- Webcode: 480054 • Mfr: ILMEFX3A
- FREE SHIPPING Available
Product Highlights
- 10.3 MP Exmor R CMOS Sensor
- 4264 x 2408 Max. Resolution
- Full-Frame Format
- 3.5 mm Stereo Mini Jack / XLR / USB Type-C Audio Input
- LCD Display
- E Mount

Sony Alpha FX3A Cinema Line Full-frame Camera (Body Only)
Sony Alpha FX3A Cinema Line Full-fr...- Toronto Available for Order
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Overview
FX3 | Cinema Line Full-Frame Camera
New Cinematic Freedom
Sony’s FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today’s creative community. Compact and lightweight, it’s easy to carry and handle.
Unlock the World of Professional Cinema
Full-frame image capture even in dim light
The FX3’s full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80–102400 for movies is expandable all the way up to 409600.
Wide dynamic range, wider creative expression
The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in midday to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading.
Stunning bokeh and full-frame creativity
Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.Cinematic Colour Science of S-Cinetone
S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It’s precisely tuned to meet the requirements of today’s content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.
16-bit RAW HDMI output
For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K or XAVC S-I 4K and proxy files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution.
4K 120fps with every frame in focus
Even at high frame rates, detailed 4K imagery is captured thanks to the FX3’s high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).
10-bit S-Log3 and HDR recording for smooth gradations
S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.
Enjoy rich detail and realistic colour
The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.
Compensation for focus breathing
With the breathing compensation function turned on, the camera allows you to shoot movies with more stable images when used with compatible lenses.
Dependable, highly accurate autofocus
The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame6. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD).
Sophisticated tracking AF for steady focus
Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony’s unique AI-based subject recognition algorithms.
Smooth transitions and touch focus control
The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customize how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.
Advantages of Sony's lenses for video shooting
Learn the four unique advantages of using Sony's E-mount lens for video shooting. The combination of Sony's lenses and cameras will enhance your video creation experience.
High-mobility performance wherever you go
With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.
Attachable XLR handle
A handle equipped with an XLR adapter with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.
In-camera image stabilization
Active Mode8910 is an optical in-body 5-axis image stabilization system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.
Image stabilization and easier editing with Catalyst
Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilized in post-production. Using Sony’s Catalyst Browse/Catalyst Prepare desktop application you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data.
Expandability and operability for content creators
Front and rear tally lamps
Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.
Vari-angle LCD touch-panel monitor
The 3.0-type (2.36 million-dot11) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings.
Essential controls for efficient solo shooting
In addition to six customizable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.
Uninterrupted 4K/60p12 recording
For uninterrupted 4K/60p12 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimize cooling even during long shoots.
XLR adaptor and digital input for quality audio
In addition to the camera’s convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used.
Dual high-speed media slots
Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera’s slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.
Creators’ Cloud platform
Creators’ Cloud is a platform that supports creative work from shooting to production by combining Sony’s advanced camera technology and the cloud. It’s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.
What's Included
FX3 Full-Frame Cinema CameraNP-FZ100 Battery (2280mAh)
BC-ZD1 Dual-Battery Charger for NP-FZ100 Batteries
XLR-H1 XLR Handle Unit
Body Cap
M1 Accessory Shoe Cap
Handle Shoe Cap
Accessory Cold Shoe Kit
