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Product Highlights
  • 33MP CMOS Exmor R Sensor
  • Full-Frame Format
  • 4K (3840x2160) @60p Video Recording
  • ISO 100–51200 Expandable to 50–204800
  • AI-Powered Auto Focus & Framing
  • Dynamic Active AI-Based Stabilization
  • Tilting Touchscreen
  • CFexpress Type A & SD Card Slots
  • Kit Includes FX2 Camera & XLR Handle

Estimated Release Date: Aug 01, 2025

This exciting new product is being released in limited quantity. Orders will be filled on a first-come, first-served basis. A credit card pre-authorization will be taken upon placing your order. Once your order is approved, we will process a 25% deposit to hold your place in line for the next available unit to arrive.

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FX2 Camera
FX2 Camera & XLR Handle
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Overview

Sony Cinema Line FX2 | Full-frame Cinema Camera

For That Professional Cinematic Look

Engineered for Filmmakers
Featuring Dual Base ISO (800/4000), Over 15 Stops of Dynamic Range, Compact Design, and Still Image Capture

The latest entry to Sony's Cinema Line, the FX2 delivers newfound versatility by combining the high-quality imagery produced by a full-frame sensor with expressive capabilities modelled on Sony’s flagship VENICE cinema camera, enabling you to bring your creative visions to life through video or photos.

The FX2 is a full-frame camera in the Cinema Line that inherits the visual philosophy of Sony's top-level VENICE series. With high mobility, operability, expandability and reliability, it’s ideal for solo shooting, and features enhanced still image functions designed to support filmmaking.

Key Features:

  • Full-frame Exmor R™ CMOS 33MP sensor and BIONZ XR™ image processor engine
  • 15+ stops dynamic range in Log mode with Dual base ISO (800/4000)
  • Flexible Log shooting modes — Flexible ISO, Cine EI, and Cine EI Quick
  • Angle-adjustable EVF
  • "BIG6" interface
  • AI-based Real-time Recognition AF for various objects
  • Compact body for handheld shooting; Cage free design
  • Log shooting mode for stills shares the same video post-production workflow
  • Active Mode/Dynamic active Mode image stabilization
  • Up to 16 LUT files can be imported by memory card or Creator's Cloud
  • Uninterrupted movie recording capability up to 4K 60p (59.94p)

Cinematic Expression with a Full-Frame Sensor

The full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R® CMOS sensor supported by Sony's BIONZ XR™ image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries all the tools they need.

Outstanding Image Quality for Maximum Editing Flexibility

The FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3/S-Gamut3.Cine color gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.

Log Recording Modes for Production Flexibility

For creative flexibility, there are three modes available for Log recording — Flexible ISO, Cine EI, and Cine EI Quick — with Cine EI widely used in professional filmmaking for footage shot with post-production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.

Multiple Recording Formats for Versatile Shooting and Editing

7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p) recording is available in Super 35mm mode. Professional quality is supported by 10-bit depth, 4:2:2 color sampling, an efficient MPEG-H HEVC/H.265 codec, and Intra recording including DCI-4K (4096 x 2160).

Import Up to 16 User LUTS

With the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata.

Create Moods Right in the Camera

Picture Profile presets make it easy to adjust color and gradation to create a variety of moods in camera. These include the acclaimed S-Cinetone™, which can help produce beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.

Desqueeze Display for Anamorphic Lenses

Anamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony’s Monitor & Control app provides even more detailed settings for monitoring on a tablet or other external display devices.

Frame Rate Freedom

An FPS menu inherits features from Sony's professional Cinema Line models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion at 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120 fps.

An Extensive Range of Expressive E-Mount Lenses

Sony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, primes and powered zooms. Combine with Sony microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.

Designed for Solo Shooting

Combining advanced video functions from Sony's Cinema Line with enhanced options for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.

Compact and Lightweight with Built-In Accessory Mount Points

With the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1/4-20 (UNC) screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.

AI-Based Real-Time Recognition AF

Equipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognized subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognizes subject movement, and human eye recognition has been improved by about 30% compared to the FX3/FX30.

