• Webcode: 437141 • Mfr: 437141
Product Highlights
  • 8.8MP Exmor CMOS Sensor
  • 4K (4096 x 2160) Up to 120 FPS
  • 2K RAW (2048 x 1024) Up to 240 FPS
  • ISO 2000 Sensitivity
  • Electronic Variable ND Filters Built-In
  • Kit includes PXW-FS5M2 Camcorder & Shogun 7" Monitor-Recorder-Switcher
Sony PXW-FS5M2 4K XDCAM Super 35mm Compact Camcorder Bundle w/ ATOMOS Shogun 7 HDR Pro Monitor/Recorder Sony PXW-FS5M2 4K XDCAM Super 35mm ...
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Overview

Stunning New Super 35 Look

FS5 II is Sony’s Super35 handheld camcorder with stunning 4K HDR and 120fps performance.

FS5 II’s all-new default look is specifically tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look tuned with the same expertise as Sony’s world-leading VENICE digital cinematography camera. Straight out of the camera your content will look fresh and vivid, with subjects that really stand out, while still retaining plenty of latitude for post production refinement due to the high performance Super 35 ExmorTM sensor.

Grab and shoot mobility

Lightweight but robust, FS5 II is an endlessly adaptable camcorder for capturing breath-taking imagery anywhere the action takes you. Its modular design makes it easy to reconfigure for any application including mounting on a gimbal or drone.

High Frame Rate (HFR) recording

FS5 II delivers stunning slow motion imagery, including four seconds of 120fps in 4K, continuous 240fps in 2K RAW when used in partnership with a compatible third-party external recorder, such as the ATOMOS Shogun and Convergent Design® Odyssey 7Q.

FS5 II also offers High Frame Rate (HFR) cache recording at Full HD 10bit 4:2:2 image quality and a frame rate of up to 240 fps. 8-second cache recording on to SDXC card means no more mistimed shots leading to extra takes. It also lets you pick out footage at exactly the point that you want. FS5 II also records continuous 120fps internally in Full HD. Higher frame rates of 480 fps and 960 fps are possible at specific resolutions.

 

Spectacular HDR performance

Demand for HDR content is increasing and FS5 II offers you a choice of two powerful workflows. Whichever option you choose, a phenomenal fourteen stops of exposure latitude ensures the highest fidelity in capturing highlights and details within shadows.

  • Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content.
  • S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading.

4K Super 35  Exmor (TM) sensor

FS5 II is built around a high-sensitivity 4K Super35 ‘Exmor’ CMOS Sensor that offers all the benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture shooting and super slow motion.

4K resolution: 11.6 million total pixels and 8.8 million* effective pixels deliver 4K resolution. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.

Super 35 size sensor offers ‘bokeh,’ the defocussed backgrounds made possible by shallow depth of field, as well as excellent low-light sensitivity and an expansive field of view.

14 stops of exposure latitude deliver powerful grayscale rendition without crushing shadow detail or blowing out highlight detail.

Sony’s Exmor CMOS design provides high-speed full-pixel read-out capability (without pixel binning) and sophisticated camera processing to ensure jaggies and moiré are minimised.

Record 10bit 4:2:2 in Full HD at up 50Mbps internally.

Record 4K at 60**/50 fps in FS-RAW via a compatible third-party external recorder, such as ATOMOS Shogun and Convergent Design® Odyssey 7Q.

* RAW output

**59.94.

α mount flexibility

Sony’s α mount system offers unsurpassed compatibility with both Sony and third-party lenses. FS5 II’s E-Mount can take cinema lenses and SLR lenses with a third-party adaptor, as well as Sony’s E-mount and A-mount lenses. So whether buying new lenses, or making use of lenses you’ve already purchased, FS5 II makes it easy.

You can also purchase FS5II on its own (PXW-FS5M2) or with lens SELP18105G (PXW-FS5M2K).

Built-in electronic Variable ND Filters

FS5 II features Sony’s unique built-in electronic variable Neutral Density (ND) filter, further expanding the depth of field capability of its large format sensor. Unlike conventional optical ND Filters, the electronic ND Filter on FS5 II can be controlled from 1/4ND to 1/128ND linearly. ND Filters can also be set to auto. This makes FS5 II ideal for fast-moving shoots in changeable environments – there’s no need to change filters as lighting conditions change and variable control makes it easy to keep depth of field under control.

