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True multimedia powerhouse.
This is what a hybrid still and video mirrorless camera is meant to be. 24.5MP BSI sensor and high-speed shooting with the buffer capacity to match. 4K Ultra HD video at 60p*. Outstanding low-light capabilities. Next-generation autofocus. The power of dual processors. Two card slots. Tons of creative features. Flexible power options. Compatibility with a vertical battery grip. Wireless connectivity with smartphones and laptops and so much more.
More of Everything.
The Z 6II builds on the extreme versatility of the Z mirrorless platform with more autofocus options, more video capabilities, more low light performance, more buffer, more frames per second…more of everything you want in a hybrid still and video camera.
Amplify your versatility.
For the first time in a Nikon camera, the Z 6II is powered by not one, but two EXPEED 6 processing engines. They work together for faster image processing, more buffer capacity and more overall speed.
Dual card slots.
Now you have options. One slot accepts CFExpress (Type B) and XQD cards. The other slot accepts standard SD cards. Use the format you prefer. Or use both slots and separate video and still files or RAW and JPEG, create a backup or maximize your onboard storage.
Experience 14 FPS* continuous shooting at full resolution—RAW or JPG—with a buffer 3.5X larger than the previous generation and minimal EVF blackout between shots.
4K Ultra HD at 60p.
Record incredibly detailed 4K Ultra HD footage with full-pixel readout. Capture in your choice of frame rates including ultra smooth 60p* with an upcoming firmware upgrade.
More autofocus power.
Optimized for stills, high-speed sequences and video work, the Z 6II’s 273-point Hybrid AF system brings performance improvements, new options for Eye-Detection AF and easier selecting of AF modes.
See in the dark.
With a big leap forward in low-light autofocus performance, the Z 6II can find your subject in half the available light as its predecessor. Keep shooting into the evening with the same fast, accurate AF performance.
The AF system’s 90% frame coverage lets you compose the way you want, from the start. Either manually choose one of 273 focus points across the frame, or let subject tracking automatically select the focus points based on where your subject is within the frame—even at the far edges.
Eye-Detection. Better than ever.
Nikon’s intelligent Eye-Detection AF quickly identifies and locks onto eyes—either humans, dogs or cats—for properly focused portraits. The Z 6II builds on the system with accuracy enhancements and more flexibility.
Right on target.
Now you can use Wide-Area (L) Mode to set boundaries for eye detection. Select an area of the frame, and the Z 6II will only look for eyes there—great for busy scenes, group shots and pet portraits.
Capture the eyes. On Video.
All of these features of Eye-Detection AF are also available during video recording. Easily track moving subjects and keep footage looking sharp and professional on the eyes.
The Z 6II builds on the Z 6’s formidable video capabilities and might just be Nikon’s most versatile video camera yet. All the benefits of the Z mirrorless system plus 4K Ultra HD at 60p, Full HD at 120p, 4K time-lapse and so much more.
Keep it simple. Or go big.
When keeping it simple, record your 4K footage in-camera on a CFexpress, XQD or SD card. Step things up by attaching an external recorder (sold separately) to capture 10-bit N-Log or HDR (HLG) footage. Or go all the way with a paid firmware upgrade and compatible external recorder and output 12-bit ProRes RAW or Blackmagic RAW format via HDMI.
Slow it way down.
Slow down time and capture every detail of movement with 120p Full HD footage that can be played back at 30p, 25p or 24p. Add silky smooth slow motion sequences to your videos to add emphasis and drama or highlight movement.
The stability you need.
Powerful 5-axis VR image stabilization keeps your photos sharp and your videos steady—up to five stops in up to five directions* (yaw, pitch, roll, X and Y). Handheld shooting made easy.
Reverse focus rotation.
If you’ve been using non-Nikon lenses for video work, the Z 6II lets you reverse the focus ring rotation on NIKKOR Z lenses. Your muscle memory will thank you.
Create. In camera.
Built-in inspiration for multimedia creators.
