• Webcode: 439564 • Mfr: 3795C002
Product Highlights
  • 9.6MP Super 35mm Dual Gain Output (DGO) Sensor
  • 4K (4096x2160) @ 60p Video Resolution
  • DIGIC DV 7 Image Processor
  • ISO 100-102,400 Sensitivity
  • Cinema RAW Light & XF-AVC H.264 Codec
  • 16+ stops (ISO 800) Dynamic Range
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Canon EOS C300 EF Mark III Cinema Camera Body Only Canon EOS C300 EF Mark III Cinema Ca...
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Overview

C300 Mk III

Impressive usability and imaging power combine in the EOS C300 Mark III, the customizable cinema camera that’s built for versatility and flexibility.

The lightweight body comes equipped with Canon's new Super 35mm Dual Gain Output (DGO) Sensor capable of over 16 stops of dynamic range. The DIGIC DV 7 Image Processor expands functionality and flexibility by enabling features such as internal RAW recording, 4K 120p High Frame Rate recording, and Dual Pixel Autofocus.

The EOS C300 Mark III is the perfect expression of form and function, exceptionally adaptable to virtually any production with its modular design. Three expansion units and user changeable lens mounts enable operators to build their ideal system for cinema or broadcasting.

Canon Super 35mm Dual Gain Output (DGO) Sensor

The EOS C300 Mark III features Canon’s next-generation Super 35mm Dual Gain Output (DGO) Sensor.  This new sensor is capable of dynamic ranges in excess of 16 stops and is compatible with Canon’s exclusive Dual Pixel CMOS Autofocus technology.

The DGO Sensor is a newly-developed imaging system that generates high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise noise-prioritizing amplifier for darker areas.


DIG!C DV7 Image Processor
Powerfully processes high-resolution image data

The EOS C300 Mark III features Canon’s DIG!C DV7 image processor that takes the extensive RAW information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, Cinema Raw Light Recording, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.

High Frame Rate
4K 120P and 2K CROP 180P

The EOS C300 Mark III is capable of ultra-high frame rates with its new chip design and DiG!C DV7 processor. Frames rate up to 120 fps can be obtained in 4K, while 2K CROP mode provides even greater flexibility with speeds up to 180 fps.

Modular Design with three available Expansion Units
Allows a high level of connectivity and interoperability

A new modular design allows productions to optimize and customize the EOS C300 Mark III to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories and rangefinder as it is stripped down flying on a drone.

Canon Log 2 and 3

The EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 Gamma. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading.

Canon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor, it typically requires more time in colour correction.
 
For users looking for most of the benefits of log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.

LM-V2
4.3” LCD Touch Screen Monitor

The LM-V2 4.3” LCD Monitor is an easy to view touch panel with approximately 2.76 million dots. The monitor easily attaches to the EOS C300 Mark III using included accessories and can be adjusted to different viewing positions. The LCD monitor is capable of displaying both image framing and visual confirmation of camera settings.  Additionally, the display has a control interfaced to make it easy to access and change camera settings.

4-Channel Audio Recording

The EOS C300 Mark III supports up to 4-channel audio recording. Audio input from the camera’s internal microphone, mini mic port, and XLR ports can be assigned to the 4 different audio channels. With Expansion Unit EU-V2, a total of 4 XLR ports are supported. This flexibility allows a wide range of audio devices to be connected and mixed directly on the camera.

Support for Custom User LUTs

Users can upload and apply custom LUTs to the EOS C300 Mark III. LUTs can be assigned to specific output terminals, LCD and viewfinder. Clients can be viewing one LUT, while production works from another, giving different production roles the ability to customize the look of the image to their needs.

User Interchangeable Lens Mounts
Gives users freedom to use the lenses they desire

User interchangeable lens mounts and an available B4 mount adapter gives operators the freedom to make bold creative choices based on the subject matter.

The EOS C300 Mark III ships with an EF Mount that can be user swapped to an optional Locking EF (EF-C) or PL mount. Each mount swaps easily by simply removing four M3 hex screws. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely on.*

*Depending on the mount the user has in place. Mounts need to be both swapped and shimmed correctly.

Anamorphic Lens Support

The EOS C300 Mark III offers cinematographers support for the use of both 2.0 and 1.33 anamorphic lens types. Users can achieve the wide cinematic looks, oval bokeh, and striking flares particular to anamorphic glass. It is a distinctly cinematic palette that is within reach for your next project.  

