- Webcode: 487956 • Mfr: ATOM-NJTX02
- FREE SHIPPING Available
Product Highlights
- 5" Monitor
- 1920 x 1080 Max. Resolution
- Locking HDMI 2.0 Input/Output
- 1500 cd/m² Brightness
- IPS Touchscreen
Atomos Ninja TX GO HDMI & CFexpress 5-inch Monitor-Recorder
Atomos Ninja TX GO HDMI & CFexpress 5...- Available in Toronto
- Toronto In Stock
- Ottawa Available for Order
- Mississauga Available for Order
- Calgary Available for Order
- Edmonton Available for Order
Overview
Ninja TX GO
The Ultimate Monitor-Recorder for HDMI Cameras
Ninja TX GO combines HDMI I/O, Apple ProRes/RAW recording to ultra-fast CFexpress or external USB media, with a full suite of professional monitoring tools, camera control and touch to focus. It features built-in camera-to-cloud, supports NDI 6 streaming, and runs on the lightning-fast AtomOS Linux platform. Ideal for content creators with HDMI DSLRs and mirrorless cameras.
Key Features:
- Record up to 6Kp30 RAW over HDMI
- Encode to Apple ProRes / ProRes RAW / Avid DNx / H.265 / H.264
- Capture to CFexpress Type B or USB-C external storage
- Super-bright, 1500-nit, 5-inch touchscreen display
- Free camera control and touch-to-focus on supported camera models
- Built-in Wi-Fi 6E for camera to cloud workflows
- NDI 6 / HX3 TX/RX streaming capability
- AtomOS Linux-based operating system with OTA updates
- Secure locking HDMI / USB-C cable system
- Powered by USB-C, NP-F battery or AC adaptor
Display
5.2″ IPS touchscreen, with increased brightness to 1500nits – perfect for clear, precise and vivid monitoring in any setting, from the outdoors in sunlight, to a studio. The 8/10-bit colour processing, HDR support, Rec. 709 colour gamut, and calibration support ensure accurate and defined colour and high-quality monitoring.
New Operating System & Build
Powered by the lightning-fast AtomOS Linux operating with user-friendly UX and a full suite of professional monitoring tools, and a re-engineered build providing a quieter, cooler and more efficient operation.
Wireless Features and Camera to Cloud
Ninja TX GO camera monitor & recorder comes with connectivity built-in, including, camera-to-cloud with free ATOMOSphere membership, NDI 6 streaming and full integration into an NDI network,
Ninja TX GO is also the leader in Camera to Cloud (C2C) workflows – allowing you to upload your video files directly from your Atomos monitor-recorder to the cloud. Atomos supports direct progressive upload to ATOMOSphere (with a free 20GB starter storage plan), as well as Adobe Frame.io and Dropbox.
The wireless capabilities also provide ‘over the air’ (OTA) firmware updates, for a quick and convenient way to keep the OS current.
Comprehensive Colour and Metadata
The Ninja TX supports the use of select Sony, ARRI, JVC, RED, FUJIFILM, Nikon, Panasonic, and Canon log formats. Upload custom 3D LUTs to the monitor and output HDR conversion to Log, HLG, PQ, or Dolby Vision formats.
HDMI Input/Output
HDMI input supports 6K video up to 30 fps, up to 4K60, and up to 1080p120. Loop-through passes the incoming HDMI signal from the camera to another device, for example, an external monitor, wireless transmitter, or live streaming encoder. Via the HDMI input, you can record raw metadata such as white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, and gamut.
Recording & Media Options
The Ninja TX now includes a CFexpress Type B slot and dual USB-C recording outputs supporting fast data transfer to external USB media. The optionality is designed for scalability and futureproofing. In addition to recording directly to storage, the USB-C ports can also be used for calibration, custom 3D LUT uploads, adding audio devices.
Professional Monitoring Tools
The Ninja TX offers a n expansive suite of easy to use, one-touch monitoring tools for focus, framing, and exposure, including focus peaking, zoom (2:1, 1:1), zebras, false colour (including ARRI and EL Zone), frame guides, SMPTE safe areas, grid markers, waveforms, RGB parade, vectorscope, and flexible 3D/1D LUT support with profile and preset options (including .cube file uploads). It also provides anamorphic de-squeeze monitoring to correct the ratio for anamorphic lens setups.
Power Options
An L-series battery on the back of the Ninja TX supports NP-F L-series batteries. Alternatively, a battery eliminator can be used to provide DC power to the monitor, or a USB-C port supports 30W PD power delivery with the included cable.
