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Product Highlights
  • 16.6 MP Full-Frame BSI Stacked CMOS
  • Up To 5K (4992 x 3328) @ 59.94 fps Max. Video Resolution
  • Full-Frame Format
  • 1/8" / 3.5 mm TRS Stereo Microphone Audio Input
  • 1/8" / 3.5 mm TRS Stereo Headphone Output
  • OLED Display
  • 5-Axis Image Stabilization
  • E Mount

Estimated Release Date: Aug 18, 2026

This exciting new product is being released in limited quantity. Orders will be filled on a first-come, first-served basis. A credit card pre-authorization will be taken upon placing your order. Once your order is approved, we will process a 25% deposit to hold your place in line for the next available unit to arrive.

Kit Options:
FX5 Camera
FX5 Camera & XLR Handle
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Sony FX5 Full-Frame Cinema Camera (Body only) Sony FX5 Full-Frame Cinema Camera (...
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This is a NEW product available for Pre-Order only. Place your order and you will be one of the first in line to receive it when the manufacturer ships to us. Orders are filled by the date received.
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Overview

* Lens pictured not included.

FX5 | Full-Frame Cinema Camera

FX5, a new full-frame camera in its Cinema Line series. A newly developed fully stacked CMOS image sensor raises sensitivity performance with 15+ stops of dynamic range, three base ISO settings, and a Dual Gain shooting mode. For the first time in the Cinema Line FX series, the FX5 supports Open Gate shooting and in-camera recording in X-OCN, Sony's proprietary RAW format. It shoots 5K at up to 60 fps, 4K at up to 120 fps, and FHD at up to 240 fps. The result pairs the Cinema Line look with production-ready operability in a compact, portable body. Also released are two optional accessories: a detachable OLED viewfinder and an XLR handle unit that records in-camera at up to 96 kHz, 32-bit float.
 

Key Features:

  • 5K full-frame fully-stacked Exmor RS™ CMOS sensor for speed, detail and latitude
  • BIONZ XR2™ with integrated AI processing for enhanced shooting support
  • Open Gate2 and other image scan modes3
  • Internal X-OCN compressed RAW video recording
  • Three Base ISO settings for effective noise control in any environment
  • Wide 15+ stop latitude10 with low noise
  • Dual Gain Shooting debuts in the Cinema Line FX camera series4
  • High-frame-rate capture, including 5K up to 60 fps and 4K up to 120 fps5, 12
  • Precise, reliable AF and tracking with AI subject recognition
  • Built-in de-squeeze for anamorphic shooting

5K full-frame fully-stacked Exmor RS CMOS sensor

The full-frame stacked Exmor RS CMOS sensor enables fast readout for high-resolution, high-frame-rate recording. Wide latitude and low noise ensure smooth gradation and natural textures, even in high-contrast scenes.


BIONZ XR2 with integrated AI processing

The BIONZ XR2 engine delivers dramatic improvements in image, sound, communication, operation, and more. Built-in AI processing enables enhanced subject recognition*1 and deep learning-based Auto Tracing White Balance (ATW), helping you shoot with confidence.


Open Gate

The FX5 offers full-frame Open Gate recording*2 — a first*4 in the Cinema Line FX series. With 5K up to 60 fps (FF 3:2), 4K up to 120 fps (FF crop) *5 and more, it gives you the freedom to adjust framing, speed and workflow to realize even the most ambitious vision.


Internal X-OCN Compressed RAW

Capture 16-bit scene-linear X-OCN internally*6 *7 *8, eliminating the need for an external RAW data recorder. With LT, C1 and C2 codecs, you can balance image quality, file size and RAW workflow flexibility to suit the production.


Three Base ISO

Three Base ISO settings - a standard ISO 800, a mid-sensitivity ISO 4000, and a high-sensitivity ISO 12800*9 for low light - are available to match your shooting environment. Capture clean shadows and wide latitude across varied lighting conditions, for consistently stunning clarity. 


15+ Stops of Latitude

Wide latitude helps capture highlight and shadow detail with smooth, natural gradation. Low shadow noise preserves clarity, texture and atmosphere, letting you push your creative grading choices further. 
 

