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- Webcode: 478920 • Mfr: 6895C012
- FREE SHIPPING Available
Product Highlights
- 24.2MP CMOS Sensor
- APS-C Format
- 15fps Continuous Shooting
- 100-32,000 ISO (Extended to 51,200)
- UHD (3840x2160) @60p Video Recording
- 3" Vari-Angle Touchscreen
- Vertical Mount Front Record Button
- Multi-Function Shoe
- Wi-Fi & Bluetooth
- Kit Includes EOS R50 V Camera & RF-S 14-30mm PZ Lens

Canon EOS R50 V Kit with RF-S14-30mm F4-6.3 IS STM PZ Lens
Canon EOS R50 V Kit with RF-S14-30mm...
$1,279.00
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Overview
EOS R50 V | Camera & RF-S 14-30mm F4-6.3 IS STM PZ Lens Kit
Step Up to Interchangeable Lens Video Creation
With the Versatile EOS R50 V
This APS-C Mirrorless EOS V Series camera lets you take control of your next video production by blending some of the best features of the Cinema EOS and EOS camera lines together. This EOS R50 V lens kit comes with our RF-S14-30mm F4-6.3 IS STM PZ lens – A lightweight, travel friendly, ultra-wide angle to standard zoom lens created with power zooming capability to create beautiful videos.
Key Features:
- Enjoy interchangeable lens video shooting with the first EOS V series camera body.
- Highly versatile RF-S14-30mm F4-6.3 IS STM PZ lens (approx. 35mm equivelant of 22-48mm) is included to deliver reliable, speedy and quiet wide-angle performance, making it an ideal lens for video and still creators.
- Built for creators with a redesigned user interface including a Vertical Video tripod mount and Front Record button.
- Slow and Fast mode – this allows creative control of the video frame rate and playback speed.
- 24.2 MP APS-C CMOS Image Sensor with DIGIC X Image Processor with up to 4K Crop 59.94p, 4K 29.97p full-width and Full-HD full-width 119.8p recording.
- Impressive Dual Pixel CMOS AF II tracking with Register People Priority and Auto People, Animal, and Vehicle Subject Detection.
- Advanced Video features such as Canon Log 3, HLG, PQ, 709 Recording, False Color and Zebras.
- Easy to use Automatic Exposure and Scene modes such as Movie for Close-up demo, Smooth Skin and Movie IS mode, as well as Colour Filters.
- Multi-function accessory shoe with support of LPCM 24bit/4ch audio.
- 2.4Ghz and 5Ghz band Wi-Fi and four different built-in Live streaming modes for easy connection to your audience.
UI Designed for the Creator
The EOS R50 V was designed through creator feedback to solve many of the pain points of creators. Its’ exterior was completely redesigned to be bold, modern, and untraditional in appearance. An appearance that clearly indocates that this camera is meant to be taken with you wherever your videos take you! The convenience and power of this camera goes far beyond portability. Enjoy smooth powered zooming with an on camera zoom lever (for Power Zoom compatible lenses), a 3-micrphone array for clear audio and unwanted noise reduction, and the latest Canon Multi-function shoe to attach and power additional compatible accessories.
Vertically Versatile
As a product made for today’s video content creator, it comes equipped with both a vertical and horizontal tripod mount. These are available on the side of the camera’s grip, and also on the bottom of the camera body. When in Movie mode, the on-screen menu’s automatically rotate based on the camera’s orientation.
Always Ready, and Never Surprised
Since many creators spend a lot of time in-front of the camera, two Record buttons are available, one on the front of the camera so you can start your recording with confidence when vlogging, and another in the traditional Shutter button position when you’re behind the camera. Additionally, it is equipped with a red tally (visible from the front and top of the camera), and an LCD screen that displays a red-coloured recording emphasis border around your LCD image to let you know when the camera is actively recording, so you or your subject are never surprised.
Ready to Create
The EOS R50 V comes equipped with a zoom lever allowing Power Zoom lenses such as the RF14-30mm F4-6.3 IS STM PZ lens to be controlled at the camera body. Control of the zoom speed can be fully customized in the camera’s menu allowing separate control of the speed for before recording, and separately for during recording. The camera also comes equipped with Mic, Headphone, and an E3 Remote port.
Pro Look Settings Simplified
A new mode dial experience now features 7-different video focused modes at your fingertips. Newcomers to video can utilize the fully Automatic video exposure mode functionality, including the Scene mode featuring a dedicated video mode for “close-up demos” perfect for Video, or Small Business Creators doing E-commerce product demonstrations. This mode is ideal for creators who want to present an object close to the lens, and quickly have the focus return back to them. There’s also a mode dedicated to Movie Image Stabilization – for those recording vlogs on the go. And because appearance is important on-camera, a dedicated Smooth Skin movie mode is also included.
Control Time with Slow and Fast Mode
New to the EOS R50 V mode dial is the Slow and Fast mode – selecting this mode allows creative control of both the video frame rate and playback speed separately and in-camera, for slow-motion recordings, or fast-motion time-lapse sequences. Simply select your recording resolution of UHD 4K, UHD 4K Crop or Full-HD, then select your frame rate with options as fast as 59.94p in 4K Crop, or 119.8p in Full-HD, then simply determine your playback speed your desiring to match your project.
The EOS R50 V camera is built not just for newcomers to video, but also for advanced creators. High-end features like Canon Log 3, HLG, PQ and Canon709 recording to deliver rich colour at up to 4:2:2 10 bit.
A new Colour Filter mode has also been added providing 14 different colour options, accompanying the well-known Picture Style menu. And now creating cinematic aspect ratio video is easier than ever with the new Cinema View mode, which creates a “letterboxed” cinematic 2.35:1 aspect ratio video.