Canon Cinema RAW Light and XF-AVC Recording

Thanks to the powerful DIG!C DV7 image processing platform, the EOS C300 Mark III can record Cinema RAW Light directly to onboard CFexpress™ cards. Cinema RAW Light offers plenty of freedom for grading with a dynamic range that can exceed 16 stops with Dual Gain Output (DGO) technology, while maintaining file sizes that are about 1/3 to 1/5 the size of Canon Cinema RAW.  Canon Cinema RAW Light offers a great combination of codec efficiency and quality.
 
In addition to the conventional Intra-based XF-AVC codecs, we have added a 4:2:2 10 bit Long GOP-based codec with consideration for a balance of quality and data rates. This new Long GOP-based codec has a data rate that is less than half that of the conventional Intra codecs. This new lightweight codec makes it easier for users to reduce media costs and work with cloud-based infrastructures.

The EOS C300 Mark III Digital Cinema Camera incorporates the new Canon XF-AVC codec that allows 4K and 2K image data to be recorded internally onto CFexpress cards in workflow efficient file sizes using advanced video compression.  Using the XF-AVC codec, the EOS C300 Mark III can record a variety of frame fates up to 4K 120p and 2K up to 180fps.

Proxy Recording

Higher resolution, greater bit depths and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. Proxy files can greatly speed up the editorial process by providing a lower bandwidth alternative for initial file sharing and rough cutting.

Canon’s powerful, high-speed DIGIC DV7 image processor makes it possible for the EOS C300 Mark III to simultaneously record 2K Proxy files. Cinema RAW Light can be recorded to the internal CFexpress card while an XF-AVC 2K 4:2:0 8-bit Proxy can be recorded directly to an internal SD card. Then C300 Mark III can also apply LUTs to Proxy recording.

Electronic Image Stabilization

The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic.

12G SDI

Support for 12G SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable.

Dual Pixel CMOS Autofocus
With support for Touch AF and Face Detection

The Cinema EOS C300 Mark III features Canon’s Dual Pixel CMOS AF Technology. For DAF, each pixel in the camera’s CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much.  DAF also powers the intuitive Focus Guide for users who prefer to focus manually but enjoy the positive feedback DAF provides through the guide interface.

RC-V100 Support and LANC Compatible

The EOS C300 Mark III body has a remote A terminal (LANC) on the body and supports remote B (RS422) in both expansion unit EU-V1 and EU-V2.  Through these connectors, the EOS C300 Mark III can be completely remote operated either by a standard LANC compatible cable or over longer distances through the use of a serial connection.

What's included with this purchase:

  • EOS C300 Mark III Camera Body (EF Mount)
  • GR-V1 Camera Grip
  • LM-V2 4.3" LCD Monitor
  • LA-V2 LCD Attachment Unit
  • Handle Unit
  • SS-1200 Shoulder Strap
  • Battery Charger CG-A20
  • Compact Power Adapter CA-CP200 B
  • AC Power Cable US
  • Power Cord US
  • BP-A60 Battery Pack
  • Extension Unit Attachment Bracket
  • UN-5 Unit Cable
  • 1/4" Hex Wrench
  • M3 Hex Wrench
  • M4 Hex Wrench
  • 1/4" Hex Socket Head Bolt
  • M3 Hex Socket Head Bolt
  • Bolt Stopper
  • Thumbrest
  • Microphone Holder Unit
  • M4 Screw for Microphone Holder Unit

Reviews

Product Specifications

C300 Mark III

Imaging Sensor

 

Effective Pixels

4096x2160: when 4096 x 2160 or 2048 x 1080 is selected as the resolution (Approx. 8.85 megapixels)

3840 x 2160: when 3840 x 2160 or 1920 x 1080 is selected as the resolution (Approx. 8.29 megapixels)

Total Pixels

4206 x 2280; Approx. 9.6 megapixels

Sensor Type

CMOS

Sensor Size

Super 35mm

4K: 26.2 x 13.8 (29.6 mm diagonal)

UHD: 4K: 24.6 x 13.8 (28.2 mm diagonal)

Sensor Modes

Super 35mm, Super 16mm(cropped)

Pixel Pitch

6.4 μm

Scanning System

Progressive

Number of Sensors

1

Filter

RGB Primary Colour Filter (Bayer Array)

Imaging Processor

DiG!C DV 7

Lens System

 

Lens Mount

Default Mount: EF

Optional: EF-C locking, PL

*All mounts are interchangeable

**Supports both EF and EF-S lens

Zoom/Focus Preset

Not Available

Shockless Zoom

Not Available

Digital Teleconverter

Not Available

ND Filter

Mechanical ND filter system with option of clear, 2, 4, and 6 stops; 8 and 10 stops in extended mode