Additional Features:

  • Deep learning-based illumination estimation
  • S-Cinetone™ for a refined cinematic look
  • Wide-gamut color for more grading control
  • Three S-Log3 modes for flexible workflows
  • 5-axis stabilization for steadier handheld shooting
  • Lightweight, compact design for agility on set
  • High-quality 96 kHz/32bit float audio recording
  • BIG6 (HOME screen for faster on-set control)
  • Optional OLED viewfinder DVFEL1B for easier outdoor monitoring
  • Monitoring support for precise shooting
  • Clear Image Zoom for smoother, more intuitive framing
  • Dual CFexpress Type A/SD card slots for flexible media workflows
  • Power that keeps pace with long shoots
  • Cooling designed for uninterrupted up to 170 minutes28 of recording
  • 3.5-type monitor with 4-axis multi-angle design
  • Movie-first menus and controls
  • Clear tally visibility
  • Durable, sealed body design
  • Flexible mounting points31
  • Flexible monitoring, power and timecode connections
  • Wired and wireless LAN connectivity for remote workflows
  • M&C for remote operation from mobile devices
  • Catalyst Prepare and Catalyst Prepare Plugin

Dual Gain

Dual Gain Shooting maximizes latitude while reducing noise to enhance shadow details*11. Making full use of the sensor’s capability, it delivers smooth, natural gradients for greater editing flexibility.


High Frame-Rate Capture

High frame rates open up striking slow-motion possibilities. The FX5 records up to 5K at 60 fps*5 and 4K at 120 fps*5, giving creators the power to capture fast-paced action with impressive detail and clarity — ideal for everything from cinematic storytelling to sharp sports and documentary footage.


Precise, Reliable AF And Tracking

With built-in AI processing, the BIONZ XR2 engine accurately recognizes human, animal, and bird eyes (Real-time Eye AF) *1. Fast Hybrid AF uses up to 759 points*13 to ensure accurate focus and tracking that keeps up with quick-moving subjects, even in dark scenes and when shooting with a shallow depth of field. 


Built-In De-squeeze for anamorphic shooting

Built-in de-squeeze support makes anamorphic shooting easier on set. With 1.3x, 1.5x, 1.6x, 1.8x and 2.0x settings, the FX5 works smoothly with a wide range of anamorphic lenses.


Deep Learning Based Illumination Estimation

Deep-learning-based illumination estimation achieves unprecedented Auto Tracing White Balance (ATW) accuracy, even in challenging scenes. It delivers accurate color reproduction even under lighting conditions that previously tended to cause color cast.

S-Cinetone

S-Cinetone brings Sony cinema color science to the FX5, delivering natural skin tones, smooth gradation and a polished look straight out of camera.

Wide-Gamut Color

With color gamuts exceeding both BT.2020 and DCI-P3, S-Gamut3 and S-Gamut3.Cine retain broad color information for more precise grading and easier color matching with VENICE 2 in multi-camera shoots.

Three S-Log3 modes

From cinematic shoots to run-and-gun, choose Cine EI, Cine EI Quick or Flexible ISO*14 to capture imagery with maximum latitude. You can also import up to 16 user LUTs*15 allowing you to easily monitor the intended look in real-time.

5-Axis Stabilization

A precision stabilization unit and gyro sensors combine to provide optical 5-axis in-body stabilization. An enhanced stabilization unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake*16. Dynamic active Mode*17 adds extra electronic support, and embedded stabilization metadata can also be used in post-production for a more controlled final result.

Lightweight, Compact Design for Agility On Set

The compact flattop body and stable grip are built for comfortable handheld work. Paired with Sony's compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces and in fast-moving productions. 

High-quality 96 kHz/32bit float audio recording

The XLR handle unit*19 supports two XLR/TRS inputs, a 3.5 mm stereo mini jack and up to 96 kHz/32bit float audio recording. With up to four channels of high-quality capture, it also supports independent 32bit float WAV recording alongside video audio for more flexible on-set sound workflows.

BIG6 (HOME) screen for faster on-set control

Inherited from Sony’s high-end CineAlta cameras, the BIG6 (HOME) screen brings six essential settings — frame rate, EI/ISO/Gain, shutter, iris, LUT and white balance — together on one clear home screen for faster operation. Touch control, the multi-function dial, and CineAlta Fixed/Variable frame-rate control help crews work quickly while keeping critical settings visible at a glance.

Optional OLED viewfinder DVF-EL1 for easier outdoor monitoring

Add the optional OLED viewfinder*20 for more immersive monitoring in bright locations. Its 3.5-type panel features approx. 7.07 million dots, DCI-P3 equivalent color gamut, 10-bit display, HDR monitoring support, and 0.90x magnification*39, while the 0°-90° tilting design and selectable display modes help adapt monitoring to different shooting styles.

Monitoring Support For Precise Shooting

Exposure and focus tools, including Waveform Monitor, Histogram, False Color, and Focus Map, support faster judgments on set. They help you manage highlights, shadows, skin tones and critical focus with confidence.

Clear Image Zoom For Smoother, More Intuitive Framing

Clear Image Zoom adds a [Smooth Priority] mode*22 that enables seamless zoom from the optical wide end up to 2x digital zoom*23. [Optical Zoom Priority] is a zoom mode that prioritizes image quality. After the optical zoom reaches its telephoto end, Clear Image Zoom takes over. Seamless zooming can also be controlled from the zoom ring on compatible lenses for more intuitive, consistent framing.