Focused On You
The EOS R50 V comes with Canon’s powerful Dual Pixel CMOS AF II focusing system, providing tenacious tracking that follows you or your subject when recording or taking photos. Easy to use Subject Detection modes include People, Animals, Vehicles, and Auto mode, allowing high precision autofocus with ease and reliability. The EOS R50 V even has the Register People Priority Autofocus mode found in our flagship EOS R1, EOS R3 and EOS R5 Mark II mirrorless cameras. Simply take a photo of your subject to register them, and they’ll be prioritized over other subjects in the scene based on your ranking, so the important subjects in your videos and photos will be in focus.
For the Stills Photographer
As an EOS V-series product, optimized for video, you might think that we forgot about still photography features, but rest assured, we packed lots of incredible image capturing capabilities into this very travel friendly camera. It has a full-fledged “Photo” mode with a host of manual and automatic shooting modes available. With a powerful 24.2-megapixel, APS-C image sensor, a DIGIC X image processor, and as a mirrorless interchangeable lens camera, it is built with the Canon RF mount – allowing the use of over 50-different RF, and RF-S lenses to empower your creativity.
Go LIVE to Connect to Your Audience
This camera also offers tremendous networking capability – offering 5 and 2.4Ghz Wi-Fi, Bluetooth, and built-in Wireless Livestreaming capability via both the Canon Camera Connect app, and the Live Switcher Mobile app. Additionally, its USB C terminal offers USB UVC/UAC streaming for use of the camera as a webcam, and separately an HDMI streaming mode offers a clean HDMI connection to HDMI capture cards and switchers, providing multiple options to connect with your audience. All of these settings can now be accessed through the Live button, but if Livestreaming isn’t your thing, it is one of 8 different customizable video buttons on the camera.
Live Switcher Mobile
Just install the app and connect your smartphone wirelessly, and you can live stream while switching between up to three cameras.
- Switching between screens helps you keep your viewers engaged.
- You can show the best angles that work for you.
- Simple to use, this app allows you to switch smoothly even when solo streaming.
What's Included
EOS R50 V Mirrorless Camera BodyCamera Cover R-F-5
Battery Pack LP-E17
Battery Charger LC-E17
Neck Strap EM-200DG
RF-S14-30mm F4-6.3 IS STM PZ Lens
Lens Cap E-58 II
Lens Dust Cap RF
Reviews
Product Specifications
EOS R50 V |
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Type | Digital interchangeable lens mirrorless camera | |||||||||||||||||||||||||||||||||||||||
Image Processor | DIGIC X | |||||||||||||||||||||||||||||||||||||||
Recording Media | (One) SD card slot • Compatible with UHS-II/UHS-I/UHS speed class/SD speed class • Eye-Fi cards and Multimedia cards (MMC) are not supported. |
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Compatible Lenses | Canon RF lenes (including RF-S lenses) Canon RF-S3.9mm F3.5 STM Dual Fisheye lens and RF-S7.8mm F4 STM Dual lens * When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses) |
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Lens Mount | Canon RF mount | |||||||||||||||||||||||||||||||||||||||
Image Sensor |
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Type | APS-C CMOS sensor (compatible with Dual Pixel CMOS AF) | |||||||||||||||||||||||||||||||||||||||
Effective Pixels | Approx. 24.0 megapixels | |||||||||||||||||||||||||||||||||||||||
Aspect Ratio | 3:2 (Horizontal: Vertical) | |||||||||||||||||||||||||||||||||||||||
Color Filter System | RGB primary color filters | |||||||||||||||||||||||||||||||||||||||
Low Pass Filter | Installed in front of the image sensor, non-detachable | |||||||||||||||||||||||||||||||||||||||
Dust Deletion Feature | Self Cleaning Sensor Unit not provided. Manual cleaning (by hand) not supported. Dust Delete Data acquisition and appending • The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images. • The dust coordinate data appended to the image is used by the EOS software to automatically erase the dust spots. • Not available during focus bracket shooting. |
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Recording System |
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Recording Format | Compliant to Design rule for Camera File system 2.0 and Exif 2.31* *Supports time offset information |
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Image Format | JPEG (.JPG), HEIF (.HIF), RAW, C-RAW (.CR3) Movies: XF-HEVC S YCC422 10 bit XF-HEVC S YCC420 10 bit XF-AVC S YCC422 10 bit XF-AVC S YCC420 8 bit *1: When a movie is recorded with [Add CP file: On] set when [Custom Picture] is active,a “.CPF” file will be created. |
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Still image resolution | RAW, C-RAW -- 24.0 MP (6000 x 4000) Large (L) -- 24.0 MP (6000 x 4000) Medium (M) -- Approx. 10.6 MP (3984 x 2656) S1 -- Approx. 5.9 MP (2976 x 1984) S2 -- Approx. 3.8 MP (2400 x 1600) |
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File Size |
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Image Quality |
File Size [Approx. MB] |
Available Shots [Approx.]*1 |
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JPEG*2 | L (fine) | 8.7 | 14040 | |||||||||||||||||||||||||||||||||||||
L (Normal) | 4.6 | 26460 | ||||||||||||||||||||||||||||||||||||||
M (fine) | 4.7 | 25740 | ||||||||||||||||||||||||||||||||||||||
M (Normal) | 2.6 | 45600 | ||||||||||||||||||||||||||||||||||||||
S1 (Fine) | 3.1 | 39020 | ||||||||||||||||||||||||||||||||||||||
S1 (Normal) | 1.8 | 64490 | ||||||||||||||||||||||||||||||||||||||
