Product Highlights
  • 45 MP CMOS Sensor
  • Full-Frame Format
  • 12 fps Continuous Shooting
  • ISO 100-51200 Expandable to 50-102400
  • 8K (8192x5464) at 24 RAW Video Recording
  • Dual Pixel CMOS AF with Eye Detection Autofocus
  • 3.2" Free-Angle Tilting Touchscreen LCD
Canon Cinema EOS R5 C Full-Frame Mirrorless Body Canon Cinema EOS R5 C Full-Frame Mir...
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Overview


Cinema EOS R5 C
Full-Frame, 8K Cinema EOS System Camera


Ready For Anything

The Canon EOS R5 C is a professional hybrid cinema camera, designed for solo operators that require a one-stop solution for their production needs. It combines the professional filmmaking features expected from a Cinema EOS camera with the powerful photographic capabilities of the EOS R System.


Compact and lightweight, the EOS R5 C is a true hybrid camera, boasting many of the video formats and features from the Cinema EOS lineup as well as many of the still-imaging capabilities of the EOS R5 camera in a beautifully designed body.

The EOS R5 C is a complete package that offers filmmakers, multimedia journalists, and advanced amateurs a cost-effective 8K, 4K, and FHD video camera to help unlock their creative potential.

Key Features:

Shares Common Features & Technology with the EOS R5 Camera
Video Control for the Dedicated Video Professional
Supports 8K/60P Internal RAW Recording
Internal Cooling Fan Enables Non-stop 8K/60P Recording
Expanded Interface for Professional Needs
Carries on the Ergonomic EOS Design
Full-featured 13 Assignable Buttons
8K Sensor and DIGIC X Processor
Internal Cinema RAW Light up to 8K/60P
Supports 8K HDR Recording (HLG/PQ)
Wide Variety of Recording Formats
Simultaneously Record Different Formats
XF-AVC and MP4 Codecs for 10-bit 4:2:2 Video
4K and 2K Oversampling
HDMI 8K RAW Output to Compatible Recorders
Up to 4K 120P Slow and Fast Motion Recording Mode in 4:2:2 10-bit
Simultaneous Audio Recording Enabled with HFR
Canon Log 3 Expands Expressive Possibilities
Enhanced image stabilization
Canon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow
Dual Pixel CMOS AF with iTR AF X


Tier Zero

And the EOS R5 C


Tier Zero

Behind The Scenes

Shares Common Features & Technology with the EOS R5 Camera

Canon's 45 Megapixel full-frame, CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K/60P RAW cinematic video shooting.

Focus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 frames per second, and with Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects.

With 1,053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face and Head Detection AF, or intuitively track the whole body, face or eye of cats, dogs, or birds with Animal Detection AF. For those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles.

Connectivity like 5GHz and 2.4GHz Wi-Fi® and Bluetooth®, is also included for the transfer of still images.

Video Control for the Dedicated Video Professional

As soon as the EOS R5 C's main switch is moved to the "video" position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available - greatly expanding the EOS R5 C's video potential for the experienced camera operator or video content creator. During “photo" operation, menus are nearly the same as on the EOS R5 camera.

Supports 8K/60P Internal RAW Recording

The 8K sensor and DIGIC X processor produce high-quality video at up to 8K/60P. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder.

Internal Cooling Fan Enables Non-stop 8K/60P Recording

The EOS R5 C camera features a cooling fan built into the body, forcing out the heat from inside. This enables continuous and virtually limitless shooting of high-definition 8K/60P video without interruption.

Expanded Interface for Professional Needs

The EOS R5 C camera provides a Timecode input/output terminal for easy synchronization when shooting with multiple cameras and other interfaces. A cable protector is also included as standard to prevent cable disconnection or damage to the terminal if strong force is applied when connecting interface or HDMI cables.

Canon’s Multi-function shoe with digital audio interface supports the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter for up to 4-channel audio. This optional accessory adds two full-sized XLR terminals with phantom power and shotgun mic mount, enabling digital 4-channel and 24-bit audio recording to meet professional video production needs.

Carries on the Ergonomic EOS Design

The EOS R5 C camera's body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its Electronic Viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.

Full-featured 13 Assignable Buttons

The EOS R5 C camera is designed with operational flexibility in mind, conforming to each individual professional workflow, including 13 marked, assignable buttons that allow for user-friendly customized operation.