New look and creative picture profiles

FS5 II features an all-new default look with beautiful highlights and subtle, well rendered facial tones for more emotive visuals where your subjects naturally stand out. FS5 II saves time in post production while still providing all the flexibility and creative latitude you require. There’s also an additional nine Picture Profiles, including ones customised for S-Log2, S-Log3 and a profile specifically tuned to provide vibrant, high contrast visuals for creators who desire a DSLR-style look. Each profile can be individually adjusted to suit your specific requirements and switched between in seconds.

Image right shows a comparison between FS5 and FS5 II default gamma curves.

 

FS5

 

FS5 II

Clear Image Zoom

This proprietary Sony technology significantly extends your ability to get closer to a remote scene while preserving image quality. Once you’ve zoomed in at maximum optical magnification, By Pixel Super Resolution technology can enlarge the image by additional 200% in Full HD and 150% in 4K. It is also compatible with fixed focal length lenses, so you can zoom into a scene while using a prime lens.

Lightweight, modular and robust

Despite its amazingly light 0.8kg body, FS5 II is more than tough enough for the rigours of real-world shooting. A magnesium chassis ensures high rigidity with ¼-inch screw holes on handle, top and bottom of the body to support mounting on a drone, gimbal or in an underwater housing. A detachable Smart Grip puts all of the FS5’s key functions are at your fingertips and is easily adjusted with the press of a single button.

Versatile monitoring

However you want to shoot, the FS5 II adapts to fit your style. A high resolution  0.39-inch OLED viewfinder enables precise manual focus and is perfectly offset for right-eye or left-eye viewing. A 3.5-inch LCD screen can be attached in no less than nine different locations: three on top of the handle and another six on top of the body. And once attached, the positioning of the screen can be freely adjusted – for example either beside the camera body or directly along the axis of the lens.

.

Dual SD card slots with independent record control

To extend recording time and workflow flexibility, FS5 II is equipped with two SDXC/SDHC memory card slots. ‘RELAY’ mode automatically switches recording from the first to the second memory card when the first is full, while ‘SIMUL’ mode permits simultaneous recording to two memory cards (for example to create an immediate back-up version). FS5 II’s three start/stop buttons on the grip, handle and camcorder body, can independently start and stop recording on different memory cards while recording in ‘SIMUL’ mode.

Multi-interface (MI) Shoe

FS5 II takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light.*

*Accessories sold separately. HVL-LBPC light does not draw power from FS5 II.

Dual XLR inputs

FS5 II has two XLR connecters – so even if you remove the handle with its standard, easy-access XLR connector then a second on the body is still available, making it ideal for applications such as shooting in a confined space, such as a car interior, or when mounting on a gimbal.

Atomos Shogun 7

Unbelievable HDR, real-time Dolby Vision monitoring

Atomos Shogun 7 is a precision HDR monitor-recorder-switcher designed for the film and video professional. It can be used as either a stand-alone field monitor, recorder and switcher for event, documentary and live in-the-field storytelling; or as a tool for large-scale on-set episodic TV, film and cinema productions where multiple crew members such as focus pullers, grips and cinematographers require a consistent visual reference across the field monitor ecosystem. Shogun 7's portable size lets you monitor, analyze and tag while on set; and check how your content will look in your audience’s home via real-time Dolby Vision output. With Shogun 7 you’re not locked into any format, camera manufacturer or pipeline. It is a completely flexible master recording and production station.

Live multi-cam has never been more portable

Monitor, record and switch between 4 live HD SDI video streams and one program stream for flexible in-the-field directing. Enjoy the freedom of asynchronous switching and gen lock in & out to connect to existing infrastructure. Shogun 7 offers up to HDp60 SDI ISOs x 4 recording. Once you’ve finished capturing your streams, just import the Atomos xml file into your NLE and your timeline populates with all your edits in place. Audio is also taken care of, with each ISO and program record, we insert the mixed analog stereo channels and embed 2 channels of digital audio in each recorded stream. The program stream always records the analog feed and switches between audio inputs for the on-camera audio to match the switched feed.

Single-camera storytelling in 4K, or 2K slow-mo

Capturing in 4K is now becoming a requirement for content streaming providers. With the latest HDMI 2.0v you can capture up to 4Kp60 on any available camera, or via Quad Link, Dual Link or Single Link. If slow motion capture is important to your production, Shogun 7 lets you capture 2K up to 240p. You can tag on-the-fly while recording for direct-to-edit look up in Final Cut Pro X, Adobe Premiere* and Avid Media Composer.

