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Product Highlights
- 45 MP CMOS Sensor
- Full-Frame Format
- 12 fps Continuous Shooting
- ISO 100-51200 Expandable to 50-102400
- 8K (8192x5464) at 24 RAW Video Recording
- Dual Pixel CMOS AF with Eye Detection Autofocus
- 3.2" Free-Angle Tilting Touchscreen LCD
Canon Cinema EOS R5 C Full-Frame Mirrorless Body
Canon Cinema EOS R5 C Full-Frame Mir...- Call for Availability in Calgary
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Overview
Cinema EOS R5 C
Full-Frame, 8K Cinema EOS System Camera
Ready For Anything
The Canon EOS R5 C is a professional hybrid cinema camera, designed for solo operators that require a one-stop solution for their production needs. It combines the professional filmmaking features expected from a Cinema EOS camera with the powerful photographic capabilities of the EOS R System.
Compact and lightweight, the EOS R5 C is a true hybrid camera, boasting many of the video formats and features from the Cinema EOS lineup as well as many of the still-imaging capabilities of the EOS R5 camera in a beautifully designed body.
The EOS R5 C is a complete package that offers filmmakers, multimedia journalists, and advanced amateurs a cost-effective 8K, 4K, and FHD video camera to help unlock their creative potential.
Key Features:
Video Control for the Dedicated Video Professional
Supports 8K/60P Internal RAW Recording
Internal Cooling Fan Enables Non-stop 8K/60P Recording
Expanded Interface for Professional Needs
Carries on the Ergonomic EOS Design
Full-featured 13 Assignable Buttons
8K Sensor and DIGIC X Processor
Internal Cinema RAW Light up to 8K/60P
Supports 8K HDR Recording (HLG/PQ)
Wide Variety of Recording Formats
XF-AVC and MP4 Codecs for 10-bit 4:2:2 Video
4K and 2K Oversampling
HDMI 8K RAW Output to Compatible Recorders
Up to 4K 120P Slow and Fast Motion Recording Mode in 4:2:2 10-bit
Simultaneous Audio Recording Enabled with HFR
Canon Log 3 Expands Expressive Possibilities
Enhanced image stabilization
Canon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow
Dual Pixel CMOS AF with iTR AF X
Tier Zero
And the EOS R5 C
Tier Zero
Behind The Scenes
Shares Common Features & Technology with the EOS R5 Camera
Canon's 45 Megapixel full-frame, CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K/60P RAW cinematic video shooting.
Focus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 frames per second, and with Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects.
With 1,053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face and Head Detection AF, or intuitively track the whole body, face or eye of cats, dogs, or birds with Animal Detection AF. For those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles.
Connectivity like 5GHz and 2.4GHz Wi-Fi® and Bluetooth®, is also included for the transfer of still images.
Video Control for the Dedicated Video Professional
As soon as the EOS R5 C's main switch is moved to the "video" position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available - greatly expanding the EOS R5 C's video potential for the experienced camera operator or video content creator. During “photo" operation, menus are nearly the same as on the EOS R5 camera.
Supports 8K/60P Internal RAW Recording
The 8K sensor and DIGIC X processor produce high-quality video at up to 8K/60P. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder.
Internal Cooling Fan Enables Non-stop 8K/60P Recording
The EOS R5 C camera features a cooling fan built into the body, forcing out the heat from inside. This enables continuous and virtually limitless shooting of high-definition 8K/60P video without interruption.
Expanded Interface for Professional Needs
The EOS R5 C camera provides a Timecode input/output terminal for easy synchronization when shooting with multiple cameras and other interfaces. A cable protector is also included as standard to prevent cable disconnection or damage to the terminal if strong force is applied when connecting interface or HDMI cables.
Canon’s Multi-function shoe with digital audio interface supports the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter for up to 4-channel audio. This optional accessory adds two full-sized XLR terminals with phantom power and shotgun mic mount, enabling digital 4-channel and 24-bit audio recording to meet professional video production needs.
Carries on the Ergonomic EOS Design
The EOS R5 C camera's body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its Electronic Viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.
Full-featured 13 Assignable Buttons
The EOS R5 C camera is designed with operational flexibility in mind, conforming to each individual professional workflow, including 13 marked, assignable buttons that allow for user-friendly customized operation.
8K Sensor and DIGIC X Processor
The EOS R5 C camera is the first Cinema EOS System Camera to provide internal 8K (8192x4320) 60P RAW recording. 8K video offers outstanding definition and realism with 16 times the resolution of full HD video, enabling unprecedented capabilities in video expression and highly flexible workflows, such as 4K cropping from 8K footage. The EOS R5 C camera can also record 8K video in the highly versatile MP4 format. Lighter, smaller proxy video files can also be recorded while shooting 8K. This makes for an efficient workflow during editing, previewing, and other tasks.
