- Webcode: 480618 • Mfr: ILME-FX2
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Product Highlights
- 33MP CMOS Exmor R Sensor
- Full-Frame Format
- 4K (3840x2160) @60p Video Recording
- ISO 100–51200 Expandable to 50–204800
- AI-Powered Auto Focus & Framing
- Dynamic Active AI-Based Stabilization
- Tilting Touchscreen
- CFexpress Type A & SD Card Slots
- Kit Includes FX2 Camera & XLR Handle
Estimated Release Date: Aug 01, 2025
This exciting new product is being released in limited quantity. Orders will be filled on a first-come, first-served basis. A credit card pre-authorization will be taken upon placing your order. Once your order is approved, we will process a 25% deposit to hold your place in line for the next available unit to arrive.
Kit Options:

Sony FX2 Full-frame Cinema Camera (Body Only) with XLR Handle
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Overview
Sony Cinema Line FX2 | Full-frame Cinema Camera
For That Professional Cinematic Look
Engineered for Filmmakers
Featuring Dual Base ISO (800/4000), Over 15 Stops of Dynamic Range, Compact Design, and Still Image Capture
The latest entry to Sony's Cinema Line, the FX2 delivers newfound versatility by combining the high-quality imagery produced by a full-frame sensor with expressive capabilities modelled on Sony’s flagship VENICE cinema camera, enabling you to bring your creative visions to life through video or photos.
The FX2 is a full-frame camera in the Cinema Line that inherits the visual philosophy of Sony's top-level VENICE series. With high mobility, operability, expandability and reliability, it’s ideal for solo shooting, and features enhanced still image functions designed to support filmmaking.
Key Features:
- Full-frame Exmor R™ CMOS 33MP sensor and BIONZ XR™ image processor engine
- 15+ stops dynamic range in Log mode with Dual base ISO (800/4000)
- Flexible Log shooting modes — Flexible ISO, Cine EI, and Cine EI Quick
- Angle-adjustable EVF
- "BIG6" interface
- AI-based Real-time Recognition AF for various objects
- Compact body for handheld shooting; Cage free design
- Log shooting mode for stills shares the same video post-production workflow
- Active Mode/Dynamic active Mode image stabilization
- Up to 16 LUT files can be imported by memory card or Creator's Cloud
- Uninterrupted movie recording capability up to 4K 60p (59.94p)
Cinematic Expression with a Full-Frame Sensor
The full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R® CMOS sensor supported by Sony's BIONZ XR™ image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries all the tools they need.
Outstanding Image Quality for Maximum Editing Flexibility
The FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3/S-Gamut3.Cine color gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.
Log Recording Modes for Production Flexibility
For creative flexibility, there are three modes available for Log recording — Flexible ISO, Cine EI, and Cine EI Quick — with Cine EI widely used in professional filmmaking for footage shot with post-production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.
Multiple Recording Formats for Versatile Shooting and Editing
7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p) recording is available in Super 35mm mode. Professional quality is supported by 10-bit depth, 4:2:2 color sampling, an efficient MPEG-H HEVC/H.265 codec, and Intra recording including DCI-4K (4096 x 2160).
Import Up to 16 User LUTS
With the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata.
Create Moods Right in the Camera
Picture Profile presets make it easy to adjust color and gradation to create a variety of moods in camera. These include the acclaimed S-Cinetone™, which can help produce beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.
Desqueeze Display for Anamorphic Lenses
Anamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony’s Monitor & Control app provides even more detailed settings for monitoring on a tablet or other external display devices.
Frame Rate Freedom
An FPS menu inherits features from Sony's professional Cinema Line models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion at 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120 fps.
An Extensive Range of Expressive E-Mount Lenses
Sony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, primes and powered zooms. Combine with Sony microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.
Designed for Solo Shooting
Combining advanced video functions from Sony's Cinema Line with enhanced options for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.
Compact and Lightweight with Built-In Accessory Mount Points
With the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1/4-20 (UNC) screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.
AI-Based Real-Time Recognition AF
Equipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognized subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognizes subject movement, and human eye recognition has been improved by about 30% compared to the FX3/FX30.
Fine-Tuned Focus Control
AF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.
Automatic Framing Using Advanced AI
The FX2’s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.