Atomos technology brings the real world to your monitor

Introducing Dynamic AtomHDR technology, designed by Atomos to yield a 1,000,000:1 screen contrast ratio. With Shogun 7 blacks and colors are rich and deep. Images appear to ‘pop’ with added dimensionality and detail. The incredible Atomos screen uses a unique combination of advanced LED and LCD technologies which together offer deeper, better blacks than rival OLED screens, but with the much higher brightness and vivid color performance of top-end LCDs. Objects appear more lifelike than ever, with complex textures and gradations beautifully revealed. In short, Shogun 7 offers the most detailed window into your image, truly changing the way you create visually.


The best HDR just got better

A new 360 zone backlight is combined with our new screen technology and controlled by the Dynamic AtomHDR engine to show millions of shades of brightness and color, yielding jaw-dropping results. It allows Shogun 7 to display 15+ stops of real dynamic range on-screen. The panel is also incredibly accurate, with ultra-wide color and 105% of DCI-P3 covered. For the first time you can enjoy on-screen the same dynamic range, palette of colors and shades that your camera sensor sees.

Record RAW, deliver accurate Dolby Vision HDR

The challenge with HDR production is maintaining the creative intent of the production at the time of shooting vs the finished product that is viewed on devices and TVs. Atomos and Dolby have teamed up to give you Dolby Vision live HDMI out, in real-time, from any SDI or HDMI HDR camera. All courtesy of AtomOS 10.

Simply connect your Dolby Vision capable TV or monitor to your Shogun 7 or Ninja V and magically, automatically, the AtomOS analyses the image, queries the TV, and applies the right color and brightness profiles for the maximum HDR image on the display or TV. This ensures the HDR image always looks – as it was creatively intended by the creator. This is a valuable on-set reference check for the creative director and client.

This function is also available in playback and playout from RAW and Log recorded ProRes RAW, ProRes and DNx rushes for instant time-saving, on-set and in-studio review. Utilise playback functions like slow motion, and insert edit and in and out points to speed up playlist compilation.

Live Atomos to Dolby Vision TV workflow

AtomOS 10 – pocket size monitoring & playback

AtomOS 10 includes a redesigned touch user interface for improved HDR image viewing via our Dynamic AtomHDR engine. It allows for accurate set up and one-touch operation, a complete suit of scopes, exposure, zoom, calibration and focus tools to ensure a great recording every time.

A recording isn't complete until checked. Shogun 7 allows instant playback, slow motion and frame-by-frame analysis for immediate HDR review either on-screen or out to any Dolby Vision capable TV or monitor, playing out SDR is just as easy, you can even review them side by side.

ProRes RAW

The best of RAW and ProRes combined

Capturing ProRes RAW video with Shogun 7 unlocks the true potential of your RAW cinema camera and provides complete control of your video image at the highest quality possible.

ProRes RAW combines the flexibility of RAW video with the incredible performance of ProRes. Import, edit and grade pristine video with RAW data straight from your camera sensor without slowing down your edit. These RAW files provide maximum flexibility for adjusting the look of your video, while extending brightness & shadow detail. The ideal combination for HDR workflows.

Shogun 7 preserves your content’s maximum dynamic range, color accuracy and detail. Colors can be easily matched and the extra information means footage can be easily be manipulated in post-production, which is especially useful for grading and VFX shots.

In addition to ProRes RAW, Shogun 7 supports ProRes, DNxHR, CinemaDNG, Avid DNxHD via HDMI and SDI. Capture from any HDMI, SDI or Quad Link SDI source including cameras from Nikon, Canon, Panasonic, Sony, RED and ARRI.

Edit HDR in the field

Shorten the gap between capture and final edit with AtomOS real-time production tools and functions. Monitor analyze and tag shots, making the most of portability while being on the go. Record direct to the desired NLE editing/grading/transcoding formats; from camera to standard industry finishing workflows, enjoy support for Apple Final Cut Pro, Avid Media Composer and Adobe Premiere. With the new ProRes RAW metadata functions, never lose sight and have peace of mind in post-production. Playback rushes on-set on-device to the best quality display or to a TV with full Dolby Vision support.