Fine-Tuned Focus Control

AF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.

Automatic Framing Using Advanced AI

The FX2’s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.

Stabilization for Dynamic Handheld Shooting

Active Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for an even greater effect (up to 30%), making it possible to shoot stable footage even when running. Corresponding stabilization metadata is embedded in the footage for efficient post-production.

Stills at the Flip of a Switch

A single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to capture stills while recording or playing video that has a previously imported user LUT.

Visual Consistency Across Stills and Videos

The Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Black Magic Design DaVinci Resolve, ready for a variety of uses while maintaining the same look.

Operability for Professional Filmmaking

The FX2 is well-suited for professional projects, supporting an expedient workflow throughout production.

Tiltable High-Definition Electronic Viewfinder

Keep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 diopter), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.

Frequently Used Parameters All in One Place

The FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance. This screen contributes to smooth, intuitive operation, and provides quick access to Variable/Fixed parameters.

Effective Heat Management

Enjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.

Plenty of Power for Long Shoots

A high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time or up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.

Digital Audio without Degradation

With an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.

Easy Live Streaming

The FX2 is also a great choice for live streaming to a computer via USB (UVC/UAC) or a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.

CFExpress Type A Memory Card Support

Two card slots support SDXC/SDHC UHS-II/UHS-I memory cards, with one also supporting CFexpress Type A cards, providing plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.

4:2:2 10-Bit or 16-Bit RAW Output Via HDMI

An HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post-production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]/[29.97p]/[23.98p]/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.

Compact, Yet Easy to Operate

The FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability, concentrating key controls around the grip and with easily pressable long-stroke buttons on the top panel.

Dust and Moisture Resistant Design

Numerous refinements in the body design have enhanced dust and moisture resistance, ensuring maximum reliability even in austere outdoor conditions.

Durable Magnesium Alloy Body

The FX2’s main body is constructed from a lightweight magnesium alloy to enhance durability and performance even in harsh environments.

Connectivity for High Expandability

In addition to an HDMI Type-A port, the FX2 is equipped with a USB Type-C port for power and communication, Multi/Micro USB terminal, a headphone jack and a mic jack, allowing high expandability for diverse shooting situations and needs.

Flexible Vari-Angle LCD Monitor

The high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles without interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.

Tally Lamps and High Visibility Recording Indication

The camera is equipped with tally lamps on both its front (top) and back. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording.

Monitor & Control

Sony’s Monitor & Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad All of this can contribute to smoother workflows with a minimal crew.

Catalyst Browse, Catalyst Prepare/Plugin

The Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK/NG/KEEP flags added while recording can also be imported for easier shot selection. Image stabilization, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post-production.

Creators' Cloud Platform

Creators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.

Cloud Upload (Camera Direct)

Recorded files can be directly uploaded to Creators’ Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators’ Cloud, data can be transferred to other cloud services such as Ci Media Cloud, Google Drive™ or Adobe Lightroom to suit your workflow.

Additional Features:

  • 12 Creative Look profiles for in-camera visual moods
  • Anamorphic de-squeeze display for easy anamorphic monitoring
  • FPS menu for frame-rate control: 2.5x slow motion at 4K / 5x slow motion in Full HD
  • Sony offers more than 70 E-mount lenses to support all shooting styles.
  • AF Assist empowers manual focus with AF transition speed and sensitivity settings
  • Auto framing and crops and tracks subject to keep in prominent position
  • A switch for MOVIE or STILL mode saves and recalls settings for each
  • Cooling managed via internal fan, thermal components, and a design that facilitates air intake
  • NP-FZ100 battery provides up to 100 minutes actual video time
  • XLR-H1 enables four-channel audio, 24-bit audio via connectors, and a digital audio interface
  • Stream up to 4K 59.94p video via LAN
  • Two SD card slots with one supporting CFexpress Type A cards
  • 4:2:2 10-bit or 16-bit RAW output to external recorder
  • Dust and moisture resistant design

For a Better Planet

Environmentally Conscious

Sony’s environmental plan “Road to Zero” aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimized from development through the supply chain, production, and packaging.