S2 | 1.8 | 65020 | ||||||||||||||||||||||||||||||||||||||
HEIF*3 | L (fine) | 9.0 | 13470 | |||||||||||||||||||||||||||||||||||||
L (Normal) | 6.8 | 17550 | ||||||||||||||||||||||||||||||||||||||
M (fine) | 5.2 | 22540 | ||||||||||||||||||||||||||||||||||||||
M (Normal) | 4.1 | 28670 | ||||||||||||||||||||||||||||||||||||||
S1 (Fine) | 3.5 | 32870 | ||||||||||||||||||||||||||||||||||||||
S1 (Normal) | 2.9 | 40400 | ||||||||||||||||||||||||||||||||||||||
S2 | 1.9 | 56440 | ||||||||||||||||||||||||||||||||||||||
RAW*2 | RAW | 27.0 | 4570 | |||||||||||||||||||||||||||||||||||||
C-RAW | 14.0 | 8920 | ||||||||||||||||||||||||||||||||||||||
RAW+JPEG*2 | RAW + L (fine) | 27.0 + 8.7 | 3440 | |||||||||||||||||||||||||||||||||||||
C-RAW + L (fine) | 14.0 + 8.7 | 5450 | ||||||||||||||||||||||||||||||||||||||
RAW+HEIF*3 | RAW + L (fine) | 29.9 + 9.0 | 3140 | |||||||||||||||||||||||||||||||||||||
C-RAW + L (fine) | 16.9 + 9.0 | 4730 | ||||||||||||||||||||||||||||||||||||||
Maximum Burst |
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Image Quality |
Electronic 1st-curtain (Approx. 12 shots/sec.) |
Electronic shutter (Approx. 15 shots/sec.) |
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JPEG*2 | L (fine) | 140 | 95 | |||||||||||||||||||||||||||||||||||||
M (fine) | 140 | 95 | ||||||||||||||||||||||||||||||||||||||
S1 (Fine) | 140 | 95 | ||||||||||||||||||||||||||||||||||||||
S2 | 140 | 95 | ||||||||||||||||||||||||||||||||||||||
HEIF*3 | L (fine) | 130 | 91 | |||||||||||||||||||||||||||||||||||||
M (fine) | 130 | 91 | ||||||||||||||||||||||||||||||||||||||
S1 (Fine) | 130 | 91 | ||||||||||||||||||||||||||||||||||||||
S2 | 130 | 91 | ||||||||||||||||||||||||||||||||||||||
RAW*2 | RAW | 59 | 36 | |||||||||||||||||||||||||||||||||||||
C-RAW | 120 | 79 | ||||||||||||||||||||||||||||||||||||||
RAW+JPEG*2 | RAW + L (fine) | 36 | 27 | |||||||||||||||||||||||||||||||||||||
C-RAW + L (fine) | 110 | 66 | ||||||||||||||||||||||||||||||||||||||
RAW+HEIF*3 | RAW + L (fine) | 23 | 22 | |||||||||||||||||||||||||||||||||||||
C-RAW + L (fine) | 49 | 47 | ||||||||||||||||||||||||||||||||||||||
File Numbering | The following file numbers can be set: 1. File numbering methods a. Continuous numbering i. The numbering of captured images continues even after you replace the card. b. Auto reset i. When you replace the card, the numbering will be reset to start from 0001. If the new SD card already contains images, the numbering will continue from the last recorded image in the card. 2. Manual reset a. Resets the file number to 0001, and creates a new folder automatically. * When manually resetting the file number, folders can also be renamed. |
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RAW + JPEG / HEIF Simultaneous Recording | Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported. | |||||||||||||||||||||||||||||||||||||||
Color Space (sill images) | sRGB (HDR PQ images — BT.2020) |
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Picture Style | (Set via Color Mode menu or Color Mode button) (1) Auto (2) Standard (3) Portrait (4) Landscape (5) Fine Detail (6) Neutral (7) Faithful (8) Monochrome (9) User Defined 1–3 * Picture Style files can be registered to user-defined settings 1–3. |
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White Balance |
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Settings | (1) Auto (Ambience priority/White priority) (2) Daylight (3) Shade (4) Cloudy*1 (5) Tungsten light (6) White fluorescent light (7) Flash*2 (8) Manual (9) Color temperature 1 (10) Color temperature 2 Approx. 2500K-10000K* (11) Color temperature 2 Set in 100K increments (12) Color temperature 4 *1: Effective also in twilight and sunset. *2: With an EX / EL-series Speedlite having the color temperature information transmission feature, the color temperature setting changes to match the color temperature when the flash is fired. Set to approx. 6000 K if the flash unit does not have the color temperature communication feature. * Can also be changed during movie recording when Creative (Movie) Zone is set. * Color temperature 1–4 can be switched with [Customize buttons for shooting: Switch color temperature] |
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Auto White Balance | Option between ambience priority and white priority settings, using SET button | |||||||||||||||||||||||||||||||||||||||
White Balance Shift | Blue/amber bias: ±9 levels Magenta/green bias: ±9 levels • Shifted from the color temperatue of the current WB mode. • Blue/amber and magenta/green shift can be set at the same time. (WB Bracketing not supported) |
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Autofocus |
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Focus Method | Dual Pixel CMOS AF | |||||||||||||||||||||||||||||||||||||||
Number of AF zones available forAutomatic Selection | AF area: Horizontal: Approx. 100% x Vertical: Approx. 100% (100% x 100% AF coverage in Face Detect + Tracking AF; coverage can vary, depending upon lens being used) Stills: Max. 651 zones (31 x 21) Movies: Max. 527 zones (31 x17) |
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Selectable Positions for AF Point | AF area: Horizontal: Approx. 90% x Vertical: Approx. 100% Stills: Max. 4503 positions (79 x 57) Movies: Max 3713 positions (79 x 47) |
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Focusing brightness range(still photo shooting) | EV -5.0 to 20 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, and ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating. |
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Focusing brightness range(movie recording) | EV -2.5 to 20 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, ISO 100, and29.97 / 25.00 fps.) * Except RF lenses with a Defocus Smoothing (DS) coating. |