Balanced audio

Eliminate the need for a separate audio recorder. Add 48V stereo mics via the balanced XLR breakout cable. Select Mic or Line input levels, record up to 12 channels of digital audio from HDMI or SDI. Monitor selected stereo via the 3.5mm headphone jack. There are dedicated meters, gain controls and adjustments for frame delay.

High Speed Connections

Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/Quad Link SDI in almost any combination and eliminate the need for specialist converters.

  • 12Gb/s HDMI/SDI
  • 500MB/s Record write - SATA III SSD
  • 120mins Record on 2TB SSD
  • 2TB Playback read - SATA III SSD

What's Included

PXW-FS5M2 4K XDCAM Super 35mm Compact Camcorder
Handle
Grip Remote
LCD Panel
BP-U30 Battery Pack
Accessory Shoe Kit
(Accessory shoe, Accessory shoe plate, 4x Screws)
USB Cable
AC Adapter/Charger (BC-U1A)
Power Cord
Wireless Remote Commander (RMT-845)
LCD Protector
CD-ROM "Manuals for Solid-State Memory Camcorder"
2x Operating Guides
Atomos Shogun 7 7" HDR Monitor-Recorder-Switcher
Master Caddy II
12V-3A AC power supply
Carry Case
Quick Start guide

View Kit Components
SHOGUN 7 7" HDR monitor-recorder-switcher
PXW-FS5M2 4K XDCAM Super 35mm Compact Camcorder (Body only)

Reviews

Product Specifications

PXW-FS5M2

General

 
Mass Approx. 830g (Body only)
Approx. 1lb 13.2 oz (Body only)
Approx. 2.2kg (with SELP18105G and lens hood[optional], battery pack BP-U30, large eyecup, lcd panel, handle, grip w/o gripbelt)
Approx. 4lb 14.5 oz (with SELP18105G and lens hood[optional], battery pack BP-U30, large eyecup, lcd panel, handle, grip w/o gripbelt) 
Dimensions (W x H x D) Approx. 111.3 x 128.7 x 172.4 mm (Body only including the projecting parts)
Approx. 185.2 x 218.3 x 369.5 mm (with SELP18105G and lens hood[optional], large eyecup, lcd panel, handle, grip w/o grip belt and including the projecting parts)
Approx. 4 1/2 x 5 1/8 x 6 7/8 inches (Body only including the projecting parts)
Approx. 7 3/8 x 8 5/8 x 14 5/8 inches (with SELP18105G and lens hood[optional], large eyecup, lcd panel, handle, grip w/o grip belt and including the projecting parts)
Power Requirements DC 14.4V (battery pack)
DC 12.0V (AC adaptor)
Power Consumption Approx. 11.8W [60i]
Approx. 11.5W [50i]
(while recording with LCD Off, EVF On when the external device connector is not used.)
Approx. 12.6W [60i]
Approx. 12.3W [50i]
(while recording with LCD On, EVF On when the external device connector is used.)
Operating Temperature 0°C to 40°C
32°F to 104°F
Storage Temperature -20°C to +60°C
-4°F to +140°F
Battery Operating Time With battery pack BP-U90: approx. 6 hours, 40 minutes [60i] approx. 6 hours, 45 minutes [50i]
(While recording with LCD On, EVF Off when the external device connector is not used.)
With battery pack BP-U60: approx. 4 hours, 15 minutes [60i]
approx. 4 hours, 20 minutes [50i]
(While recording with LCD On, EVF Off when the external device connector is not used.)
With battery pack BP-U30: approx. 2 hours, 10 minutes [60i]
approx. 2 hours, 10 minute [50i]
(While recording with LCD On, EVF Off when the external device connector is not used.)
Recording Format (Video) XAVC QFHD : MPEG-4 AVC/H.264
4:2:0 Long profile
XAVC HD : MPEG-4 AVC/H.264
4:2:2 Long profile
AVCHD : MPEG-4 AVC/H.264
AVCHD 2.0 format compatible
Recording Format (Audio) XAVC : Linear PCM 2ch, 24bit, 48kHz
AVCHD : Linear PCM 2ch, 16bit, 48kHz / Dolby Digital 2ch, 16bit, 48kHz
Recording Frame Rate XAVC QFHD (3840 x 2160) @29.97p, 25p, 23.98p,
100Mbps/60Mbps
XAVC HD (1920 x 1080) @59.94p, 50p,
50Mbps/35Mbps
XAVC HD (1920 x 1080)@59.94i, 50i,
50Mbps/35Mbps/25Mbps
XAVC HD (1920 x 1080)@29.97p, 25p, 23.98p,
50Mbps/35Mbps
XAVC HD (1280 x 720)@59.94p, 50p,
50Mbps
AVCHD (1920 x 1080)@59.94p, 50p,
PS mode (28Mbps)
AVCHD (1920 x 1080)
@59.94i/50i/29.97p/25p/23.98p,
FX mode (24Mbps)
FH mode (17Mbps)
AVCHD (1280 x 720)@59.94p, 50p,
FX mode (24Mbps)
FH mode (17Mbps)
HQ mode (9Mbps)
Recording/Playback Time

