brightness) and distance information are processed in parallel at high speed, and human and animal face and eye location data are detected continuously in real time using AI, realizing high-accuracy with automatic detection and tracking performance for moving subjects.
Precision AF Effective Down to EV-3 Brightness
Low-light AF detection extends to EV-3 at ISO 100. The “Focus Priority in Aperture Drive” option enables more accurate focusing in dim lighting and when the aperture is stopped down, with the result that the precision AF system will function properly even when shooting dimly lit scenes. This opens up new possibilities in low-light and night shooting.
Real-Time Eye AF for Humans and Animals
Real-time Eye AF relies on advanced AI to continuously analyze and detect eyes from the image sensor’s copious data, with left- or right-eye preference possible with a simple toggle. By half-pressing the shutter button, even animal eyes are detected. Team it up with Real-time Tracking for superior tracking performance of live subjects.
Shutter Durability and Image Shake Suppression
The shutter has been tested for durability in excess of 500,000 shutter-release cycles and incorporates an internal damper structure to absorb the impact of shutter motion for minimum shutter vibration and noise, helping to also realize more sharply resolved imaging.
Body-Integrated 5-Axis Optical Image Stabilization
The body-integrated image stabilization system is fine-tuned to compensate accurately for 5-axis camera shake that can compromise handheld shooting. This gives you extremely high performance in both stills and movies, whether shooting at longer focal lengths, in close-ups, or at night. It is equivalent to using a 5.5-step faster shutter speed, allowing stable determination of composition when capturing subjects in high-speed motion. Real-time effects can be monitored via live view. (1) Yaw (2) Pitch (3) Roll
User-Selectable Focus Area Circulation and Customization
A new setting allows the focus area to be rotated through the upper, lower, left, and right edges of the frame to select an appropriate focus area for sports, or other situations where the subject frequently moves through the frame. AF area and ISO display limiting makes it possible to display only the most frequently used focus area and ISO settings for quicker, easier selection for faster, more efficient shooting.
Professional-Level Operating Stamina
The α9 II employs the large-capacity NP-FZ100 battery and a highly energy-efficient circuit design to double operational longevity to professional session lengths. The robust VG-C4EM vertical-position grip is available for greater operability and even longer hours of shooting. In addition to other optional accessories, USB Type-C™ and Multi/Micro USB ports allow external mobile batteries to power the camera for further extended recording.
Dual media slots, both supporting UHS-II
The α9 II provides two media slots for SD cards; both SLOT 1 and SLOT 2 are now compatible with UHS-I and UHS-II for fast mass-volume data writing. Two cards in the slots can be used to simultaneously record or relay record data, separate RAW data from JPEG data, or stills from movies, and copy data from one card to the other. A slide lock structure prevents the memory card cover from being opened unintentionally.
Reliable Durability and Weather Resistance in Tough Situations
The α9 II brings you further enhanced body durability, with full use of lightweight, high-rigidity magnesium alloy for covers and internal frame, keeping the camera highly rigid and light. In response to pro opinions, enhanced sealing is applied to the battery cover, terminal cover and all joints in the chassis. A double-sealed sliding mechanism replaces the hinge of the media compartment lid for better moisture resistance. Routes to dust and moisture entry have been re-examined, and a cushion around the lens mount has been added to ensure reliable operation in challenging environments.
Add Voice Memo to Your Images
The α9 II brings higher efficiency to work delivery tasks with a new Voice Memo function that allows you to record up to 60-sec audio files (.wav), describing shooting conditions or image content with automatic transcription into text, which is then attached to images.
Faster FTP Transfer
You can directly transfer images to an FTP server with significantly higher speed via the camera’s LAN terminal that supports the Ethernet 1000BASE-T standard. It is also possible to upload images to an FTP server through an available wireless access point. The camera supports either transfer mode in the background while shooting. Up to nine servers may be pre-registered for fast menu selection.
Redesigned controls for confident and comfortable operation
A refined multi-selector, with a new surface texture for enhanced button response, lets you shift point of focus quickly and intuitively. With a thought for pro users, an improved grip shape reduces fatigue, and there is a new Exposure Compensation Dial Lock Button to increase operational security. In addition, the locations of the AF-ON and other key buttons have been analyzed for better feel and response. These improvements enhance your concentration on shutter release to “capture the moment” instantly.
