No Reviews Q & A
Product Highlights
  • 102MP CMOS II HS Imaging Sensor
  • Medium Format
  • Up to 8fps Continuous Shooting (Mechanical)
  • ISO 80-12800 Expandable to 40-102400
  • 4K (3840 x 2160) @60p Video Recording
  • 152 x 103.5 x 73.5 mm (6 x 4 x 3") Dimensions
  • 948g (33 oz.) Weight
  • 8-stops of In-Body Image Stabilization (IBIS)
  • Tilting Touchscreen
Fujifilm GFX 100 II Large Format Mirrorless Body (no lens) 102MP Fujifilm GFX 100 II Large Format Mirror...
FREE SHIPPING Available
Find it for less? Let us know.
Web Availability: Not In Stock
While not in stock right now, we can get more from our vendor for you.
Vistek Locations
  • Toronto Available for Order
  • Ottawa Available for Order
  • Mississauga Available for Order
  • Calgary Available for Order
  • Edmonton Available for Order
Please call and verify availability at the store as stock changes daily.

Lease this for: $364.50 Learn More

Rent this for: $350/day Learn More

Overview

FUJIFILM GFX100 II
Unlock your greatest images

GFX100 II brings a new, blazingly fast 102-megapixel medium-format sensor to deliver up to 8fps in high-speed continuous mode, surgically accurate subject detection and tracking AF, and advanced video features that have never existed in any previous GFX System or X Series camera. Upgraded AI-developed autofocus algorithms and a new 9.44-million dot EVF bring the action accurately into view for photographers, while full-width 4K/60p, 4:2:2 ProRes video and accessory-free delivery of files to Frame.io directly from the camera, give filmmakers access to new streamlined workflows and the ability to immediately collaborate with project team members.  

Key Features:

  • New 102MP CMOS II HS Imaging Sensor and X-Processor 5
  • Optimized autofocus performance, with updated tracking
  • 8fps continuous mechanical shutter
  • Up to 8-stops of In-Body Image Stabilization (IBIS)
  • Internally record full-width, 4K/60p video in 4:2:2, 10-Bit Apple ProRes, or through HDMI in 12-bit Blackmagic RAW or Apple ProRes RAW
  • World’s First: Natively enabled for Frame.io Camera-to-Cloud integration with no accessory requirements
  • Multiple Cinema Formats: FUJINON PREMISTA, 35mm, and 35mm Anamorphic

It's a Trifecta—Smart, Fast, and Stable

GFX100 II’s new 102MP sensor and X-Processor 5 combination deliver astounding performance when it is needed most. Enhancements to autofocus algorithms, now incorporating internal subject detection propelled by artificial intelligence, allow photographers and filmmakers to accurately track moving subjects and create 102MP images at up to 8fps using the camera’s high-speed mechanical shutter, or to record 4K/60p video at the full width of GFX100 II’s massive 55mm1 imaging sensor. An updated 9.44M dot EVF with 120fps live view and 5.3fps of blackout-free (8.7fps of blackout-free in 35mm format mode), continuous shutter use, also helps photographers stay close to the action, frame by frame, while internal in-body image stabilization (IBIS) provides up to 8-stops of stability to help transform the way any professional will make their next great image and share their next great story.

Stay with the Action, Stay with the Vision

Internally record 4:2:2, 10-bit Apple ProRes, or use HDMI to record 12-bit 4:2:2 Apple ProRes RAW or Blackmagic RAW in resolutions of up to 8K/30p, or, at the full width of GFX100 II’s massive 55mm1 sensor, at 4K/60p, for a seamless transition from creative vision to post-production.  Accelerate a project’s delivery to colour grading workflows in Da Vinci Resolve or Adobe Premiere Pro without any need to transcode Original Camera Files (OCF) before editing. 