Non-Plastic Packaging Materials

Sony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimizing environmental stress.

Greater Accessibility for All Users

Accessibility features, such as a menu magnifier and a screen reader that reads an expanded range of menu items aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.

What's Included

FX2 Digital Cinema Camera Body
NP-FZ100 Battery (2280mAh)
ALC-B1EM Body Cap
Multi Interface Shoe Cap
Eyepiece Cup
XLR-H1 XLR Handle Unit
Handle Shoe Cap

Reviews

Product Specifications

 

 

FX2 Digital Cinema Camera & XLR Handle

FX2 Digital Cinema Camera

General

Camera type

Interchangeable lens digital camera Interchangeable lens digital camera

 

Lens mount

E-mount E-mount

Camera Section

Type

35mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor 35mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor
 

Number of pixels (effective)*1 

Still images: Approx. 33.0 megapixels max. Still images: Approx. 33.0 megapixels max.
 

 

Movies: Approx. 27.6 megapixels max. Movies: Approx. 27.6 megapixels max.
 

Number of pixels (total)

Approx. 34.1 megapixels Approx. 34.1 megapixels
 

Optical low pass filter

Yes Yes
 

Latitude

15+ stops (S-Log3) 15+ stops (S-Log3)
 

Color temperature range

2500 K - 9900 K 2500 K - 9900 K
 

Anti-Dust function

Yes Yes

Recording system (still image)

Recording Format(Still Image)

JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant) JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)
 

Image size (pixels) [3:2]

35mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M) 35mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M)
 

Image quality modes

RAW RAW
    JPEG JPEG
    HEIF (4:2:0 / 4:2:2) HEIF (4:2:0 / 4:2:2)
    RAW & JPEG RAW & JPEG
    RAW & HEIF RAW & HEIF
 

14bit RAW

Yes Yes

Recording system (movie)

Video compression

XAVC HS: MPEG-H HEVC/H.265 XAVC HS: MPEG-H HEVC/H.265
 

 

XAVC S: MPEG-4 AVC/H.264 XAVC S: MPEG-4 AVC/H.264
 

Audio recording format

LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit)*2 , LPCM 4ch (48 kHz 24 bit)*2  LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit)*2 , LPCM 4ch (48 kHz 24 bit)*2 

Movie recording format
(XAVC HS 4K)

3840 x 2160 (4:2:0, 10bit) (Approx.)

59.94p (150 Mbps / 75 Mbps / 45 Mbps) 59.94p (150 Mbps / 75 Mbps / 45 Mbps)
    23.98p (100 Mbps / 50 Mbps / 30 Mbps) 23.98p (100 Mbps / 50 Mbps / 30 Mbps)
    50p (150 Mbps / 75 Mbps / 45 Mbps) 50p (150 Mbps / 75 Mbps / 45 Mbps)
 

3840 x 2160 (4:2:2, 10bit) (Approx.)

59.94p (200 Mbps / 100 Mbps) 59.94p (200 Mbps / 100 Mbps)
    23.98p (100 Mbps / 50 Mbps) 23.98p (100 Mbps / 50 Mbps)
    50p (200 Mbps / 100 Mbps) 50p (200 Mbps / 100 Mbps)

Movie recording format
(XAVC S 4K)

3840 x 2160 (4:2:0, 8bit) (Approx.)

59.94p (150 Mbps) 59.94p (150 Mbps)
    29.97p (100 Mbps / 60 Mbps) 29.97p (100 Mbps / 60 Mbps)
    23.98p (100 Mbps / 60 Mbps) 23.98p (100 Mbps / 60 Mbps)
    50p (150 Mbps) 50p (150 Mbps)
    25p (100 Mbps / 60 Mbps) 25p (100 Mbps / 60 Mbps)
 

3840 x 2160 (4:2:2, 10bit) (Approx.)

59.94p (200 Mbps) 59.94p (200 Mbps)
    29.97p (140 Mbps) 29.97p (140 Mbps)
    23.98p (100 Mbps) 23.98p (100 Mbps)
    50p (200 Mbps) 50p (200 Mbps)
    25p (140 Mbps) 25p (140 Mbps)

Movie recording format
(XAVC S HD)

1920 x 1080 (4:2:0, 8bit) (Approx.)