Combine up to 10 exposures into one visionary composition. Compose and blend—right in the viewfinder—while shooting, or go back later and combine shots with in-camera Retouch features.
Paint with light. Track the paths of stars. Capture movement like never before with long exposures up to 900-seconds. Use your smartphone to trigger the shutter to avoid camera vibrations.
Focus Shift Shooting
The Z 6II will take a series of up to 300 photos, each with an incrementally adjusted focus position. Use third-party software to combine (focus stack) the photos into a single image with surreal depth of field and sharpness.
Making time-lapse sequences is as easy as setting up the camera and hitting record. The Z 6II will create a 4K time-lapse movie and save all the full resolution stills (when used with interval timer shooting).
Tweak. Shoot. Create.
Add another element of uniqueness and artistry to your photos and videos with 20 Creative Picture Controls, all visible in real time while you shoot, either through the viewfinder or on the tilting touchscreen display.
That just-right feel.
Like all Nikon cameras, the Z 6II handles like a dream. A deep grip design. Balanced weight. Sturdy build with smart button placement. Even the EVF is thoughtfully extended to prevent your nose from pressing up against the back of the camera.
Tough. As expected.
The Z 6II is ready for what’s next. Its skeleton is forged from Magnesium Alloy for an optimal balance of strength and lightness. Its exterior is fully weather sealed to keep dust, grime and moisture out. Don’t baby this baby.
More clarity. Less blackout.
Experience the best view through the Z 6II’s advanced viewfinder with minimal blackout between shots during high speed shooting (Continuous H). Nikon optics magnify the 3.6M-dot Quad-VGA EVF, and what you see is how your shot will look. Exposure, ISO, white balance, Picture Control and creative filters are all applied in real-time. You can customize what information gets shown in the viewfinder—or hide it all for a pure view.
Make it yours.
Prefer back button focus? Often switch between Picture Controls? Need a quick way to select focus area? No problem. Add your favorite functions to the i-Menu then access them from the LCD or EVF. Customize Fn buttons or reassign buttons you don’t typically use to activate your go-to modes, menus or settings. Navigating the camera’s intuitive, clean user interface is a breeze.
Help. Right at your fingertips.
Not sure what a setting does? Just tap the (?) button and a brief explanation will pop up in the viewfinder or on the LCD. It’s like having a quick reference guide built into your camera.
Share photos and videos with a client on the spot. Quickly post a great shot to your feed. Remotely control the Z 6II. However you use it, you’ll love the convenience of Nikon’s ever-evolving SnapBridge app.
When you can’t be behind the lens, pull out your compatible smartphone and use it to control the Z 6II. See what the camera sees, change settings like aperture, shutter speed and white balance, then remotely fire the shutter or start and stop recording.
Any file. Any format.
Transfer full resolution RAW images, JPGs and even 4K video files right to your phone, wirelessly. Then use your favorite apps for editing, adding filters and sharing.
Upgrade on the go.
Update the Z 6II’s firmware with the SnapBridge app from almost anywhere. Keeping your camera up to date with the latest features has never been easier or more convenient.
Direct connect. PC or Mac.
The Z 6II’s connectivity doesn’t stop with the smartphone. Transfer your shots directly to a PC or Mac over Wi-Fi®*—no card readers or USB cables needed to download your photos and videos.
Nikkor Z 24-120mm f/4 S Lens
Essential zoom range. Exquisite image quality.
Go from 24mm wide angle views to 120mm telephoto close-ups and everything in between with spectacular image quality. The NIKKOR Z 24-120mm f/4 S brings a versatile all-purpose zoom range together with premium S-Line optics, a constant f/4 aperture, close focusing, robust weather-sealing and superior resolution—all in a compact, travel-friendly package.
- S-Line Premium Optics
- 5x Zoom 24mm–120mm
- f/4 Constant Aperture
- 1.15 ft. Close Focusing
- 630 g Lightweight
- FX & DX: Any Z Camera
Quality you can see. Literally.
