- Webcode: 488077 • Mfr: ZR + Z 24-120mm
- FREE SHIPPING Available
Product Highlights
- 24.5 MP CMOS Sensor
- Full-Frame Format
- ISO 100 to 51200 Sensitivity
- UHD 6K (6000 x 3000) @ 60 fps Video Recording
- 7.5-Stop Vibration Reduction In-Body Image Stabilization
- Vari-Angle TFT Touch Sensitive LCD Display
- Kit Includes ZR Camera & 24-120mm Lens
Kit Options:
Nikon ZR Cinema Camera w/NIKKOR Z 24-120mm f/4.0 S Lens
Nikon ZR Cinema Camera w/NIKKOR Z 24...- Available in Calgary
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Overview
ZR
The first all-in-one cinema camera from Nikon | RED debuts with a 6K full-frame sensor, RED colour science, and the biggest, brightest Vari-angle monitor in its class. It’s also the first camera in the world to capture 32-bit audio internally. For limitless creativity, this cinema camera is for you.
Compact Size. Cinematic Scale.
Built for creators and filmmakers on the move, the ZR is the lightest all-in-one cinema camera around. Welcome to cinematic.
Fully Loaded with Codecs
There’s a full suite of video recording formats, and the R3D NE codec from RED makes its debut here. Vlogs to movies, you nail any workflow.
Cinematic Modes and RED Colours
Creative video modes and RED-curated presets deliver content with a filmic look and feel straight out of the camera. No editing necessary.
32-bit Float Audio Recording
This is the first camera in the world to capture 32-bit audio internally. For sound that’s as clean as the picture.
Cinematic Quality
Full-frame sensor. 6K internal RAW. RED colour science. For incredible footage, straight from the ZR.
All-in-One
Ready to roll with a large on-board monitor, internal 32-bit audio capture, long recording times, and more.
Expandable System
Dedicated Nikon and partner-brand accessories let you put the ZR at the heart of an extensive video rig.
RED Colour Science, Built in
An exclusive R3D NE codec brings renowned RED colour science to Nikon. Gain greater flexibility in post—or match your ZR footage with video shot on a RED camera system.
Professional Video Formats for Diverse Workflows
No need for external recorders. Whether you need 12-bit RAW for colour grading, or efficient codecs for fast turnarounds and broadcast-ready content, the ZR delivers.
Cinematic Footage Straight From the Camera
Creating content for immediate viewing? Four creative video modes and nine custom RED Picture Controls will help nail the look and feel in-camera. Try the Cinematic mode, which sets the shutter angle to 180° and the frame rate to 24fps: then use the RED colour presets to adjust the tone of footage.
Dual Base ISO with 15+ Stop Dynamic Range
A Dual Base ISO of 800/6400 maximises the sensor’s performance for clean, noise-free footage. It’s available when shooting in Log3G10, and the camera’s wide 15+ stop dynamic range is maintained at both ISOs for maximum detail in highlights and shadows.
Take Your Vision and Make it Real
Vlogs to movies. Shorts to features. Street interviews to documentaries. A 6K full-frame sensor gives you the resolution, and the frame rates, to take on any shoot.
Flexible Frame Rates and Resolutions
From cinematic 24p to 240p extreme slow motion. From richly detailed 6K to crisp, compact 1080p. Whether you’re shooting for the big screen via the edit suite, or you want footage that’s ready for viewing immediately.
Natural Motion. No Distortion.
With its fast read-out speeds, the ZR effectively minimises rolling shutter distortion, keeping vertical lines straight and motion natural. Great if you’re panning or filming fast action.
All-In-One
Compact Camera. Cinematic Display.
You won’t need to bring an external monitor when the ZR is your creative partner. The lightest all-in-one cinema camera around also boasts the biggest, brightest Vari-angle monitor for a super-clear view of the scene.
True Volour. Full Visibility.
The large, bright, 4-inch touchscreen monitor covers the DCI-P3 colour gamut and boasts a generous 16:10 display format. You’ll be able to accurately monitor colours while viewing full-size widescreen (16:9) footage—and vertical video is supported too.