119.88p (100 Mbps / 60 Mbps) 119.88p (100 Mbps / 60 Mbps)
    59.94p (50 Mbps / 25 Mbps) 59.94p (50 Mbps / 25 Mbps)
    29.97p (50 Mbps / 16 Mbps) 29.97p (50 Mbps / 16 Mbps)
    23.98p (50 Mbps) 23.98p (50 Mbps)
    100p (100 Mbps / 60 Mbps) 100p (100 Mbps / 60 Mbps)
    50p (50 Mbps / 25 Mbps) 50p (50 Mbps / 25 Mbps)
    25p (50 Mbps / 16 Mbps) 25p (50 Mbps / 16 Mbps)
 

1920 x 1080 (4:2:2, 10bit) (Approx.)

59.94p (50 Mbps) 59.94p (50 Mbps)
    29.97p (50 Mbps) 29.97p (50 Mbps)
    23.98p (50 Mbps) 23.98p (50 Mbps)
    50p (50 Mbps) 50p (50 Mbps)
    25p (50 Mbps) 25p (50 Mbps)

Movie recording format
(XAVC S-I 4K)

3840 x 2160 (4:2:2, 10bit) (Approx.)

59.94p (600 Mbps) 59.94p (600 Mbps)
    29.97p (300 Mbps) 29.97p (300 Mbps)
    23.98p (240 Mbps) 23.98p (240 Mbps)
    50p (500 Mbps) 50p (500 Mbps)
    25p (250 Mbps) 25p (250 Mbps)

Movie recording format
(XAVC S-I DCI4K)

4096 x 2160 (4:2:2, 10bit) (Approx.)

59.94p (600 Mbps) 59.94p (600 Mbps)
    29.97p (300 Mbps) 29.97p (300 Mbps)
    23.98p (240 Mbps) 23.98p (240 Mbps)
    50p (500 Mbps) 50p (500 Mbps)
    25p (250 Mbps) 25p (250 Mbps)
    24.00p (240 Mbps) 24.00p (240 Mbps)

Movie recording format
(XAVC S-I HD)

1920 x 1080 (4:2:2, 10bit) (Approx.)

59.94p (222 Mbps) 59.94p (222 Mbps)
    29.97p (111 Mbps) 29.97p (111 Mbps)
    23.98p (89 Mbps) 23.98p (89 Mbps)
    50p (185 Mbps) 50p (185 Mbps)
    25p (93 Mbps) 25p (93 Mbps)

Movie function

Slow & Quick Motion (S&Q)

Yes Yes
 

Proxy recording

Yes Yes
 

TC/UB

Yes Yes
 

RAW Output

Yes (HDMI) Yes (HDMI)

Memory card slot

Memory card slot

SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress 2 Type A card, SLOT2: SD (UHS-I/II compliant) memory card SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress 2 Type A card, SLOT2: SD (UHS-I/II compliant) memory card

Focus System

Type

Fast Hybrid AF (phase-detection AF / contrast-detection AF) Fast Hybrid AF (phase-detection AF / contrast-detection AF)
 

Focus point

Still images: Max. 759 points (phase-detection AF),  Movies: Max. 627 points (phase-detection AF) Still images: Max. 759 points (phase-detection AF),  Movies: Max. 627 points (phase-detection AF)
 

Sensitivity range

EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached) EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)
 

Recognition target (Still images)

Auto Auto
    Human Human
    Animal Animal
    Bird Bird
    Insect Insect
    Car Car
    Train Train
    Airplane Airplane
 

Recognition target (Movies)

Auto Auto
    Human Human
    Animal Animal
    Bird Bird
    Insect Insect
    Car Car
    Train Train
    Airplane Airplane
 

Other features

AF Track Sens. (Still) AF Track Sens. (Still)
    AF Subj. Shift Sensitivity (Movie) AF Subj. Shift Sensitivity (Movie)
    AF Transition Speed (Movie) AF Transition Speed (Movie)
    Switch V/H AF Area Switch V/H AF Area
    AF Area Regist. AF Area Regist.
    Circ. of Focus Point Circ. of Focus Point
    Focus Map (Movie) Focus Map (Movie)
    AF Assist (Movie) AF Assist (Movie)

