• Webcode: 415924 • Mfr: ATOM-SUMO19
Product Highlights
  • 19" IPS Touchscreen Field Monitor
  • 1920 x 1200 Resolution
  • 1200 cd/m2 Brightness
  • 3G/12G-SDI/HDMI/Audio Input
  • 4K/HD-SDI/HDMI/Audio Output
  • 2.5" SSD/HDD Storage
Option:
Sumo 19
Atomos Sumo 19” HDR/High Brightness Monitor Recorder Atomos Sumo 19” HDR/High Brightness M...
Web Availability: Special Order
Vistek Locations
  • Toronto Special Order
  • Ottawa Special Order
  • Mississauga Special Order
  • Calgary Special Order
  • Edmonton Special Order
Please call and verify availability at the store as stock changes daily.

Lease this for: $101.46 Learn More

Rent this for: $200/day Learn More

Overview

Sumo

On-set & In-studio 4Kp60 HDR 19" monitor-recorder

The first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording

Built for Production

Rugged construction. Flexible mounting

The Aluminium alloy chassis with built-in armor houses ten mounting points around the top/bottom/side, a rear panel VESA mount and an included stand for a variety of mounting configurations. Alongside of the XLR connections for power and balanced audio, there is a 3.5mm stereo headphone jack and built-in speakers. The optional mounting plates connect dual V-Lock or Anton Bauer batteries work in tandem with our patent pending continuous power system. This allows batteries to be hot swapped to ensure you are never without power in the field.

QUAD SDI & HDMI 2.0 IN/OUT

Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 and SDI (3G QuadLink/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 input/output along with the very latest Atomos open protocol that supports HDR automation including importing of camera settings. There is also support for Genlock and LTC timecode.

PROFESSIONAL RECORDING

12-bit Raw, 10-bit ProRes/DNxHR up to 4Kp60

Capture the RAW output from Sony FS5/FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to 12-bit 4Kp30 as CDNG or 10-bit Apple ProRes / Avid DNxHR up to 4Kp60 / 2Kp240 depending on the camera’s capability. The processing power of Sumo preserves pristine quality direct from the sensor with data rates of up to 3.2 Gbps.

MONITOR. SWITCH. RECORD

Live Switch and Record up to four 1080/60p channels, 4 x ISO record and playback

Make working with multi-cam a breeze. Switch and mix a live record and stream or record 4 x HD ISO recordings using the QuadLink SDI connections. Switch between feeds on screen with cueing, cross fade and hard cuts from the locked sources or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired final result infinitely editable.

XLR MONITOR & RECORD

Balanced XLR Monitor & Record with 48V Phantom

Eliminate the need for a separate audio recorder by using the full size XLR connections to connect and power external microphones for balanced analogue audio with dedicated meters and adjustments for frame delay and gain. 48V phantom mics or line level audio are all seamlessly synchronized for the most advanced audio feature set in a monitor today. There is also a 3.5mm stereo headphone jack and built-in speakers for on set instant immersive review or complete internal recording review anytime anywhere with clients or production team.

GO HDR TODAY

In the field & the studio

Sumo’s 19” 1920x1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps the Log/PQ/HLG from popular cameras, game consoles or TV makers to perfectly resolve 10+ stops of HDR in real time. The brightness range and vivid colours of HDR bring scenes to life either on the monitor itself, or when output to larger HDR/Rec709 displays for on set review. It can also be used with popular NLE or grading suites for affordable HDR or SDR editing or grading in the studio.

HIGH BRIGHT FOR REC709 OUTDOOR SHOOTING

1200nit 19” calibrated 1920x1080 monitor

The extremely bright 1200nit display means you can accurately monitor, even when outside in full daylight. Additionally, for the ultimate low light performance an optional hood is available. The simplicity of AtomOS means its only a single tap on screen to bring up focus peaking, 2:1/1:1 zoom, Zebra, False Colour, Frame guides, SMPTE Safe Area, Waveform, RGB parade, Vectorscope, Anamorphic desqueeze and a flexible 3D LUT implementation to upload your own LUTs as .cube files.

TRUST WHAT YOU SEE

Calibrate for accurate colour

Like all high-end monitor’s, Sumo also has optional calibration to compensate for the natural colour and brightness drift that monitors exhibit over time. Sumo’s calibration input lets you use X-Rite’s i1DisplayPro to always ensure accurate HDR and Rec709 monitoring.

CONTINUOUS POWER

Never go without power

The optional mounting plates connect dual V-Lock or Anton Bauer batteries that work in tandem with our patent pending continuous power system. Sumo automatically swaps to the second battery when power is low, allowing the drained battery to be hot swapped to ensure you are never without power in the field.