Responsive, Customisable Touchscreen
Spacious Control Hub
Functions are controlled with soft, quiet screen taps that won’t disturb recording, and there’s plenty of space to adjust settings without compromising your view.
Clean or Overlaid Views
You can stay focused on framing with a clean screen, or easily add overlays like focus peaking, histograms, and zebras. The display flips automatically for vertical shooting.
In-Camera LUTs to Monitor Colour as You Shoot
Shooting in RAW or a log format? You can load up to ten 3D LUTs, including 65-point LUTs, for viewing on the ZR monitor. You’ll see the impact of exposure or lighting choices on the colours you’re going for, while the footage itself stays clean for maximum flexibility in post.
In-Camera 32-bit Float Audio Recording
In a world first, the ZR lets you capture 32-bit audio using the camera’s internal mics, or a compatible external mic. The dynamic range is so vast, you won’t need to constantly monitor the levels when filming: you can adjust them in post without clipping.
OZO Audio Technology
With three built-in MEMS microphones, the ZR lets you record sound without an external mic. There’s five pick-up patterns to choose from.
In-Body VR for Steady Handheld Footage
No need to take a gimbal. Nikon’s powerful in-camera 5-axis sensor-shift image stabilisation compensates for camera shake to keep handheld footage steady. Great for dynamic run-and-gun video shoots where spontaneity is key.
Precision AF Keeps Your Shots on Point
With Nikon’s fast, intelligent AF system keeping every shot in focus, you can give free reign to your creativity.
- Fast: Quick, accurate, reliable, and customisable autofocus. For the sharpest, smoothest shots.
- Intelligent: The ZR can detect and track nine different subject types. Faces are in focus, eyes are sharp.
- Smooth: No focus puller, no problem. Selectable AF speeds let you create smooth, repeatable focus transitions.
- Wide: With custom wide-area AF, you can tell the ZR in which part of the frame to track focus. It won’t blink.
Focus-Breathing Compensation
Want to rack focus? Turn on focus-breathing compensation and you’ll attain smoother, more natural-looking transitions. Super helpful if you’re shooting dynamic scenes, where consistent framing matters.
No Noisy Fans. No Heat-Related Shutdowns.
With an innovative body design that efficiently dissipates heat, the ZR will quietly hold its own on a long shoot. You can record video up to 4K/60p for up to 125 minutes straight when running off continuous power, and for up to 95 minutes when running on battery power.
Striking Stills Too
From your own promotional materials to client deliverables. When your project needs photos that stand out, the ZR cinema camera always excels.
Extensive System Expandability
Built to Shine Solo Or in a Full Rig
Push. Pivot. Improvise. With the agile ZR cinema camera, plus a wide range of Nikon and third-party accessories, you can build out an extensive video rig.
External Mics for Every Audio Set-Up
From discreet lapel mics to shotgun mics compatible with 32-bit float audio recording. An XLR adapter is also supported for pro-level flexibility.
Versatile in Broadcast Or Multi-Cam Set-Ups
Signal you’re recording with tally lights. Take control with switchers, wireless transmitters, and wireless timecode synchronisers.
Ultra-Portable Power Solutions
Support for ultra-portable, ultra-powerful battery packs lets you stay agile without sacrificing staying power. You’ll be able to take even the longest shoot in your stride.
Z Mount. Flexibility in Lens Choice.
The perspective you want—and the glass you love. The Z mount lets you attach any Nikkor Z lens, any Nikon F-mount lens, and a wide range of third-party lenses to the Nikon ZR.
Digital Shotgun Mic
This digital shotgun mic faithfully captures high-quality audio with an extremely wide dynamic range. It’s compatible with the 32-bit float audio format, for total freedom in post.
Camera to Cloud with Frame.io
Streamline collaboration with clients, or your team. You can automatically send videos from the ZR to Frame.io—Adobe’s cloud-based collaboration platform—via the Nikon NX MobileAir app. It will transform your workflow, from first shot to final cut.
