Product Highlights
  • 20.1MP Exmor R CMOS Sensor
  • APS-C Format
  • ISO 100–32000 Expandable to 50-102400
  • UHD 4K (3840 x 2160) at 120p Video Recording
  • Dual CFexpress Type A/SDXC Card Slots
  • Articulating LCD Touchscreen
Kit Options:
FX30
FX30 & XLR Handle
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Sony FX30B Cinema Line Super 35 Camera Sony FX30B Cinema Line Super 35 Cam...
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Overview

FX30 | Leap into the world of filmmaking

Sony’s acclaimed lineup of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high-level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Support for filmmaking

The FX30 captures stunning images with 6K oversampling and a true cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilization features let you concentrate on composition, not the complexity of crews and rigging.

Cinema Line look and features

Designed for visual storytelling

The FX30’s S-Cinetone picture profile gives you a beautiful cinematic look straight out of the camera. Features like Dual Base ISO and Cine EI are designed to provide gorgeous images for cinematic shooting and workflow.

Drawing on the Cinema Line heritage

Film industry experience allied with state-of-the-art imaging technology

The outstanding Cinema Line series of cinema cameras is built on decades of experience in the film industry and supported by Sony’s sophisticated new technologies on the cutting edge of digital imaging.

Beautiful imagery

Advanced technology for outstanding resolution

The FX30’s back-illuminated Exmor™ R APS-C CMOS sensor captures memorable imagery with outstanding resolution and shallow depth of field. 6K oversampling compresses a vast amount of information into 4K recording and output, and the BIONZ XR™ processing engine enables natural gradations, realistic colour reproduction, low noise and other image quality improvements.

S-Cinetone gives you a cinematic look without grading

The S-Cinetone picture profile provides cinematic-looking colour, skin tones and other visual aspects straight out of the camera, without the need for any post-production colour grading.

Infinite possibilities of expression with S-Log3

For production colour matching, and to access the full capabilities of the image sensor, the FX30 can shoot with an S-Log3 gamma curve. This gives you access to the FX30’s expansive colour gamut and 14+ latitude, for true cinematic image quality during post-production colour grading.

User LUTs provide an accurate image preview

Customizable LUTs, both preset and user-supplied, can be applied to the FX30’s LCD monitor and HDMI output to give you a better and more accurate idea of what your final image will look like.

10-bit 4:2:2 recording for greater editing latitude

The FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, providing more colour information so you can produce fuller, more natural gradations in post-production.

Cine EI, Cine EI Quick and Flexible ISO modes

Flexible exposure mode handling

Cine EI offers wide latitude and the highest possible image quality, while Cine EI Quick simplifies setup by automatically switching the camera’s base ISO. Flexible ISO provides the greatest flexibility for exposure settings.

Dual Base ISO (ISO 800/ISO 2500)

With this feature you can manually set your base ISO to 2500 instead of 800 in low-light situations. Noise levels at both settings are about the same, so this gives you cleaner footage in low light.

Slow-motion images at up to 120 frames per second

With 4K recording at up to 120 frames per second with autofocus, you can create extraordinarily smooth 5x (max.) slow-motion imagery to expand your storytelling options.

Reliable AF maintains a steady focus

Sophisticated tracking features let you concentrate on your shoot

The FX30 provides stable AF and flexible focusing for a wide range of shooting situations. Wide-area AF provides tenacious subject tracking across almost the entire frame, with Real-time Tracking based on Sony’s unique AI-based subject recognition. Real-time Eye AF ensures precise focus on the face and eyes, tailored to humans, birds and animals.

In-body image stabilization for hand-held shooting

Active Mode is a 5-axis image stabilization mode that uses a precision gyroscope sensor and optical compensation, enabling hand-held shooting at 4K resolution without a gimbal.

Compensation for focus breathing

In-camera Focus Breathing Compensation, when used with compatible lenses, provides more stable imagery by minimizing the field-of-view shift that can occur when racking focus. Additional breathing compensation is also available in post-production software, supported by camera metadata.

A creative partner you can rely on

Ready to go wherever you shoot

Compact and light in weight, the FX30 can be operated in combination with gimbals and drones, or with a variety of attached equipment. It’s designed to withstand long shoots, with sturdy construction suited to harsh conditions.

Compact, lightweight body

Designed for mobility and comfortable operation

Weighing in at 646 g with battery and memory card (951 g with the XLR handle unit), the FX30 features a distinctive flat-top design that’s suitable for either handheld shooting or gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability and comfort for extended handheld shooting sessions.

Three thread holes in the XLR handle unit for accessories

External monitors, recorders, batteries, video lights, extension grips, wireless microphone receivers or other add-ons can be stably and securely attached to the FX30’s XLR handle unit.

Reliable operation for long shoots at 4K

With its highly efficient cooling system and stable power supply (from a high-capacity Z battery or via USB PD), the FX30 is designed to keep working reliably over extended shoots.

Durable magnesium alloy chassis

The main body and covers of the FX30 are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.