Exposure Control

Metering type

1200-zone evaluative metering 1200-zone evaluative metering
 

Metering sensitivity

EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached) EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
 

Exposure compensation

+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable) +/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)
 

ISO sensitivity

Still images: ISO 100 - 51200 (expandable to ISO 50 - 204800), AUTO (ISO 100 - 12800, selectable lower limit and upper limit) Still images: ISO 100 - 51200 (expandable to ISO 50 - 204800), AUTO (ISO 100 - 12800, selectable lower limit and upper limit)
 

 

Movies: ISO 100 - 51200 equivalent (expandable to ISO 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit) Movies: ISO 100 - 51200 equivalent (expandable to ISO 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit)
 

Anti-flicker Shoot.

Yes *3  Yes *3 

Viewfinder

Type

1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED) 1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)
 

Number of dots

3 686 400 dots 3 686 400 dots
 

Magnification

Approx. 0.70x (with 50 mm lens at infinity, -1 m<sup>-1</sup>) Approx. 0.70x (with 50 mm lens at infinity, -1 m<sup>-1</sup>)
 

Diopter adjustment

-4.0-+3.0 m<sup>-1</sup> -4.0-+3.0 m<sup>-1</sup>
 

Eye point

Approx. 33 mm from the eyepiece lens, 27 mm from the eyepiece frame at -1 m<sup>-1</sup> (CIPA standard) Approx. 33 mm from the eyepiece lens, 27 mm from the eyepiece frame at -1 m<sup>-1</sup> (CIPA standard)
 

Finder frame rate selection

STD 60fps / HI 120fps STD 60fps / HI 120fps

LCD screen

Type

7.5 cm (3.0-type) type TFT 7.5 cm (3.0-type) type TFT
 

Touch panel

Yes Yes
 

Number of dots (total)

1 036 800 dots 1 036 800 dots
 

Adjustable angle

Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270 ° Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270 °

Clear Image Zoom

Still images

Approx. 2x Approx. 2x

 

Movies

Approx. 1.5x (4K), Approx. 2x (HD) Approx. 1.5x (4K), Approx. 2x (HD)

Shutter

Shutter type

Mechanical shutter / Electronic shutter Mechanical shutter / Electronic shutter
 

Shutter speed

Still images (Mechanical shutter): 1/4000 to 30 s, Bulb Still images (Mechanical shutter): 1/4000 to 30 s, Bulb
    Still images (Electronic shutter): 1/8000 to 30 s Still images (Electronic shutter): 1/8000 to 30 s
    Movies: 1/8000 to 1 s Movies: 1/8000 to 1 s
 

Flash sync. speed*4 

1/160 s (35mm full frame), 1/200 s (APS-C) 1/160 s (35mm full frame), 1/200 s (APS-C)
 

Electronic Front Shutter Curtain

Yes Yes

Image Stabilization

Type

Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications) Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
 

Compensation effect (still images)

Center 5.0 stops and Periphery 5.0 stops (based on CIPA2024 standard. Pitch/yaw/roll shake only. With FE 50 mm F1.2 GM lens mounted. Long exposure NR off.) Center 5.0 stops and Periphery 5.0 stops (based on CIPA2024 standard. Pitch/yaw/roll shake only. With FE 50 mm F1.2 GM lens mounted. Long exposure NR off.)
 