Choose Your Own Adventure, Pick Your Favorite Cine Format

GFX100 II provides specified crops and aspect ratios for multiple cinema formats, which includes full-width GF Format, FUJINON PREMISTA (Vista Vision), and 35mm. With a basic GF to PL adapter, cinematographers anywhere can now use GFX100 II’s 55mm medium format imaging sensor with some of the world’s most legendary cinema optics, including Fujifilm’s collection of FUJINON PREMISTA and CABRIO Zoom Lenses. For storytellers with wider aspirations, GFX100 II offers two different high resolution 35mm Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.  

Workflow, Meet Cloud – No additional hardware needed

Embrace cloud-first workflows and open lines of collaboration with GFX100 II’s World First, accessory-free integration for Frame.io Camera to Cloud, and deliver photos or video straight to the cloud moments after they are created. Utilize the camera’s built-in Wi-Fi or Ethernet LAN connection to connect to Frame.io and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 8K ProRes Video securely for immediate project team review and consideration. 

A Complete Imaging Solution, Made Only by Fujifilm

With updated video functions that lead to simple post-production workflows, GFX100 II allows creators to go from an idea to the perfect story faster than ever. Native video functions like object priority AF, waveform and vector scope monitoring, a prominent recording flag that is visible around the live view area, and direct-to-SSD recording truly make GFX100 II an impressive, complete filmmaking tool, while a native integration with Atomos AirGlu™ BT2, brings timecode synchronization3 to a GFX System camera for the first time and IDT Support for the Academy Color Encoding System (ACES)4 brings the GFX System offerings into the world of motion production in ways never before available. And thanks to Fujifilm's one-of-a-kind colour science; photographers and filmmakers can take advantage of exclusive film simulation modes directly within GFX100 II, which now includes REALA ACE mode, a film simulation mode that delivers neutral colour reproduction with high-contrast tonal gradations. Inspired by decades of analog film development, image-makers can choose REALA ACE mode, or otherwise a film simulation mode that best fits the mood and that aligns with their creative inspiration.  

What's Included

GFX 100 II Medium Format Mirrorless Camera
BCP-002 Body Cap
Battery
Battery Charger
Strap
Hot Shoe Cover

Reviews

Product Specifications

GFX100 II

Number Of Effective Pixels 102 million pixels
Image Sensor 43.8mm×32.9mm GFX 102MP CMOS II HS with primary colour filter
Sensor Cleaning System Ultra Sonic Vibration
Image Processing Engine X-Processor 5
Storage Media CFexpress Type B Card (-2TB)
SSD (-2TB)

*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
File Format (Still) DCF: Compliant with Design rule for Camera File system (DCF2.0), JPEG: Exif Ver.2.32*, HEIF: 4:2:2 10bit, RAW: 14bit / 16bit RAW (RAF original format), TIFF: 8bit / 16bit RGB (In-camera Raw Conversion Only)