Streamlined operational control

New main menu
Quick access to frequently used features

While shooting, you can access frame rate, shutter speed and other essential shooting parameters via a list-style main menu. Display of the main menu can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting. Separate main menus optimized for movies and stills are provided.

Two CFexpress Type A and SD card compatible media slots

CFexpress Type A is the next standard for compact storage, with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.

Flexible high resolution touch-panel LCD monitor

A side-opening vari-angle rear monitor allows broad positioning and framing freedom. It’s bright enough for easy outdoor daytime viewing, and it incorporates a swipe-to-access function menu.

Broad connectivity in a compact body

An HDMI Type-A connector can be used for external recorders and display devices. Other connectors include USB Type-C®, Multi/Micro-USB, mic, headphone and a Multi Interface Shoe with built-in digital audio interface.

16-bit RAW output via HDMI

For demanding workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.

Hardware and software versatility

Expandable to meet your needs

Whether it’s finding the perfect lens for your shoot, choosing the best external audio source or accommodating post-production workflow requirements, the FX30 has you covered.

One Mount: connect seamlessly with E-mount

The One Mount concept is based on Sony’s E-mount platform of interchangeable lenses. The FX30 is compatible with all E-mount lenses, so you can choose the right lens for any situation.

Choose your audio input source

The FX30’s XLR handle unit includes two XLR audio inputs, enabling quick and easy connection to a variety of external XLR microphones to capture a high-quality audio track.

Enhanced image stabilization and easier workflows with Catalyst

The FX30 records a wealth of metadata for use with Sony’s Catalyst Browse Prepare application, including camera shake, camera rotation, breathing compensation, embedded LUTs and shot marks.

Pursuing a sustainable product ecosystem

Measures for the environment include using recycled materials in production; managing environmental impact throughout the supply chain; using renewable energy in production; and using recyclable non-plastic packaging materials.

Working toward a zero footprint
Environmental measures with the FX30

The SORPLAS™ material used in the construction of the FX30 is repeatedly recyclable, durable, oil resistant and of high quality. Other recyclable materials are also used for our camera bodies as much as possible, reducing stress on the environment without compromising performance or functionality in any way.

What's Included

FX30 Digital Cinema Camera
NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)
BC-QZ1 Battery Charger
Multi Interface Shoe Cap
ALC-B1EM Body Cap for E-Mount Cameras
USB Cable

Reviews

Product Specifications

FX30

General

 
CAMERA TYPE Interchangeable lens digital camera

LENS MOUNT

E-mount

Physical Specs

 

WEIGHT

646 g (1 lb 6.8 oz.)
* With battery and memory card included)

562 g (1 lb 3.8 oz.)
* Body only.

DIMENSIONS

129.7 x 77.8 x 84.5 mm (5.11 x 3.06 x 3.33")
* Body without protrusions.

Power

 
POWER CONSUMPTION [Movie] Approx. 5.6 W (with E PZ 18–105 mm F4 OSS lens attached), [Still image] Approx. 3.5 W (with E PZ 18–105 mm F4 OSS lens attached)
BATTERY OPERATING TIME Approx. 115 min (Actual recording, CIPA standard), Approx. 175 min (Continuous recording, CIPA standard), Approx. 570 shots (still images, CIPA standard)

Operation

 

OPERATING TEMPERATURE

0 °C to 40 °C (32 °F to 104 °F)

STORAGE TEMPERATURE

–4 °F to +131 °F (–20 °C to +55 °C)

Recording Format (Video)

 
XAVC HS [XAVC HS 4K] XAVC HS 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200 Mbps 4:2:0 10bit MPEG-H HEVC / H.265

XAVC S

[XAVC S 4K] XAVC S 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264,

XAVC S-I

[XAVC S-I 4K] XAVC S-I 4K 59.94p 600 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89 Mbps 4:2:2 10bit MPEG-4 AVC / H.264,

Recording Format (Audio)

 
RECORDING FORMAT (AUDIO) LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch

Recording Frame Rate

 

XAVC HS

[XAVC HS 4K] 3840 x 2160/119.88p, 100p, 59.94p, 50p, 23.98p

XAVC S

[XAVC S 4K] 3840 x 2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080/59.94p, 50p, 29.97p, 25p, 23.98p

XAVC S-I

[XAVC S-I 4K] 3840 x 2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080/59.94p, 50p, 29.97p, 25p, 23.98p,

Recording/ Playback Time

 

XAVC HS

[XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80 GB) Approx. 50 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80 GB) Approx. 75 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80 GB) Approx. 95 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80 GB) Approx. 140 minutes

XAVC S

[XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80 GB) Approx. 50 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80 GB) Approx. 130 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80 GB) Approx. 210 minutes

XAVC S-I

[XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes

PROXY AUDIO

XAVC Proxy: AAC-LC, 128 kbps, 2 channels

PROXY VIDEO

1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)