Mode

Still images: On / Off Still images: On / Off
 

 

Movie: Dynamic active / Active / Standard / Off Movie: Dynamic active / Active / Standard / Off

Drive

Continuous drive speed (approx., max.)*5 

Hi+: 10 fps Hi+: 10 fps
 

No. of frame recordable* (approx.)*5 

JPEG Extra fine L: over 1000 frames JPEG Extra fine L: over 1000 frames
    JPEG Fine L: over 1000 frames JPEG Fine L: over 1000 frames
    JPEG Standard L: over 1000 frames JPEG Standard L: over 1000 frames
    RAW: over 1000 frames RAW: over 1000 frames
    RAW & JPEG: over 1000 frames RAW & JPEG: over 1000 frames
    RAW (Uncompressed): over 1000 frames RAW (Uncompressed): over 1000 frames
    RAW (Uncompressed) & JPEG: over 1000 frames RAW (Uncompressed) & JPEG: over 1000 frames
    RAW (Lossless Compressed): over 1000 frames RAW (Lossless Compressed): over 1000 frames
    RAW (Lossless Compressed) & JPEG: over 1000 frames RAW (Lossless Compressed) & JPEG: over 1000 frames

Playback

Modes

Enlarged Image Enlarged Image
    Protect Protect
    Rating Rating
    Shot Mark (Movie) Shot Mark (Movie)
    Divider Frame Divider Frame
    Crop Crop
    Photo Capture Photo Capture

Accessibility

Functions

Screen Reader Screen Reader
    Focus Magnifier Focus Magnifier
    Focus Map (Movie) Focus Map (Movie)
    Peaking Display Peaking Display
    Subject Recognition in AF Subject Recognition in AF
    Touch Focus Touch Focus
    Touch Tracking Touch Tracking
    Touch Shutter Touch Shutter
    Touch AE Touch AE
    Vari-angle LCD screen Vari-angle LCD screen
    Custom function Custom function
    Enlarge Screen Enlarge Screen

Interface

PC interface

Mass-storage / MTP Mass-storage / MTP
 

Multi / Micro USB terminal*6 

Yes Yes
 

USB Type-C® Terminal

Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible) Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible)
 

Wireless LAN (built-in)

Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))*7 *8  Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))*7 *8 
 

Bluetooth

Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band)) Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band))
 

HDMI output

HDMI connector (Type-A) HDMI connector (Type-A)
    4096 x 2160 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p) / 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit 4096 x 2160 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p) / 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit
    4672 x 2628 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p), Raw 16bit 4672 x 2628 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p), Raw 16bit
 

Multi Interface Shoe*9 

Yes (with Digital Audio Interface) Yes (with Digital Audio Interface)
 

Mic Terminal

Yes (3.5 mm Stereo minijack) Yes (3.5 mm Stereo minijack)
 

XLR audio input

Yes (3-pin (female) x2)  
 

Headphone terminal

Yes (3.5 mm Stereo minijack) Yes (3.5 mm Stereo minijack)
 

Remote Control (Wireless)

Yes (Bluetooth remote control) Yes (Bluetooth remote control)
 

Functions

Send to smartphone Send to smartphone
    Remote control via smartphone Remote control via smartphone
    Remote Shooting Remote Shooting

USB Streaming

Video data format

MJPEG MJPEG
 

 

YUV420*10  YUV420*10 
 

Video resolution

3840 x 2160 (14.99p / 29.97p) 3840 x 2160 (14.99p / 29.97p)
    1920 x 1080 (29.97p / 59.94p) 1920 x 1080 (29.97p / 59.94p)
    1280 x 720 (29.97p) 1280 x 720 (29.97p)
    3840 x 2160 (12.5p / 25p) 3840 x 2160 (12.5p / 25p)
    1920 x 1080 (25p / 50p) 1920 x 1080 (25p / 50p)
    1280 x 720 (25p) 1280 x 720 (25p)
 

Audio data format

LPCM 2ch (16bit 48 kHz) LPCM 2ch (16bit 48 kHz)

Network Streaming

Video data format

MPEG-4 AVC/H.264 MPEG-4 AVC/H.264
 

 

MPEG-H HEVC/H.265 *11  MPEG-H HEVC/H.265 *11 
 

Video resolution

3840 x 2160 (29.97p / 59.94p) 3840 x 2160 (29.97p / 59.94p)
    3840 x 2160 (25p / 50p) 3840 x 2160 (25p / 50p)
    2560 x 1440 (29.97p / 59.94p) 2560 x 1440 (29.97p / 59.94p)
    2560 x 1440 (25p / 50p) 2560 x 1440 (25p / 50p)
    1920 x 1080 (29.97p / 59.94p) 1920 x 1080 (29.97p / 59.94p)
    1920 x 1080 (25p / 50p) 1920 x 1080 (25p / 50p)
    1280 x 720 (29.97p / 59.94p) 1280 x 720 (29.97p / 59.94p)
    1280 x 720 (25p / 50p) 1280 x 720 (25p / 50p)
 