Cinematic Quality
Captivating. Internal recording up to 6K/60p and renowned RED colour science, for video that always stands out.
All-in-One
The ultimate compact cinema camera. Stay true to your vision with the bright onboard monitor, internal 32-bit audio, and more.
Nikkor Z 24-120mm f/4 S Lens
Essential Zoom Range. Exquisite Image Quality.
Go from 24mm wide angle views to 120mm telephoto close-ups and everything in between with spectacular image quality. The NIKKOR Z 24-120mm f/4 S brings a versatile all-purpose zoom range together with premium S-Line optics, a constant f/4 aperture, close focusing, robust weather-sealing and superior resolution—all in a compact, travel-friendly package.
Lens Features:
- S-Line Premium Optics
- 5x Zoom 24mm–120mm
- f/4 Constant Aperture
- 1.15 ft. Close Focusing
- 630 g Lightweight
- FX & DX: Any Z Camera
Quality you can see. Literally.
The NIKKOR Z 24-120mm f/4 S bears the S-Line designation, reserved for premium NIKKOR Z lenses with the most advanced optics, superior resolution, beautiful bokeh, robust weather sealing and precision design.
Versatile. Like you.
Cover everything from landscapes, architecture and interiors to candids, portraits, interviews and close-ups. If you have to choose just one lens for a shoot, an event or travel, the NIKKOR Z 24-120mm f/4 S should be at the top of your list.
Constant f/4 aperture.
Set your aperture and shutter speed once, then zoom and reframe without affecting exposure. Get a consistent, beautiful look at any distance, especially useful for zooming during video recording.
Embrace backlighting.
Nano Crystal Coat minimizes reflections that cause lens flare and ghosting for remarkably sharp, high contrast results, even when shooting into direct sunlight.
Effortless autofocus.
Autofocus is split between two high-speed, ultra-quiet STM stepping motors moving in sync. The design enables thrilling close focusing, edge-to-edge sharpness and virtually no color bleeding or focus breathing.
Macro-style close focusing.
When you want to show the smallest details, get as close as 1.15 ft. from your subject and still zoom all the way to 120mm. Comfortably shoot interiors, food, over the shoulder shots, how-to videos and more.
Outstanding for video.
With its versatile zoom range, constant f/4 aperture, ultra-quiet focusing, suppressed focus breathing and smooth aperture adjustments, the NIKKOR Z 24-120mm f/4 S is a workhorse for video applications.
Brilliant. By design.
Fine tune. Manual focus ring.
Dedicated to one crucial function: giving you tactile, precision control of focus when you want it.
Technology
Aspherical Lens
A lens with a curved, non-spherical surface. Used to reduce aberrations and enable a more compact lens size. Aspherical lenses minimize coma and other types of lens aberrations, even when used at the widest aperture. They are particularly useful in correcting distortion in wide-angle lenses and help contribute to a lighter, more compact design by reducing the number of standard (spherical) elements necessary. Aspherical lens elements correct these distortions by continuously changing the refractive index from the center of the lens.
Stepping Motor
NIKKOR Z lenses use a stepping motor for fast, accurate, smooth, quiet autofocus with reduced wobbling. This quiet drive system makes the lenses ideal for use when shooting video.
ARNEO Coat
An anti-reflective coating developed by Nikon and used in conjunction with Nano Crystal Coat to further reduce ghost and flare effects caused by incident light entering the lens vertically. This allows for the outstandingly clear capture of images even when a light source is located within the frame.
Nano Crystal Coat
An anti-reflective coating developed by Nikon that virtually eliminates internal lens element reflections across a wide range of wavelengths. Nano Crystal Coat solves ghost effects caused by red light and effectively reduces ghost and flare caused by light entering the lens diagonally.
ED (Extra-Low Dispersion) Glass
An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations.