Extending Operability with Remote Camera Tool
The camera is compatible with updated Remote Camera Tool application, which, after pairing to assure a secure connection, handles remote single or multi-camera shooting using a wired LAN connection in venues like sports stadiums. Remote switching of the camera’s FTP server settings is also possible, as well as remote-control of saving and loading settings to/from an SD memory card.
Support for Faster Data Transfer; 5 GHz Wi-Fi and USB 3.2 Gen 1
Connectivity has been improved, with new support for the IEEE 802.11ac 5 GHz band Wi-Fi when the camera is connected in wireless mode, along with the camera's USB Type-C terminal that supports USB 3.2 Gen 1.
High-resolution 4K movie recording
The camera is capable of 4K movie recording with full-pixel readout without pixel binning. You can enjoy detail-rich, full-frame movies via the oversampling effect achieved by condensing approximately 2.4 times the amount of data required for 4K (6K equivalent) for 4K output (QFHD: 3840 x 2160). Additionally, the XAVC-S format is supported at bit rates as high as 100 Mbps.
Versatile movie recording functions
The α9 II provides a wide array of functions to facilitate movie shooting workflows, including interval recording, clean HDMI output, time code/user bits (TC/UB), REC Control, marker display/setting, zebra function, Slow and Quick Motion, simultaneous proxy movie recording, and extraction and separate storage of a still from a movie, among others. A combination with the ECM-B1M Shotgun Microphone or XLR-K3M XLR Adaptor Kit, via the new digital audio interface, enables clear sound recording with minimized quality deterioration by sending a digital audio signal to the camera.
AF Improvements for Movie Shooting
When shooting 4K movies, the camera provides control of high speed, precision, and tracking performance, via adjustable tracking sensitivity, for smooth, stable AF movie shooting. More pronounced slow focus effects are now possible, and Real-time Eye AF is now also applicable when shooting movies, detecting and tracking eyes with high-focus accuracy, which is critical when shooting 4K.
Improvement of camera settings saving function
Now, a dramatically increased number of camera settings can be stored in the memory card, and saved settings can be read by other cameras of the same model. Moreover, up to 10 sets of camera settings can be stored in a memory card, thanks to the Save/Load Setting function. Camera setups can also be imported to the Imaging Edge Mobile application, while imported setups can be exported to other cameras of the same model.
Rating Function and Image Jump Setting
Ratings from 1 to 5 stars can be applied to still images and maintained as the images are imported into the Imaging Edge desktop application (Viewer) running on a PC. This function and a protect function to prevent accidental image deletion can each be assigned to a custom button (C3 by default for protect). Ratings and protection can be applied via review playback display and continuous groups can be reviewed, protected and deleted while you’re on location or travelling. With the Image Jump Setting, you can now also review large photo collections in 10- or 100-frame jumps, and group-review continuous burst shots for swift, efficient image evaluation.
Customizability for maximized efficiency
Thanks to My Dial, three sets of menu options can be assigned through the front/rear dials and the control wheel. By assigning frequently used functions to these dials, they become instantly available for fingertip control while a custom button is held. Function sets can be assigned individually for stills and movies.
Imaging Edge Remote, Viewer, and Edit Desktop Apps
Elevate your photography with Imaging Edge desktop applications. Use “Remote” to control and monitor shooting live on your PC screen; “Viewer” to quickly preview, rate, and select photos from large image libraries; and “Edit” to develop RAW data into high-quality photos for delivery.
Capture One (for Sony)
Capture One Express (for Sony) is a free, award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) can be bought for even more editing tools and tethered shooting capability.
