Product Highlights
  • 26.1 MP X-Trans BSI CMOS 4 Sensor
  • APS-C Format
  • 11 FPS Continuous Shooting
  • ISO 160-12800 Expandable to 80-51200
  • 4K (4096×2160) at 30p Video Recording
  • 425-Point Hybrid AF System
  • Titanium & Magnesium Material Construction
  • Weather Resistant
  • Film Simulation Modes
  • Dual SD Memory Card Slots
  • Tilting Touchscreen
  • Bluetooth & Wi-Fi

Estimated Release Date: Dec 12, 2019

This exciting new product is being released in limited quantity. Orders will be filled on a first-come, first-served basis. A credit card authorization will be processed upon placing your order. We will only charge your credit card at time of shipment.

Option:
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Fujifilm X-Pro3 Mirrorless Body DURA Black Fujifilm X-Pro3 Mirrorless Body DURA Bl...
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Overview

X-Pro3
Pure Photography

Something different is here. This camera turns anticipation into reality. The texture of titanium stimulates your senses, while the unique viewfinder prompts discovery and creativity. It brings back the desire to interact with the world through a camera, while attaining an understanding to record it as your own for eternity. The X-Pro3 is the definition of pure photography.

* Lens pictured not included.

X-Pro3 | Dura Black

The DR Black colour is a combination of the bare titanium texture coupled with a dark finish that creates a unique look with a commanding aura. This gives the camera an elegance never before seen on a camera.

Duratect

A special Duratect coating has been applied to the camera to protect the camera from scratches while keeping the beautiful and unique texture of the titanium casing. This means your beloved camera will never lose its prestigious look and feel.

Enjoy taking pictures without distractions

The hidden LCD encourages a more traditional shooting style, asking photographers to concentrate on composing using the viewfinder. Of course, you can flip open the screen to check your images between shooting sessions, but in essence, the X-Pro3 wants you to trust your instincts as a photographer and shoot without the distraction of checking every image. The LCD screen helps you to adjust the settings and find what needs to be improved, ready for next time.

The LCD screen has an anti-reflective coating, a wide angle of view, and is able to display images with high contrast and natural colours, ideal for reviewing or composing images in bright daylight or low light.

Digitally representation of film based visual effects are something only allowed for iconic photographic equipment. The visual effects appeal to users’ emotions and inspire imagination. The use of Memory LCD means users can easily see the settings for Film Simulation, white balance, etc. regardless of whether the camera is turned off or on.
  • Finder

    One of the best things about digital cameras is the EVF, it is the only way to see exactly how your settings will change the end result. However, we know that an OVF gives a primal sense of photographic pleasure, allowing users to enjoy “looking through the lens” at their subject. The EVF facilitates composing your image within the frame, while the OVF opens your creativity to what is going on outside the frame. The hybrid viewfinder allows you to switch between the two with a simple flick of the lever. The rangefinder OVF allows you to explore the world outside the viewfinder frame. Allowing you to anticipate a chance moment arriving before you press the shutter.
     

  • Colour

    The X-Pro3 EVF uses an organic LED panel with outstanding performance. The viewfinder covers 97% of the sRGB colour space, giving the most faithful colour reproduction possible allowing you to check the subtle differences between Film Simulation modes.
     

  • Contrast

    The organic LED panel, has a high contrast allowing it to display detail in shadows and highlights, helping you to see all the subtle details in the frame.
     

  • Luminance

    The viewfinder is clear and easy to see even in bright conditions. You can see everything including shooting area markers in the EVF and even in the OVF.
     

  • Motion Blur Reduction

    A black frame is inserted between frames to reduce the motion blur in the EVF. This is especially useful when you move the camera quickly when tracking a subject.
     

  • ERF

    Additional data can be displayed in the bottom right corner when using the OVF. This ability to provide Live View, enlarge AF points and display post-view dramatically improves the flexibility of using the OVF.

Titanium | Made from titanium, ready for any environment

From the start, the X Series has made sure to preserve the elegance, beauty and functionality of a camera while making sure we respect the history of photography.
Once you pick up this camera, you will feel this and enjoy the sense of nostalgia. The unique character of the titanium finish will never be lost.
You quickly realize a camera is much more than just a photographic tool.