Stabilization for Dynamic Handheld Shooting
Active Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for an even greater effect (up to 30%), making it possible to shoot stable footage even when running. Corresponding stabilization metadata is embedded in the footage for efficient post-production.
Stills at the Flip of a Switch
A single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to capture stills while recording or playing video that has a previously imported user LUT.
Visual Consistency Across Stills and Videos
The Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Black Magic Design DaVinci Resolve, ready for a variety of uses while maintaining the same look.
Operability for Professional Filmmaking
The FX2 is well-suited for professional projects, supporting an expedient workflow throughout production.
Tiltable High-Definition Electronic Viewfinder
Keep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 diopter), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.
Frequently Used Parameters All in One Place
The FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance. This screen contributes to smooth, intuitive operation, and provides quick access to Variable/Fixed parameters.
Effective Heat Management
Enjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.
Plenty of Power for Long Shoots
A high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time or up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.
Digital Audio without Degradation
With an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.
Easy Live Streaming
The FX2 is also a great choice for live streaming to a computer via USB (UVC/UAC) or a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.
CFExpress Type A Memory Card Support
Two card slots support SDXC/SDHC UHS-II/UHS-I memory cards, with one also supporting CFexpress Type A cards, providing plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.
4:2:2 10-Bit or 16-Bit RAW Output Via HDMI
An HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post-production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]/[29.97p]/[23.98p]/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.
Compact, Yet Easy to Operate
The FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability, concentrating key controls around the grip and with easily pressable long-stroke buttons on the top panel.
Dust and Moisture Resistant Design
Numerous refinements in the body design have enhanced dust and moisture resistance, ensuring maximum reliability even in austere outdoor conditions.
Durable Magnesium Alloy Body
The FX2’s main body is constructed from a lightweight magnesium alloy to enhance durability and performance even in harsh environments.
Connectivity for High Expandability
In addition to an HDMI Type-A port, the FX2 is equipped with a USB Type-C port for power and communication, Multi/Micro USB terminal, a headphone jack and a mic jack, allowing high expandability for diverse shooting situations and needs.
Flexible Vari-Angle LCD Monitor
The high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles without interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.
Tally Lamps and High Visibility Recording Indication
The camera is equipped with tally lamps on both its front (top) and back. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording.
Monitor & Control
Sony’s Monitor & Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad All of this can contribute to smoother workflows with a minimal crew.
Catalyst Browse, Catalyst Prepare/Plugin
The Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK/NG/KEEP flags added while recording can also be imported for easier shot selection. Image stabilization, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post-production.
Creators' Cloud Platform
Creators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.
Cloud Upload (Camera Direct)
Recorded files can be directly uploaded to Creators’ Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators’ Cloud, data can be transferred to other cloud services such as Ci Media Cloud, Google Drive™ or Adobe Lightroom to suit your workflow.
Additional Features:
- 12 Creative Look profiles for in-camera visual moods
- Anamorphic de-squeeze display for easy anamorphic monitoring
- FPS menu for frame-rate control: 2.5x slow motion at 4K / 5x slow motion in Full HD
- Sony offers more than 70 E-mount lenses to support all shooting styles.
- AF Assist empowers manual focus with AF transition speed and sensitivity settings
- Auto framing and crops and tracks subject to keep in prominent position
- A switch for MOVIE or STILL mode saves and recalls settings for each
- Cooling managed via internal fan, thermal components, and a design that facilitates air intake
- NP-FZ100 battery provides up to 100 minutes actual video time
- XLR-H1 enables four-channel audio, 24-bit audio via connectors, and a digital audio interface
- Stream up to 4K 59.94p video via LAN
- Two SD card slots with one supporting CFexpress Type A cards
- 4:2:2 10-bit or 16-bit RAW output to external recorder
- Dust and moisture resistant design
For a Better Planet
Environmentally Conscious
Sony’s environmental plan “Road to Zero” aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimized from development through the supply chain, production, and packaging.
Non-Plastic Packaging Materials
Sony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimizing environmental stress.
Greater Accessibility for All Users
Accessibility features, such as a menu magnifier and a screen reader that reads an expanded range of menu items aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.