Dual CFexpress Type A/SD card slots for flexible media workflows 

Dual CFexpress Type A*24 slots support relay, simultaneous, and separate recording while also accepting SDXC (UHS-II/UHS-I) cards. Main and proxy files can be recorded to different slots, giving productions more flexibility in media choice, backup strategy, and file handling.

Power that keeps pace with long shoots 

A high-capacity 2670 mAh NP-SA100*25 battery can provide up to 170 minutes*26 of recording time. Optimized power management, improved charging speed*27, USB Power Delivery*28 and battery condition display help simplify longer shooting days and make it easier to judge when battery replacement may be needed.

Cooling designed for uninterrupted up to 170 minutes*29 of recording 

An efficient fan cooling system and advanced design deliver up to 3x*40 the airflow, keeping the camera cool even when the LCD monitor is closed. Three fan modes [Auto], [Minimum] and [OFF in REC] let you balance cooling and operational noise to suit the environment and the production.

3.5-type monitor with 4-axis multi-angle design

The 3.5-type 16:9 aspect monitor tilts 98° up, 40° down and 180° sideways, and rotates up to 270° when open*30. A high-brightness panel with 15 brightness settings, fine control of image inversion display, and neatly organized on-screen shooting information all help make monitoring clearer and more flexible on set.

Movie-first menus and controls

From menu settings to the CineAlta-style multi-function dial, the FX5 is designed around movie production. Frequently used controls are concentrated around the grip and top panel, and the multi-function dial supports both rotational and push operation for faster access to key settings during a shoot. 

Clear Tally Visibility

Configurable front and rear tally lamps make REC/STANDBY status easier to see, and a red frame can also be shown on the monitor during recording. This helps you confirm recording status at a glance, even when a rig or gimbal makes the screen harder to view directly.

Durable, Sealed Body Design

Refinements throughout maximize dust and moisture resistance for high reliability in demanding conditions*31. Sealing is used at exterior joints and around the battery cover to help prevent moisture and dust ingress, and the cooling fan is housed in a separate chamber for added protection.


Flexible, Mounting Points

Five screw holes for accessory mounting are provided around the body, with two more on the bottom for tripod mounting. The result is a body that is easier to rig and expand directly with essential accessories.


Flexible, Monitoring Power And Timecode Connections

The HDMI Type A output port supports flexible external monitoring, with the option to display shooting information on both the camera LCD and an external monitor, or separate status information from the image output. Dual USB Type-C ports support power delivery and timecode input via an optional adapter cable.


Wired and wireless LAN connectivity for remote workflows  

High-speed wired LAN and built-in Wi-Fi 802.11ax with 2×2 MIMO on 6 / 5 / 2.4 GHz bands*34 support smoother remote control, file transfer and connected production workflows. Wired LAN support for 2.5GBASE-T, 1000BASE-T and 100BASE-TX also helps the FX5 slot more easily into modern multi-device and networked productions. 


Monitor & Control for remote operation from mobile devices

Monitor & Control*35 enables wired or wireless monitoring and operation of multiple cameras via a smartphone, tablet, or Mac*36. Precise exposure tools and simultaneous control of settings support more efficient reduced-crew workflows.


Catalyst Prepare and Catalyst Prepare Plugin

Shot review and correction*37. They provide format support, including X-OCN LT/C1/C2, along with key features such as stabilization, lens breathing compensation, color/LUT tools and transcoded export.


Accessibility Features For More Creators

Screen reader*38 support, a menu magnifier, and other accessibility aids help make the FX5 easier to use for more creators. The lens mount index, multi-function dial, and buttons are designed so they can be easily located by touch, supporting more confident operation.


Planned Post-Launch Support

HFR shooting up to 240 fps in X-OCN, XAVC S‑I recording in 3:2 aspect ratio with full-sensor readout, an optimized user interface for vertical shooting, and a frame grab function are planned to be available August 2027 or later, via firmware update

What's Included

FX5 Full-Frame Cinema Camera Body
Rechargeable Battery NP-SA100
Battery Charger BC-SAD1
Body Cap
Accessory Shoe Cap
VF Terminal Protection Cap

For Québec Residents – Disclosure Under the Consumer Protection Act

In compliance with Bill 29, Vistek does not guarantee the availability of replacement parts, repair services, or maintenance or repair information for products sold by Vistek.

Coverage provided through applicable manufacturer warranties, if any, remains in effect. Customers are encouraged to contact the manufacturer directly for information regarding the availability of replacement parts, repair services, or maintenance information.

Click here for more info.