Titanium + Magnesium

The frame of the camera body is made from magnesium, while the top cover and the base plate, which are the parts exposed to the elements are made from corrosion resistant titanium.


Weather Resistant

Street photographers prefer to carry their camera on them rather than putting it in a bag, to make sure they are ready to capture those fleeting moments that will never exist again. What they need is a compact, lightweight and reliable camera, allowing them to focus on capturing the world around them.

The latest performance with a traditional style

The new firmware algorithm in the X-Pro3 is designed to harness the full potential of the fourth-generation X-Trans CMOS 4 sensor and X-Processor 4.


Low-Light AF

The evolution of digital cameras is slowly eliminating the limits of low light shooting. The X-Pro3's AF system operates down to -6EV, enabling shooting in situations that have been deemed "pitch darkness" until now. The AF system has evolved to be able to auto-focus on not only what the eyes can see but also what your mind senses.


Multi Exposure

The camera can merge up to 9 frames in Additive, Average, Comparative Bright or Comparative Dark modes, combining images taken from multiple viewpoints or at different times into a single image. You can apply different Film Simulations to each of the frames, and paste colour fragments onto monochrome pictures to create a multi-layered collage.


HDR Mode

The X-Pro3 can combine images to expand the dynamic range (DR). It is a powerful tool that photographically reproduces the wider dynamic range that occurs naturally, yet is capable of producing a new type of HDR with smooth tonality and beautiful colours.

Masters of colour for over 85 years

FUJIFILM has continued to study colour since the production and development of photographic films in 1934. The technologies and experiences, accumulated over the years, have been injected into the Film Simulation modes. Each of the carefully chosen modes has a unique set of colours and tonality to create images that reflect how a photographer felt when taking the picture. The world of extended colour expressions including CLASSIC CHROME, ACROS and ETERNA, is now joined by another new mode of Film Simulation.

The new Film Simulation mode has been designed to simulate colour negative film that was traditionally chosen for snapshots of everyday scenes. The colours, precisely controlled for each level of brightness, create a rich chromatic contrast to add extra definition. The new “CLASSIC Neg.” takes you back to scenes as you saw them growing up, bringing back the joy of photography.

  • Monochromatic Colour

    The X-Pro3 allows you to choose a key colour from a matrix of Warm / Cool tones and Magenta / Green hues. You can incorporate the rich gradation into your images to create photographs with a personal twist. Enjoy creating your own monochrome world with added hues, going beyond the traditional approach of using warm tones for a retro look and cool tones for urban snapshots.
     

  • Clarity setting

    "Clarity" is the third parameter after Tone and Sharpness. It controls a picture's impression while retaining gradation.
     

  • Colour Chrome Effect Blue

    This adds more depth and naturally enhances the vividness of the colour.

A camera body that becomes an extension of you

The X-Pro3 is designed to keep your eyes focussed on the subject while your fingers access the various buttons and dials ensuring that you never miss a perfect photo opportunity.
This is the ultimate design for analog camera operation.

Rating

The rating function is essential when choosing images to keep out of the thousands of pictures taken. This feature has enhanced combaitibility with photo management software.

USB Type-C compatibility

The X-Pro3 features a USB Type-C port, which is the latest interface, enabling a smart way of charging or transfering information from your camera.

What's Included

X-Pro3 Mirrorless Camera Body (Dura Black)
NP-W126S Li-ion Battery
Shoulder Strap
Body Cap
Strap Clip
Protective Cover
Clip Attaching Tool
Hot Shoe Cover
Wiping Cloth