What's Included
FX2 Digital Cinema Camera BodyNP-FZ100 Battery (2280mAh)
ALC-B1EM Body Cap
Multi Interface Shoe Cap
Eyepiece Cup
XLR-H1 XLR Handle Unit
Handle Shoe Cap
Reviews
Product Specifications
|
FX2 Digital Cinema Camera & XLR Handle |
FX2 Digital Cinema Camera |
|
---|---|---|---|
General |
Camera type |
Interchangeable lens digital camera | Interchangeable lens digital camera |
|
Lens mount |
E-mount | E-mount |
Camera Section |
Type |
35mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor | 35mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor |
Number of pixels (effective)*1 |
Still images: Approx. 33.0 megapixels max. | Still images: Approx. 33.0 megapixels max. | |
|
Movies: Approx. 27.6 megapixels max. | Movies: Approx. 27.6 megapixels max. | |
Number of pixels (total) |
Approx. 34.1 megapixels | Approx. 34.1 megapixels | |
Optical low pass filter |
Yes | Yes | |
Latitude |
15+ stops (S-Log3) | 15+ stops (S-Log3) | |
Color temperature range |
2500 K - 9900 K | 2500 K - 9900 K | |
Anti-Dust function |
Yes | Yes | |
Recording system (still image) |
Recording Format(Still Image) |
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant) | JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant) |
Image size (pixels) [3:2] |
35mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M) | 35mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M) | |
Image quality modes |
RAW | RAW | |
JPEG | JPEG | ||
HEIF (4:2:0 / 4:2:2) | HEIF (4:2:0 / 4:2:2) | ||
RAW & JPEG | RAW & JPEG | ||
RAW & HEIF | RAW & HEIF | ||
14bit RAW |
Yes | Yes | |
Recording system (movie) |
Video compression |
XAVC HS: MPEG-H HEVC/H.265 | XAVC HS: MPEG-H HEVC/H.265 |
|
XAVC S: MPEG-4 AVC/H.264 | XAVC S: MPEG-4 AVC/H.264 | |
Audio recording format |
LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit)*2 , LPCM 4ch (48 kHz 24 bit)*2 | LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit)*2 , LPCM 4ch (48 kHz 24 bit)*2 | |
Movie recording format
|
3840 x 2160 (4:2:0, 10bit) (Approx.) |
59.94p (150 Mbps / 75 Mbps / 45 Mbps) | 59.94p (150 Mbps / 75 Mbps / 45 Mbps) |
23.98p (100 Mbps / 50 Mbps / 30 Mbps) | 23.98p (100 Mbps / 50 Mbps / 30 Mbps) | ||
50p (150 Mbps / 75 Mbps / 45 Mbps) | 50p (150 Mbps / 75 Mbps / 45 Mbps) | ||
3840 x 2160 (4:2:2, 10bit) (Approx.) |
59.94p (200 Mbps / 100 Mbps) | 59.94p (200 Mbps / 100 Mbps) | |
23.98p (100 Mbps / 50 Mbps) | 23.98p (100 Mbps / 50 Mbps) | ||
50p (200 Mbps / 100 Mbps) | 50p (200 Mbps / 100 Mbps) | ||
Movie recording format
|
3840 x 2160 (4:2:0, 8bit) (Approx.) |
59.94p (150 Mbps) | 59.94p (150 Mbps) |
29.97p (100 Mbps / 60 Mbps) | 29.97p (100 Mbps / 60 Mbps) | ||
23.98p (100 Mbps / 60 Mbps) | 23.98p (100 Mbps / 60 Mbps) | ||
50p (150 Mbps) | 50p (150 Mbps) | ||
25p (100 Mbps / 60 Mbps) | 25p (100 Mbps / 60 Mbps) | ||
3840 x 2160 (4:2:2, 10bit) (Approx.) |
59.94p (200 Mbps) | 59.94p (200 Mbps) | |
29.97p (140 Mbps) | 29.97p (140 Mbps) | ||
23.98p (100 Mbps) | 23.98p (100 Mbps) | ||
50p (200 Mbps) | 50p (200 Mbps) | ||
25p (140 Mbps) | 25p (140 Mbps) | ||
Movie recording format
|
1920 x 1080 (4:2:0, 8bit) (Approx.) |
119.88p (100 Mbps / 60 Mbps) | 119.88p (100 Mbps / 60 Mbps) |
59.94p (50 Mbps / 25 Mbps) | 59.94p (50 Mbps / 25 Mbps) | ||
29.97p (50 Mbps / 16 Mbps) | 29.97p (50 Mbps / 16 Mbps) | ||
23.98p (50 Mbps) | 23.98p (50 Mbps) | ||
100p (100 Mbps / 60 Mbps) | 100p (100 Mbps / 60 Mbps) | ||
50p (50 Mbps / 25 Mbps) | 50p (50 Mbps / 25 Mbps) | ||