8K Sensor and DIGIC X Processor

The EOS R5 C camera is the first Cinema EOS System Camera to provide internal 8K (8192x4320) 60P RAW recording. 8K video offers outstanding definition and realism with 16 times the resolution of full HD video, enabling unprecedented capabilities in video expression and highly flexible workflows, such as 4K cropping from 8K footage. The EOS R5 C camera can also record 8K video in the highly versatile MP4 format. Lighter, smaller proxy video files can also be recorded while shooting 8K. This makes for an efficient workflow during editing, previewing, and other tasks.

Internal Cinema RAW Light up to 8K/60P

The camera supports recording of two 8K formats, both Cinema RAW Light, which is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. Formats can be selected according to the user's needs. In addition, 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards.

Cinema RAW Light can be recorded internally with data optimized for HDR video rendering. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates.

Thanks to three newly-developed Cinema RAW Light modes (High quality RAW HQ, standard quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs.

Supports 8K HDR Recording (HLG/PQ)

The combination of ultra-high-definition 8K recording and HDR lets users shoot more realistic and lifelike video. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) formats. This helps ensure full color rendition and wide latitude with a great range from black to pure white - outstanding for the delivery of live streams, broadcasts and post-production projects.

Wide Variety of Recording Formats

The EOS R5 C camera offers users a wide variety of recording formats to choose from to fit individual workflows and output needs. Along with Cinema RAW Light, which provides light data sizes for RAW recording, the EOS R5 C camera supports MXF-based XF-AVC, which conforms to broadcasting standards, and highly versatile MP4.

Simultaneously Record Different Formats

The EOS R5 C camera is capable of recording two independent video files simultaneously, such as Cinema RAW Light and MP4 at various resolutions including 4K and HD, as well as lightweight proxy files for various professional workflows.

XF-AVC and MP4 Codecs for 10-bit 4:2:2 Video

In addition to Cinema RAW Light, the EOS R5 C camera offers XF-AVC and MP4 codecs to provide familiar and trusted codecs for easy ingestion and post-production workflows across cinema, broadcast, and many professional markets and applications. XF-AVC offers robust 10-bit 4:2:2 files in a .MXF wrapper for simple compatibility with non-linear editing systems (NLEs) and existing workflows.

4K and 2K Oversampling

The EOS R5 C camera reads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording. A high-definition debayer algorithm has been included and the 4K generated from the abundant RGB data of the 8K sensor enables more refined imaging capabilities with less incidence of moiré, false colors, “jaggies” and noise.

HDMI 8K RAW Output to Compatible Recorders

The EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices*. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K 30P. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.

*Only Atomos NINJA V+ is supported as of January 2022. A separate HDMI cable is required to connect to the NINJA V+.

Up to 4K 120P Slow and Fast Motion Recording Mode in 4:2:2 10-bit

The EOS R5 C camera can record High Frame Rate (HFR) movies at up to 120P at 4K resolution (4096x2160/3840x2160) in 4:2:2 10-bit without cropping the sensor.

Amazing for shooting scenes full of fast-paced action, the EOS R5 C camera's fast and intuitive autofocus remains enabled even during HFR recording, making it ideal when shooting from a gimbal or drone, delivering outstanding focus accuracy at HFR or at common frame rates.

Simultaneous Audio Recording Enabled with HFR

Unlike some other cameras where audio is not recorded during HFR shooting, the EOS R5 C camera can record .WAV audio as a separate file from video, virtually eliminating the need for separate audio recording and delivering HFR video and audio files in one convenient device when shooting slow motion or fast motion video.

Canon Log 3 Expands Expressive Possibilities

The EOS R5 C camera features Canon Log 3, which is found in many Canon cameras and works with multiple Canon EOS and Cinema EOS cameras. The wide dynamic range can be used for a wider range of grading after shooting. Canon Log 3 is a gamma that is designed for simple grading, such as tightening dark areas and adjusting tones. It carries on Canon Log's ease of use with less noticeable noise. It can also be used when shooting with other Cinema EOS system cameras such as the EOS C300 Mark III and EOS C70 cameras.

Enhanced Image Stabilization

Enhanced image stabilization is achieved through coordinated control when Canon's RF lenses with optical IS are combined with the EOS R5 C camera's electronic IS when shooting XF-AVC or MP4 formats. With an RF lens that has optical IS and the electronic IS in the EOS R5 C camera, coordinated control helps achieve the optimum hand-shake correction effects. This helps achieve better anti-vibration performance than with conventional IS-equipped EF lenses (using optional Mount Adapter EF-EOS R) and electronic IS together.

