- Webcode: 497043 • Mfr: ILMEFX5
- FREE SHIPPING Available
Product Highlights
- 16.6 MP Full-Frame BSI Stacked CMOS
- Up To 5K (4992 x 3328) @ 59.94 fps Max. Video Resolution
- Full-Frame Format
- 1/8" / 3.5 mm TRS Stereo Microphone Audio Input
- 1/8" / 3.5 mm TRS Stereo Headphone Output
- OLED Display
- 5-Axis Image Stabilization
- E Mount
Estimated Release Date: Aug 18, 2026
This exciting new product is being released in limited quantity. Orders will be filled on a first-come, first-served basis. A credit card pre-authorization will be taken upon placing your order. Once your order is approved, we will process a 25% deposit to hold your place in line for the next available unit to arrive.
Kit Options:
Sony FX5 Full-Frame Cinema Camera w/ XLR Handle Unit
Sony FX5 Full-Frame Cinema Camera w...- Toronto Pre Order
- Ottawa Pre Order
- Mississauga Pre Order
- Calgary Pre Order
- Edmonton Pre Order
For Québec residents: See our Bill 29 Disclosure at the bottom of this page or click here for more info.
Overview
FX5 Full-Frame Cinema Camera with XLR Handle
FX5, a new full-frame camera in its Cinema Line series. A newly developed fully stacked CMOS image sensor raises sensitivity performance with 15+ stops of dynamic range, three base ISO settings, and a Dual Gain shooting mode. For the first time in the Cinema Line FX series, the FX5 supports Open Gate shooting and in-camera recording in X-OCN, Sony's proprietary RAW format. It shoots 5K at up to 60 fps, 4K at up to 120 fps, and FHD at up to 240 fps. The result pairs the Cinema Line look with production-ready operability in a compact, portable body. Also released are two optional accessories: a detachable OLED viewfinder and an XLR handle unit that records in-camera at up to 96 kHz, 32-bit float.Key Features:
- 5K full-frame fully-stacked Exmor RS™ CMOS sensor for speed, detail and latitude
- BIONZ XR2™ with integrated AI processing for enhanced shooting support
- Open Gate2 and other image scan modes3
- Internal X-OCN compressed RAW video recording
- Three Base ISO settings for effective noise control in any environment
- Wide 15+ stop latitude10 with low noise
- Dual Gain Shooting debuts in the Cinema Line FX camera series4
- High-frame-rate capture, including 5K up to 60 fps and 4K up to 120 fps5, 12
- Precise, reliable AF and tracking with AI subject recognition
- Built-in de-squeeze for anamorphic shooting
5K full-frame fully-stacked Exmor RS CMOS sensor
The full-frame stacked Exmor RS CMOS sensor enables fast readout for high-resolution, high-frame-rate recording. Wide latitude and low noise ensure smooth gradation and natural textures, even in high-contrast scenes.
BIONZ XR2 with integrated AI processing
The BIONZ XR2 engine delivers dramatic improvements in image, sound, communication, operation, and more. Built-in AI processing enables enhanced subject recognition*1 and deep learning-based Auto Tracing White Balance (ATW), helping you shoot with confidence.
Open Gate
The FX5 offers full-frame Open Gate recording*2 — a first*4 in the Cinema Line FX series. With 5K up to 60 fps (FF 3:2), 4K up to 120 fps (FF crop) *5 and more, it gives you the freedom to adjust framing, speed and workflow to realize even the most ambitious vision.
Internal X-OCN Compressed RAW
Capture 16-bit scene-linear X-OCN internally*6 *7 *8, eliminating the need for an external RAW data recorder. With LT, C1 and C2 codecs, you can balance image quality, file size and RAW workflow flexibility to suit the production.
Three Base ISO
Three Base ISO settings - a standard ISO 800, a mid-sensitivity ISO 4000, and a high-sensitivity ISO 12800*9 for low light - are available to match your shooting environment. Capture clean shadows and wide latitude across varied lighting conditions, for consistently stunning clarity.