Reviews

Product Specifications

FX5 Full-Frame Cinema Camera

Camera Type Interchangeable Lens Digital Camera
Lens Mount E-Mount

Camera Section

 
Type 35 mm full frame Exmor RS CMOS Sensor
Number of Effective Pixels 16.6 MP
Number of Total Pixels 18.2 MP
Optical Low Pass Filter Yes
Latitude 15-Stops
Colour Temperature Range 2000-15,000K
Anti-Dust Function Yes
Video Compression
X-OCN
XAVC HS: MPEG-H HEVC/H.265
XAVC S: MPEG-4 AVC/H.264
Audio Recording Format
LPCM 4ch (48 kHz 24 bit), PCM 4ch (48 kHz 32 bit float)*2 , LPCM 4ch (96 kHz 24 bit)*2 , PCM 4ch (96 kHz 32 bit float)*2 
Slow & Quick Motion (S&Q) Yes
Proxy recording Yes
TC / UB Yes
RAW Output Yes
Memory Card Slot
SLOT A: Multi slot for SDXC (UHS-I/II compliant) memory card / CFexpress 2 Type A card, SLOT B: Multi slot for SDXC (UHS-I/II compliant) memory card / CFexpress 2 Type A card
Type
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus Point
Max. 759 points (phase-detection AF)
Recognition Target (Movies) Human
Animal
Bird
Other Features
AF Subj. Shift Sensitivity (Movie)
AF Transition Speed (Movie)
Focus Map (Movie)
AF Assist (Movie)
ISO Sensitivity
ISO 320 - 409600 equivalent, AUTO (ISO 320 - 409600, selectable upper limit)
Type
8.8 cm (3.5-type) type TFT
Touch Panel Yes
Number of Dots
2 764 800 dots
Adjustable Angle
Opening Angles (approx.): Up 98 °, down 40 °, side 180 °, rotation 270 °
Movies
Approx. 1.5x (4K), Approx. 2x (HD)
Shutter Speed
Movies: 64 F to 1/8000 s
Image Stabilization Type
Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
Mode
Movie: Dynamic active / Active / Standard / Off
Functions
Screen Reader
Focus Magnifier
Focus Map (Movie)
Peaking Display
Sunject Recognition in AF
Touch Focus
Touch Tracking
Multi-Angle LCD Screen
Custom Function
Enlarge Screen
PC Interface Mass-Storage
USB Type-C Terminal
Yes (PORT1: SuperSpeed USB 10 Gbps (USB 3.2) compatible, PORT2: Hi-Speed USB 480 Mbps (USB 2.0) compatible)
Wireless LAN (Built-In)
Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac/ax (2.4 GHz band/5 GHz band/6 GHz band))*4
Bluetooth
Yes (Bluetooth Standard Ver. 5.3 (2.4 GHz band))
HDMI Output HDMI Connector (Type-A)
Multi Interface Shoe
Yes (with Digital Audio Interface)
Mic Terminal
Yes (3.5 mm Stereo minijack)
XLR Audio Input
Yes (3-pin (female) x2)
Headphone Terminal
Yes (3.5 mm Stereo minijack)
Remote Control (Wireless)
Yes (Bluetooth remote control)
LAN Terminal
Yes (2.5GBASE-T, 1000BASE-T, 100BASE-TX)
Functions
FTP Transfer Func. (Wired LAN, USB Tethering, Wi-Fi)
VF Terminal Yes
Video Data Format
MPEG-4 AVC/H.264
MPEG-H HEVC/H.265 *6
Video Resolution
3840 x 2160
1920 x 1080
1280 x 720
Audio Data Format
AAC-LC 2ch (16bit 48 kHz)
Protocol
RTMP
RTMPS
SRT
Microphone Built-in stereo
Speaker Built-in monaural
Lens Compensation
Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Battery
One rechargeable battery pack NP-SA100
Movies (actual shooting)*7  Approx. 105 min (LCD monitor) (CIPA standard)
Movies (continuous shooting) Approx. 170 min (LCD monitor) (CIPA standard)
Internal battery charge Yes (Available with USB Type-C terminal. USB Power Delivery compatible)*8 
USB power supply Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Power Consumption (with LCD Screen)
Approx. 7.4 W (with FE 28-70mm F3.5-5.6 OSS II lens attached)

Weight

 
Including Accessory
Approx.1046 g
With battery and memory card 734 g (1 lb 9.9 oz)
Body Only 643 g (1 lb 6.7 oz)
Dimensions (W x H x D)
Approx. 132.2 x 79.0 x 87.0 mm (from grip to monitor)
Dimensions (W x H x D) (in.) Approx. 5 1/4 x 3 1/8 x 3 1/2 inches (from grip to monitor)
Operation Temperature
0 - 40 ℃ / 32 - 104 °F
Storage Temperature
-20 to 55 ℃ / -4 to 131 °F

Questions & Answers

Sony FX5 Full-Frame Cinema Camera (Body only)

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