Canon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow

The EOS R5 C camera is an excellent camera pairing with Canon's RF5.2mm F2.8 L Dual Fisheye Lens to achieve stereoscopic 3D 180° VR video (viewing in 3D requires the use of a compatible Head Mount Display). A plug-in for Adobe® Premiere Pro® and Canon's EOS VR Utility are available to streamline the workflow from shooting to editing.

Dual Pixel CMOS AF with iTR AF X

Canon's Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, and also to capture actual image information achieving both high precision focusing and high image quality.

With most Canon RF and EF lenses, AF for video can be carried out over approximately 80% of the vertical and horizontal area of the screen. Touch AF allows positioning an AF point by simply touching the LCD screen, in addition to quick manual positioning with the 8-way Multi-controller on the rear of the camera.

In addition, the camera features Eye AF/Head Detection AF, developed with the use of deep learning technology to improve subject tracking. It also provides human detection (eyes/face/head), allowing it to track subjects accurately even when AF control is not available.

Users can track focusing as desired depending on their subject or shooting situation. A wide variety of AF modes enable autofocus shooting that flexibly responds to the subject's movement. Users can leave focusing to the camera and concentrate on their camera work.

What's Included

EOS R5 C Digital Cinema Camera
Battery Pack LP-E6NH
Battery Charger LC-E6
Shoulder Strap SS-1200
Interface Cable IFC-100U
Cable Protector
Camera Cover R-F-5

Reviews

Product Specifications

Cinema EOS R5 C

Type

 
Type Digital single-lens non-reflex AF/AE camera
Image Processor DIGIC X
Recording Media CFexpress card
  • Type B: Card slot

SD card
  • SD card speed class-compatible.
  • Compatible with UHS-II
  • Eye-Fi cards and Multimedia cards (MMC) are not supported.
Compatible Lenses Canon RF lens group (excluding EF, EF-S and EF-M lenses)
When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses)
Lens Mount Canon RF mount

Image Sensor

 
Type CMOS sensor (compatible with Dual Pixel CMOS AF)
Effective pixels Approx. 45.0 megapixels
Sensor Size Approx. 36.0 x 24.0 mm
Pixel Size Approx. 4.40 µm square
Total Pixels Approx. 47.1 megapixels
Aspect Ratio 3:2 (Horizontal:Vertical)
Color Filter System RGB primary color filters
Low Pass Filter Installed in front of the image sensor, non-detachable
Dust Deletion Feature Self Cleaning Sensor Unit
  • Removes dust adhering to the low-pass filter.
  • At power off only / Enable / Disable. Performed automatically (taking about approx. 2 sec. as indi-cated on the screen) or manually (taking about approx. 8 sec. as indicated on the screen).
  • After manually activated cleaning, the camera will automatically restart (Power OFF to ON).
  • When [Multi Shot Noise Reduction], [Multiple exposures], or [HDR mode] is set, [Clean now] and [Clean manually] cannot be selected.
Dust Delete Data acquisition and appending
  • The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images.
  • The dust coordinate data appended to the image is used by the EOS Canon Digital Professional Software (v. 4.14 and higher) to automatically erase the dust spots.
  • Not available with EF-S lenses, in cropped shooting or multi-exposure shooting.
Manual cleaning (by hand)

Recording System

 
Recording Format Compliant to Design rule for Camera File system 2.0 and Exif 2.3*.

*Supports time difference information in Exif 2.31.
Image Format JPEG, HEIF, RAW (CR3, 14 bit RAW format), C-RAW (Canon original); Movies: ALL-I, IPB, RAW
HDR Mode-Continuous Shooting (1) 1 shot only
(2) Continuously
(3) Multiple Exposure
Advanced shooting operations (1) Focus Bracketing
(2) Interval Timer
(3) Bulb Timer
(4) Multi-Shot NR
File Size 3:2 Aspect Ratio
Large/RAW/C-RAW: 8192 x 5464
Medium: 5808 x 3872
Small 1: 4176 x 2784
Small 2: 2400 x 1600

1.6x (Crop)*
Large/RAW/C-RAW: 5088 x 3392
Small 2: 2400 x 1600

4:3 Aspect Ratio
Large: 7280 x 5464
Medium: 5152 x 3872
Small 1: 3712 x 2784
Small 2: 2112 x 1600
RAW/C-RAW: 8192 x 5464