15+ Stops of Latitude
Wide latitude helps capture highlight and shadow detail with smooth, natural gradation. Low shadow noise preserves clarity, texture and atmosphere, letting you push your creative grading choices further. Additional Features:
- Deep learning-based illumination estimation
- S-Cinetone™ for a refined cinematic look
- Wide-gamut color for more grading control
- Three S-Log3 modes for flexible workflows
- 5-axis stabilization for steadier handheld shooting
- Lightweight, compact design for agility on set
- High-quality 96 kHz/32bit float audio recording
- BIG6 (HOME screen for faster on-set control)
- Optional OLED viewfinder DVFEL1B for easier outdoor monitoring
- Monitoring support for precise shooting
- Clear Image Zoom for smoother, more intuitive framing
- Dual CFexpress Type A/SD card slots for flexible media workflows
- Power that keeps pace with long shoots
- Cooling designed for uninterrupted up to 170 minutes28 of recording
- 3.5-type monitor with 4-axis multi-angle design
- Movie-first menus and controls
- Clear tally visibility
- Durable, sealed body design
- Flexible mounting points31
- Flexible monitoring, power and timecode connections
- Wired and wireless LAN connectivity for remote workflows
- M&C for remote operation from mobile devices
- Catalyst Prepare and Catalyst Prepare Plugin
Dual Gain
Dual Gain Shooting maximizes latitude while reducing noise to enhance shadow details*11. Making full use of the sensor’s capability, it delivers smooth, natural gradients for greater editing flexibility.
High Frame-Rate Capture
High frame rates open up striking slow-motion possibilities. The FX5 records up to 5K at 60 fps*5 and 4K at 120 fps*5, giving creators the power to capture fast-paced action with impressive detail and clarity — ideal for everything from cinematic storytelling to sharp sports and documentary footage.
Precise, Reliable AF And Tracking
With built-in AI processing, the BIONZ XR2 engine accurately recognizes human, animal, and bird eyes (Real-time Eye AF) *1. Fast Hybrid AF uses up to 759 points*13 to ensure accurate focus and tracking that keeps up with quick-moving subjects, even in dark scenes and when shooting with a shallow depth of field.
Built-In De-squeeze for anamorphic shooting
Built-in de-squeeze support makes anamorphic shooting easier on set. With 1.3x, 1.5x, 1.6x, 1.8x and 2.0x settings, the FX5 works smoothly with a wide range of anamorphic lenses.
Deep Learning Based Illumination Estimation
Deep-learning-based illumination estimation achieves unprecedented Auto Tracing White Balance (ATW) accuracy, even in challenging scenes. It delivers accurate color reproduction even under lighting conditions that previously tended to cause color cast.
S-Cinetone
S-Cinetone brings Sony cinema color science to the FX5, delivering natural skin tones, smooth gradation and a polished look straight out of camera.
Wide-Gamut Color
With color gamuts exceeding both BT.2020 and DCI-P3, S-Gamut3 and S-Gamut3.Cine retain broad color information for more precise grading and easier color matching with VENICE 2 in multi-camera shoots.
*Lens Pictured Not Included
Three S-Log3 modes
From cinematic shoots to run-and-gun, choose Cine EI, Cine EI Quick or Flexible ISO*14 to capture imagery with maximum latitude. You can also import up to 16 user LUTs*15 allowing you to easily monitor the intended look in real-time.
5-Axis Stabilization
A precision stabilization unit and gyro sensors combine to provide optical 5-axis in-body stabilization. An enhanced stabilization unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake*16. Dynamic active Mode*17 adds extra electronic support, and embedded stabilization metadata can also be used in post-production for a more controlled final result.
Lightweight, Compact Design for Agility On Set
The compact flattop body and stable grip are built for comfortable handheld work. Paired with Sony's compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces and in fast-moving productions.
High-quality 96 kHz/32bit float audio recording
The XLR handle unit*19 supports two XLR/TRS inputs, a 3.5 mm stereo mini jack and up to 96 kHz/32bit float audio recording. With up to four channels of high-quality capture, it also supports independent 32bit float WAV recording alongside video audio for more flexible on-set sound workflows.
BIG6 (HOME) screen for faster on-set control
Inherited from Sony’s high-end CineAlta cameras, the BIG6 (HOME) screen brings six essential settings — frame rate, EI/ISO/Gain, shutter, iris, LUT and white balance — together on one clear home screen for faster operation. Touch control, the multi-function dial, and CineAlta Fixed/Variable frame-rate control help crews work quickly while keeping critical settings visible at a glance.