25p (50 Mbps / 16 Mbps) | 25p (50 Mbps / 16 Mbps) | ||
1920 x 1080 (4:2:2, 10bit) (Approx.) |
59.94p (50 Mbps) | 59.94p (50 Mbps) | |
29.97p (50 Mbps) | 29.97p (50 Mbps) | ||
23.98p (50 Mbps) | 23.98p (50 Mbps) | ||
50p (50 Mbps) | 50p (50 Mbps) | ||
25p (50 Mbps) | 25p (50 Mbps) | ||
Movie recording format
|
3840 x 2160 (4:2:2, 10bit) (Approx.) |
59.94p (600 Mbps) | 59.94p (600 Mbps) |
29.97p (300 Mbps) | 29.97p (300 Mbps) | ||
23.98p (240 Mbps) | 23.98p (240 Mbps) | ||
50p (500 Mbps) | 50p (500 Mbps) | ||
25p (250 Mbps) | 25p (250 Mbps) | ||
Movie recording format
|
4096 x 2160 (4:2:2, 10bit) (Approx.) |
59.94p (600 Mbps) | 59.94p (600 Mbps) |
29.97p (300 Mbps) | 29.97p (300 Mbps) | ||
23.98p (240 Mbps) | 23.98p (240 Mbps) | ||
50p (500 Mbps) | 50p (500 Mbps) | ||
25p (250 Mbps) | 25p (250 Mbps) | ||
24.00p (240 Mbps) | 24.00p (240 Mbps) | ||
Movie recording format
|
1920 x 1080 (4:2:2, 10bit) (Approx.) |
59.94p (222 Mbps) | 59.94p (222 Mbps) |
29.97p (111 Mbps) | 29.97p (111 Mbps) | ||
23.98p (89 Mbps) | 23.98p (89 Mbps) | ||
50p (185 Mbps) | 50p (185 Mbps) | ||
25p (93 Mbps) | 25p (93 Mbps) | ||
Movie function |
Slow & Quick Motion (S&Q) |
Yes | Yes |
Proxy recording |
Yes | Yes | |
TC/UB |
Yes | Yes | |
RAW Output |
Yes (HDMI) | Yes (HDMI) | |
Memory card slot |
Memory card slot |
SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress 2 Type A card, SLOT2: SD (UHS-I/II compliant) memory card | SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress 2 Type A card, SLOT2: SD (UHS-I/II compliant) memory card |
Focus System |
Type |
Fast Hybrid AF (phase-detection AF / contrast-detection AF) | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
Focus point |
Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF) | Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF) | |
Sensitivity range |
EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached) | EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached) | |
Recognition target (Still images) |
Auto | Auto | |
Human | Human | ||
Animal | Animal | ||
Bird | Bird | ||
Insect | Insect | ||
Car | Car | ||
Train | Train | ||
Airplane | Airplane | ||
Recognition target (Movies) |
Auto | Auto | |
Human | Human | ||
Animal | Animal | ||
Bird | Bird | ||
Insect | Insect | ||
Car | Car | ||
Train | Train | ||
Airplane | Airplane | ||
Other features |
AF Track Sens. (Still) | AF Track Sens. (Still) | |
AF Subj. Shift Sensitivity (Movie) | AF Subj. Shift Sensitivity (Movie) | ||
AF Transition Speed (Movie) | AF Transition Speed (Movie) | ||
Switch V/H AF Area | Switch V/H AF Area | ||
AF Area Regist. | AF Area Regist. | ||
Circ. of Focus Point | Circ. of Focus Point | ||
Focus Map (Movie) | Focus Map (Movie) | ||
AF Assist (Movie) | AF Assist (Movie) | ||
Exposure Control |
Metering type |
1200-zone evaluative metering | 1200-zone evaluative metering |
Metering sensitivity |
EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached) | EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached) | |
Exposure compensation |
+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable) | +/- 5.0 EV (1/3 EV, 1/2 EV steps selectable) | |
ISO sensitivity |
Still images: ISO 100 - 51200 (expandable to ISO 50 - 204800), AUTO (ISO 100 - 12800, selectable lower limit and upper limit) | Still images: ISO 100 - 51200 (expandable to ISO 50 - 204800), AUTO (ISO 100 - 12800, selectable lower limit and upper limit) | |
|