Internal Cinema RAW Light up to 8K/60P
The camera supports recording of two 8K formats, both Cinema RAW Light, which is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. Formats can be selected according to the user's needs. In addition, 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards.
Cinema RAW Light can be recorded internally with data optimized for HDR video rendering. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates.
Thanks to three newly-developed Cinema RAW Light modes (High quality RAW HQ, standard quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs.
Supports 8K HDR Recording (HLG/PQ)
The combination of ultra-high-definition 8K recording and HDR lets users shoot more realistic and lifelike video. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) formats. This helps ensure full color rendition and wide latitude with a great range from black to pure white - outstanding for the delivery of live streams, broadcasts and post-production projects.
Wide Variety of Recording Formats
The EOS R5 C camera offers users a wide variety of recording formats to choose from to fit individual workflows and output needs. Along with Cinema RAW Light, which provides light data sizes for RAW recording, the EOS R5 C camera supports MXF-based XF-AVC, which conforms to broadcasting standards, and highly versatile MP4.
Simultaneously Record Different Formats
The EOS R5 C camera is capable of recording two independent video files simultaneously, such as Cinema RAW Light and MP4 at various resolutions including 4K and HD, as well as lightweight proxy files for various professional workflows.
XF-AVC and MP4 Codecs for 10-bit 4:2:2 Video
In addition to Cinema RAW Light, the EOS R5 C camera offers XF-AVC and MP4 codecs to provide familiar and trusted codecs for easy ingestion and post-production workflows across cinema, broadcast, and many professional markets and applications. XF-AVC offers robust 10-bit 4:2:2 files in a .MXF wrapper for simple compatibility with non-linear editing systems (NLEs) and existing workflows.
4K and 2K Oversampling
The EOS R5 C camera reads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording. A high-definition debayer algorithm has been included and the 4K generated from the abundant RGB data of the 8K sensor enables more refined imaging capabilities with less incidence of moiré, false colors, “jaggies” and noise.
HDMI 8K RAW Output to Compatible Recorders
The EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices*. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K 30P. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.
*Only Atomos NINJA V+ is supported as of January 2022. A separate HDMI cable is required to connect to the NINJA V+.
Up to 4K 120P Slow and Fast Motion Recording Mode in 4:2:2 10-bit
The EOS R5 C camera can record High Frame Rate (HFR) movies at up to 120P at 4K resolution (4096x2160/3840x2160) in 4:2:2 10-bit without cropping the sensor.
Amazing for shooting scenes full of fast-paced action, the EOS R5 C camera's fast and intuitive autofocus remains enabled even during HFR recording, making it ideal when shooting from a gimbal or drone, delivering outstanding focus accuracy at HFR or at common frame rates.
Simultaneous Audio Recording Enabled with HFR
Unlike some other cameras where audio is not recorded during HFR shooting, the EOS R5 C camera can record .WAV audio as a separate file from video, virtually eliminating the need for separate audio recording and delivering HFR video and audio files in one convenient device when shooting slow motion or fast motion video.
Canon Log 3 Expands Expressive Possibilities
The EOS R5 C camera features Canon Log 3, which is found in many Canon cameras and works with multiple Canon EOS and Cinema EOS cameras. The wide dynamic range can be used for a wider range of grading after shooting. Canon Log 3 is a gamma that is designed for simple grading, such as tightening dark areas and adjusting tones. It carries on Canon Log's ease of use with less noticeable noise. It can also be used when shooting with other Cinema EOS system cameras such as the EOS C300 Mark III and EOS C70 cameras.
Enhanced Image Stabilization
Enhanced image stabilization is achieved through coordinated control when Canon's RF lenses with optical IS are combined with the EOS R5 C camera's electronic IS when shooting XF-AVC or MP4 formats. With an RF lens that has optical IS and the electronic IS in the EOS R5 C camera, coordinated control helps achieve the optimum hand-shake correction effects. This helps achieve better anti-vibration performance than with conventional IS-equipped EF lenses (using optional Mount Adapter EF-EOS R) and electronic IS together.
Canon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow
The EOS R5 C camera is an excellent camera pairing with Canon's RF5.2mm F2.8 L Dual Fisheye Lens to achieve stereoscopic 3D 180° VR video (viewing in 3D requires the use of a compatible Head Mount Display). A plug-in for Adobe® Premiere Pro® and Canon's EOS VR Utility are available to streamline the workflow from shooting to editing.