- 4D FOCUS: From AF Wide Coverage, Speed, and Tracking Stability
- Real-time Tracking
- Precision AF Effective Down to EV-3 Brightness
- AF/AE-tracking continuous shooting with A-mount lenses
- Real-Time Eye AF for Humans and Animals
- Shutter Durability and Image Shake Suppression
- Body-Integrated 5-Axis Optical Image Stabilization
- User-Selectable Focus Area Circulation and Customization
- Professional-Level Operating Stamina
- Dual media slots, both supporting UHS-II
- Reliable Durability and Weather Resistance in Tough Situations
- Add Voice Memo to Your Images
- Faster FTP Transfer
- Redesigned controls for confident and comfortable operation
- Extending Operability with Remote Camera Tool
- Support for Faster Data Transfer; 5 GHz Wi-Fi and USB 3.2 Gen 1
- High-resolution 4K movie recording
- Versatile movie recording functions
- AF Improvements for Movie Shooting
- Improvement of camera settings saving function
- Rating Function and Image Jump Setting
- Customizability for maximized efficiency
- Imaging Edge Remote, Viewer, and Edit Desktop Apps
- Capture One (for Sony)
What's Includedα9II Mirrorless Camera Body
Rechargeable Battery NP-FZ100
Battery Charger BC-QZ1
Accessory Shoe Cap
Alpha A9II Mirrorless Body
|Lens Compatibility||Sony E-Mount lenses|
|Sensor Type||35 mm full frame (35.6 × 23.8 mm), Exmor RS® CMOS sensor|
|No. of Total Pixels||Approx. 28.3 MP|
|No. of Effective Pixels||Approx. 24.2 MP|
|Anti-Dust System||Charge protection coating on optical filter and image sensor shift mechanism|
Recording (still images)
|Recording Format||JPEG (DCF Ver. 2.0, Exif Ver.2.31, MPF Baseline compliant), RAW (Sony ARW 2.3 format)|
|Image Size (Pixels) [3:2]||35 mm full frame L: 6000 x 4000 (24M), M: 3936 x 2624 (10 M), S: 3008 x 2000 (6.0 M), APS-C L: 3936 x 2624 (10 M), M: 3008 x 2000 (6.0 M), S: 1968 x 1312 (2.6 M)|
|Image Size (Pixels) [4:3]||35 mm full frame L: 5328 x 4000 (21 M), M: 3488 x 2624 (9.2 M), S: 2656 x 2000 (5.3 M) APS-C L: 3488 x 2624 (9.2 M), M: 2656 x 2000 (5.3 M), S: 1744 x 1312 (2.3 M)|
|Image Size (Pixels) [16:9]||35 mm full frame L: 6000 x 3376 (20M), M: 3936 x 2216 (8.7 M), S: 3008 x 1688 (5.1 M), APS-C L: 3936 x 2216 (8.7 M), M: 3008 x 1688 (5.1 M), S: 1968 x 1112 (2.2 M)|
|Image Size (Pixels) [1:1]||35 mm full frame L: 4000 x 4000 (16M), M: 2624 x 2624 (6.9 M), S: 2000 x 2000 (4.0 M), APS-C L: 2624 x 2624 (6.9 M), M: 2000 x 2000 (4.0 M), S: 1312 x 1312 (1.7 M)|
|Image Quality Modes||RAW, RAW & JPEG (Extra fine, Fine, Standard), JPEG (Extra fine, Fine, Standard)|
|Picture Effect||8 types: Posterization (Colour), Posterization (B/W), Pop Colour, Retro Photo, Partial Colour (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), Soft High-key, Rich-tone Monochrome|
|Creative Style||Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black and White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-5 to +5 steps))|
|Dynamic Range Functions||Off, Dynamic Range Optimizer (Auto/Level (1-5)), Auto High Dynamic Range (Auto Exposure Difference, Exposure Difference Level (1-6 EV, 1.0 EV step))|
|Colour Space||sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Colour|
|Recording Format||XAVC S, AVCHD format Ver. 2.0 compliant|
|Video Compression||XAVC S: MPEG-4 AVC/H.264, AVCHD: MPEG-4 AVC/H.264|
|Audio Recording Format||XAVC S: LPCM 2ch, AVCHD: Dolby® Digital (AC-3) 2ch, Dolby® Digital Stereo Creator|
|Colour Space||xvYCC standard (x.v.Colour when connected via HDMI cable) compatible with TRILUMINOS Colour|
|Picture Effect||Posterization (Colour), Posterization (B/W), Pop Colour, Retro Photo, Partial Colour (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), Soft High-key|
|Creative Style||Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black and White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-5 to +5 steps))|