16:9 Aspect Ratio
Large: 8192 x 4608
Medium: 5808 x 3264
Small 1: 4176 x 2344
Small 2: 2400 x 1344
RAW/C-RAW: 8192 x 5464

1:1 Aspect Ratio
Large: 5456 x 5456
Medium: 3872 x 3872
Small 1: 2784 x 2784
Small 2: 1600 x 1600
RAW/C-RAW: 8192 x 5464
  • Values for Recording Pixels are rounded to the nearest 100,000 or 10,000.
  • For RAW and JPEG images, information outside the cropping area is not retained.
  • JPEG images are generated in the set aspect ratio.
  • RAW images are generated in [3:2], and the set aspect ratio is appended.

* Indicate an inexact proportion.
File Numbering The following file numbers can be set:

File numbering methods
Continuous numbering (The numbering of captured images continues even after you replace the card.)
Auto reset (When you replace the card, the numbering will be reset to start from 0001. If the new SD card already contains images, the numbering will continue from the last recorded image in the card.)

Manual reset
Resets the file number to 0001, and creates a new folder automatically.

*When manually resetting the file number, folders can also be renamed.
RAW + JPEG / HEIF
Simultaneous Recording
Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported.
Color Space Selectable between sRGB and Adobe RGB
Picture Style Auto
Standard
Portrait
Landscape
Fine Detail
Neutral
Faithful
Monochrome
User Defined 1-3
  • In Scene Intelligent Auto, [Auto] will be set automatically.
  • [Standard] is the default setting for [User Def. 1-3].

White Balance

 
Settings Auto (Ambience priority/White priority)
Day Light
Shade
Cloudy*
Tungsten light
White fluorescent light
Flash
Custom (Custom WB)
Color temperature

* Effective also in twilight and sunset.
Auto White Balance Option between ambience priority and white priority settings.
White Balance Shift Blue/amber bias: ±9 levels
Magenta/green bias: ±9 levels
Corrected in reference to the current WB mode's color temperature.

Viewfinder

 
Type OLED color electronic viewfinder; approx. 5.76 million dots resolution
Coverage Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 23mm eyepoint).
Magnification / Angle of View Approx. 0.76x / Approx. 35.5 degrees (with 50mm lens at infinity, -1 m-1)
Eye Point Approx. 23mm (at -1 m-1 from the eyepiece lens end)
Dioptric Adjustment Range Approx. -4.0 to + 2.0 m-1 (dpt)
Viewfinder Information Maximum burst
Possible shots/Sec. until self-timer shoots
Focus Bracketing/ Multiple-exposure/HDR shooting/Multi Shot Noise Reduction/Bulb time/Interval timer
Shooting mode
AF method
AF operation
Image quality
Card
Drive mode
Metering mode
No. of remaining shots for focus bracketing, multiple exposures, or interval timer
Electronic level
Movie recording time available
Battery level
Image Stabilizer (IS mode)
Histogram (Brightness/RGB)
Quick Control button
Anti-flicker shooting
White balance/White balance correction
Picture style
Auto Lighting Optimizer
Still photo cropping / Aspect ratio
AF point (1-point AF)
AEB/FEB
View Assist
HDR PQ
Flash ready / FE lock / High-speed sync
Electronic shutter
Touch shutter / Create folder
AE lock
Shutter speed / Multi-function lock warning
Aperture value
Wi-Fi® function
Wi-Fi® signal strength
Bluetooth® function
Exposure simulation
Magnify button
ISO speed
Highlight tone priority
Exposure compensation
Exposure level indicator

Autofocus

 
Focus Method Dual Pixel CMOS AF II
Number of AF zones available for Automatic Selection AF area: Horizontal: Approx. 100% x Vertical: Approx. 100%
Stills: Max. 1053 zones (39 x 27)
Movies: Max. 819 zones (39 x21)
AF Working Range EV -6 to 20 (f/1.2 lens*, center AF point, One-Shot AF, at 73°F/23°C, ISO 100)

* Except RF lenses with a Defocus Smoothing (DS) coating.
AF Methods AF Method
Face+Tracking AF
Spot AF
1-point AF
Expand AF Area
(Above, below, left and right/Around)
Zone AF
Large Zone AF (Vertical/Horizontal)
Subject to Detect People, Animals, No Priority