The NIKKOR Z 24-120mm f/4 S bears the S-Line designation, reserved for premium NIKKOR Z lenses with the most advanced optics, superior resolution, beautiful bokeh, robust weather sealing and precision design.
Versatile. Like you.
Cover everything from landscapes, architecture and interiors to candids, portraits, interviews and close-ups. If you have to choose just one lens for a shoot, an event or travel, the NIKKOR Z 24-120mm f/4 S should be at the top of your list.
Constant f/4 aperture.
Set your aperture and shutter speed once, then zoom and reframe without affecting exposure. Get a consistent, beautiful look at any distance, especially useful for zooming during video recording.
Nano Crystal Coat minimizes reflections that cause lens flare and ghosting for remarkably sharp, high contrast results, even when shooting into direct sunlight.
Autofocus is split between two high-speed, ultra-quiet STM stepping motors moving in sync. The design enables thrilling close focusing, edge-to-edge sharpness and virtually no color bleeding or focus breathing.
Macro-style close focusing.
When you want to show the smallest details, get as close as 1.15 ft. from your subject and still zoom all the way to 120mm. Comfortably shoot interiors, food, over the shoulder shots, how-to videos and more.
Outstanding for video.
With its versatile zoom range, constant f/4 aperture, ultra-quiet focusing, suppressed focus breathing and smooth aperture adjustments, the NIKKOR Z 24-120mm f/4 S is a workhorse for video applications.
Brilliant. By design.
Fine tune. Manual focus ring.
Dedicated to one crucial function: giving you tactile, precision control of focus when you want it.
A lens with a curved, non-spherical surface. Used to reduce aberrations and enable a more compact lens size. Aspherical lenses minimize coma and other types of lens aberrations, even when used at the widest aperture. They are particularly useful in correcting distortion in wide-angle lenses and help contribute to a lighter, more compact design by reducing the number of standard (spherical) elements necessary. Aspherical lens elements correct these distortions by continuously changing the refractive index from the center of the lens.
NIKKOR Z lenses use a stepping motor for fast, accurate, smooth, quiet autofocus with reduced wobbling. This quiet drive system makes the lenses ideal for use when shooting video.
An anti-reflective coating developed by Nikon and used in conjunction with Nano Crystal Coat to further reduce ghost and flare effects caused by incident light entering the lens vertically. This allows for the outstandingly clear capture of images even when a light source is located within the frame.
Nano Crystal Coat
An anti-reflective coating developed by Nikon that virtually eliminates internal lens element reflections across a wide range of wavelengths. Nano Crystal Coat solves ghost effects caused by red light and effectively reduces ghost and flare caused by light entering the lens diagonally.
ED (Extra-Low Dispersion) Glass
An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations.
Aspherical – Extra-low Dispersion Glass Elements
An ED (Extra-low Dispersion) glass element that features the characteristics of an Aspheric glass element for a more compact size lens. Like Aspherical lenses, AS-ED lens elements minimize coma and other types of lens aberrations, even when used at the widest aperture by continuously changing the refractive index from the center of the lens. The AS-ED lens elements are optical glass developed by Nikon to obtain optimum correction of chromatic aberrations.
A NIKKOR lens in which only the internal lens group shifts during focusing. Thus, IF NIKKORS do not change in size during AF operation, allowing for compact, lightweight lenses capable of closer focusing distances. These lenses will be designated with the abbreviation IF on the lens barrel.