Movies: ISO 100 - 51200 equivalent (expandable to ISO 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit) | Movies: ISO 100 - 51200 equivalent (expandable to ISO 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit) | |
Anti-flicker Shoot. |
Yes *3 | Yes *3 | |
Viewfinder |
Type |
1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED) | 1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED) |
Number of dots |
3 686 400 dots | 3 686 400 dots | |
Magnification |
Approx. 0.70x (with 50 mm lens at infinity, -1 m<sup>-1</sup>) | Approx. 0.70x (with 50 mm lens at infinity, -1 m<sup>-1</sup>) | |
Diopter adjustment |
-4.0-+3.0 m<sup>-1</sup> | -4.0-+3.0 m<sup>-1</sup> | |
Eye point |
Approx. 33 mm from the eyepiece lens, 27 mm from the eyepiece frame at -1 m<sup>-1</sup> (CIPA standard) | Approx. 33 mm from the eyepiece lens, 27 mm from the eyepiece frame at -1 m<sup>-1</sup> (CIPA standard) | |
Finder frame rate selection |
STD 60fps / HI 120fps | STD 60fps / HI 120fps | |
LCD screen |
Type |
7.5 cm (3.0-type) type TFT | 7.5 cm (3.0-type) type TFT |
Touch panel |
Yes | Yes | |
Number of dots (total) |
1 036 800 dots | 1 036 800 dots | |
Adjustable angle |
Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270 ° | Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270 ° | |
Clear Image Zoom |
Still images |
Approx. 2x | Approx. 2x |
|
Movies |
Approx. 1.5x (4K), Approx. 2x (HD) | Approx. 1.5x (4K), Approx. 2x (HD) |
Shutter |
Shutter type |
Mechanical shutter / Electronic shutter | Mechanical shutter / Electronic shutter |
Shutter speed |
Still images (Mechanical shutter): 1/4000 to 30 s, Bulb | Still images (Mechanical shutter): 1/4000 to 30 s, Bulb | |
Still images (Electronic shutter): 1/8000 to 30 s | Still images (Electronic shutter): 1/8000 to 30 s | ||
Movies: 1/8000 to 1 s | Movies: 1/8000 to 1 s | ||
Flash sync. speed*4 |
1/160 s (35mm full frame), 1/200 s (APS-C) | 1/160 s (35mm full frame), 1/200 s (APS-C) | |
Electronic Front Shutter Curtain |
Yes | Yes | |
Image Stabilization |
Type |
Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications) | Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications) |
Compensation effect (still images) |
Center 5.0 stops and Periphery 5.0 stops (based on CIPA2024 standard. Pitch/yaw/roll shake only. With FE 50 mm F1.2 GM lens mounted. Long exposure NR off.) | Center 5.0 stops and Periphery 5.0 stops (based on CIPA2024 standard. Pitch/yaw/roll shake only. With FE 50 mm F1.2 GM lens mounted. Long exposure NR off.) | |
Mode |
Still images: On / Off | Still images: On / Off | |
|
Movie: Dynamic active / Active / Standard / Off | Movie: Dynamic active / Active / Standard / Off | |
Drive |
Continuous drive speed (approx., max.)*5 |
Hi+: 10 fps | Hi+: 10 fps |
No. of frame recordable* (approx.)*5 |
JPEG Extra fine L: over 1000 frames | JPEG Extra fine L: over 1000 frames | |
JPEG Fine L: over 1000 frames | JPEG Fine L: over 1000 frames | ||
JPEG Standard L: over 1000 frames | JPEG Standard L: over 1000 frames | ||
RAW: over 1000 frames | RAW: over 1000 frames | ||
RAW & JPEG: over 1000 frames | RAW & JPEG: over 1000 frames | ||
RAW (Uncompressed): over 1000 frames | RAW (Uncompressed): over 1000 frames | ||
RAW (Uncompressed) & JPEG: over 1000 frames | RAW (Uncompressed) & JPEG: over 1000 frames | ||
RAW (Lossless Compressed): over 1000 frames | RAW (Lossless Compressed): over 1000 frames | ||
RAW (Lossless Compressed) & JPEG: over 1000 frames | RAW (Lossless Compressed) & JPEG: over 1000 frames | ||