* Available with [AF method] set to Face+Tracking, Zone AF, or Large Zone AF (vertical/horizontal)

Exposure Control

 
Metering Modes Real-time metering with image sensor (384 [24x16 zone metering])
Evaluative metering (AF point-linked)
Partial metering (approx. 6.1% of the area at the center of the screen)
Spot metering (approx. 3.1% of the area at the center of the screen)
Center-weighted average metering
Metering Range EV -3 - 20 (at 73°F/23°C, ISO 100) (Still Photo Shooting)
Exposure Control Modes Scene Intelligent Auto
Flexible-priority AE (Fv)
Program AE (P)
Shutter-priority AE (Safety shift possible) (Tv)
Aperture-priority AE (Safety shift possible) (Av)
Manual exposure (M)
Bulb
Custom shooting mode C1, C2, C3

Shutter

 
Type
  • Mechanical
  • Electronic 1st-Curtain
  • Electronic Shutter (1st and 2nd curtain - silent*)
*Cannot be used in conjunction with the following functions: flash photography, HDR shooting, multiple exposures, Multi Shot Noise Reduction, AEB, HDR PQ, anti-flicker shooting, Dual Pixel RAW shooting, Digital Lens Optimizer [High].

* A shutter release sound is not generated. However, note that the sounds other than the shutter release sound (aperture, focusing lens drive sound/electronic sound, etc.) may be generated.

* In electronic shutter shooting under conditions such as flash firing by other cameras or with fluores-cent lighting or other flickering light sources, a strip of light or banding due to the brightness difference may be recorded in the image.
Shutter Speeds When [Mechanical] or [Elec. 1st- curtain] is set: 1/8000-30 sec, bulb
When [Electronic] is set: 1/8000-0.5 sec.
X-sync Speed Mechanical Shutter: 1/200 sec.
Elec. 1st-curtain: 1/250 sec.
Shutter Release Soft-touch electromagnetic release
Self Timer 10-sec. delay, 2-sec. delay

Image Stabilization
(IS mode)

 
Still Photo IS Optical IS with RF and EF lenses equipped with Image Stabilization.
Always on
Only for shot
Video IS A narrower angle of view is used when digital image stabilization is selected in the menu. This is equivalent to approx. 1.1x longer focal length when Electronic Image Stabilization mode (Standard) is selected. Also, this is equivalent to approx. 1.43x longer focal length when Electronic Image Stabilization mode (High) is selected.

External Speedlite

 
E-TTL balance Ambience priority, standard, flash priority
Compatible E-TTL Speedlites Canon EX- and EL-series Speedlites
E-TTL II Flash Meterings Evaluative (Face Priority)
Evaluative
Average
Slow Sync (P/Av modes) 1/250* - 30 sec., auto
1/250* - 1/60 sec., auto
1/250* sec. (fixed)

* Electronic 1st curtain shutter only
* With mechanical shutter — 1/200 sec.
Flash Function Menu Provided for EX- and EL-series Speedlites
Flash Exposure Compensation ±3 stops in 1/3- or 1/2-stop increments
Continuous flash control E-TTL each shot
E-TTL 1st shot

HDR Shooting - Still

 
HDR PQ Shooting Disable / Enable
HDR PQ Shooting - Still Recording format: HEIF
Bit depth: 10 bit
Color sampling method: YCbCr 4:2:2
HDR specification: ITU-R BT.2100 (PQ)

Video Shooting

 
Focusing Dual Pixel CMOS AF
Exposure Compensation ±3 stops in 1/3- or 1/2-stop increments
Canon Log Provided (Off / Canon Log 3)

LCD Screen

 
Type TFT color, liquid-crystal monitor
Monitor Size 3.2-inch (screen aspect ratio of 3:2)
3.15 in./8.01cm diagonal (2.63 in./6.67cm width, 1.75 in./4.44cm height)
Dots Approx. 2.1 million dots
Coverage Approx. 100% vertically/horizontally
Brightness Control Manually adjustable to one of seven brightness levels
Coating Clear View LCD II
Anti-smudge coating applied.
Anti-reflection coating not applied.
Interface Languages 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese)

Playback

 
Highlight Alert The white areas with no image data will blink.
Histogram Brightness and RGB

Quick Control Function

 
Function The Quick Control screen is accessed by pressing the Quick Control button during still photo shooting.