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Available AF Areas (still images and movies) | • Spot AF • 1-point AF • Expand AF area: Above/below/left/right • Expand AF area: Around • Flexible Zone AF 1 • Flexible Zone AF 2 • Flexible Zone AF 3 • Whole area AF |
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Available Subject Detection (still images and movies) | • Auto • People • Animals (dogs / cats / birds/ horses) • Vehicles (motorsports cars / motorcycles / airplanes / trains) * Certain types of animals or vehicles may not be detected, depending on shape and appearance |
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Eye Detection | Auto: • Selects the eye closer to the camera (as detected from the angle of the face). • At the same distance from the camera, selects the eye closer to the center of the AF area. Left/right eye detection: Supported (refers to subject's left/right eye) |
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Customization |
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Available Functions | Dial direction during Tv/Av; Control ring rotation direction; Customize buttons; Customize dials | |||||||||||||||||||||||||||||||||||||||
Customize Buttons Customizable Dials/Control Ring | ||||||||||||||||||||||||||||||||||||||||
Item | Details | Still Photos | Movie | |||||||||||||||||||||||||||||||||||||
Customize buttons for shooting | Change assignment of functions to camera controls |
Depends on setting | ||||||||||||||||||||||||||||||||||||||
Shutter button function for movies | Half Press | Yes | ||||||||||||||||||||||||||||||||||||||
Full Press | ||||||||||||||||||||||||||||||||||||||||
Customize dials / control ring | Change assignment of functions to camera controls |
Depends on setting | ||||||||||||||||||||||||||||||||||||||
Touch Shutter | Disable / Enable | Yes | ||||||||||||||||||||||||||||||||||||||
Multi-function lock | Mail Dial | Yes | Yes | |||||||||||||||||||||||||||||||||||||
Control Dial | ||||||||||||||||||||||||||||||||||||||||
Touch Control | ||||||||||||||||||||||||||||||||||||||||
Control Ring | ||||||||||||||||||||||||||||||||||||||||
Focus Ring / Control Ring | Use as focus ring / Use as control ring |
Yes | Yes | |||||||||||||||||||||||||||||||||||||
Camera / Remote optical zoom speed | Standby | Yes | Yes | |||||||||||||||||||||||||||||||||||||
Recording | Yes | |||||||||||||||||||||||||||||||||||||||
Lens optical zoom speed | Standby | Yes | Yes | |||||||||||||||||||||||||||||||||||||
Recording | Yes | |||||||||||||||||||||||||||||||||||||||
Exposure Control |
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Metering Modes | Real-time metering from CMOS image sensor (384 [24x16] metering zones) (1) Evaluative metering (AF point-linked) (2) Partial metering (approx. 5.8% of the area at the center of the screen) (3) Spot metering (approx. 2.9% of the area at the center of the screen) (4) Center-weighted average metering * Movie recording: Evaluative metering only |
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Metering Range | Still Photo Shooting: EV -5 to 20 Movie Recording: EV -2.5 to 20 (4K) / EV -3.0 to 20 (Full HD) |
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Exposure Modes | Still photo shooting: • Full Auto (A+), P, Tv, Av, M • Self-portrait, Portrait, Smooth skin, Panoramic shot, Food, Handheld Night Scene Movie recording: • Movie auto exposure, Shutter-priority (Tv), Aperture-priority (Av), Movie Manual exposure |
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ISO Speed Range | ||||||||||||||||||||||||||||||||||||||||
Manually Set
• Expanded ISO speeds cannot be set in HDR mode or for HDR shooting (HDR PQ). ISO Auto setting range for still photo shooting: User-set Auto ISO maximum: 400 – 32000 ISO Auto details for still photo shooting
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Exposure Compensation | ||||||||||||||||||||||||||||||||||||||||
User-set | ±3 stops (in 1/3-stop increments) | |||||||||||||||||||||||||||||||||||||||
AEB | ±3 stops (in 1/3-stop increments) | |||||||||||||||||||||||||||||||||||||||
AE Lock | (1) Automatic AE lock • In One-Shot AF mode, AE is locked as soon as subjects are in focus. (2) User-applied AE lock • By using the AE Lock button in P, Tv, Av, and M mode. Toggling: Press again to cancel and once more to refresh. • Enabled in all metering modes. |
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Shutter |
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Type | Electronically controlled focal-plane shutter. Rolling shutter, using the image sensor. (1) Electronic first curtain (2) Electronic shutter * When set to [Electronic], the camera makes no mechanical shutter sound. (An electronic shutter sound can be configured in [Beep] and [Volume: Shutter volume]). Note that the camera may make sounds other than the shutter release sound, such as sounds for aperture adjustment or the lens focus drive, or beeps. Moreover, using long exposure noise reduction with shutter speeds of 1 sec.or longer involves a mechanical second-curtain shutter, which produces a mechanical sound. * Bands of light may be displayed and captured images may be affected by light and dark banding when shooting under fluorescent lighting or other flickering light sources with the camera set to [Anti-flicker shoot.: Disable]. |
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Shutter Speeds | Electronic 1st-curtain shutter: 1/4000th sec – 30 seconds, in 1/3-step increments Electronic shutter: 1/8000th sec – 30 seconds, in 1/3-step increments |