Audio data format

AAC-LC 2ch (16bit 48 kHz) AAC-LC 2ch (16bit 48 kHz)
 

Protocol

RTMP RTMP
    RTMPS RTMPS
    SRT SRT

Audio

Microphone

Built-in, stereo Built-in, stereo

 

Speaker

Built-in, monaural Built-in, monaural

Lens Compensation

Lens compensation

Shading, Chromatic Aberration, Distortion, Breathing (Movie) Shading, Chromatic Aberration, Distortion, Breathing (Movie)

Power

Battery

One rechargeable battery pack NP-FZ100 One rechargeable battery pack NP-FZ100
 

Still images*12 

Approx. 470 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard) Approx. 470 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard)
 

Movies (actual shooting)*13 

Approx. 90 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard) Approx. 90 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard)
 

Movies (continuous shooting)

Approx. 150 min (Viewfinder) / Approx. 155 min (LCD monitor) (CIPA standard) Approx. 150 min (Viewfinder) / Approx. 155 min (LCD monitor) (CIPA standard)
 

Internal battery charge

Yes (Available with USB Type-C terminal. USB Power Delivery compatible)*14  Yes (Available with USB Type-C terminal. USB Power Delivery compatible)*14 
 

USB power supply

Yes (Available with USB Type-C Terminal. USB Power Delivery compatible) Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

Power consumption

With viewfinder

Still images: Approx. 4.2 W (with FE 28-70mm F3.5-5.6 OSS lens attached) Still images: Approx. 4.2 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
 

 

Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached) Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
 

With LCD screen

Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached) Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
 

 

Movies: Approx. 6.3 W (with FE 28-70mm F3.5-5.6 OSS lens attached) Movies: Approx. 6.3 W (with FE 28-70mm F3.5-5.6 OSS lens attached)

Weight

including Accessory

Approx. 683 g (battery pack, SD card, Eyepiece cup) Approx. 683 g (battery pack, SD card, Eyepiece cup)
 

With battery and memory card

Approx. 679 g Approx. 679 g
 

With battery and memory card (oz.)

Approx. 1 lb 8.0 oz Approx. 1 lb 8.0 oz
 

Body only

Approx. 594 g Approx. 594 g
 

Body only (oz.)

Approx. 1 lb 5.0 oz Approx. 1 lb 5.0 oz

Dimensions  (W x H x D)

Dimensions (W x H x D)

Approx. 129.7 x 77.8 x 103.7 mm, Approx. 129.7 x 77.8 x 85.0 mm (from grip to monitor) Approx. 129.7 x 77.8 x 103.7 mm, Approx. 129.7 x 77.8 x 85.0 mm (from grip to monitor)

 

Dimensions (W x H x D) (in.)

Approx. 5 1/8 x 3 1/8 x 4 1/8 inches, Approx. 5 1/8 x 3 1/8 x 3 3/8 inches (from grip to monitor) Approx. 5 1/8 x 3 1/8 x 4 1/8 inches, Approx. 5 1/8 x 3 1/8 x 3 3/8 inches (from grip to monitor)

Operation

Operating temperature

0 - 40 ℃ / 32 - 104 °F 0 - 40 ℃ / 32 - 104 °F

 

Storage temperature

-20 to 55 ℃ / -4 to 131 °F -20 to 55 ℃ / -4 to 131 °F

Supplied Accessories

Supplied Accessory

Rechargeable Battery NP-FZ100 Rechargeable Battery NP-FZ100
    Body cap Body cap
    Accessory shoe cap Accessory shoe cap
    Eyepiece cup Eyepiece cup
    XLR handle unit  
    Handle shoe cap  

Questions & Answers

Sony FX2 Full-frame Cinema Camera (Body Only) with XLR Handle

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