<XAVC Long>
XAVC-L QFHD 100 mode
Approx. 65 min with 64 GB memory card
XAVC-L QFHD 60 mode
Approx. 100 min with 64 GB memory card
XAVC-L HD 50 mode
Approx. 120 min with 64 GB memory card
XAVC-L HD 35 mode
Approx. 170 min with 64 GB memory card
XAVC-L HD 25 mode
Approx. 220 min with 64 GB memory card

<AVCHD>
AVCHD@LPCM 2ch PS Mode
Approx. 290 min with 64 GB memory card
Approx. 145 min with 32 GB memory card
AVCHD@LPCM 2ch FX Mode
Approx. 340 min with 64 GB memory card
Approx. 170 min with 32 GB memory card
AVCHD@LPCM 2ch FH Mode
Approx. 450 min with 64 GB memory card
Approx. 225 min with 32 GB memory card
AVCHD@LPCM 2ch HQ Mode
Approx. 590 min with 64 GB memory card
Approx. 290 min with 32 GB memory card

Lens

 
Lens Mount E-mount 
Focal Length 5.8x (optical), servo
(SELP18105G)
f = 18 - 105mm
equivalent to f = 30.6 -178.5 mm on 35 mm lens (16:9)
(SELP18105G)
Iris F4
(SELP18105G)
Focus AF/MF selecable,
Wide: 450 mm to ∞
Tele: 950 mm to ∞
(SELP18105G)
Image Stabilizer ON/OFF selectable, shift lens
(SELP18105G)
Filter Diameter 72 mm
(SELP18105G)

Camera

 
Imaging Device (Type) "Exmor" Super35 CMOS Sensor 
Effective Picture Elements 3840 (H) x 2160 (V)(16:9)
4096 (H) x 2160 (V)(17:9, at RAW output)
Built-in Optical Filters ND filters
OFF: CLEAR
1: 1/4ND
2: 1/16ND
3: 1/64ND
Linear variable ND (1/4ND to 1/128ND)
ISO Sensitivity S-Log2/Log3 Gamma ISO2000 
Minimum Illumination 0.16Lux [60i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/24)
0.18Lux [50i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/25)
Horizontal Rezolution 1000 TV lines or more (1920 x 1080i mode) 
Shutter Speed 1/8 to 1/10000 sec. (60i)
1/6 to 1/10000 sec. (50i/24p)
Slow and Quick Motion Function [30p]:2160p: Frame rate selectable
1.2.4.8.15.30 fps
[25p]:2160p: Frame rate selectable
1.2.3.6.12.25 fps
[60i]:1080p: Frame rate selectable
1,2,4,8,15,30,60,120 fps
[50i]: 1080p: Frame rate selectable
1,2,3,6,12,25,50,100 fps
Super Slow Motion Function [60i] Frame rate selectable
120, 240, 480, 960 fps
[50i] Frame rate selectable
100, 200, 400, 800 fps
White Balance Preset (3200K), Memory A,
Memory B/ATW
Gain 0,3,6,9,12,15,18,24,27,30dB,AGC 
Gamma Curve Selectable 

Input/Output

 
Audio Input XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
Video Output Integrated into Multi/Micro USB jack
Composite
1.0Vp-p, 75Ω
Audio Output Integrated into Multi/Micro USB jack 
SDI Output BNC type (x1), SD/HD/3G(Level-B) selectable
SMTPE 259M/292M/424M/425M standards
USB Multi/Micro USB jack (x1) 
Headphone Output Stereo mini jack (x1) 
Speaker Output Monaural 
DC Input DC jack 
Remote Stereo mini-mini jack (Φ2.5 mm) 
HDMI Output HDMI connector (Type A) 