Reviews
Product Specifications
Alpha FX3A Cinema Line Full-Frame Camera |
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General |
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Camera Type | Interchangeable lens digital camera |
Lens Mount | E-mount |
Physical Specifications |
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WEIGHT (MAIN UNIT ONLY) (approx.) | 1 lb 9.3 oz (715 g) (with battery and memory card included), 1 lb 6.3 oz (630 g) (body only) |
WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (approx.) | 2 lb 3.8 oz (1.015 kg) (with XLR Handle, battery pack, SD card) |
DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.) | 5.11 x 3.06 x 3.33 inches (129.7 mm x 77.8 mm x 84.5 mm) (body without protrusions) |
Power |
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Power Consumption | [Movie] Approx. 7.3 W (with FE 28–70 mm F3.5-5.6 OSS lens attached), [Still image] Approx. 3.5 W (with FE 28–70 mm F3.5-5.6 OSS lens attached) |
Battery Operating Time | Approx. 95 min (Actual recording, CIPA standard) 2, Approx. 135 min (Continuous recording, CIPA standard), Approx. 570 shots (still images, CIPA standard) |
Operation |
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Operating Temperature | 0 °C to 40 °C (32 °F to 104 °F) |
Storage Temperature | –4 °F to +131 °F (–20 °C to +55 °C) |
Recording Format (Video) |
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XAVC HS | [XAVC HS 4K] XAVC HS 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200 Mbps 4:2:0 10bit MPEG-H HEVC / H.265 |
XAVC S-I | [XAVC S-I 4K] XAVC S-I 4K 59.94p 600 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, |
XAVC S | [XAVC S 4K] XAVC S 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, |
XAVC S-I DCI | [XAVC S-I DCI 4K] XAVC S-I DCI 4K 59.94p 600 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 50p 500 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 29.97p 300 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 25p 250 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 23.98p/24.00p 240 Mbps 4:2:2 10bit MPEG-4 AVC / H.264 |
Recording Format (Audio) |
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RECORDING FORMAT (AUDIO) | LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch |
Recording Frame Rate | XAVC HS [XAVC HS 4K] 3840 x 2160/119.88p, 100p, 59.94p, 50p, 23.98p XAVC S [XAVC S 4K] 3840 x 2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S HD] 1920 x 1080/59.94p, 50p, 29.97p, 25p, 23.98p XAVC S-I [XAVC S-I 4K] 3840 x 2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080/59.94p, 50p, 29.97p, 25p, 23.98p XAVC S-I DCI [XAVC S-I DCI 4K] 4096 x 2160/59.94p, 50p, 29.97p, 25p, 23.98p, 24.00p |
Slow and Quick Motion | XAVC HS XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps XAVC S XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps3, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps3 XAVC S-I XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps3, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps3 XAVC S-I DCI XAVC S-I DCI 4K: 24.00p: 1fps, 2fps, 3fps, 6fps, 12fps, 24fps, 48fps, [NTSC mode] 59.94p/29.97p/23.98p: 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, [PAL mode] 50p/25p: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps |
Recording/Playback Time | XAVC HS [XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80 GB) Approx. 50 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80 GB) Approx. 75 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80 GB) Approx. 95 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80 GB) Approx. 140 minutes XAVC S [XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80 GB) Approx. 50 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80 GB) Approx. 130 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80 GB) Approx. 210 minutes XAVC S-I [XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes XAVC S-I DCI [XAVC S-I DCI 4K] 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes PROXY AUDIO XAVC Proxy: AAC-LC, 128 kbps, 2 channels PROXY VIDEO [XAVC HS HD] MPEG-H HEVC/H.265 1920 x 1080 4:2:0 10bit 16 Mbps, 1920 x 1080 4:2:0 10bit 9 Mbps, [XAVC S HD] MPEG-4 AVC/H.264 1280 x 720 4:2:0 8bit 6 Mbps |
RAW Output | RAW Output HDMI: 4264 x 2408 (59.94p/50p/29.97p/25p/23.98p), 16bit |
Other Video Function | VIDEO FUNCTIONS Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector |
Camera Section | SENSOR TYPE 35 mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor Pixels Approx. 10.3 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total) SENSITIVITY [Movie] ISO 80-102400 equivalent (Expandable to ISO 409600), AUTO (ISO 80-12800, selectable lower limit and upper limit), [Still image] ISO 80-102400 (Expandable to ISO 40-409600), AUTO (ISO 80-12800, selectable lower limit and upper limit) SHUTTER SPEED Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 s, Bulb |