What's Included
Ninja TX GO Monitor-RecorderUSB-C Locking Cable Adaptor
HDMI Locking Cable Adaptor
2x Wi-Fi Antenna
5x Antenna Tips (Black, White, Yellow, Green, Red)
2x Antenna Caps
USB-C Locking Cable (45cm)
Quick Start Guide
Reviews
Product Specifications
Ninja TX Go |
|
|---|---|
| Dimensions (W x H x D mm) | 151 x 92 x 36mm |
| Weight | 400g |
| Mount points | 1 x anti-rotation 1/4-inch / 3/8-inch top and bottom |
Environmental |
|
| Ambient operating temperature | Up to 40 degrees Celsius |
Construction |
|
| Body | Aluminium with ABS plastic |
| Cooling | Actively controlled fan and heat sink |
Power |
|
| Input voltage | 6.2V to 16.8V DC |
| Operating power | Up to 30W |
| Multi-function button | Power / lock screen |
| Continuous power | Via NP-F battery or USB-C PD Power |
| DC in connector | Via Battery Eliminator (optional) |
| DTAP | Up to 13W |
| USB PD IN | 45W capable, power supply required |
| USB PD OUT | Up to 13W |
Display |
|
| Size | 5.2-inch |
| Resolution | 1920 x 1080 |
| Backlight Type | Edge lit |
| Brightness (cdm2 / Nits) | 1500 |
| Aspect ratio | 16:9 |
| Colour Gamut | Rec.709 |
| Calibration support | Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable |
Colour Pipeline |
|
| Gamma | Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube format |
| 3D LUT Down Stream | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | Native / HLG / PQ / 3D LUT |
| HDR Output Conversion | Log / HDR to HLG / PQ |
Video Input |
|
| HDMI | 1 x HDMI (2.0) up to 6Kp30 |
| Locking port | Optional |
| Wi-Fi | Wi-Fi 6E |
| USB | 2 x USB-C 2.0/3.0 |
| Bit Depth | 8/10-bit video |
| Video Chroma Subsampling | 4:2:2 |
Video Output |
|
| HDMI | 1 x HDMI (2.0) up to 6Kp30 |
| Locking port | Optional |
| Wi-Fi | Wi-Fi 6E |
| USB | 2 x USB-C 2.0/3.0 |
| Bit Depth | 8/10-bit video |
| Video Chroma Subsampling | 4:2:2 |
Metadata |
|
| HDMI | RAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut |
Network |
|
| Wi-Fi | Wi-Fi 6E |
| USB | 2 x USB-C 2.0/3.0 |
Connectivity |
|
| Bluetooth | No |
| LANC | Yes |
Audio In/Out |
|
| HDMI | 8-channel, 24-bit |
| Analogue Audio Line In | 3.5mm headphone jack, 2-channel input |
| Headphone Out | 3.5mm headphone jack, 2-channel |
Timecode |
|
| Embedded | HDMI |
| Time of day | Yes |
| Reference / Genlock input | No |
| LTC | No |
| Wireless AirGlu RF Server and Client | No |
| Wireless AirGlu BT Server | No |
Resolution & Frame Rates (Record, Monitor & Playback) |
|
| RAW | Up to 6Kp30 |
| 4K DCI | 23.98/24/25/29.9/30/50/59.94/60p |
| 4K UHD | 23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2048 x 1080 | Yes |
| 1080p | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
| 1080 PsF | Converted to P and looped out PsF |
| 1080i | 50/59.94/60i |
| 720p | 50/59.94/60p |
Supported Media |
|
| CF Express | Atomos certified CF Express type B media |
| USB | Atomos certified USB 3.0 media |
| File System | ExFAT |
Codecs |
|
| Apple ProRes RAW | ProRes RAW, ProRes RAW HQ |
| Apple ProRes | LT, 422, 422 HQ |
| Avid DNxHD | DNxHD 220x, 220, 145, 36 |
| Avid DNxHR | LB, SQ, HQ, HQX |
| H.265 | LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0 |
Playback |
|
| Playlist | Yes - create customer playlists from full or sub-clips |
| Loop | Yes - with user-customizable in/out markers |
| Apple ProRes RAW | Yes - recorded clips |
| Apple ProRes | Yes - with linear PCM audio |
| Avid DNx | Yes - with linear PCM audio |
| H.265 | Yes |
Recording |
|
| Pre-roll | ProRes, DNxHD only |
| Timelapse | Yes |
| Simultaneous Proxy Record | Yes |
On-screen Monitoring Tools |
|
| Waveform | 3 sizes – adjustable opacity & brightness |
| RGB parade | 3 sizes – adjustable opacity & brightness |
| Vectorscope | 2 sizes – adjustable opacity & brightness |
| 1 x Zoom | Yes. 1:1 pixel mapping for 4K |
| 2 x Zoom | Yes |
| Focus peaking | Colour selected / threshold setting / colour / mono / edges only |
| Atomos False Colour | Yes, with scale |
| ARRI False Colour | Yes |
| EL ZONE | Yes |
| Zebra | Yes, adjustable |
| Isolate colour channel | Blue only |
| Cine Frame Guides | Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides | Presets for 9:16, 1:1, 191:1, 4:5 |
| Onion Skin | Yes |
| Safe areas | Action and graphic |
| Grid markers | 9 grid |
| Anamorphic desqueeze | 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x |
| Display Flip | Vertical only |
Onboard Signal Processing |
|
| Pulldown removal | 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD | Loop out - 4K UHD to HD |
| DCI Crop | Loop out - 17:9 to 16:9 crop |
Remote Control |
|
| HDMI | Auto HDMI trigger, supported protocols - Canon, Sony, Atomos |
| Serial 2.5mm Jack | Calibration via optional USB to serial cable |
| AirGlu BT | No |
| AirGlu RF | No |
Camera to Cloud |
|
| ATOMOSphere | Direct progressive upload supported (20GB free storage) |
| Adobe Frame.io | Direct progressive upload supported (separate subscription service) |
| Dropbox | Direct progressive upload supported (separate subscription service) |
Questions & Answers
Atomos Ninja TX GO HDMI & CFexpress 5-inch Monitor-Recorder
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