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X-sync Speed | Elec. 1st-curtain: 1/250 sec. (flash not possible with Electronic shutter) | |||||||||||||||||||||||||||||||||||||||
Shutter Release | Soft-touch electromagnetic release | |||||||||||||||||||||||||||||||||||||||
Self Timer | 10-sec. delay, 2-sec. delay, Continuous | |||||||||||||||||||||||||||||||||||||||
Image Stabilization (IS mode) |
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Still Photo IS | In-body IS not provided. (lens optical Image Stabilization supported) |
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External Speedlite |
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E-TTL flash metering | Evaluative (Face Priority) / Evaluative / Average | |||||||||||||||||||||||||||||||||||||||
Accessory Shoe | Canon Multi-function accessory shoe •Optional Canon AD-E1 adapter required for conventional shoe-mount flashes and accessories •No traditional flash contacts on accessory shoe |
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E-TTL balance | Ambience priority, standard, flash priority | |||||||||||||||||||||||||||||||||||||||
Flash Exposure Compensation | ±3 stops (in 1/3-stop increments) | |||||||||||||||||||||||||||||||||||||||
Continuous flash control | E-TTL each shot / E-TTL 1st shot | |||||||||||||||||||||||||||||||||||||||
Drive System |
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Drive Modes and Continuous Shooting Speed (all maximum Drive speeds approximate)
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HDR Shooting |
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Still-image HDR shooting | • HDR PQ (HEIF images) • HDR mode (final image composited from three initial images) • HDR PQ and HDR can be combined Disable / Enable * Can be used in conjunction with Auto Lighting Optimizer. |
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Still Photo HDR PQ | Recording format | Bit depth | Color sampling method | HDR specification | ||||||||||||||||||||||||||||||||||||
HEIF | 10 bit | YCbCr 4:2:2 | ITU-R BT.2100 (PQ) | |||||||||||||||||||||||||||||||||||||
Movie HDR PQ | According to setting of movie recording format * Cannot be set for XF-AVC S YCC420 8 bit |
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Continuous HDR Shooting (still images) | 1 shot only / Every shot (HDR mode shooting only) | |||||||||||||||||||||||||||||||||||||||
Video Shooting |
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Video resolution | 4K (UHD only; 3840 x 2160 (16:9) — oversampled from 6K recording 4K Crop (3840 x 2160; not oversampled) Full HD (1920 x 1080) |
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RAW video recording | Not Available | |||||||||||||||||||||||||||||||||||||||
Video compression | LongGOP (equivalent to IPB); Intra (= All-I) for Time Lapse video recording | |||||||||||||||||||||||||||||||||||||||
Video Gamma, Color Space options (in CP/Custom Picture menu) | Canon 709 Canon Log 3 PQ (HDR PQ; BT.2020 HLG (BT.2020) BT.709 Standard |
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Vertical video recording | Available (video shooting info display can be rotated, for shooting & playback) Vertical tripod socket on grip side of camera Auto Level display available during video recording |
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Audio recording | Built-in microphone; separate Left & Right Stereo inputs • Noise detection microphone (for AF focus drive noise, white/floor noise) • 16-bit/2 CH or 24-bit/4 CH recording possible (2 channel for built-in mic) • 48 kHz sampling frequency 3.5mm stereo mini-jack (3-pin) for external mics Digital mic input at Multi-function Shoe (Canon DM-E1D Stereo MIcrophone, etc.) Auto or Manual sound recording levels (64 manual levels available) 3.5mm Headphone terminal (stereo mini-jack) |
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File Format | ||||||||||||||||||||||||||||||||||||||||
Normal Movies
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Estimated Recording time, Movie Bit Rate and File Size for 4K (Up to 29.97) | ||||||||||||||||||||||||||||||||||||||||
Movie Recording Size | Total Recording Time (approx.) | Bit Rate / File Size (approx.) |
Card Performance requirements |
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Movie Recording |
Frame Rate | Compression method |
64 GB | 128 GB | 512 GB | |||||||||||||||||||||||||||||||||||
XF-HEVC S YCC422 10 bit |
29.97 fps 25.00 fps 23.98 fps |
Standard LGOP |
1 hr. 3 min. | 2 hr. 6 min. | 8 hr. 24 min. | 135 Mbps 968 MB/min. |
UHS Speed Class 3 or higher | |||||||||||||||||||||||||||||||||
XF-HEVC S YCC420 10 bit |
29.97 fps 25.00 fps 23.98 fps |
Standard LGOP |
1 hr. 25 min. | 2 hr. 50 min. | 11 hr. 20 min. | 100 Mbps 718 MB/min. |
UHS Speed Class 3 or higher | |||||||||||||||||||||||||||||||||
XF-AVC S YCC422 10 bit |
29.97 fps 25.00 fps 23.98 fps |
Standard LGOP |
56 min. | 1 hr. 53 min. | 7 hr. 34 min. | 150 Mbps 1075 MB/min. |
UHS Speed Class 3 or higher | |||||||||||||||||||||||||||||||||
XF-AVC S YCC420 8 bit |
29.97 fps 25.00 fps 23.98 fps |
Standard LGOP |
1 hr. 25 min. | 2 hr. 50 min. | 11 hr. 20 min. | 100 Mbps 718 MB/min. |
UHS Speed Class 3 or higher | |||||||||||||||||||||||||||||||||
Estimated Recording time, Movie Bit Rate and File Size for 4K Crop (50.00/59.94 fps) | ||||||||||||||||||||||||||||||||||||||||
Movie Recording Size | Total Recording Time (approx.) | Bit Rate / File Size (approx.) |
Card Performance requirements |
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Movie Recording |
Frame Rate | Compression method |
64 GB | 128 GB | 512 GB | |||||||||||||||||||||||||||||||||||
XF-HEVC S YCC422 10 bit |
59.94 fps 50.00 fps |
Standard LGOP |
37 min. | 1 hr. 15 min. | 5 hr. 3 min. | 225 Mbps 1612 MB/min. |