|Image Size (Pixels), NTSC||XAVC S 4K: 3840 x 2160 (30p, 100M), 3840 x 2160 (24p, 100M), 3840 x 2160 (30p, 60M), 3840 x 2160 (24p, 60M), XAVC S HD: 1920 x 1080 (120p, 100M), 1920 x 1080 (120p, 60M), 1920 x 1080 (60p, 50M), 1920 x 1080 (30p, 50M), 1920 x 1080 (24p, 50M), 1920 x 1080 (60p, 25M), 1920 x 1080 (30p, 16M), AVCHD:1920 x 1080 (60i, 24M, FX), 1920 x 1080 (60i, 17M, FH)|
|Image Size (Pixels), PAL||XAVC S 4K: 3840 x 2160 (25p, 100M), 3840 x 2160 (25p, 60M), AVCHD: 1920 x 1080 (50i, 24M, FX), 1920 x 1080 (50i, 17M, FH)|
|Slow and Quick Motion (Shooting Frame Rate)||NTSC mode: 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, PAL mode: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps,|
|Slow and Quick Motion (Recording Frame Rate and Image Size)||NTSC mode: 1920x1080 (60p, 30p, 24p), PAL mode: 1920x1080 (50p, 25p)|
|Movie Functions||Audio Level Display, Audio Rec Level, Proxy Recording (1280 x 720 (Approx. 9 Mbps)), TC/UB (TC Preset/UB Preset/TC Format/TC Run/TC Make/UB Time Rec), Auto Slow Shutter, REC Control, Clean HDMI Info. (ON/OFF selectable)|
|HDMI Output||3840 x 2160 (25p), 1920 x 1080 (50p), 1920 x 1080 (50i), 1920 x 1080 (24p), 1920 x 1080(60p), 1920 x 1080 (60i), 3840 x 2160 (30p), 3840 x 2160 (24p), YCbCr 4:2:2 8 bit / RGB 8 bit|
|Location Information Link from Smartphone||Yes|
|Media||SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), microSD memory card, microSDHC memory card, microSDXC memory card|
|Memory Card Slot||SLOT1: Slot for SD (UHS-I/II compliant) memory card, SLOT2: Slot for SD (UHS-I/II compliant) memory card|
|Recording Mode on 2 Memory Cards||Simult. Rec (Still), Simult. Rec (Movie), Simult. Rec (Still/Movie), Sort (JPEG/RAW), Sort (Still/Movie), Auto Switch Media (On/Off), Copy|
|Noise Reduction||Long exposure NR: On/Off, available at shutter speeds longer than 1 s, High ISO NR: Normal/Low/Off|
|White Balance MOdes||Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent (Warm White / Cool White / Day White / Daylight) / Flash /Underwater/ Colour Temperature (2500 to 9900K) and colour filter (G7 to M7 (57-step), A7 to B7 (29-step)) / Custom|
|AWB Micro Adjustment||Yes (G7 to M7, 57-step)(A7 to B7, 29-step)|
|Priority Set in AWB||Yes|
|Shutter AWB Lock||Yes (Shut. Halfway Down/Cont. Shooting/Off)|
|Bracketing||3 frames, H/L selectable|
|Focus Type||Fast Hybrid AF (phase-detection AF/contrast-detection AF)|
|Focus Sensor||Exmor RS CMOS sensor|
|Focus Point||35 mm full frame: 693 points (phase-detection AF), APS-C mode with FF lens: 299 points (phase-detection AF), with APS-C lens: 221 points (phase-detection AF) / 425 points (contrast-detection AF)|
|Focus Sensitivity Range||EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)|
|Focus Mode||AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus|
|Focus Area||Wide (693 points (phase-detection AF), 425 points (contrast-detection AF))/Zone/Centre/Flexible Spot (S/M/L)/Expanded Flexible Spot/Tracking (Wide/Zone/Centre/Flexible Spot (S/M/L)/Expanded Flexible Spot)|
|Other Features||Eye-start AF (only with LA-EA2 or LA-EA4 attached (Sold separately)), Tracking, [Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select), AF micro adjustment with LA-EA2 or LA-EA4 (Sold separately), Predictive control, Focus lock, Swt.V/H AF Area, AF Area Regist., Circ. of Focus Point|
|AF Illuminator||Yes (with Built-in LED type)|
|AF Illuminator Range||Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS attached)|
|Focus Type with LA-A3 (Sold separately)||phase detection|
|Metering Type||1200-zone evaluative metering|
|Metering Sensor||Exmor RS CMOS sensor|
|Metering Sensitivity||EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)|
|Metering Mode||Multi-segment, Centre-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight|
|Exposure Compensation||+/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3 EV (1/3 EV steps))|
|Exposure Bracketing||Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0, or 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3, or 1.0 EV increments.|
|AE Lock||Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)|