Peripheral Illumination Correction

Available

Exposure & Metering

 

Exposure Modes

(1) Manual exposure based on shutter setting, iris setting, ISO/gain setting, and ND filter setting

(2) Push auto iris control, auto iris control

Metering Modes

Standard, Spotlight and Backlight

Gain

Normal Setting -6dB to 54dB TBD

Fine Setting -2dB to 54dB in 0.5 dB increments

ISO

100 to 102,400

Auto Gain Control (AGC)

Not Available

Shockless Gain

Not Available

Exposure Compensation/AE Shift

–2.0 to +2.0 in 0.25 point intervals

Shutter Modes

3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan

Speed Mode is selected in 1/3 or ¼ stop increments

Shutter Speed Range

59.94Hz/24.00Hz: 1/12 to 1/2000

50.00Hz: 1/12 to 1/2000

Shutter Angle Settings

59.94Hz/50.00Hz/24.00Hz: 360, 240, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25

Iris Settings (EF)

Can be set to 1/2 stop, 1/3 stop or Fine.

(1) Push auto iris control

(2) Auto iris control (Compatible lens required)

(½, 1/3 stop or fine setting can be selected)

Focus

 

Autofocus System

Dual Pixel CMOS AF

Focus Modes

Manual focus, continuous AF, one-shot AF, AF-Boosted MF, face detection AF

Only lenses that support AF functions can be used in AF modes

External Recording Output

 

System Frequency

59.94 Hz, 50.00 Hz, 24.00 Hz

59.94 Hz mode: 59.94i/59.94P/29.97P/23.98P

50.00 Hz mode: 50.00i/50.00P/25.00P

24.00 Hz mode: 24.00P

Resolution

Mode

Resolution

Frame Rates

Cinema RAW Light

4096x2160

59.94p / 29.97p / 23.98p / 50.00p / 25.00p / 24.00p

2048x1080

59.94p / 29.97p / 23.98p / 50.00p / 25.00p / 24.00p

XF-AVC

4096x2160 / 3840x2160

59.94p / 29.97p / 23.98p / 50.00p / 25.00p / 24.00p

2048x1080 / 1920x1080

59.94p / 29.97p / 23.98p / 50.00p / 25.00p / 24.00p/

59.94i / 50i

1280x720

59.94p / 50p

Colour Gamuts

Cinema Gamut, BT.709, BT.2020

Gamma Curves

BT.709, Wide DR, Canon Log 2, Canon Log 3, PQ, HLG

Recording / Codec

 

Codecs

XF-AVC (10 bit 4:2:2 (CFexpress) or 8 bit 4:2:0 (SD card))

Cinema RAW Light (CFexpress)

Recording Time

CFexpress

Cinema RAW Light

1 Gbps

 250 Mbps

   

512 GB

64 Minutes

256 Minutes

   

CFexpress

IntraFrame

810

Mbps

410 Mbps

310 Mbps

160 Mbps

512 GB

79

Minutes

156 Minutes

207 Minutes

401 Minutes

CFexpress

Long GOP

260 Mbps

160 Mbps

50 Mbps

24 Mbps

512 GB

246 Minutes

401 Minutes

1284 Minutes

2675 Minutes

SD

Long GOP

35 Mbps

24 Mbps

17 Mbps

 

512

1945 Minutes

2840 Minutes

4010 Minutes

 

Recording Media

CFexpress 2,0 (Type B) x 2 slots

SD Card (Still Images (JPEG), Custom Picture Data, Clip Metadata, and menu settings); SD/SDHC/SDXC Supported

File Format

XF-AVC: MXF (OP-1a)

RAW: CRM

File System

CFexpress: exFat

SDHC card: (up to 32 GB): FAT32

SDXC card (more than 32 GB): exFAT

File division unit: 4 GB for FAT32, none for exFAT

Maximum Clip Number

999 (per media)

Audio

 

Recording Format

Linear PCM; 4-Channel; 24-Bit; 48 kHz

Built-in Microphone

Monaural

External Audio Inputs

2 – XLR inputs (Auto and Manual level settings)

External microphone terminal: (3.5 mm diameter)

Recording Chanel Selection

Up to 4 channel audio recording is supported.

XLR Mic Trimming

Available; -12dB, -6 dB, 0dB or +12 dB

Limiter

Available

Recording Level Adjustment Range

- Infinity to +18dB

Phantom Power

Available; +48V

Headphone Adjustment

16 Settings; Volume is muted at lowest setting

Built-in Speaker

Available; Volume Adjustable

1KHz Tone

Available (off, -12, -18, or -20 dB)

Features & Performance

 

Playback

Clip Display: 3x4 Index Display.