Reviews

Product Specifications

X-Pro3

 
Number of effective pixels 26.1 millions pixels
Image sensor 23.5mm×15.6mm (APS-C) X-Trans CMOS 4 with primary color filter.
Sensor Cleaning system Ultra Sonic Vibration
Storage media SD memory card (~2GB) / SDHC memory card (~32GB) / SDXC memory card (~512GB)
    UHS-I / UHS-II / Video Speed Class V30 *1
File format of still image JPEG: Exif Ver.2.3*2, RAW: 14bit RAW (RAF original format) / RAW+JPEG
Number of recorded pixels [L]<3:2> 6240 × 4160 <16:9> 6240 × 3512 <1:1> 4160 × 4160
    [M]<3:2> 4416 × 2944 <16:9> 4416 × 2488 <1:1> 2944 × 2944
    [S]<3:2> 3120 × 2080 <16:9> 3120 × 1760 <1:1> 2080 × 2080
Lens mount FUJIFILM X mount
Sensitivity Standard output AUTO1 / AUTO2 / AUTO3 / ISO160~12800 (1/3 step)
  Extended output ISO80 / 100 / 125 / 25600 / 51200
Exposure control TTL 256-zone metering, Multi / Spot / Average / Center Weighted
Exposure mode P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensation -5.0EV~+5.0EV 1/3EV step (Movie: -2.0EV~+2.0EV)
Shutter type Focal Plane Shutter
Shutter speed Mechanical Shutter P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.
  Electronic Shutter*3 P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed
  Electronic front curtain shutter P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.
  Mechanical +
Electronic shutter
P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min.
  E-front + Mechanical shutter P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.
*Electronic front curtain shutter works until 1/2000sec.
  E-front + Mechanical +
Electronic shutter
P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min.
*Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec.
  Synchronized shutter speed for flash 1/250sec. or slower
Continuous shooting Approx. 11fps (JPEG: 145 frames Lossless compression RAW: 42 frames Uncompressed RAW: 36 frames)
    Approx. 8.0fps (JPEG: 200 frames Lossless compression RAW: 46 frames Uncompressed RAW: 39 frames)
    Approx. 5.7fps (JPEG: endless Lossless Compression RAW: 62 frames Uncompressed RAW: 43 frames)
    Approx. 5.0fps (JPEG: endless Lossless compression RAW: 79 frames Uncompressed RAW: 46 frames)
    Approx. 4.0fps (JPEG: endless Lossless compression RAW: 134 frames Uncompressed RAW: 53 frames)
    Approx. 3.0fps (JPEG: endless Lossless Compression RAW: endless Uncompressed RAW: 71 frames)
    Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 60 frames Lossless compression RAW: 35 frames Uncompressed RAW: 33 frames)
    Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 114 frames Lossless compression RAW: 37 frames Uncompressed RAW: 34 frames)
    Approx. 20fps [Only electronic shutter ] (JPEG: 79 frames Lossless compression RAW: 36 frames Uncompressed RAW: 34 frames)
    Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 500 frames Lossless compression RAW: 48 frames Uncompressed RAW: 39 frames)
    Approx. 10fps [Only electronic shutter ] (JPEG: 164 frames Lossless compression RAW: 44 frames Uncompressed RAW: 37 frames)
    *Recordable frames depends on recording media
*Speed of continuous shooting depends on shooting environment and shooting frames
Auto bracketing AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1/3EV step, up to ±3EV steps)
    Filmsimulation bracketing (Any 3 types of film simulation selectable)
    Dynamic Range Bracketing (100%, 200%, 400%)
    ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV)
    White Balance Bracketing (±1, ±2, ±3)
    Focus Bracketing (AUTO, MANUAL)
Focus Mode Single AF / Continuous AF / MF
  Type Intelligent Hybrid AF
(TTL contrast AF / TTL phase detection AF)
  Low-light Performance Contrast: -3.0EV Phase Detection: -6.0EV (XF35mmF1.4 attached)
  AF frame
selection
Single point AF: EVF / LCD: 13×9 / 25×17 (Changeable size of AF frame)
Zone AF: 3×3 / 5×5 / 7×7 from 91 areas on 13×9 grid
Wide/Tracking AF: (up to 18 area)
*AF-S: Wide / AF-C: Tracking
All
White balance Automatic Scene recognition / Custom1~3 / Color temperature selection (2500K~10000K) / Preset: Fine,
Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White),