|Exposure Modes||AUTO (iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) ), Slow and Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M))|
|ISO Sensitivity (Recommended Exposure Index)||[Still images] Mechanical Shutter: ISO 100-51200 (ISO numbers up from ISO 50 to ISO 204800 can be set as expanded ISO range), AUTO (ISO 100-12800, selectable lower limit and upper limit), Electronic Shutter: ISO 100-25600 (ISO numbers up from ISO 50 can be set as expanded ISO range), AUTO (ISO 100-12800, selectable lower limit and upper limit), [Movies] ISO 100-51200 equivalent (ISO numbers up to ISO 102400 can be set as expanded ISO range), AUTO (ISO 100-12800, selectable lower limit and upper limit)|
|Viewfinder Type||1.3 cm (0.5 type) electronic viewfinder (colour), Quad-VGA OLED|
|Number of Dots||3,686,400 dots|
|Brightness Control (Viewfinder)||Auto/Manual (5 steps between -2 and +2)|
|Colour Temperature Control||Manual (5 steps)|
|Magnification||approx. 0.78 x (with 50 mm lens at infinity, -1 m-1)|
|Dioptre Adjustment||-4.0 to +3.0m-1|
|Eye Point||Approx. 23 mm from the eyepiece lens, 18.5 mm from the eyepiece frame at -1 m-1 (CIPA standard)|
|Finder Frame Rate Selection||STD 60fps / HI 120fps|
|Display Contents||Graphic Display, Display All Info., No Disp. Info., Digital Level Gauge, Histogram|
|Monitor Type||7.5cm (3.0-type) type TFT|
|Number of Dots||1,440,000 dots|
|Brightness Control||Manual (5 steps between -2 and +2), Sunny Weather mode|
|Adjustable Angle||Up by approx. 107 degrees, Down by approx. 41 degrees|
|Display Selector (Finder / LCD)||Yes (Auto/Manual)|
|Real-Time Image Adjustment Display (LCD)||On / Off|
|Focus Magnifier||Yes (35 mm full frame: 4.7 x, 9.4 x, APS-C: 3.1 x, 6.2 x)|
|Zebra||Yes (selectable level + range or lower limit as custom setting)|
|Peaking MF||Yes (Level setting: High/Mid/Low/Off, Colour: Red/Yellow/Blue/White)|
|Others||WhiteMagic, Grid Line (Rule of 3rds Grid/Square Grid/Diag. + Square Grid/Off), Movie Marker (Centre/Aspect/Safety Zone/Guideframe)|
|Display Content||Graphic Display, Display All Info, No Disp. Info, Digital Level Gauge, Histogram, For viewfinder, Monitor Off|
|Clear Image Zoom||Still images:Approx. 2x, Movies:Approx. 1.5x (4K), Approx. 2x (HD)|
|Digital Zoom||Smart zoom (Still images):35 mm full frame: M: approx 1.5 x, S: approx 2 x, APS-C: M: approx 1.3 x, S: approx 2 x, Digital zoom (Still images): 35 mm full frame: L: approx 4 x, M: approx 6.1 x, S: approx 8 x, APS-C: L: approx 4 x, M: approx 5.2 x, S: approx 8 x, Digital zoom (Movie): 35 mm full frame: approx 4 x, APS-C: approx 4x|
|Face Detection||Modes: Face Priority in AF (On/Off), Face Priority in Multi Metering (On/Off), Regist. Faces Priority (On/Off), Face registration, Max. number detectable: 8 faces|
|Others||Interval Recording, Touch Focus: Yes (Touch Focus/Touch Pad/Touch Tracking), ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, FTP Transfer Func., Help guide, Area Setting, Shop Front Mode, Video Light Mode, Zoom Ring Rotate|
|Type||Electronically-controlled, vertical-traverse, focal-plane type|
|Shutter Type||Auto/Mechanical shutter/Electronic shutter|
|Shutter Speed||[Still images, Single shot] Mechanical Shutter: 1/8000 to 30 sec, Bulb, AUTO: 1/32,000 to 30 s, Bulb, Electronic Shutter: 1/32000 to 30 sec, [Still images, Continuous shooting] Mechanical Shutter: 1/8000 to 30 sec, AUTO: 1/32000 to 1/8 sec, Electronic Shutter: 1/32000 to 1/8 sec, [Movies]: 1/8000 to 1/4 (1/3 steps) up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)|
|Flash Sync, Speed||1/250 s|
|Electronic Front Curtain Shutter||Yes (ON/OFF)|
|Silent Shooting||Yes (Electronic Shutter)|
|Type||Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)|
|Compensation Effect||5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)|
|Flash Compensation||+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)|
|Flash Bracketing||3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0, 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3, 1.0 EV increments.|