Playback |
Modes |
Enlarged Image | Enlarged Image |
Protect | Protect | ||
Rating | Rating | ||
Shot Mark (Movie) | Shot Mark (Movie) | ||
Divider Frame | Divider Frame | ||
Crop | Crop | ||
Photo Capture | Photo Capture | ||
Accessibility |
Functions |
Screen Reader | Screen Reader |
Focus Magnifier | Focus Magnifier | ||
Focus Map (Movie) | Focus Map (Movie) | ||
Peaking Display | Peaking Display | ||
Subject Recognition in AF | Subject Recognition in AF | ||
Touch Focus | Touch Focus | ||
Touch Tracking | Touch Tracking | ||
Touch Shutter | Touch Shutter | ||
Touch AE | Touch AE | ||
Vari-angle LCD screen | Vari-angle LCD screen | ||
Custom function | Custom function | ||
Enlarge Screen | Enlarge Screen | ||
Interface |
PC interface |
Mass-storage / MTP | Mass-storage / MTP |
Multi / Micro USB terminal*6 |
Yes | Yes | |
USB Type-C® Terminal |
Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible) | Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible) | |
Wireless LAN (built-in) |
Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))*7 *8 | Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))*7 *8 | |
Bluetooth |
Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band)) | Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band)) | |
HDMI output |
HDMI connector (Type-A) | HDMI connector (Type-A) | |
4096 x 2160 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p) / 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit | 4096 x 2160 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p) / 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit | ||
4672 x 2628 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p), Raw 16bit | 4672 x 2628 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p), Raw 16bit | ||
Multi Interface Shoe*9 |
Yes (with Digital Audio Interface) | Yes (with Digital Audio Interface) | |
Mic Terminal |
Yes (3.5 mm Stereo minijack) | Yes (3.5 mm Stereo minijack) | |
XLR audio input |
Yes (3-pin (female) x2) | ||
Headphone terminal |
Yes (3.5 mm Stereo minijack) | Yes (3.5 mm Stereo minijack) | |
Remote Control (Wireless) |
Yes (Bluetooth remote control) | Yes (Bluetooth remote control) | |
Functions |
Send to smartphone | Send to smartphone | |
Remote control via smartphone | Remote control via smartphone | ||
Remote Shooting | Remote Shooting | ||
USB Streaming |
Video data format |
MJPEG | MJPEG |
|
YUV420*10 | YUV420*10 | |
Video resolution |
3840 x 2160 (14.99p / 29.97p) | 3840 x 2160 (14.99p / 29.97p) | |
1920 x 1080 (29.97p / 59.94p) | 1920 x 1080 (29.97p / 59.94p) | ||
1280 x 720 (29.97p) | 1280 x 720 (29.97p) | ||
3840 x 2160 (12.5p / 25p) | 3840 x 2160 (12.5p / 25p) | ||
1920 x 1080 (25p / 50p) | 1920 x 1080 (25p / 50p) | ||
1280 x 720 (25p) | 1280 x 720 (25p) | ||
Audio data format |
LPCM 2ch (16bit 48 kHz) | LPCM 2ch (16bit 48 kHz) | |
Network Streaming |
Video data format |
MPEG-4 AVC/H.264 | MPEG-4 AVC/H.264 |
|
MPEG-H HEVC/H.265 *11 | MPEG-H HEVC/H.265 *11 | |
Video resolution |
3840 x 2160 (29.97p / 59.94p) | 3840 x 2160 (29.97p / 59.94p) | |
3840 x 2160 (25p / 50p) | 3840 x 2160 (25p / 50p) | ||
2560 x 1440 (29.97p / 59.94p) | 2560 x 1440 (29.97p / 59.94p) | ||
2560 x 1440 (25p / 50p) | 2560 x 1440 (25p / 50p) | ||
1920 x 1080 (29.97p / 59.94p) | 1920 x 1080 (29.97p / 59.94p) | ||
1920 x 1080 (25p / 50p) | 1920 x 1080 (25p / 50p) | ||
1280 x 720 (29.97p / 59.94p) | 1280 x 720 (29.97p / 59.94p) | ||