Incandescent light, Underwater
Self-timer 10sec. / 2sec.
Interval timer shooting Yes (Setting: Interval, Number of shots, Starting time)
Flash modes MODE: TTL MODE (Flash Auto, Standard, Slow Sync.), Manual, Multi, OFF
SYNC. MODE: 1st Curtain, 2nd Curtain, AUTO FP (high-speed sync)
RED EYE REMOVAL: FLASH + REMOVAL, FLASH, REMOVAL, OFF
Hot shoe Yes (Dedicated TTL Flash compatible)
Viewfinder OVF Reverse Galilean viewfinder with electronic bright frame display
Coverage of frame area v.s. capturing area: approx. 95%
Magnifications approx x0.52
  EVF 0.5 inch approx. 3.69 millions dots OLED Color Viewfinder (4:3)
Coverage of viewing area vs. capturing area: approx. 100%
Eyepoint: approx. 16.8mm (from the eyepiece lens) Diopter adjustment: -4~+2m-1
Magnification: 0.66× with 50mm lens (35mm equivalent) at infinity and diopter set to -1m-1
Diagonal angle of view: approx. 32° (Horizontal angle of view: approx. 27° ) Built-in eye sensor
LCD monitor 3.0 inch, aspect ratio 3:2, approx. 180 degree tilting 1.62 millions dots touch screen color LCD monitor(approx. 100% coverage)
Sub monitor 1.28 inch, aspect ration 1:1, Color Memory LCD
Movie recording File format Format: MOV, Compression: MPEG-4 AVC/H.264 Audio: Linear PCM / Stereo sound 2ch / 24bit / 48KHz sampling)
  File size [DCI 4K(4096×2160)] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 15min
  Frame rate [4K(3840×2160)] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 15min
  Recording time [Full HD(2048 ×1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 59min.
    [Full HD(1920×1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 59min.
    [Full HD(1920×1080) High speed rec.] 120p / 100p 200Mbps(recording) up to approx. 6min.
    *For recording movies, use a SD memory card with UHS Speed Class 3 or higher.
*Although movie recording will continue without interruption when the file size reaches 4GB, subsequent
    footage will be recorded to a separate file which must be viewed separately.
Film simulation mode 17 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std,
Black & White, Black & White+Ye Filter, Black & White+R Filter, Black & White+G Filter, Sepia, ACROS,
ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema, Classic Neg)
Monochromatic Color
Clarity setting ±5 steps
HDR mode AUTO, 200%, 400%, 800%, PLUS
Grain effect Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL
Color chrome effect STRONG, WEAK, OFF
Color chrome Blue STRONG, WEAK, OFF
Dynamic range setting Still AUTO, 100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)
  Movie 100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)
Advanced filter Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus,
Partial color (Red / Orange / Yellow / Green / Blue / Purple)
Wireless
transmitter
Standard IEEE802.11b/g/n (standard wireless protocol)
  Encryption WEP / WPA / WPA2 mixed mode
  Access mode Infrastructure
Bluetooth Standard Bluetooth Ver 4.2 (Bluetooth low energy)
  Operating frequency (Center frequency) 2402 - 2480MHz
Terminal Digital interface USB Type-C (USB3.1 Gen1)
  HDMI output -
  Other Microphone / shutter release input: ø2.5mm, Hot shoe
Power supply NP-W126S Li-ion battery (included)
  Battery life for still images*4 Approx. 370 / 440 frames (EVF / OVF Normal Mode) When XF35mmF1.4 R is set.
  Actual battery life of
movie capture*4
*Face detection is set to OFF
[4K] approx. 45min. (29.97p)
[Full HD] approx. 45min. (59.94p)
  Continuance battery life of
movie capture*4
*Face detection is set to OFF
[4K] approx. 60min. (29.97p)
[Full HD] approx. 75min. (59.94p)

Physical Specs

 
Dimensions (WxHxD) 140.5 × 82.8 × 46.1 mm (5.5 × 3.3 × 1.8")
* Minimum depth 34.8 mm (1.4")
Weight Approx. 497 g (17.5 oz.)
* Including battery and SD memory card

Approx. 447 g (15.8 oz.)
* Excluding battery and SD memory card
Operation
Environment
Operating Temperature -10°C~+40°C (32°F~104°F)
  Operating Humidity 10%~80% (no condensation)
Starting up period Approx. 0.4sec.

Questions & Answers

Fujifilm X-Pro3 Mirrorless Body DURA Black

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Contact us today for a personal touch.