Clip Playback: Forward Search (x5, x15, x60), Reverse Search (x5, x15, x60), Forward frame Advance, Reverse Frame Advance, Record Review, Skip to next clip, skip to previous clip

Clip information Display: Clip Metadata display, custom picture settings

Playback Functions: Clip Delete

Photo Playback: index, single playback, delete, protect

Slow and Fast Motion Recording

Available; Records at a different frame rate then the playback rate allowing for fast and slow motion effects:

Sensor Mode

Recording Mode

Available Frame Rates

Super35

Cineama RAW Light

23.98P/24P: 12-120

29.97P: 15-120

25P/50P: 15-120

59.94P: 15-120

Super16

(Crop)

Cinema RAW Light

23.98P/24P: 12-180

29.97P: 15-180

25P/50P: 15-180

59.94P: 15-180

Super35

XF-AVC

23.98P/24P: 12-120

29.97P: 15-120

25P/50P: 15-120

59.94P: 15-120

Super16

(Crop)

XF-AVC

23.98P/24P: 12-120

29.97P: 15-180

25P/50P: 15-180

59.94P: 15-180

Special Recording Functions

Relay Recording*; Double-Slot Recording**

* Not available during Slow Motion recording

** Not available in combination with Slow and fast motion recording or relay recording

Photo Recording Mode

Available; Images captured to SD Card

Waveform Monitor

Available (HDR Compatible);

(a) Line display

(b) Line + spot: Line display over a red waveform in a red frame.

(c) Line select display

(d) RGB (parade)

(e) YPrPb (parade)

Output gain can be selected as either 1x or 2x. With gain set to 2x, the vertical axis (Y-position) offset value can be chosen.

When gamma is set to PQ, an PQ index (nits index) can be displayed. When gamma is set to HLG, an HLG index (0.0–1.0 relative index) can be displayed.

Vectorscope

Available

False Colour

Available

Exposure / Focus Aids

Peaking (2 types), Zebra Pattern, Magnify, Black and White Mode, Focus Guide

Frame Record

Not Available

Pre-Record

Yes, 3 seconds cache (Audio and Video)

Time code

Drop Frame (DF) and Non-Drop Frame (NDF)

Time Code Modes

Regeneration, Record Run, Free Run and External Source

Auto White Balance (AWB)

Available

White Balance

Kelvin Setting: 2,000K to 15,000K in 100K increment

-20CC to +20CC in 1 CC increments

White Balance Presets

Daylight (5,600K); Tungsten (3,200K), Custom A, Custom B

Auto Black Balance

Available

Custom Picture Settings

20 Custom Picture settings

Custom pictures can be adjusted using the following settings and saved for later recall:

Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Reduction, Skin Detail, Selective Noise Reduction, Colour Matrix, White Balance, Colour Correction, Setup Level

Custom Pictures can be saved to an SD card for later use or transferring between cameras

Custom Display

Yes; LCD panel and EVF information display can be customized

On Screen Markers

Available marker options include center, horizontal, grid, aspect, safety zone, and user marker.

With user markers, user can set their preferred size and position.

Markers can be displayed in yellow, blue, green, red, black, gray, or white.

Assign Buttons

18 total assignable button (15 assign buttons provided on camera body, 1 on the grip and 2 buttons on the monitor unit)

Colour Bars

Colour bars compliant with SMPTE, EBU, or ARIB standards can be selected depending on system frequency selected

Sensitivity

59.94 Hz: f/10 (2048x1080/59.94P) or f/14 (1920x1080/29.97P)

50.00 Hz: f/11 (2048x1080/50.00P) or f/16 (1920x1080/25.00P)

All values for ISO 800, 2000 lux, and reflectance rate of 89.9%

Dynamic Range

Canon Log 2: 1600% / 16+ stops (ISO 800)

Canon Log 3: 1600% / 14 stops (ISO 800)

LCD Monitor

 

Type

4.3-inch (10.9 cm diagonal) colour wide-screen LCD

Approx. 2,760,000 dots (1280 x RGB x 720),

Aspect Ratio

16:9

Field of View Coverage

100%

Display Adjustments

Brightness, Contrast, Colour, Sharpness, and Luminance

Input/Output

 