Optional OLED viewfinder DVF-EL1 for easier outdoor monitoring
Add the optional OLED viewfinder*20 for more immersive monitoring in bright locations. Its 3.5-type panel features approx. 7.07 million dots, DCI-P3 equivalent color gamut, 10-bit display, HDR monitoring support, and 0.90x magnification*39, while the 0°-90° tilting design and selectable display modes help adapt monitoring to different shooting styles.
Monitoring Support For Precise Shooting
Exposure and focus tools, including Waveform Monitor, Histogram, False Color, and Focus Map, support faster judgments on set. They help you manage highlights, shadows, skin tones and critical focus with confidence.
Clear Image Zoom For Smoother, More Intuitive Framing
Clear Image Zoom adds a [Smooth Priority] mode*22 that enables seamless zoom from the optical wide end up to 2x digital zoom*23. [Optical Zoom Priority] is a zoom mode that prioritizes image quality. After the optical zoom reaches its telephoto end, Clear Image Zoom takes over. Seamless zooming can also be controlled from the zoom ring on compatible lenses for more intuitive, consistent framing.
Dual CFexpress Type A/SD card slots for flexible media workflows
Dual CFexpress Type A*24 slots support relay, simultaneous, and separate recording while also accepting SDXC (UHS-II/UHS-I) cards. Main and proxy files can be recorded to different slots, giving productions more flexibility in media choice, backup strategy, and file handling.
Power that keeps pace with long shoots
A high-capacity 2670 mAh NP-SA100*25 battery can provide up to 170 minutes*26 of recording time. Optimized power management, improved charging speed*27, USB Power Delivery*28 and battery condition display help simplify longer shooting days and make it easier to judge when battery replacement may be needed.
Cooling designed for uninterrupted up to 170 minutes*29 of recording
An efficient fan cooling system and advanced design deliver up to 3x*40 the airflow, keeping the camera cool even when the LCD monitor is closed. Three fan modes [Auto], [Minimum] and [OFF in REC] let you balance cooling and operational noise to suit the environment and the production.
3.5-type monitor with 4-axis multi-angle design
The 3.5-type 16:9 aspect monitor tilts 98° up, 40° down and 180° sideways, and rotates up to 270° when open*30. A high-brightness panel with 15 brightness settings, fine control of image inversion display, and neatly organized on-screen shooting information all help make monitoring clearer and more flexible on set.
Movie-first menus and controls
From menu settings to the CineAlta-style multi-function dial, the FX5 is designed around movie production. Frequently used controls are concentrated around the grip and top panel, and the multi-function dial supports both rotational and push operation for faster access to key settings during a shoot.
Clear Tally Visibility
Configurable front and rear tally lamps make REC/STANDBY status easier to see, and a red frame can also be shown on the monitor during recording. This helps you confirm recording status at a glance, even when a rig or gimbal makes the screen harder to view directly.
Durable, Sealed Body Design
Flexible, Mounting Points
Flexible, Monitoring Power And Timecode Connections
Wired and wireless LAN connectivity for remote workflows
Monitor & Control for remote operation from mobile devices
Catalyst Prepare and Catalyst Prepare Plugin
Accessibility Features For More Creators
Planned Post-Launch Support
What's Included
FX5 Full-Frame Cinema Camera w/ XLR Handle Unit
Rechargeable Battery NP-SA100
Battery Charger BC-SAD1
Body Cap
Accessory Shoe Cap
VF Terminal Protection Cap
XLR Handle Unit
Handle Shoe Cap
Accessory Shoe Kit
For Québec Residents – Disclosure Under the Consumer Protection Act
In compliance with Bill 29, Vistek does not guarantee the availability of replacement parts, repair services, or maintenance or repair information for products sold by Vistek.
Coverage provided through applicable manufacturer warranties, if any, remains in effect. Customers are encouraged to contact the manufacturer directly for information regarding the availability of replacement parts, repair services, or maintenance information.