Monitoring

 
Viewfinder 1.0cm (0.39 type) OLED
Approx. 1.44M dots
LCD 8.8cm (3.5 type) Approx. 1.56M dots 

Built-in Microphone

 
Built-in Microphone Omni-directional stereo electret condenser microphone

Media

 
Type MS/SD(1),SD(1) 

Wi-Fi/NFC

 
Supported Format IEEE  802.11 b/g/n 
Frequency Band 2.4 GHz bandwidth 
Security WEP/WPA-PSK/WPA2-PSK 
NFC NFC Forum Type 3 Tag compliant

Atomos Shogun 7 7" HDR Monitor-Recorder-Switcher

Weight

 
Without batteries & media 709g / 25oz.
Dimensions (W x H x D mm) 214 x 127 45mm
Construction Polycarbonate ABS
Mounting points 1/4”-20 screw mount. 1x top and 1x bottom

Power

 
Operating power 10 - 33W
Compatible batteries Atomos NP-F series and supporting accessories
Input voltage (battery) 6.2V to 16.8V
Battery time (based on 2 x 7.4V) 5200mAh - up to 1.5hrs (monitor & record 4K 30p)
  7800mAh - up to 2.2hrs (monitor & record 4K 30p)
DC In 1 x DC in (6.2 - 16.8V)

Touchscreen

 
Size 7.2”
Resolution 1920 x 1280
PPI 325
Aspect ratio 16:9 native
Color Gamut Up to Wide color gamut (105% DCI-P3)
Look up table (LUT) support 3D LUT (.cube format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x
Technology Dynamic AtomHDR zoned backlight
IPS LCD

Dynamic AtomHDR Technology

 
Backlight Direct LED
Zones 360 direct backlight individual LEDs
LEDs Wide Color Calibrated D65 or D95
Bit depth 10-bit (8+2 FRC)
Color DCI-P3 105%
Brightness 1500nit (+/- 10%)
Control On the fly real-time brightness analysis for LED control
HDR Conversion Log/RAW to HLG or PQ

HDR Monitoring Technology

 
Gamma Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k HLG
Gamut Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 /

Video Input/Loop Out

 
HDMI HDMI 1 x HDMI (2.0)
SDI Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Genlock Genlock input signal and output signal

Video Output (Play Out)

 
HDMI 1 x HDMI (2.0)
SDI 2x 4K-SDI 12G or HD-SDI 3G/6G
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)

Video Signal Conversion

 
HDMI to SDI -
SDI to HDMI -

Audio In/Out (48kHz PCM Audio)

 
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Audio 2ch balanced XLR analogue in/out
Dynamic range >90dB
Max signal level +24dBu
Max analogue gain +52dB
48V Phantom Power for Mic
Headphone out 3.5mm 2ch.

Supported Codecs & Frame Rates (Record & Playback)

 
Raw to: ProRes RAW
ProRes
CinemaDNG
(CDNG up to 30p only)
Avid DNxHD
Sony^^
FS700, FS-5, FS-7, FS-7MkII
4K DCI; 24/25/30/50/60p
4K UHD; not supported in camera
2K; 24/25/30/50/60/100/120/200/240p
1080; not supported in camera
Canon
C300MKII/C500 CDNG
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K; not supported in camera
1080; not supported in camera
Panasonic
VaricamLT, EVA1
5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
Supported base resolution & FPS from cameras 4K DCI: 23.98/29.9/59.94p
4K UHD: 23.98/29.9/59.94p
2K DCI: 23.98/29.9/59.94p
1080p: 23.98/29.9/59.94p
Supported FPS & resolution from gaming consoles and graphic cards 1080p; 24/25/30/50/60/100/120

Onboard Processing

 
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW)

Remote Start/Stop

 
HDMI Auto HDMI Trigger
Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
Other LANC control - Slave

Playback

 
Playlist / Genlock / LTC Yes / Yes / Yes
CDNG (Recorded content) No support
ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps.
DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion >= 100fps.

Recording

 
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes*
Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke

Questions & Answers

Sony PXW-FS5M2 4K XDCAM Super 35mm Compact Camcorder Bundle w/ ATOMOS Shogun 7 HDR Pro Monitor/Recorder

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