Aspherical – Extra-low Dispersion Glass Elements
An ED (Extra-low Dispersion) glass element that features the characteristics of an Aspheric glass element for a more compact size lens. Like Aspherical lenses, AS-ED lens elements minimize coma and other types of lens aberrations, even when used at the widest aperture by continuously changing the refractive index from the center of the lens. The AS-ED lens elements are optical glass developed by Nikon to obtain optimum correction of chromatic aberrations.
IF Lens
A NIKKOR lens in which only the internal lens group shifts during focusing. Thus, IF NIKKORS do not change in size during AF operation, allowing for compact, lightweight lenses capable of closer focusing distances. These lenses will be designated with the abbreviation IF on the lens barrel.
What's Included
Body Cap BF-N1
Li-Ion Battery EN-EL 15c
Strap AN-DC26
Digital Shoe Cover BS-D1
Nikkor Z 24-120mm f/4 S Lens
LC-77B 77mm Snap-On Front Lens Cap
LF-N1 Rear Lens Cap
HB-102 Lens Hood
CL-C2 Lens Case
View Kit Components
Reviews
Product Specifications
ZR |
|
|---|---|
| Camera Type | Digital camera with support for interchangeable lenses |
| Sensor Type | 24.5 MP Full-Frame CMOS |
| Sensor Size | 35.9mm x 23.9mm |
| Dynamic Range | 15+ Stops |
| Mount Type | Z Mount |
| Lens Compatibility | Accepts FTZII Mount Adapter with F-mount lenses. Capable of supporting third-party lenses, however when using non-Nikon adapters with third-party lenses, some functions may not be supported. |
| Battery Type | EN-EL15c, Compatible with external V Mount batteries via USB-C |
| Weight | 1.19 lbs (Without battery and cards) |
| Dimensions | 133mm × 80.5mm × 48.7mm |
| Max. Recording Time | 125 minutes |
| Media Primary | CFexpress Type-B |
| Media Secondary | Micro SD (UHS-I) |
| Monitor Size | 4 |
| Monitor Colour | DCI-P3 |
| Monitor Type | Vari-angle LCD |
| Monitor Brightness | 1000 cd/m^2 |
| I/O Power Data | Type-C USB (USB 3.2) |
| I/O External Powering | Type-D HDMI |
| I/O Audio Capture | Line Input / Digital Hot Shoe |
| I/O Audio Monitoring | 3.5mm headphone jack |
| I/O Digital Accessory Shoe | hot-shoe with sync and data contacts |
| I/O Tripod Socket | 1/4" |
| Codecs | REDCODE RAW (R3D NE) / 12-bit NIKON N-RAW / 12-bit PRORES RAW HQ PRORESS 422 HQ H.265 / 10-bit / 8-bit H.264 / 8-bit |
| Audio Recording | 32-bit float 24-bit 5 Audio Pickup Patterns via Nokia OZO Audio, (Available in H.265, H.264) |
| Log Profiles | RED Log3G10 (R3D NE) Nikon N-Log (N-RAW, PRORES RAW, PRORES 422, H.265) |
| ISO Sensitivity | Dual Base ISO - RED Log3G10: 800 / 6400 (Dual Native ISO) Dual Base ISO - Nikon N-Log: 800 / 6400 (Dual Native ISO) |
| Colour Management | Load up to 10 LUTs. Supports 17-point, 33-point, 65-point LUTs. Compatible with 24, 25, 30, 60p Frame Rates. |
| Picture Controls | Cloud Picture Controls by RED: CineBias, CineBias-T Cool Atmosphere, CineBias-C Crisp Teal Contrast, CineBias-CC Noir Vibes, CineBias-WC Grit & Glow, CineBias-TC Green Edge Experimental, CineBiasOffset, CineBias Achromic, CineBias BleachBypass. |
| Autofocus | 9 Autofocus Subject Detection Modes (People (eyes, face, head, upper body), Birds, Dogs, Cats, Cars, Motorcycles, Bicycles, Trains and Airplanes). Programable Autofocus Speed, Sensitivity and Position Recall |
| In-Body Image Stabilization | Nikon Vibration Reduction with 7.5 Stops |