|Flash Modes||Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless5, Hi-speed sync|
|External Flash Compatibility||Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe|
|FE Level Lock||Yes|
|Wireless Control||Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. /Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)|
|Drive Modes||Single Shooting, Continuous shooting (Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket|
|Continuous Drive Speed||AUTO/Electronic Shutter: Continuous shooting: Hi: max. 20fps, Mid: max. 10fps, Lo: max. 5fps, Mechanical Shutter: Continuous shooting: Hi: max. 10fps, Mid: max. 8fps, Lo: max. 3 fps|
|No. of Recordable Frames (Approx.)||JPEG Extra fine L: 361 frames, JPEG Fine L: 361 frames, JPEG Standard L: 361 frames, RAW: 239 frames, RAW and JPG: 226 frames, RAW (Uncompressed): 131 frames, RAW (Uncompressed) and JPG: 120 frames|
|Self Timer||10 s delay/5 s delay/2 s delay/Continuous self-timer (3 frames after 10 s delay/5 frames after 10 s delay/3 frames after 5 s delay/5 frames after 5 s delay/3 frames after 2 s delay/5 frames after 2 s delay)/Bracketing self-timer (Off/2 s delay/5 s delay/10 s delay)|
|Modes||Single (with or without shooting information Y RGB histogram and highlight/shadow warning), 9/25-frame index view, Enlarged display mode (L: 15.0 x, M: 9.84 x, S: 7.52 x), Auto Review (10/5/2 sec, Off), Image orientation (Auto/Manual/Off selectable), Slideshow, Folder selection (Date/Still/MP4/AVCHD/XAVC S HD/XAVC S 4K), Forward/Rewind (movie), Delete, Protect, Rating, Display as Group, Voice Memo|
|PC Interface||Mass-storage, MTP, PC Remote|
|Multi / Micro USB Terminal||Yes|
|NFC||Yes (NFC forum Type 3 Tag compatible), One-touch remote, One-touch sharing|
|Wireless LAN (Built-In)||Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band)1112, View on Smartphone, Remote control via Smartphone, Send to Computer, View on TV|
|Bluetooth||Yes (Bluetooth® Standard Ver. 4.1 (2.4 GHz band))|
|HD Output||HDMI micro connector (Type-D), BRAVIA® Sync (Control for HDMI), PhotoTV HD, 4K movie output/4K still image PB|
|Multi Interface Shoe||Yes (with Digital Audio Interface)|
|Mic Terminal||Yes (3.5 mm Stereo minijack)|
|Headphone Terminal||Yes (3.5 mm Stereo minijack)|
|Vertical Grip Connector||Yes|
|LAN Terminal||Yes (1000BASE-T)|
|Compatible Standards||Exif Print, Print Image Matching III, DPOF setting|
|Type||Custom key settings, Programmable Setting (Body 3 sets /memory card 4 sets), My Menu, My Dial Settings, Reg Cust Shoot Set|
|Setting||Peripheral Shading, Chromatic Aberration, Distortion|
|Supplied Battery||One rechargeable battery pack NP-FZ100|
|Battery Life (Still Images)||Approx. 500 shots (Viewfinder) / approx. 690 shots (LCD monitor) (CIPA standard)|
|Battery Life (Movie, Actual Recording)||Approx. 110 min (Viewfinder) / Approx. 120 min (LCD monitor) (CIPA standard)|
|Battery Life (Movie, Continuous Recording)||Approx. 195 min (Viewfinder) / Approx. 200 min (LCD monitor) (CIPA standard)|
|Internal Battery Charge||Yes (Available with Multi/Micro USB Terminal or USB Type-C Terminal)|
|Power Consumption with Viewfinder||Still images: approx. 3.9 W (with FE 28-70 mm F3.5-5.6 OSS lens attached), Movies: approx. 5.0 W (with FE 28-70 mm F3.5-5.6 OSS lens attached)|
|Power Consumption with LCD Screen||Still images: approx. 2.9 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), Movies: Approx 4.9 W (with FE 28–70 mm F3.5–5.6 OSS lens attached)|
|USB Power Supply||Yes (Available with Multi/Micro USB Terminal or USB Type-C Terminal)|
|Operating Temperature||32–104 degrees F / 0–40 degrees C|
Size & Weight
|Weight (with Battery & Memory Card Included)||Approx. 678 g / approx. 1 lb 8.0 oz|
|Dimensions||Approx. 128.9 mm x 96.4 mm x 77.5 mm, Approx. 128.9 mm x 96.4 mm x 67.3 mm (from grip to monitor)/Approx. 5 1/8 x 3 7/8 x 3 1/8 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (from grip to monitor)|
Questions & Answers
Sony Alpha A9II Mirrorless Body
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