Video Speed Class V60 or higher | |||||||||||||||||||||||||||||||||
XF-HEVC S YCC420 10 bit |
59.94 fps 50.00 fps |
Standard LGOP |
56 min. | 1 hr. 53 min. | 7 hr. 34 min. | 150 Mbps 1075 MB/min. |
UHS Speed Class 3 or higher | |||||||||||||||||||||||||||||||||
XF-AVC S YCC422 10 bit |
59.94 fps 50.00 fps |
Standard LGOP |
34 min. | 1 hr. 8 min. | 4 hr. 32 min. | 250 Mbps 1791 MB/min. |
Video Speed Class V60 or higher | |||||||||||||||||||||||||||||||||
XF-AVC S YCC420 8 bit |
59.94 fps 50.00 fps |
Standard LGOP |
56 min. | 1 hr. 53 min. | 7 hr. 34 min. | 150 Mbps 1075 MB/min. |
UHS Speed Class 3 or higher | |||||||||||||||||||||||||||||||||
Estimated Recording time, Movie Bit Rate and File Size for Full HD | ||||||||||||||||||||||||||||||||||||||||
Movie Recording Size | Total Recording Time (approx.) | Bit Rate / File Size (approx.) |
Card Performance requirements |
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Movie Recording |
Frame Rate | Compression method |
64 GB | 128 GB | 512 GB | |||||||||||||||||||||||||||||||||||
XF-HEVC S YCC422 10 bit |
119.88 fps 100.00 fps |
Standard LGOP |
1 hr. 25 min. | 2 hr. 50 min. | 11 hr. 20 min. | 100 Mbps 718 MB/min. |
UHS Speed Class 3 or higher | |||||||||||||||||||||||||||||||||
59.94 fps 50.00 fps 29.97 fps 25.00 fps 23.98 fps |
2 hr. 49 min. | 5 hr. 39 min. | 22 hr. 38 min. | 50 Mbps 360 MB/min. |
SD Speed Class 10 or higher | |||||||||||||||||||||||||||||||||||
XF-HEVC S YCC420 10 bit |
119.88 fps 100.00 fps |
Standard LGOP |
2 hr. 1 min. | 4 hr. 2 min. | 16 hr. 11 min. | 70 Mbps 503 MB/min. |
SD Speed Class 10 or higher | |||||||||||||||||||||||||||||||||
59.94 fps 50.00 fps 29.97 fps 25.00 fps 23.98 fps |
4 hr. 2 min. | 8 hr. 4 min. | 32 hr. 15 min. | 35 Mbps 253 MB/min. |
SD Speed Class 6 or higher | |||||||||||||||||||||||||||||||||||
XF-AVC S c YCC422 10 bit |
119.88 fps 100.00 fps |
Standard LGOP |
1 hr. 25 min. | 2 hr. 50 min. | 11 hr. 20 min. | 100 Mbps 718 MB/min. |
UHS Speed Class 3 or higher | |||||||||||||||||||||||||||||||||
59.94 fps 50.00 fps 29.97 fps 25.00 fps 23.98 fps |
2hr. 49 min. | 5 hr. 39 min. | 22 hr. 38 min. | 50 Mbps 360 MB/min. |
SD Speed Class 10 or higher | |||||||||||||||||||||||||||||||||||
XF-AVC S YCC420 8 bit |
119.88 fps 100.00 fps |
Standard LGOP |
2 hr. 1min. | 4 hr. 2 min. | 16 hr. 11 min. | 70 Mbps 503 MB/min. |
SD Speed Class 10 or higher | |||||||||||||||||||||||||||||||||
59.94 fps 50.00 fps 29.97 fps 25.00 fps 23.98 fps |
4 hr. 2 min. | 8 hr. 4 min. | 32 hr. 15 min. | 35 Mbps 253 MB/min. |
SD Speed Class 6 or higher | |||||||||||||||||||||||||||||||||||
Video AF | One Shot AF; Movie Servo AF available in AF Menu | |||||||||||||||||||||||||||||||||||||||
Exposure Compensation | ±3 stops (in 1/3-stop increments) | |||||||||||||||||||||||||||||||||||||||
Time Code | Yes (Count up, Start time setting, Movie recording count, Movie play count, HDMI time code on/off, HDMI rec. command on/off, Drop frame enable/disable) | |||||||||||||||||||||||||||||||||||||||
Movie Pre-recording | Not supported | |||||||||||||||||||||||||||||||||||||||
Special frame rates | High Frame Rate recording (FHD only) up to 119.98 fps S & F (Slow & Fast recording mode): 120p, 60p, 30p, 12p, 6p, 3p • User-selectable playback speed: 23.98p, 29.97p, or 59.94p • Full HD only • Audio not recorded |
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Time-lapse Movie Setting | ||||||||||||||||||||||||||||||||||||||||
Interval*1 | No. of shots | Time required (max.) | ||||||||||||||||||||||||||||||||||||||
Scene 1 | 2–4 sec. | 30–900*2 | Approx. 1 hr. | |||||||||||||||||||||||||||||||||||||
Scene 2 | 5–10 sec. | 30–720*2 Approx. |
Approx. 2 hr. | |||||||||||||||||||||||||||||||||||||
Scene 3 | 11–30 sec. | 30–240*2 | Approx. 2 hr. | |||||||||||||||||||||||||||||||||||||
Custom | 2 sec. to 60 min. | 2–3600*3 | Approx. 150 days | |||||||||||||||||||||||||||||||||||||
Time-lapse Playback Frame Rate | 29.97 (set to NTSC); 25.00fps (set to PAL) | |||||||||||||||||||||||||||||||||||||||
LCD Screen |
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Type | TFT color, liquid-crystal monitor | |||||||||||||||||||||||||||||||||||||||
Monitor Size | 3.0-inch (screen aspect ratio of 3:2) 2.95 in./7.5cm diagonal (2.44 in./6.2cm width, 1.65 in./4.2cm height) |
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Dots | Approx. 1.04 million dots | |||||||||||||||||||||||||||||||||||||||
Coverage | Approx. 100% vertically/horizontally | |||||||||||||||||||||||||||||||||||||||
Brightness Control | Manually adjustable to one of seven brightness levels | |||||||||||||||||||||||||||||||||||||||
Touch-screen Operation | Supported for AF Point selection; Touch AF; Touch Shutter; Menu selection; Quick Control Menu; Magnified View; Volume Touch Sounds: 0 (silent) to 5 | |||||||||||||||||||||||||||||||||||||||
Coating | Anti-smudge coating not provided. Anti-reflection coating not provided. |
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Interface Languages | 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese) | |||||||||||||||||||||||||||||||||||||||
Playback |
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Display Format | ||||||||||||||||||||||||||||||||||||||||
Item | Still Photo | Movie | ||||||||||||||||||||||||||||||||||||||
Magnify zoom display | 1.5×–10× (15 levels) | |||||||||||||||||||||||||||||||||||||||
Electronic Level Size | Large/Small | Large/Small | ||||||||||||||||||||||||||||||||||||||
Card Free (%) Display | Off / On | |||||||||||||||||||||||||||||||||||||||
Grid display | Off / 3×3 / 6×4 / 3×3+diag | |||||||||||||||||||||||||||||||||||||||
Zebra display | Yes | |||||||||||||||||||||||||||||||||||||||