*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
Number Of Recorded Pixels L: [4:3] 11648 x 8736 [3:2] 11648 x 7768 [16:9] 11648 x 6552 [1:1] 8736 x 8736 [65:24] 11648 x 4304 [5:4] 10928 x 8736 [7:6] 10192 x 8736
M: [4:3] 8256 x 6192 [3:2] 8256 x 5504 [16:9] 8256 x 4640 [1:1] 6192 x 6192 [65:24] 8256 x 3048 [5:4] 7744 x 6192 [7:6] 7232 x 6192
S: [4:3] 4000 x 3000 [3:2] 4000 x 2664 [16:9] 4000 x 2248 [1:1] 2992 x 2992 [65:24] 4000 x 1480 [5:4] 3744 x 3000 [7:6] 3504 x 3000
Lens Mount FUJIFILM G mount
Sensitivity Standard Output AUTO1/ AUTO2/ AUTO3/ ISO80~12800 (1/3 step)
Sensitivity Extended Output ISO40/ 25600/ 51200/ 102400
Exposure Control TTL 256-zone metering, Multi/ Spot/ Average/ Center Weighted
Exposure Mode P (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure)
Exposure Compensation STILL -5.0EV - +5.0EV (1/3EV step)/ MOVIE: -2.0EV - +2.0EV (1/3EV step)
Image Stabilizer Mechanism Image sensor shift mechanism with 5-axis compensation
Image Stabilizer Compensation Effect 8.0 stops (based on CIPA standard). Pitch/yaw shake only. With GF63mmF2.8 R WR lens mounted
Image Stabilizer Digital Image Stabilization Yes movie mode only
Image Stabilizer Is Mode Boost Yes movie mode only
Shutter Type Focal Plane Shutter
Shutter Speed Mechanical Shutter P mode: 30sec to 1/4000, A mode: 30sec to 1/4000, S/M mode: 60min to 1/4000, Bulb mode: up to 60min
Shutter Speed Electronic Shutter P mode: 30sec to 1/32000, A mode: 30sec to 1/32000, S/M mode: 60min to 1/32000, Bulb mode: up to 60min
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Shutter Speed Mechanical + Electronic Shutter P mode: 30sec. to 1/32000, A mode: 30sec. to 1/32000, S/M mode: 60min. to 1/32000, Bulb mode: up to 60min.
*Mechanical shutter works until 1/4000sec.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Shutter Speed E-Front + Mechanical Shutter P mode: 30sec. to 1/4000, A mode: 30sec. to 1/4000, S/M mode: 60min. to 1/4000, Bulb mode: up to 60min.
*Electronic front curtain shutter works until 1/1250sec.
*When using the electronic front curtain shutter, the continuous shooting supports CL only.
Shutter Speed Movie 8L: 1/4000sec. To 1/24 sec., 5.8K: 1/4000sec. to 1/24 sec., 5.4K: 1/4000sec. to 1/24 sec., 4.8K: 1/4000sec. to 1/24 sec., 4.6K (ANAMOR): 1/4000sec. to 1/24 sec., DCI4K/4K: 1/4000sec. to 1/8 sec., FHD: 1/4000sec. to 1/8 sec.
*Cannot choose slower shutter speed than framerate for some settings.
Synchronized Shutter Speed For Flash Mechanical Shutter: 1/125 sec. or slower
Continuous Shooting Electronic Shutter Approx. 8.7fps [35mm Format Mode ON]  (JPEG: 260+ frames, Compressed RAW: 260+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames, Compressed RAW + JPEG: 156 frames, Lossless compressed RAW + JPEG: 148 frames, Uncompressed RAW + JPEG: 71 frames)
Electronic Shutter Approx. 5.8fps [35mm Format Mode ON] (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames, Compressed RAW + JPEG: 1000+ frames, Lossless compressed RAW + JPEG: 1000+ frames, Uncompressed RAW + JPEG: 1000+ frames)
Electronic Shutter Approx. 5.3fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 390 frames, Compressed RAW + JPEG: 119 frames, Lossless compressed RAW + JPEG: 119 frames, Uncompressed RAW + JPEG: 98 frames)

Mechanical Shutter Approx. 8fps (JPEG: 1000+ frames, Compressed RAW: 325 frames, Lossless compressed RAW: 302 frames, Uncompressed RAW: 76 frames, Compressed RAW + JPEG: 75 frames, Lossless compressed RAW + JPEG: 75 frames, Uncompressed RAW + JPEG: 55 frames)
Mechanical Shutter Approx. 5fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 497 frames, Compressed RAW + JPEG: 153 frames, Lossless compressed RAW + JPEG: 152 frames, Uncompressed RAW + JPEG: 116 frames))
Mechanical Shutter Approx. 2fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames, Compressed RAW + JPEG: 1000+ frames, Lossless compressed RAW + JPEG: 1000+ frames, Uncompressed RAW + JPEG: 1000+ frames)
Mechanical Shutter Approx. 3fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames)