RAW Output

 
RAW OUTPUT HDMI: 4672 x 2628 (59.94p/50p/29.97p/25p/23.98p), 16 bit

Other Video Function

 

VIDEO FUNCTIONS

Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector

Camera Section

 

SENSOR TYPE

APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor
PIXELS Approx. 20.1 megapixels (effective) for movies, Approx. 26.0 megapixels (effective) for Still images, Approx. 27.0 megapixels (total)
SENSITIVITY [Movie] ISO 100–32000 equivalent, AUTO (ISO 100–6400, selectable lower limit and upper limit)3, [Still image] ISO 100–32000 (Expandable to ISO 50–102400), AUTO (ISO 100–6400, selectable lower limit and upper limit)3

SHUTTER SPEED

[Movie] 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode), [Still image] 1/8000 to 30 s

Slow and Quick Motion

 

XAVC HS

XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps

XAVC S

XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps5, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps

XAVC S-I

XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps[NF_39], XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps5, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps

White Balance

 

WHITE-BALANCE MODES

Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Underwater / Colour Temperature (2,500 to 9,900 K) and colour filter / Custom

Gamma

 

GAMMA CURVE

Off / PP1-PP6 / PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset

Latitude

 
LATITUDE 14+ stop (S-Log3)

Focus System

 
TYPE Fast Hybrid AF (phase-detection AF / contrast-detection AF)

FOCUS POINT

[Movie] 495 points (phase-detection AF), [Still image] 759 points (phase-detection AF)

SENSITIVITY RANGE

EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)

FOCUS MODE

[Movie] AF-C (Continuous AF), MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

FOCUS AREA

[Movie] Wide / Zone / Centre Fix / Spot / Expand Spot [Still image] Wide / Zone / Centre Fix / Spot / Expand Spot / Tracking

OTHER FOCUS FEATURES

Eye AF ([Movie] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), ([Still images] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (APS-C: 6.1x / 12.1x)

Exposure Control

 

METERING SENSITIVITY

EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

EXPOSURE MODES

[Movie] [Movie] Programmed AE (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M)

Recording (Still image)

 

RECORDING FORMAT

JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)

IMAGE SIZE

Image size [3:2] L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M) [4:3] L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M) [16:9] L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M) [1:1] L: 4128 x 4128 (17M), M: 2912 x 2912 (8.5M), S: 2064 x 2064 (4.3M)

Playback

 

PLAYBACK FUNCTIONS

Index view, Folder selection (Date / Still / Movie), Photo capture, 4ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)

Interface

 

TC INPUT/TC OUTPUT

Multi/Micro USB, TC IN

AUDIO INPUT

3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin (female) (x2), line/mic/mic +48 V selectable, Mic Reference –40 to –60 dBu / [INPUT3] 3.5 mm Stereo minijack)
USB USB Type-C® (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi/Micro USB (x1)

HEADPHONE OUTPUT

Yes (3.5 mm Stereo minijack)

SPEAKER OUTPUT

Built-in, monaural

HDMI OUTPUT

HDMI jack (Type-A), YCbCr 4:2:2 10 bit / RGB 8 bit

MULTI INTERFACE SHOE

With Digital Audio Interface
BLUETOOTH Bluetooth Standard Ver. 5.0 (2.4 GHz band)

Media

 

MEDIA TYPE

CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy

Monitoring

 
LCD 3.0-type (7.5 cm), Approx. 2.36M dots, touch panel, Opening Angle: Approx. 176 deg., Rotation Angle: Approx. 270 deg.

Built-in Microphone

 

BUILT-IN MICROPHONE

Built-in, stereo

File System

 

FILE SYSTEM

FAT12, 16, 32, exFAT

Zoom

 

ZOOM FUNCTION

Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x), Digital zoom ([Movie] Approx. 4x [Still image] L: Approx. 4x, M: Approx. 5.7x, S: Approx. 8x), Smart zoom ([Still image] M: Approx. 1.4x, S: Approx. 2x)

Still image function

 
SHUTTER Electronic shutter

DRIVE MODES

Single Shooting, Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

NOISE REDUCTION

High ISO NR: Normal / Low / Off

OTHER STILL IMAGE FUNCTION

Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot6

Image Stabilization

 
TYPE Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
MODE [Movie] Active / Standard / Off, [Still image] On / Off

COMPENSATION EFFECT (STILL IMAGES)

5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted.)

Custom Function

 

CUSTOM FUNCTION

Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set

Lens Compensation

 

LENS COMPENSATION

Peripheral Shading, Chromatic Aberration, Distortion

Wi-Fi/NFC

 

SUPPORTED FORMAT

IEEE 802.11a/b/g/n/ac
 

FREQUENCY BAND

2.4 GHz band/5 GHz bandwidth
SECURITY WEP/WPA-PSK/WPA2-PSK

FTP Transfer

 

FTP TRANSFER

Wired LAN (USB-LAN), USB Tethering, Wi-Fi

Questions & Answers

Sony FX30B Cinema Line Super 35 Camera

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