False Color display | Supported (six colors based on brightness level) | |||||||||||||||||||||||||||||||||||||||
Rating | OFF / 1 to 5 Stars Select images / Select range / All images in folder / All images on card / All found images |
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Image Search | Search conditions Rating / Date / Folder / Protection / Type of file |
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Protect | Select images / Select range / All images in folder / Unprotect all images in folder / All images on card / Unprotect all images on card / All found images |
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Shooting information display | No information display / Basic information display / Detailed shooting information display |
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Highlight Alert | Blinking highlights during single image with info playback only • cannot be user-enabled or disabled |
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Histogram | Brightness / RGB | |||||||||||||||||||||||||||||||||||||||
Waveform monitor | Not available | |||||||||||||||||||||||||||||||||||||||
Quick Control Function |
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Function | The Quick Control screen can be accessed by pressing the Quick Control button during shooting, recording, or playback. | |||||||||||||||||||||||||||||||||||||||
Quick Control Screen | The following settings can be set in the [Quick Ctrl screen] menu during movierecording. Three options during video recording: • Q1; Q2; Q3 • Display position selectable in Q1 • User-selectable in red Shooting Menu* When [Q]1 is set, [Lock disp. position: Enable/Disable], [Disp. position: Alignright/Align left], and [Vertical position: Align top/Align bottom] in [Quick Ctrldisp position] are settable. |
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Image Protection and Erase |
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Protection | (1) Single image (select image) (2) Select range (3) All images in a folder (4) All images on card • Image browsing and image search can be based on ratings. • Ratings-based image selections also possible with DPP. (5) All found images (only during image search) |
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Erase | Except protected images (1) Select images to erase (2) Select range (3) All images in folder (4) All images on card (5) All found images (only during image search) |
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Direct Printing |
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Compatible Printers | Not compatible with Direct printing / Pictbridge | |||||||||||||||||||||||||||||||||||||||
DPOF
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DPOF | Compliant to DPOF Version 1.1 | |||||||||||||||||||||||||||||||||||||||
Wi-Fi® |
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Supporting Standards | Equivalent to IEEE 802.11b/g/n/a/ac Standards | |||||||||||||||||||||||||||||||||||||||
Transmission Method | DS-SS modulation (IEEE 802.11b) OFDM modulation - CSMA / CA (IEEE 802.11g/n/a/ac) |
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Transition Frequency (Central Frequency) | 2.4 GHz band Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels 5.0 GHz band Frequency: 5180 to 5825 MHz Channels: 36 to 165 channels |
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Connection Method | (1) Camera access point mode (2) Infrastructure mode |
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Communication with a Smartphone | • Images can be viewed, controlled, and received using a smartphone. • Remote control of the camera using a smartphone is possible depending on the Camera Connect specifications. • Images can be sent to a smartphone. • NFC connection: Not supported • Supported images: JPEG, HEIF, RAW/C-RAW, MP4 video files • Transcoding while sending: Size to send (original / reduced size); Quality to send (original / compressed) |
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Remote Operation Using EOS Utility | The camera can be controlled via Wi-Fi® or USB, with Canon EOS Utility software installed in acompatible Mac or Windows computer. | |||||||||||||||||||||||||||||||||||||||
Print from Wi-Fi® Printers | Supported | |||||||||||||||||||||||||||||||||||||||
Send Images to a Web Service | image.canon: Video files (MP4) and JPEG, HEIF, RAW or C-RAW still images can be uploaded to image.canon servers. From image.canon, images can be sent to specific social media and 3rd-party cloud image services. |
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Bluetooth® |
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Standards Compliance | Bluetooth Specification Version 4.2 compliant (Bluetooth Low Energy technology) | |||||||||||||||||||||||||||||||||||||||
Transmission Method | GFSK modulation | |||||||||||||||||||||||||||||||||||||||
Bluetooth Pairing | Smartphone — up to 10 devices; BR-E1 remote controller — 1 unit | |||||||||||||||||||||||||||||||||||||||
Video Calls / Streaming |
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USB Video Class (UVC) | Available * The camera is accessible to software (such as Zoom™, MS Teams™, Skype™, etc.) on a computer once connected via USB |
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Live Switcher Mobile streaming | Available. * Connect devices (smartphone) to multiple cameras via Wi-Fi, the actual video to be streamed can be selected/switched using the app while streaming. Streaming is possible with YouTube, Facebook, etc. |
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HDMI Streaming | Available. * Connect devices (PC, external screen, video switcher) and the camera with an HDMI cable. Using apps suchas OBS Studio, streaming is possible with Teams, Skype, YouTube, Facebook, etc. |