*Electronic Front Curtain Shutter support CL only.
*No. of recordable frames are calculated based on CFexpress Type B card in a cold start
*Recordable frames depends on recording media
*Speed of continuous shooting depends on shooting environment and shooting frames
AE Bracketing AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1/3EV step, up to ±3EV steps), Film Simulation bracketing (Any 3 types of film simulation selectable), Dynamic Range Bracketing (100%, 200%, 400%), ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV), White Balance Bracketing (±1, ±2, ±3), Focus Bracketing (AUTO, MANUAL), Multiple Exposure (Yes, Max. 9 frames, Additive, Average, Bright, Dark)
Pixel Shift Multi Shot High Resolution + Accurate Colour Yes
Pixel Shift Multi Shot Accurate Colour Yes
Focus Mode Single AF/ Continuous AF/ MF
Focus Type Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Focus Low-Light Performance Phase Detection: -5.5EV/ Contrast: -2.5EV
*GF80mmF1.7 attached
AF Frame Selection Single point AF: EVF/ LCD: 13×9/ 25×17 (Changeable size of AF frame), Zone AF: 3×3/ 5×5/ 7×7/Custom1-3 from 117 areas on 13×9 grid, AF-S: Wide / AF-C: Tracking, All
Face/Eye Detection Yes
Subject Detection Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)
White Balance Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1-3/ Colour temperature selection (2500K-10000K)/ Daylight, Shade, Fluorescent Light 1, Fluorescent Light 2, Fluorescent Light 3, Incandescent light, Underwater
Self-Timer Still 10sec./ 2sec.
Self-Timer Movie 10sec./ 5sec. /3sec.
Interval Timer Shooting Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
Flash No
Flash Sync Mode 1st Curtain
2nd Curtain
AUTO FP (HSS)
Flash Mode TTL(TTL AUTO / STANDARD / SLOW SYNC.) / MANUAL / MULTI *When EF-X500 is set / OFF
Synchronized Terminal Sync Mode: 1st Curtain/2nd Curtain
Flash Mode: MANUAL
Hot Shoe Yes (Dedicated TTL Flash compatible)
Viewfinder EVF 0.64 inch OLED Colour Viewfinder
Approx. 9.44 million dots
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 21mm (fron the Rear End of the Camera's Eyepiece)
Diopter Adjustment: -5~+2m-1
Magnification: 1.00x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: approx. 47° (Horizontal angle of view: approx. 38° )
Built-In Eye Sensor
LCD Monitor 3.2 inch Tilt-Type (Three Direction) Touch Screen Colour LCD Monitor
Aspect Ratio: 4:3
Approx. 2.36 million dots
Touch Screen Shooting Mode AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting
Touch Screen Playback Mode Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub Monitor Yes
Sub LCD Monitor 2.09 inch Monochrome LCD Monitor
Aspect Ratio: 4:3
Dots: 320x219-dot 
File Format (Movie) MOV: Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling), Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling), Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling), HEVC/H.265 - Linear PCM (Stereo sound 24bit / 48KHz sampling), MPEG-4 AVC/H.264 - Linear PCM (Stereo sound 24bit / 48KHz sampling)
MP4: MPEG-4 AVC/H.264 - AAC
Movie Compression All Intra, Long GOP
File Size / Frame Rate / Recording Time 8K [17:9] - 8192 x 4320
24p/ 23.98p
720Mbps/360Mbps/200Mbps/100Mbps/50Mbps

8K [16:9] - 7680 x 4320
29.97p/25p/24p/ 23.98p
720Mbps/360Mbps/200Mbps/100Mbps/50Mbps

8K [2.76:1] - 8192 x 2968
24p/ 23.98p
720Mbps/360Mbps/200Mbps/100Mbps/50Mbps

5.8K [2.35:1] - 5824 x 2476
29.97p/ 25p/ 24p/ 23.98p
720Mbps/360Mbps/200Mbps/100Mbps/50Mbps

5.4K [17:9] - 5440 x 2868
29.97p/ 25p/ 24p/ 23.98p
720Mbps/360Mbps/200Mbps/100Mbps/50Mbps

4.8K [3:2] - 4776 x 3184
24p/ 23.98p
720Mbps/360Mbps/200Mbps/100Mbps/50Mbps

4.8K [16:9] - 4776 x 2688
29.97p/ 25p/ 24p/ 23.98p
720Mbps/360Mbps/200Mbps/100Mbps/50Mbps