EN-EL15c Rechargeable Li-ion Battery
MH-25a Battery Charger
UC-E24 USB Cable
HDMI/USB Cable Clip
BS-1 Accessory Shoe Cap
AN-DC19 Camera Strap
BF-N1 Body Cap
DK-29 Rubber Eyecup
Nikkor Z 24-120mm f/4 S Lens
LC-77B 77mm Snap-On Front Lens Cap
LF-N1 Rear Lens Cap
HB-102 Lens Hood
CL-C2 Lens Case
|Type||Digital camera with support for interchangeable lenses|
|Lens Mount||Nikon Z mount|
|Effective Pixels (Megapixels)||24.5 million|
|Sensor Size||35.9 mm x 23.9 mm|
|Image Sensor Format||FX|
|Image Sensor Type||CMOS|
|Total Pixels||25.28 million|
|Dust-Reduction System||Image Dust Off reference data (requires Capture NX-D); image sensor cleaning|
|Image Area (pixels)||FX-format
(L) 6,048 x 4,024
(M) 4,528 x 3,016
(S) 3,024 x 2,016
(L) 3,936 x 2,624
(M) 2,944 x 1,968
(S) 1,968 x 1,312
1:1 (24 x 24)
(L) 4,016 x 4,016
(M) 3,008 x 3,008
(S) 2,000 x 2,000
16:9 (24 x 24)
(L) 6,048 x 3,400
(M) 4,528 x 2,544
(S) 3,024 x 1,696
Photographs taken during movie recording at a frame size of 3,840 x 2,160:
3,840 x 2,160 Photographs taken during movie recording at other frame sizes: 1,920 x 1,080:
1,920 x 1,080
|File Format Still Images||NEF (RAW): 12 or 14 bit (lossless compressed, compressed, or uncompressed); large, medium, and small available (medium and small images are recorded at a bit depth of 12 bits using lossless compression)
JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression; optimal quality compression available
NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats
|Storage Media||SD (Secure Digital) and UHS-II compliant SDHC and SDXC memory cards
CFexpress (Type B)
XQD Type Memory
|File System||DCF 2.0
|Viewfinder||1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED with color balance and auto and 11-level manual brightness controls|
|Viewfinder Frame Coverage||Approx. 100% horizontal
|Viewfinder Magnification||Approx. 0.8x (50 mm lens at infinity, -1.0 m -1)|
|Viewfinder Eyepoint||Viewfinder Eyepoint21 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens)|
|Viewfinder Diopter Adjustment||-4 to +2 m−1|
|Eye Sensor||Automatically switches between monitor and viewfinder displays|
|Shutter Type||Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter|
|Shutter Speed||1/8000 to 30 sec. (choose from step sizes of 1/3 and 1/2 EV, extendable to 900 sec. in mode M), bulb, time, X200|
|Flash Sync Speed||Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported|
|Top Continuous Shooting Speed at Full Resolution||14 frames per second|
|Exposure Metering System||TTL metering using camera image sensor|
|Metering Range||Highlight-weighted metering: -4 to +17 EV
(ISO 100, f/2.0 lens, 20 °C/68 °F)
|Exposure Compensation||-5 to +5 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M|
|Exposure Lock||Luminosity locked at detected value|
Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon)
Selected Picture Control can be modified
Storage for custom Picture Controls
|ISO Sensitivity||ISO 100 - 51,200 in steps of 1/3 or 1/2 EV
Can also be set to approx. 0.3, 0.5, 0.7 or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1 or 2 EV (ISO 204,800 equivalent) above ISO 51,200; auto ISO sensitivity control available
|Active D-Lighting||Can be selected from:
|Active D-Lighting Bracketing||Yes|
|Autofocus System||Hybrid phase-detection/contrast AF with AF assist|
|Detection Range||-4.5 to +19 EV (-6 to +19 EV with low-light AF)
Detection range (ISO 100, f/2.0 lens, 20 °C/68 °F)
|Lens Servo||Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); full-time AF (AF-F; available only in movie mode); predictive focus tracking
Manual focus (M): Electronic rangefinder can be used
|Focus Point||273 (single-point AF)|
Wide-area AF (S)
Wide-area AF (L)
Wide-area AF (L-people)
Wide-area AF (L-animals)
Auto-area AF (people)
Auto-area AF (animals)
* Pinpoint, Single-point and Dynamic-area AF available in photo mode only
|Focus Lock||Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing center of sub-selector|
|Vibration Reduction||5-axis image sensor shift|