CHOOSE THE SSD TO SUIT YOUR WORKFLOW

Media solutions that are affordable, time saving and convenient

Sumo records using our patented Master Caddy system. High capacity and widely available 2.5" SSD's provide an affordable solution for long recording times. We've tested and approved over 20 drives for Sumo (atomos.com/drives) that neatly slot into the provided Master Caddy or use the custom Atomos caddy from G-Technology to integrate directly into their EV series of Raid and desktop solutions for the ultimate in workflow efficiency.

What's Included

Atomos Sumo unit
Master Caddy II
AC power supply

Reviews

Product Specifications

ATOMSUMO19

Physical Specs

 
Weight without batteries, media & stand 5.6kg / 12.3lbs 
Weight with stand 6.2kg / 13.7lbs 
Dimensions (W x H x D mm) 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand)
504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand)
Construction Aluminium alloy chassis with built in armor protection 
Mounting Points 1/4-20 screw; 4 x top, 4 x bottom, 2 x side
3/8-16 screw; 2 x top, 2 x bottom, 1 x side
VESA mount rear

Power

 
Operating power 75W
Compatible batteries V-Lock / Anton Bauer via XLR terminal (optional mounting plates available)
Input voltage (battery) 14.4V nominal 
Battery time (based on 7.4V) Depends on Watt Hours specification of battery used 
DC In 1 x DC in (6.2 - 16.8V) 
Continuous power
* Patent pending
Primary-secondary battery system. 
Change batteries without losing power
Loop batteries continuously

Touchscreen

 
Size 19” 
Resolution 1920 x 1200 
PPI 120 
Aspect ratio 16:9 native 
Colour Gamut REC709 HDTV 
Look up table (LUT) support 3D LUT (.cube format) 
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3 
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit 

HDR

 
AtomHDR Yes 
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm 
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC) 
Brightness 1200nit (+/- 10%) 
HDR input (PQ/HLG) Yes / Yes
HDR output (PQ/HLG) Yes / Yes 

Video Input/Loop Out

 
HDMI 1 x HDMI (2.0) 
SDI Quad link 4 x 3G SDI* or up to 12G single link SDI 
Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent) 

Video Output
(Play Out)

 
HDMI 1 x HDMI (2.0) 
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent)

Supported Loop Out Formats

 
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60
SDI to SDI 720p 50/60, 1080i 50/60
1080pSF 24/25/30 
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60

Video Signal Conversion

 
HDMI to SDI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60 
SDI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60

Supported Codecs & Frame Rates (Record & Playback)

 
Raw Record

Sony FS5/FS7^^/FS700 CDNG
4K DCI; 24/25/30p 
4K UHD; 
2K; 24/25/30/50/60/100/120p
1080;

Canon C300MKII/C500 CDNG
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K;
1080;

Panasonic VaricamLT / Varicam35* CDNG
4K DCI; 24/25/30p 
4K UHD; 24/25/30p
2K;
1080;

Arri Alexa Mini .ARI*
2880x1620; 24/25/30/50/60p
2880x2160; 24/25/30/50/60p

Raw to ProRes / DNxHR

Sony FS5/FS7/FS700
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30/50/60p
4K UHD;
2K; 24/25/30/50/60/100/120/200/240p
1080;

Canon C300MKII/C500
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;

Panasonic VaricamLT / Varicam35*
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30/50*/60p*
4K UHD; 24/25/30/50*/60p*
2K; not supported in camera
1080; not supported in camera

Video to ProRes / DNxHR (DNx utilizes .MOV wrapper)

Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; N/A
1080p; 24/25/30/50/60/100^/120^/200/240p
1080i; 50/60i
720p; 50/60p

Onboard Processing

 
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW) 

Audio In/Out (48kHz PCM Audio)

 
HDMI 2 or 8ch 24-bit, camera dependent 
SDI 12ch 48kHz 24-bit 
Audio 2ch balanced XLR analog in/out (direct XLR connection)
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Headphone Out 3.5mm 
Built-in Speakers Yes 

Remote Start/Stop

 
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
Other LANC control - Slave

Playback

 
Playlist / Genlock / LTC Yes / Yes / Yes
CDNG (Recorded content) No support
ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps
DNxHR / DNxHD
(recorded content)
All recorded files can playback. Playback in slow motion >= 100fps

Recording

 
Pre-roll record Yes (HD 8s, 4K 2s) 
Custom timelapse Yes 
Meta data tagging Yes (10 tags available) 
Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives 
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools 

Questions & Answers

Atomos Sumo 19” HDR/High Brightness Monitor Recorder

Looking for a personal touch? Not sure if you are choosing the right product? Our staff is here to help.

We want to make sure you get the right product for your needs.
Our staff will help you understand the options available so you can be confident in your purchase.

As the country’s leading Professional Imaging retailer, Vistek is in the perfect position to ensure you make the right choice.
Contact us today for a personal touch.