| Features | Time-lapse video recording, electronic Vibration Reduction, time codes, REC lamp, N-Log and HDR (HLG) video, waveform display, red REC frame indicator, video recording display zoom (50%, 100%, 200%, and 400%), extended shutter speeds (modes S and M), and dual-format (proxy video) recording for RAW video; option to view video recording info available via i menu; breathing compensation, Hi-Res Zoom |
| Camera to Cloud | Compatible with Adobe Frame.io via Nikon NX MobileAir app. |
| Megapixels | 24.5 |
| Exposure Modes | Auto Programmed auto with flexible program (P) Shutter-priority auto (S) Aperture-priority auto (A) Manual (M) |
| User Modes | U1, U2, U3, and U4 (user setting mode) |
| File Formats | NEF (RAW): JPEG: HEIF: Supports RAW + Secondary Format Capture |
| Shutter Speed Range | Electronic shutter range: 1/16000 sec to 900 sec |
| Release Mode | Single frame, continuous low-speed, continuous highspeed, continuous high-speed (extended), high-speed frame capture + with Pre-Release Capture, self-timer |
| Approximate Frame Advance Rate | Continuous low-speed: Approx. 1 – 7 fps Continuous high-speed: Approx. 16 fps Continuous high-speed (extended): Approx. 20 fps High-speed frame capture + (C15): Approx. 15 fps High-speed frame capture + (C30): Approx. 30 fps High-speed frame capture + (C60): Approx. 60 fps High-speed frame capture + (C120): Approx. 120 fps |
| ISO Range | ISO 100 to 64000 |
| White Balance | Auto (3 types), natural light auto, direct sunlight, cloudy, shade, incandescent, fluorescent (3 types), flash, choose colour temperature (2500–10,000 K), preset manual (up to 6 values can be stored), all with fine-tuning |
| Picture Controls | Flexible Picture Control, Rich Tone Portrait, Deep Tone Monchrome, Flat Monochrome, Storage for custom Picture Controls, Selected Picture Control can be modified, Vivid, Standard, Portrait, Neutral, Monochrome, Landscape, Flat, Creative Picture Controls (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon), Auto, Storage for Cloud Picture Controls. |
| Timelapse Mode | Yes |
| Wi-Fi | Yes |
| Bluetooth | Yes |
| Connectivity | Nikon SnapBridge App. |
| Camera to Cloud | Nikon Imaging Cloud |
Nikkor Z 24-120mm f/4 S Lens |
|
|---|---|
| Mount Type | Nikon Z Mount |
| Focal Length Range | 24-120 mm |
| Zoom Ratio | 5x |
| Max. Aperture | f/4 |
| Min. Aperture | f/22 |
| Format | FX |
| Max. Angle of View (DX format) | 61° – 13°20′ |
| Max. Angle of View (FX format) | 84° – 20°20′ |
| Max. Reproduction Ratio | 0.39x |
| Lens Elements | 16 |
| Lens Groups | 13 |
| Diaphragm Blades | 9 |
| ARNEO Coat | Yes |
| Nano Crystal Coat | Yes |
| ED Glass Elements | 3 |
| Aspherical Elements | 3 |
| Aspherical Extra-Low Dispersion Glass Elements | 1 |
| Flourine Coat | Yes |
| Autofocus | Yes |
| AF Actuator | 2 STM (Stepping Motor) |
| Internal Focusing | Yes |
| Min. Focus Distance | 1.15 ft (0.35m) from focal plane at all zoom positions |
| Focus Mode | Auto/Manual |
| Filter Size | 77mm |
| Approx. Dimensions | 3.4 in. (84 mm) x 4.7 in. (118 mm) Distance to end of lens from camera lens mount flange |
| Approx. Weight | 22.2 oz. (630 g) |
| Lens Type | Zoom |
Questions & Answers
Nikon ZR Cinema Camera w/NIKKOR Z 24-120mm f/4.0 S Lens
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NIKKOR Z 24-120mm f/4.0 S Lens