|Flash Control||TTL: i-TTL flash control; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash with spot metering|
|Flash Sync Modes||Front-curtain sync
Red-eye reduction with slow sync
Slow rear-curtain sync
|Flash Compensation||-3 to +1 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M|
|Flash-ready Indicator||Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output|
|Accessory Shoe||ISO 518 hot-shoe with sync and data contacts and safety lock|
|Nikon Creative Lighting System (CLS)||i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, unified flash control|
|White Balance||Auto (3 types)
Choose color temperature (2,500 K–10,000 K)
Fluorescent (7 types)
Natural light auto
Preset manual (up to 6 values can be stored), all with fine-tuning
|White Balance Bracketing||Yes|
|Movie Metering||TTL exposure metering using main image sensor|
|Movie Maximum Recording Time||29 minutes 59 seconds|
|Movie File Format||MOV
|Movie Audio Recording Format||Linear PCM
|Movie||4K UHD 3,840x2,160 / 30 fps
4K UHD 3,840x2,160 / 25 fps
4K UHD 3,840x2,160 / 24 fps
Full HD 1,920x1,080 / 120 fps
Full HD 1,920x1,080 / 100 fps
Full HD 1,920x1,080 / 60 fps
Full HD 1,920x1,080 / 50 fps
Full HD 1,920x1,080 / 30 fps
Full HD 1,920x1,080 / 25 fps
Full HD 1,920x1,080 / 24 fps
Full HD 1,920x1,080 slow-mo / 30 fps x4
Full HD 1,920x1,080 slow-mo / 25 fps x4
Full HD 1,920x1,080 slow-mo / 24 fps x5
Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively
Quality selection available at all sizes except 3,840 x 2,160, 1,920 x 1,080 120p/100p, and 1,920 x 1,080 slow-motion, when quality is fixed at m
|Movie Audio||Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted|
|Movie ISO||Auto ISO sensitivity control (ISO 100 to 51,200)
M: Manual selection (ISO 100 to 51,200; choose from step sizes of 1/3 and 1/2 EV); with additional options available equivalent to approximately 0.3, 0.5, 0.7, 1, or 2 EV (ISO 204,800 equivalent) above ISO 51,200; auto ISO sensitivity control (ISO 100 to Hi 2.0) available with selectable upper limit
P, S, A: Auto ISO sensitivity control (ISO 100 to Hi 2) with selectable upper limit
|Movie Active D-Lighting||Can be selected from:
|Movie Log Gamma Output||Logarithmic (N-Log) and HDR (HLG) movie output with View Assist (HDMI output only)|
|Movie HDMI Output||Yes, up to 12 bit
|Movie Focus Peaking||Yes|
|Movie Highlight Display (Zebras)||Yes|
|Time-Lapse Movie||Up to 4K UHD; Silent mode option|
|AF for Movie||AF Speed and AF Tracking Sensitivity can be adjusted|
|Monitor Size||3.2 in. diagonal|
|Monitor Type||Tilting TFT
|Playback Functions||Auto Image Rotation
Full-frame and Thumbnail (4, 9, or 72 images)
Location Data Display
Photo and/or Movie Slide Shows
Playback with Playback Zoom
|Wi-Fi Functionality||Standards: IEEE 802.11b/g/n (Africa, Asia, Bolivia, and Oceania)
Standards: IEEE 802.11b/g/n/a/ac (Europe, U.S.A., Canada, Mexico)
Standards: IEEE 802.11b/g/n/a (other countries in the Americas)
Operating frequency: 2412–2462 MHz (channel 11; Africa, Asia, Bolivia, and Oceania)
Operating frequency: 2412–2462 MHz (channel 11) and 5180–5805 MHz (other countries in the Americas)
Operating frequency: 2412–2462 MHz (channel 11) and 5180–5825 MHz (U.S.A., Canada, Mexico)
Operating frequency: 2412–2462 MHz (channel 11) and 5745–5805 MHz (Georgia)
Operating frequency: 2412–2462 MHz (channel 11) and 5180–5320 MHz (other European countries)
Maximum output power (EIRP): 2.4 GHz band: 2.9 dBm
Maximum output power (EIRP): 5 GHz band: 5.7 dBm (Georgia)
Maximum output power (EIRP): 5 GHz band: 8.7 dBm (other countries)
Authentication: Open system, WPA2-PSK
|Smart Device App Connectivity||SnapBridge|
|Bluetooth||Communication protocols: Bluetooth Specification
Operating frequency: Bluetooth: 2402–2480 MHz
Bluetooth Low Energy: 2402–2480 MHz
Maximum output power (EIRP)
Bluetooth: –0.3 dBm
Bluetooth Low Energy: –1.8 dBm
|GPS||Via the SnapBridge app|
* The languages available vary with the country or region in which the camera was originally purchased.