Dual Pixel CMOS AF with iTR AF X
Canon's Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, and also to capture actual image information achieving both high precision focusing and high image quality.
With most Canon RF and EF lenses, AF for video can be carried out over approximately 80% of the vertical and horizontal area of the screen. Touch AF allows positioning an AF point by simply touching the LCD screen, in addition to quick manual positioning with the 8-way Multi-controller on the rear of the camera.
In addition, the camera features Eye AF/Head Detection AF, developed with the use of deep learning technology to improve subject tracking. It also provides human detection (eyes/face/head), allowing it to track subjects accurately even when AF control is not available.
Users can track focusing as desired depending on their subject or shooting situation. A wide variety of AF modes enable autofocus shooting that flexibly responds to the subject's movement. Users can leave focusing to the camera and concentrate on their camera work.
What's Included
EOS R5 C Digital Cinema CameraBattery Pack LP-E6NH
Battery Charger LC-E6
Shoulder Strap SS-1200
Interface Cable IFC-100U
Cable Protector
Camera Cover R-F-5
Reviews
Product Specifications
Cinema EOS R5 C |
|
|---|---|
Type |
|
| Type | Digital single-lens non-reflex AF/AE camera |
| Image Processor | DIGIC X |
| Recording Media | CFexpress card
SD card
|
| Compatible Lenses | Canon RF lens group (excluding EF, EF-S and EF-M lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses) |
| Lens Mount | Canon RF mount |
Image Sensor |
|
| Type | CMOS sensor (compatible with Dual Pixel CMOS AF) |
| Effective pixels | Approx. 45.0 megapixels |
| Sensor Size | Approx. 36.0 x 24.0 mm |
| Pixel Size | Approx. 4.40 µm square |
| Total Pixels | Approx. 47.1 megapixels |
| Aspect Ratio | 3:2 (Horizontal:Vertical) |
| Color Filter System | RGB primary color filters |
| Low Pass Filter | Installed in front of the image sensor, non-detachable |
| Dust Deletion Feature | Self Cleaning Sensor Unit
|
Recording System |
|
| Recording Format | Compliant to Design rule for Camera File system 2.0 and Exif 2.3*. *Supports time difference information in Exif 2.31. |
| Image Format | JPEG, HEIF, RAW (CR3, 14 bit RAW format), C-RAW (Canon original); Movies: ALL-I, IPB, RAW |
| HDR Mode-Continuous Shooting | (1) 1 shot only (2) Continuously (3) Multiple Exposure |
| Advanced shooting operations | (1) Focus Bracketing (2) Interval Timer (3) Bulb Timer (4) Multi-Shot NR |
| File Size | 3:2 Aspect Ratio Large/RAW/C-RAW: 8192 x 5464 Medium: 5808 x 3872 Small 1: 4176 x 2784 Small 2: 2400 x 1600 1.6x (Crop)* Large/RAW/C-RAW: 5088 x 3392 Small 2: 2400 x 1600 4:3 Aspect Ratio Large: 7280 x 5464 Medium: 5152 x 3872 Small 1: 3712 x 2784 Small 2: 2112 x 1600 RAW/C-RAW: 8192 x 5464 16:9 Aspect Ratio Large: 8192 x 4608 Medium: 5808 x 3264 Small 1: 4176 x 2344 Small 2: 2400 x 1344 RAW/C-RAW: 8192 x 5464 1:1 Aspect Ratio Large: 5456 x 5456 Medium: 3872 x 3872 Small 1: 2784 x 2784 Small 2: 1600 x 1600 RAW/C-RAW: 8192 x 5464
* Indicate an inexact proportion. |
| File Numbering | The following file numbers can be set: File numbering methods Continuous numbering (The numbering of captured images continues even after you replace the card.) Auto reset (When you replace the card, the numbering will be reset to start from 0001. If the new SD card already contains images, the numbering will continue from the last recorded image in the card.) Manual reset Resets the file number to 0001, and creates a new folder automatically. *When manually resetting the file number, folders can also be renamed. |
| RAW + JPEG / HEIF Simultaneous Recording |
Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported. |
| Color Space | Selectable between sRGB and Adobe RGB |
| Picture Style | Auto Standard Portrait Landscape Fine Detail Neutral Faithful Monochrome User Defined 1-3
|
White Balance |
|
| Settings | Auto (Ambience priority/White priority) Day Light Shade Cloudy* Tungsten light White fluorescent light Flash Custom (Custom WB) Color temperature * Effective also in twilight and sunset. |
| Auto White Balance | Option between ambience priority and white priority settings. |
| White Balance Shift | Blue/amber bias: ±9 levels Magenta/green bias: ±9 levels Corrected in reference to the current WB mode's color temperature. |