1280 x 720 (25p / 50p) | 1280 x 720 (25p / 50p) | ||
Audio data format |
AAC-LC 2ch (16bit 48 kHz) | AAC-LC 2ch (16bit 48 kHz) | |
Protocol |
RTMP | RTMP | |
RTMPS | RTMPS | ||
SRT | SRT | ||
Audio |
Microphone |
Built-in, stereo | Built-in, stereo |
|
Speaker |
Built-in, monaural | Built-in, monaural |
Lens Compensation |
Lens compensation |
Shading, Chromatic Aberration, Distortion, Breathing (Movie) | Shading, Chromatic Aberration, Distortion, Breathing (Movie) |
Power |
Battery |
One rechargeable battery pack NP-FZ100 | One rechargeable battery pack NP-FZ100 |
Still images*12 |
Approx. 470 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard) | Approx. 470 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard) | |
Movies (actual shooting)*13 |
Approx. 90 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard) | Approx. 90 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard) | |
Movies (continuous shooting) |
Approx. 150 min (Viewfinder) / Approx. 155 min (LCD monitor) (CIPA standard) | Approx. 150 min (Viewfinder) / Approx. 155 min (LCD monitor) (CIPA standard) | |
Internal battery charge |
Yes (Available with USB Type-C terminal. USB Power Delivery compatible)*14 | Yes (Available with USB Type-C terminal. USB Power Delivery compatible)*14 | |
USB power supply |
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible) | Yes (Available with USB Type-C Terminal. USB Power Delivery compatible) | |
Power consumption |
With viewfinder |
Still images: Approx. 4.2 W (with FE 28-70mm F3.5-5.6 OSS lens attached) | Still images: Approx. 4.2 W (with FE 28-70mm F3.5-5.6 OSS lens attached) |
|
Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached) | Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached) | |
With LCD screen |
Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached) | Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached) | |
|
Movies: Approx. 6.3 W (with FE 28-70mm F3.5-5.6 OSS lens attached) | Movies: Approx. 6.3 W (with FE 28-70mm F3.5-5.6 OSS lens attached) | |
Weight |
including Accessory |
Approx. 683 g (battery pack, SD card, Eyepiece cup) | Approx. 683 g (battery pack, SD card, Eyepiece cup) |
With battery and memory card |
Approx. 679 g | Approx. 679 g | |
With battery and memory card (oz.) |
Approx. 1 lb 8.0 oz | Approx. 1 lb 8.0 oz | |
Body only |
Approx. 594 g | Approx. 594 g | |
Body only (oz.) |
Approx. 1 lb 5.0 oz | Approx. 1 lb 5.0 oz | |
Dimensions (W x H x D) |
Dimensions (W x H x D) |
Approx. 129.7 x 77.8 x 103.7 mm, Approx. 129.7 x 77.8 x 85.0 mm (from grip to monitor) | Approx. 129.7 x 77.8 x 103.7 mm, Approx. 129.7 x 77.8 x 85.0 mm (from grip to monitor) |
|
Dimensions (W x H x D) (in.) |
Approx. 5 1/8 x 3 1/8 x 4 1/8 inches, Approx. 5 1/8 x 3 1/8 x 3 3/8 inches (from grip to monitor) | Approx. 5 1/8 x 3 1/8 x 4 1/8 inches, Approx. 5 1/8 x 3 1/8 x 3 3/8 inches (from grip to monitor) |
Operation |
Operating temperature |
0 - 40 ℃ / 32 - 104 °F | 0 - 40 ℃ / 32 - 104 °F |
|
Storage temperature |
-20 to 55 ℃ / -4 to 131 °F | -20 to 55 ℃ / -4 to 131 °F |
Supplied Accessories |
Supplied Accessory |
Rechargeable Battery NP-FZ100 | Rechargeable Battery NP-FZ100 |
Body cap | Body cap | ||
Accessory shoe cap | Accessory shoe cap | ||
Eyepiece cup | Eyepiece cup | ||
XLR handle unit | |||
Handle shoe cap |
Questions & Answers
Sony FX2 Full-frame Cinema Camera (Body Only) with XLR Handle
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