Image Protection and Erase

 
Protection Single image (select image)
Select range
All images in a folder
All images on card
  • Image browsing and image search can be based on ratings.
  • Ratings-based image selections also possible with DPP.
All found images (only during image search)
Erase Except protected images
  • Select images to erase
  • Select range
  • All images in folder
  • All images on card
  • All found images (only during image search)

Direct Printing

 
Compatible Printers Not supported
DPOF  
Digital Print Order Format Compliant to DPOF Version 1.1

Wi-Fi®

 
Standards Compliance IEEE 802.11a/ac/b/g/n
Transmission Method DS-SS modulation (IEEE 802.11b)
OFDM modulation (IEEE 802.11g/n/a/ac)
Transition Frequency
(Central Frequency)
2.4 GHz band
Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels

5 GHz band
Frequency: 5180 to 5825 MHz

Channels: 36 to 165 channels
Connection Method (1) Camera access point mode
(2) Infrastructure mode
Communication with a Smartphone Images can be viewed, controlled, and received using a smartphone.
Remote control of the camera using a smartphone is possible depending on the Camera Connect specifications.
Images can be sent to a smartphone.
Remote Operation Using EOS Utility The camera can be controlled via Wi-Fi® using EOS Utility.
Print from Wi-Fi® Printers Not supported.
Send Images to a Web Service Still photos (RAW, C-RAW, HEIF, and JPEG) and movies (MP4) can be uploaded to image.canon server album.
With the image.canon server, images can be sent to social media or a photo album link can be sent (by the image.canon specifications).

Bluetooth®

 
Standards Compliance Bluetooth Specification Version 5.0 compliant (Bluetooth low energy technology)
Transmission Method GFSK modulation

Customization

 
Custom Functions 22 Custom Functions are settable.
Custom Controls Customizable Buttons
  • Shutter button
  • Movie button
  • MODE button
  • AF-ON button
  • AE lock button
  • AF point button
  • Depth of field preview button
  • Lens AF stop button
  • Multi-function button
  • LCD panel illumination button
  • Set button
  • Multi-controller
Customizable Dials
  • Main dial
  • Quick control dial 1 and 2
  • Control ring

Interface

 
USB Terminal Equivalent to Hi-Speed USB (USB 3.1 Gen 2)
  • For PC communication
  • Terminal type: USB Type-C
  • Shared with terminal for in-camera charging with USB Power Adapter PD-E1.
  • In-camera Charging: Equivalent to USB type-C (5 V/1.5 A), but use should be restricted to USB Power Adapter PD-E1.
  • Video Output (UVC).
  • Canon App(s) for iPhone
  • PTP connection/GP-E2
Video Out Terminal HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible

Images can be displayed through the HDMI output and on screen at the same time.
Images will not be displayed unless [NTSC] or [PAL] is properly set according to the video system of the TV set.
Clean HDMI output Provided
Microphone Input Terminal 3.5mm diameter stereo mini jack
Headphone Terminal 3.5mm diameter stereo mini jack

Power Source

 
Battery LP-E6NH/LP-E6N/LP-E6*
  • With the AC Adapter AC-E6N + DC Coupler DR-E6, AC power is possible.
  • With the USB Power Adapter PD-E1, in-camera charging of LP-E6NH is possible. The USB Power Adapter PD-E1 is not compatible with powering the camera.
* LP-E6 is automatically recognized as Mode C – Blinking White Drive mode regardless of capacity.
Battery Check Automatic battery check when the power switch is turned ON.
Displayed in 6 levels on top LCD panel.
  • Battery level can be checked on the LCD panel and in the viewfinder.
Battery Info display in Set-up Menu:
  • Type of power source used.
  • Remaining capacity (percentage of battery charge remaining).
  • Recharge performance: (3-level display of battery's ability to hold a charge)
Start-up Time Approx. 0.4 sec.
  • Based on CIPA testing standards.

Operating Environment

 
Working Temperature Range 32-104° F / 0-+40°C
Working Humidity 85% or less

Physical Specs

 
Dimensions (W x H x D) Approx. 142 x 101 x 111 mm (5.6 x 4.0 x 4.4")

*Based on CIPA standards.
Weight Approx. 770 g (1.7 lbs)
* Including battery, CFexpress card; without body cap

Approx. 680 g (1.5 lbs)
*Body only; without battery, card or body cap

Questions & Answers

Canon Cinema EOS R5 C Full-Frame Mirrorless Body

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