Viewfinder |
|
| Type | OLED color electronic viewfinder; approx. 5.76 million dots resolution |
| Coverage | Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 23mm eyepoint). |
| Magnification / Angle of View | Approx. 0.76x / Approx. 35.5 degrees (with 50mm lens at infinity, -1 m-1) |
| Eye Point | Approx. 23mm (at -1 m-1 from the eyepiece lens end) |
| Dioptric Adjustment Range | Approx. -4.0 to + 2.0 m-1 (dpt) |
| Viewfinder Information | Maximum burst Possible shots/Sec. until self-timer shoots Focus Bracketing/ Multiple-exposure/HDR shooting/Multi Shot Noise Reduction/Bulb time/Interval timer Shooting mode AF method AF operation Image quality Card Drive mode Metering mode No. of remaining shots for focus bracketing, multiple exposures, or interval timer Electronic level Movie recording time available Battery level Image Stabilizer (IS mode) Histogram (Brightness/RGB) Quick Control button Anti-flicker shooting White balance/White balance correction Picture style Auto Lighting Optimizer Still photo cropping / Aspect ratio AF point (1-point AF) AEB/FEB View Assist HDR PQ Flash ready / FE lock / High-speed sync Electronic shutter Touch shutter / Create folder AE lock Shutter speed / Multi-function lock warning Aperture value Wi-Fi® function Wi-Fi® signal strength Bluetooth® function Exposure simulation Magnify button ISO speed Highlight tone priority Exposure compensation Exposure level indicator |
Autofocus |
|
| Focus Method | Dual Pixel CMOS AF II |
| Number of AF zones available for Automatic Selection | AF area: Horizontal: Approx. 100% x Vertical: Approx. 100% Stills: Max. 1053 zones (39 x 27) Movies: Max. 819 zones (39 x21) |
| AF Working Range | EV -6 to 20 (f/1.2 lens*, center AF point, One-Shot AF, at 73°F/23°C, ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating. |
| AF Methods | AF Method Face+Tracking AF Spot AF 1-point AF Expand AF Area (Above, below, left and right/Around) Zone AF Large Zone AF (Vertical/Horizontal) |
| Subject to Detect | People, Animals, No Priority * Available with [AF method] set to Face+Tracking, Zone AF, or Large Zone AF (vertical/horizontal) |
Exposure Control |
|
| Metering Modes | Real-time metering with image sensor (384 [24x16 zone metering]) Evaluative metering (AF point-linked) Partial metering (approx. 6.1% of the area at the center of the screen) Spot metering (approx. 3.1% of the area at the center of the screen) Center-weighted average metering |
| Metering Range | EV -3 - 20 (at 73°F/23°C, ISO 100) (Still Photo Shooting) |
| Exposure Control Modes | Scene Intelligent Auto Flexible-priority AE (Fv) Program AE (P) Shutter-priority AE (Safety shift possible) (Tv) Aperture-priority AE (Safety shift possible) (Av) Manual exposure (M) Bulb Custom shooting mode C1, C2, C3 |
Shutter |
|
| Type |
* A shutter release sound is not generated. However, note that the sounds other than the shutter release sound (aperture, focusing lens drive sound/electronic sound, etc.) may be generated. * In electronic shutter shooting under conditions such as flash firing by other cameras or with fluores-cent lighting or other flickering light sources, a strip of light or banding due to the brightness difference may be recorded in the image. |
| Shutter Speeds | When [Mechanical] or [Elec. 1st- curtain] is set: 1/8000-30 sec, bulb When [Electronic] is set: 1/8000-0.5 sec. |
| X-sync Speed | Mechanical Shutter: 1/200 sec. Elec. 1st-curtain: 1/250 sec. |
| Shutter Release | Soft-touch electromagnetic release |
| Self Timer | 10-sec. delay, 2-sec. delay |
Image Stabilization
|
|
| Still Photo IS | Optical IS with RF and EF lenses equipped with Image Stabilization. Always on Only for shot |
| Video IS | A narrower angle of view is used when digital image stabilization is selected in the menu. This is equivalent to approx. 1.1x longer focal length when Electronic Image Stabilization mode (Standard) is selected. Also, this is equivalent to approx. 1.43x longer focal length when Electronic Image Stabilization mode (High) is selected. |
External Speedlite |
|
| E-TTL balance | Ambience priority, standard, flash priority |
| Compatible E-TTL Speedlites | Canon EX- and EL-series Speedlites |
| E-TTL II Flash Meterings | Evaluative (Face Priority) Evaluative Average |