SDI Out

HD: SMPTE 292

3G: SMPTE 424, SMPTE 425

6G: SMPTE ST 2081

12G: SMPTE ST 2082

Audio: SMPTE ST 299

BNC Connector, output only

Monitor Out

Available

Resolution: 2048x1080 / 1920x1080

Frame Rates: 23.98p/24.00p/25.00p/29.97p/30p/59.94p/50p/60p

Time code In/Out

Yes; BNC Connector (Input and Output)

Genlock

Supported when optional expansion unit EU-V1 or EU-V2 in attached (Shares function with Synch Out)

Adjustment range: -1023 to +1023

Synch Out

Supported when optional expansion unit EU-V1 or EU-V2 in attached (Shares function with Genlock)

HD tri-level signal (HD Sync) 1920x1080: 59.94i/50i/23.98/24.00, 1280x720: 59.94p/50p/23.98, 24.00

HDMI

Yes (Type A)

[4096x2160/3840x2160]/1920x1080/1280x720

Audio Input Terminal

2 – Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level)

3.5mm Microphone terminal

Headphone Jack

Available; 3.5mm stereo mini-jack

Remote Terminals

Remote A (Standard – LANC Compatible or RC-V100)

Remote B available In conjunction with expansion unit EU-V1 and EU-V2

Remote control through WFT-E9

USB

Available

CCU

Optional RC-V100

Power

 

Supply

14.4V DC (Battery Pack)

Power Terminal

DC IN 12V jack: DC 11.5V - 20V

DC 12–20V (using V-mount battery with EU-V2)

Battery

BP-A Series

Compact Power Adapter

CA-CP200B

Accessories

 

Tripod Adapter

Canon TA-100

Wi-Fi Adapter

WFT-E9

Expansion Units

EU-V1, EU-V2

EVF

EVF-V50, EVF-V70

Mounts

PL Mount Kit PM-V1, EF Cinema Lock Mount Kit CM-V1

Adapter

MO-4E (EF to B4), MO-4P (PL to B4)

Other

 

Temperature and Humidity

Performance requirements: 0ºC to 40ºC, 85% (relative humidity)

Operating requirements: -5ºC to 45ºC, 60% (relative humidity)

Language Support

English, Japanese, Chinese, German, Spanish, French, Italian, Korean, Russian

Time and Date

Automatic Calendar range January 1st, 2020 through December 31, 2050

World Clock

World Clock support – UTC time setting: Setting range from +14:00 to -12:00

Physical Specs

 

Dimensions

(Width x height x depth, excluding cable and grip belt)

Body Only: Approx. 153 x 148 x 168 mm (6.0 x 5.8 x 6.6 in.)

Body and Grip: Approx. 183 x 148 x 189 mm (7.2 x 5.8 x 7.4 in.)

Body, Grip, Handle, Mic Holder, LCD Monitor LM-V2 and Expansion Unit EU-V2: Approx. 343 x 277 x 333 mm (13.5 x 10.9 x 13.1 in)

Weight

EF Camera body (without Camera Grip GR-V1 or thumb rest) Approx. 1.75 kg ( 3.9 lb)*

*Body with PL Mount body; Approx. 2030g (4.5 lb.)

*Body with EF Cinema lock Mount body; Approx. 1860g (4.1 lb.)

Camera Grip GR-V1: Approx. 260 g (9.2 oz.)

LCD Monitor LM-V2: Approx. 204 g (7.2 oz.)

Handle unit: Approx. 227 g (8.0 oz.)

Battery Pack BP-A60: Approx. 434 g (15.3 oz.)

Compact Power Adapter CA-CP200B: Approx. 290 g (10.2 oz.) *Not including AC cable

Battery Charger CG-A20: Approx. 145 g (5.10 oz.)

Eyecap: Approx. 26 g ( 0.92 oz.)

Mic holder unit:Approx. 56 g ( 2.0 oz.)

LCD Attachment Unit LA-V2: Approx. 265 g (9.3 oz.)

Thumb rest: Approx. 9 g ( 0.32 oz.)

Extension System Attachment Bracket: Approx. 11 g (0.39 oz.)

Unit Cable UN-5: Approx. 80 g (2.8 oz.)

Body cap: Approx. 17 g (0.60 oz.)

Temperature and Humidity

Performance requirements: 0ºC to 40ºC, 85% (relative humidity)

Operating requirements: -5ºC to 45ºC, 60% (relative humidity)

Language Support

English, Japanese, Chinese, German, Spanish, French, Italian, Korean, Russian

Time and Date

Automatic Calendar range January 1st, 2020 through December 31, 2050

World Clock

World Clock support – UTC time setting: Setting range from +14:00 to -12:00

Questions & Answers

Canon EOS C300 EF Mark III Cinema Camera Body Only

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