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Camera Connect streaming | Available. * Connect devices (smartphone) and the camera with Bluetooth, set up streaming, then stream via Wi-Fi.Streaming is possible with YouTube, Facebook, Twitch, etc. |
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Interface |
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USB Terminal | Equivalent to Super-Speed Plus USB (USB 3.2 Gen 2) • For PC communication / smartphone communication (Live streaming not possible through USB) • Terminal type: USB Type-C • Shared with terminal for in-camera charging with USB Power Adapter PD-E1. |
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HDMI Out Terminal | HDMI micro OUT terminal (Type D) * HDMI CEC not supported * Images not displayed unless [For NTSC] or [For PAL] is set correctly for the TV video system |
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Clean HDMI Output | Provided | |||||||||||||||||||||||||||||||||||||||
Microphone terminal | 3-Pin Microphone IN | |||||||||||||||||||||||||||||||||||||||
Headphone terminal | 3.5mm diameter stereo mini-plug | |||||||||||||||||||||||||||||||||||||||
Remote Control terminal | Canon E3 type (single pin socket) | |||||||||||||||||||||||||||||||||||||||
Power Source |
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Battery | Canon LP-E17 battery pack • Battery charger: Canon LC-E17 charger; supplied with camera • With the AC Adapter AC-E6N + DC Coupler DR-E18, AC power is possible (AC Adapter Kit ACK-E18can also be used). • USB Power Adapter PD-E1 or PD-E2 supports in-camera charging of Battery Pack LP-E17 when the camera is turned off and can supply power when the camera is turned on. |
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Optional Battery Grip | Not supported | |||||||||||||||||||||||||||||||||||||||
Battery Check | Automatic battery check with 4-level display when the power switch is turned ON. | |||||||||||||||||||||||||||||||||||||||
Start-up Time | Approx. 0.4 sec. • Based on CIPA testing standards. |
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Accessories |
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Lens hood | Canon EW-63C (sold separately) • Petal-type, detachable bayonet hood attachable in reverse. |
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Lens Cap | Canon E-58II (Bundled) | |||||||||||||||||||||||||||||||||||||||
Dust Cap | Canon Lens Dust Cap RF (Bundled) | |||||||||||||||||||||||||||||||||||||||
Lens Case | Canon Lens Case LP1014 (sold separately) | |||||||||||||||||||||||||||||||||||||||
Extension Tubes | None | |||||||||||||||||||||||||||||||||||||||
Close-up Lenses 250D / 500D | Compatible | |||||||||||||||||||||||||||||||||||||||
Canon RF Extender 1.4x/2x | Not Compatible | |||||||||||||||||||||||||||||||||||||||
Canon Gelatin Filter Holder III/IV | Not Compatible | |||||||||||||||||||||||||||||||||||||||
Rear Gelatin Filter Holder | Not Compatible | |||||||||||||||||||||||||||||||||||||||
Physical Specs |
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Temperature Range | 32–104°F / 0–40°C working range | |||||||||||||||||||||||||||||||||||||||
Humidity Range | 85% or less working range | |||||||||||||||||||||||||||||||||||||||
Dimensions (W x H x D) | Approx. 119.3 x 73.7 x 106.7mm (4.7 x2.9 x 4.2") • Based on CIPA standards. |
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Weight | Body (including battery and card) Approx. 370 g. (13 oz.) Body only Approx. 323 g (11.4 oz.) |
RF-S 14-30mm f/4-6.3 IS STM PZ Lens |
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Lens |
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Focal Length | 14mm – 30mm |
Max. and Min. Aperture | f/4 - f/6.3 – f/22 - f/36 |
Lens Mount Type | RF Mount (Plastic) |
Compatible Cameras | Canon EOS R-series, APS-C and full-frame |
Min. Focusing Distance | 0.15m (9.4 in) |
Max. Magnification | 0.38x (at 30mm) |
Field of View, at Minimum Focus Distance | Approx. 126 × 84mm (7.2" x 4.8") at 14mm; Approx. 57 × 38mm (7.2" x 4.8") at 30mm |
Angle of View (Diagonal) | Approx. 88º 30’ - 48º 50’ |
Optical Design |
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Lens Construction | 10 elements in 9 groups |
Special Elements | One UD Lens, Two Aspheric Lenses |
Lens Coating | Canon SSC (Super Spectra Coating) |
Filter Size Diameter | ø58 mm |
Aperture Blades | 7 |
Image Stabilization | Provided via gyro sensors (1 each for yaw and pitch) |
Focusing |
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Focusing Drive | Two Nano USM focus motors |
Full-Time Manual Focusing | Yes (Supports both ONE SHOT AF and SERVO AF with compatible EOS R-series cameras) |
Dual Pixel CMOS AF Coverage (Horizontal x Vertical) | EOS R — Approx. 88% x 100% EOS R5/R6 — Approx. 90% x100% EOS R7/R10/R50 — Approx. 100% x 100% |
Exterior Design |
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Control Ring | Provided, with click-stops |
Manual Focus Ring | Electronic ring system Full-time Manual focus possible No physical limit to ring rotational angle |
AF/MF Switch | Provided |
Power Zoom Control Ring | Provided |
Iris Ring | Not Provided |
Lens Function Button | Not Provided |
Distance Scale | Not Provided |
Distance Limiter Switch | Not Provided |
Dust / Weather Resistant Construction | Not Provided |
Physical Specifications |
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Maximum Outer Diameter x Length | Approx. ø2.7 in. x 2.4 in. (ø69.6mm x 62mm) |
Weight | Approx. 6.3 oz. / 0.4 lb. /181 g |
Questions & Answers
Canon EOS R50 V Kit with RF-S14-30mm F4-6.3 IS STM PZ Lens
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