White Balance | WHITE-BALANCE MODES Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Colour Temperature (2500 to 9900K) & colour filter / Custom |
Gamma | GAMMA CURVE Off / PP1-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset |
Latitude | LATITUDE 15+ stop (S-Log3) |
Focus System | Type Fast Hybrid AF (phase-detection AF / contrast-detection AF) FOCUS POINT [Movie] 627 points, [Still image] 35 mm full frame: 759 points (phase-detection AF) SENSITIVITY RANGE EV-6 to EV20 (ISO 100 equivalent with F2.0 lens attached) FOCUS MODE [Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus FOCUS AREA [Movie] Wide / Zone / Centre Fix / Spot / Expanded Spot [Still image] Wide / Zone / Centre Fix / Spot / Expanded Spot / Tracking OTHER FOCUS FEATURES Eye AF ([Movie] Human (Right/Left Eye Select, [Still image] Human (Right/Left Eye Select) / Animal), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still] AF Track Sens., Face detection (Face Priority in AF), Face Priority in Multi Metering, Regist. Faces Priority, Focus Magnifier (35 mm full frame: 2.1x / 4.1x APS-C: 1.5x / 3.0x) |
Exposure Control | METERING SENSITIVITY EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached) EXPOSURE MODES [Movie] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode, [Still images] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) |
Recording (Still Image) | RECORDING FORMAT JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant) IMAGE SIZE Image size [3:2] 35 mm full frame L: 12M, M: 5.1M, S: 3.0M, APS-C L: 5.1M, M: 3.0M, S: 1.3M, Image size [4:3] 35 mm full frame L: 11M, M: 4.6M, S: 2.7M, APS-C L: 4.6M, M: 2.7M, S: 1.1M Image size, [16:9] 35 mm full frame L: 10M, M: 4.3M, S: 2.6M, APS-C L: 4.3M, M: 2.6M, S: 1.1M, Image size [1:1] 35 mm full frame L: 8M, M: 3.4M, S: 2.0M, APS-C L: 3.4M, M: 2.0M, S: 0.8M |
Playback | PLAYBACK FUNCTIONS Index view, Folder selection (Date / Still / Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills) |
Interface | TC INPUT/TC OUTPUT Multi/Micro USB, TC IN4 AUDIO INPUT 3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin (female) (x2), line/mic/mic +48 V selectable, Mic Reference –40 to –60 dBu / [INPUT3] 3.5 mm Stereo minijack) USB USB type-C HEADPHONE OUTPUT Yes (3.5 mm Stereo minijack) SPEAKER OUTPUT Built-in, monaural HDMI OUTPUT HDMI jack (Type-A), YCbCr 4:2:2 10 bit / RGB 8 bit MULTI INTERFACE SHOE With Digital Audio Interface Bluetooth Bluetooth Standard Ver. 5.0 (2.4 GHz band) |
Media | MEDIA TYPE CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy |
Monitoring | LCD 3.0-type (7.5 cm) type, approx. 2.36M dots, touch panel, Opening Angle: Approx. 176 deg., Rotation Angle: Approx. 270 deg. |
Built-In Microphone | BUILT-IN MICROPHONE Built-in, stereo |
File System | FILE SYSTEM FAT12, 16, 32, exFAT |
Zoom | ZOOM FUNCTION Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] Approx. 2x), Digital zoom ([Movie] 35 mm full frame: approx. 4x, APS-C: approx. 4x, [Still image] 35 mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx. 4x, M: approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35 mm full frame: M: approx. 1.5x, S: approx. 2x, APS-C: M: approx. 1.3x, S: approx. 2x) |
Still Image Function | SHUTTER Mechanical shutter / Electronic shutter DRIVE MODES Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket CONTINUOUS SHOOTING SPEED Hi+: 10fps, Hi: 8fps, Mid: 6fps, Lo: 3fps NOISE REDUCTION Long exposure NR: On / Off, available at shutter speeds longer than 1 s, High ISO NR: Normal / Low / Off FLASH CONTROL Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/250 s. OTHER STILL IMAGE FUNCTION Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot |
Image Stabilization | Type Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications) MODE [Movie] Active / Standard / Off, [Still image] On / Off COMPENSATION EFFECT (STILL IMAGES) 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.) |
Custom Function | CUSTOM FUNCTION Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set |
Lens Compensation | LENS COMPENSATION Shading, Chromatic Aberration, Distortion, Breathing (Movie) |
WiFi/NFC | SUPPORTED FORMAT IEEE 802.11a/b/g/n/ac FREQUENCY BAND 2.4 GHz band/5 GHz band6 SECURITY WEP/WPA-PSK/WPA2-PSK |
FTP Transfer | FTP Transfer Wired LAN (USB-LAN), USB Tethering, Wi-Fi |
Questions & Answers
Sony Alpha FX3A Cinema Line Full-frame Camera (Body Only)
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