4.6K [1.38:1] - 4664 x 3380
24p/ 23.98p
720Mbps/360Mbps/200Mbps/100Mbps/50Mbps

DCI4K [17:9] - 4096 x 2160
59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p
720Mbps/360Mbps/200Mbps/100Mbps/50Mbps

4K [16:9] - 3840 × 2160
59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p
720Mbps/360Mbps/200Mbps/100Mbps/50Mbps

Full HD [17:9] -2048 × 1080
59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p
720Mbps/360Mbps/200Mbps/100Mbps/50Mbps

Full HD [16:9] - 1920 × 1080
59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p
720Mbps/360Mbps/200Mbps/100Mbps/50Mbps

Full HD High speed rec. [17:9] - 2048x1080
120p/ 100p
720Mpbs(recording)/ 360Mbps(recording)/  200Mbps(recording)

Full HD High speed rec. [16:9] - 1920x1080
120p/ 100p
720Mpbs(recording)/ 360Mbps(recording)/  200Mbps(recording)

*Selectable mode will be changed depending on the "Image Format" setting.
*For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher.
*For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher.
*For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher.
Film Simulation Mode 20 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi,  PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter
ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Clarity Setting ±5 steps
Monochromatic Colour Yes
Grain Effect Roughness STRONG, WEAK, OFF, Size LARGE, SMALL
Colour Chrome Effect STRONG, WEAK, OFF
Colour Chrome Blue STRONG, WEAK, OFF
Smooth Skin Effect STRONG, WEAK, OFF
Dynamic Range Setting AUTO / 100% / 200% / 400% 
DR100%: No limit、DR200%: ISO160 or more、DR400%: ISO320 or more
Dynamic Range Setting (Movie) 100%, 200%, 400% 
DR100%: No limit、DR200%: ISO200 or more、DR400%: ISO400 or more
Wireless Transmitter Standard IEEE802.11a/b/g/n/ac (standard wireless protocol)
Wireless Transmitter Encryption WPA/WPA2 mixed mode, WPA3
Wireless Transmitter Access Mode Infrastructure
Bluetooth® Standard Bluetooth Ver. 4.2 (Bluetooth low energy)
Bluetooth® Operating Frequency 2402〜2480MHz
Terminal - Digital Interface USB Type-C (USB3.2 Gen2x1)
Terminal - Hdmi Output HDMI connector (Type A)
LAN Terminal 1000BASE-T、100BASE-TX、10BASE-T
Power Supply NP-W235 Li-ion battery (included)
*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Battery Life For Still Images Normal Mode Approx. 540 frames
*Auto power save ON
*When GF63mmF2.8 R WR is set
Actual Battery Life For Movie Capture 8K Approx 60 min. (29.97p), 4K Approx. 60min. (59.94p), Full HD Approx. 80min. (59.94p)
*Face detection is set to OFF
Continuance Battery Life For Movie Capture 8K Approx 80 min. (29.97p), 4K Approx. 90min. (59.94p), Full HD Approx. 140min. (59.94p)
*Face detection is set to OFF
*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.

Physical Specs

 
Camera External Dimensions (W) 152.4mm x (H) 117.4mm x (D) 98.6mm Minimum Depth 46.5mm
Excluding EVF (W) 152.4mm x (H) 103.5mm x (D) 73.5mm Minimum Depth 46.5mm
Camera Body Weight Approx. 948g (including EVF: 1,030g) - Including battery and memory card
Approx. 867g (including EVF: 949g) - excluding battery and memory card
Operating Temperature -10℃~+40℃

Questions & Answers

Fujifilm GFX 100 II Large Format Mirrorless Body (no lens) 102MP

Looking for a personal touch? Not sure if you are choosing the right product? Our staff is here to help.

We want to make sure you get the right product for your needs.
Our staff will help you understand the options available so you can be confident in your purchase.

As the country’s leading Professional Imaging retailer, Vistek is in the perfect position to ensure you make the right choice.
Contact us today for a personal touch.