| Slow Sync (P/Av modes) | 1/250* - 30 sec., auto 1/250* - 1/60 sec., auto 1/250* sec. (fixed) * Electronic 1st curtain shutter only * With mechanical shutter — 1/200 sec. |
| Flash Function Menu | Provided for EX- and EL-series Speedlites |
| Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
| Continuous flash control | E-TTL each shot E-TTL 1st shot |
HDR Shooting - Still |
|
| HDR PQ Shooting | Disable / Enable |
| HDR PQ Shooting - Still | Recording format: HEIF Bit depth: 10 bit Color sampling method: YCbCr 4:2:2 HDR specification: ITU-R BT.2100 (PQ) |
Video Shooting |
|
| Focusing | Dual Pixel CMOS AF |
| Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
| Canon Log | Provided (Off / Canon Log 3) |
LCD Screen |
|
| Type | TFT color, liquid-crystal monitor |
| Monitor Size | 3.2-inch (screen aspect ratio of 3:2) 3.15 in./8.01cm diagonal (2.63 in./6.67cm width, 1.75 in./4.44cm height) |
| Dots | Approx. 2.1 million dots |
| Coverage | Approx. 100% vertically/horizontally |
| Brightness Control | Manually adjustable to one of seven brightness levels |
| Coating | Clear View LCD II Anti-smudge coating applied. Anti-reflection coating not applied. |
| Interface Languages | 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese) |
Playback |
|
| Highlight Alert | The white areas with no image data will blink. |
| Histogram | Brightness and RGB |
Quick Control Function |
|
| Function | The Quick Control screen is accessed by pressing the Quick Control button during still photo shooting. |
Image Protection and Erase |
|
| Protection | Single image (select image) Select range All images in a folder All images on card
|
| Erase | Except protected images
|
Direct Printing |
|
| Compatible Printers | Not supported |
| DPOF | |
| Digital Print Order Format | Compliant to DPOF Version 1.1 |
Wi-Fi® |
|
| Standards Compliance | IEEE 802.11a/ac/b/g/n |
| Transmission Method | DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n/a/ac) |
| Transition Frequency (Central Frequency) |
2.4 GHz band Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels 5 GHz band Frequency: 5180 to 5825 MHz Channels: 36 to 165 channels |
| Connection Method | (1) Camera access point mode (2) Infrastructure mode |
| Communication with a Smartphone | Images can be viewed, controlled, and received using a smartphone. Remote control of the camera using a smartphone is possible depending on the Camera Connect specifications. Images can be sent to a smartphone. |
| Remote Operation Using EOS Utility | The camera can be controlled via Wi-Fi® using EOS Utility. |
| Print from Wi-Fi® Printers | Not supported. |
| Send Images to a Web Service | Still photos (RAW, C-RAW, HEIF, and JPEG) and movies (MP4) can be uploaded to image.canon server album. With the image.canon server, images can be sent to social media or a photo album link can be sent (by the image.canon specifications). |
Bluetooth® |
|
| Standards Compliance | Bluetooth Specification Version 5.0 compliant (Bluetooth low energy technology) |
| Transmission Method | GFSK modulation |
Customization |
|
| Custom Functions | 22 Custom Functions are settable. |
| Custom Controls | Customizable Buttons
|
Interface |
|
| USB Terminal | Equivalent to Hi-Speed USB (USB 3.1 Gen 2)
|
| Video Out Terminal | HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible Images can be displayed through the HDMI output and on screen at the same time. Images will not be displayed unless [NTSC] or [PAL] is properly set according to the video system of the TV set. |
| Clean HDMI output | Provided |
| Microphone Input Terminal | 3.5mm diameter stereo mini jack |
| Headphone Terminal | 3.5mm diameter stereo mini jack |
Power Source |
|
| Battery | LP-E6NH/LP-E6N/LP-E6*
|
| Battery Check | Automatic battery check when the power switch is turned ON. Displayed in 6 levels on top LCD panel.
|
| Start-up Time | Approx. 0.4 sec.
|
Operating Environment |
|
| Working Temperature Range | 32-104° F / 0-+40°C |
| Working Humidity | 85% or less |
Physical Specs |
|
| Dimensions (W x H x D) | Approx. 142 x 101 x 111 mm (5.6 x 4.0 x 4.4") *Based on CIPA standards. |
| Weight | Approx. 770 g (1.7 lbs) * Including battery, CFexpress card; without body cap Approx. 680 g (1.5 lbs) *Body only; without battery, card or body cap |
Questions & Answers
Canon Cinema EOS R5 C Full-Frame Mirrorless Body
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