|Battery / Batteries||One EN-EL15c rechargeable Li-ion battery
EN-EL15b/EN-EL15a/EN-EL15 batteries can also be used. Note, however, that fewer pictures can be taken on a single charge than with the EN-EL15c. The EH-7P charging AC adapter can be used to charge EN-EL15c/EN-EL15b batteries only.
|Battery Life (shots per charge)||Battery Life (shots per charge)
Photo Mode: Number of Shots
Viewfinder only with Energy saving mode enabled: Approx. 400 shots
Viewfinder only with Energy saving mode disabled: Approx. 340 shots
Monitor only with Energy saving mode enabled: Approx. 450 shots
Monitor only with Energy saving mode disabled: Approx. 410 shots
Movie Mode: Length of Footage
Viewfinder only: Approx. 100 minutes
Monitor only: Approx. 100 minutes
* Camera and Imaging Products Association (CIPA) standard. Measured at 23 °C/73.4 °F (±2 °C/3.6 °F) with a NIKKOR Z 24–70mm f/4 S lens and a SONY CEB-G128 memory card under the following test conditions: one photograph taken at default settings once every 30 seconds.
* Actual battery endurance as measured under conditions specified by CIPA. Measured at 23 °C/73.4 °F (±2 °C/3.6 °F) with a NIKKOR Z 24–70mm f/4 S lens and a SONY CEB-G128 memory card. Measurement performed at default settings. Each shot can be up to 29 minutes 59 seconds in length. If camera temperature rises, recording may end before maximumlength or size is reached.
|AC Adapter||EH-7P Charging AC Adapter
EH-5d/EH-5c/EH-5b AC Adapter (requires EP-5B power connector, available separately)
|Battery Charger||MH-25A Battery Charger|
|Tripod Socket1/4 in. (ISO 1222)||Tripod Socket1/4" (ISO 1222)|
(Width x Height x Depth)
|134 x 100.5 x 69.5 mm (5.3 x 4 x 2.8")|
|Weight||615 g (21.7 oz.)
* camera body only
|Operating Environment||Temperature: 32 to 104°F (0 to 40°C)
Humidity: Less than 85% (no condensation)
Nikkor Z 24-120mm f/4 S Lens
|Mount Type||Nikon Z Mount|
|Focal Length Range||24-120 mm|
|Max. Angle of View (DX format)||61° – 13°20′|
|Max. Angle of View (FX format)||84° – 20°20′|
|Max. Reproduction Ratio||0.39x|
|Nano Crystal Coat||Yes|
|ED Glass Elements||3|
|Aspherical Extra-Low Dispersion Glass Elements||1|
|AF Actuator||2 STM (Stepping Motor)|
|Min. Focus Distance||1.15 ft (0.35m) from focal plane at all zoom positions|
|Approx. Dimensions||3.4 in. (84 mm) x 4.7 in. (118 mm) Distance to end of lens from camera lens mount flange|
|Approx. Weight||22.2 oz. (630 g)|
Questions & Answers
Nikon Z6II Mirrorless Body w/NIKKOR Z 24-120mm f/4.0 S
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