Reviews
Product Specifications
FX5 Full-Frame Cinema Camera with XLR Handle |
|
|---|---|
| Camera Type | Interchangeable Lens Digital Camera |
| Lens Mount | E-Mount |
Camera Section |
|
| Type | 35 mm full frame Exmor RS CMOS Sensor |
| Number of Effective Pixels | 16.6 MP |
| Number of Total Pixels | 18.2 MP |
| Optical Low Pass Filter | Yes |
| Latitude | 15-Stops |
| Colour Temperature Range | 2000-15,000K |
| Anti-Dust Function | Yes |
| Video Compression |
X-OCN
XAVC HS: MPEG-H HEVC/H.265 XAVC S: MPEG-4 AVC/H.264 |
| Audio Recording Format |
LPCM 4ch (48 kHz 24 bit), PCM 4ch (48 kHz 32 bit float)*2 , LPCM 4ch (96 kHz 24 bit)*2 , PCM 4ch (96 kHz 32 bit float)*2
|
| Slow & Quick Motion (S&Q) | Yes |
| Proxy recording | Yes |
| TC / UB | Yes |
| RAW Output | Yes |
| Memory Card Slot |
SLOT A: Multi slot for SDXC (UHS-I/II compliant) memory card / CFexpress 2 Type A card, SLOT B: Multi slot for SDXC (UHS-I/II compliant) memory card / CFexpress 2 Type A card
|
| Type |
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
|
| Focus Point |
Max. 759 points (phase-detection AF)
|
| Recognition Target (Movies) | Human Animal Bird |
| Other Features |
AF Subj. Shift Sensitivity (Movie)
AF Transition Speed (Movie) Focus Map (Movie) AF Assist (Movie) |
| ISO Sensitivity |
ISO 320 - 409600 equivalent, AUTO (ISO 320 - 409600, selectable upper limit)
|
| Type |
8.8 cm (3.5-type) type TFT
|
| Touch Panel | Yes |
| Number of Dots |
2 764 800 dots
|
| Adjustable Angle |
Opening Angles (approx.): Up 98 °, down 40 °, side 180 °, rotation 270 °
|
| Movies |
Approx. 1.5x (4K), Approx. 2x (HD)
|
| Shutter Speed |
Movies: 64 F to 1/8000 s
|
| Image Stabilization Type |
Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
|
| Mode |
Movie: Dynamic active / Active / Standard / Off
|
| Functions |
Screen Reader
Focus Magnifier Focus Map (Movie) Peaking Display Sunject Recognition in AF Touch Focus Touch Tracking Multi-Angle LCD Screen Custom Function Enlarge Screen |
| PC Interface | Mass-Storage |
| USB Type-C Terminal |
Yes (PORT1: SuperSpeed USB 10 Gbps (USB 3.2) compatible, PORT2: Hi-Speed USB 480 Mbps (USB 2.0) compatible)
|
| Wireless LAN (Built-In) |
Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac/ax (2.4 GHz band/5 GHz band/6 GHz band))*4
|
| Bluetooth |
Yes (Bluetooth Standard Ver. 5.3 (2.4 GHz band))
|
| HDMI Output | HDMI Connector (Type-A) |
| Multi Interface Shoe |
Yes (with Digital Audio Interface)
|
| Mic Terminal |
Yes (3.5 mm Stereo minijack)
|
| XLR Audio Input |
Yes (3-pin (female) x2)
|
| Headphone Terminal |
Yes (3.5 mm Stereo minijack)
|
| Remote Control (Wireless) |
Yes (Bluetooth remote control)
|
| LAN Terminal |
Yes (2.5GBASE-T, 1000BASE-T, 100BASE-TX)
|
| Functions |
FTP Transfer Func. (Wired LAN, USB Tethering, Wi-Fi)
|
| VF Terminal | Yes |
| Video Data Format |
MPEG-4 AVC/H.264
MPEG-H HEVC/H.265 *6 |
| Video Resolution |
3840 x 2160
1920 x 1080 1280 x 720 |
| Audio Data Format |
AAC-LC 2ch (16bit 48 kHz)
|
| Protocol |
RTMP
RTMPS SRT |
| Microphone | Built-in stereo |
| Speaker | Built-in monaural |
| Lens Compensation |
Shading, Chromatic Aberration, Distortion, Breathing (Movie)
|
| Battery |
One rechargeable battery pack NP-SA100
|
| Movies (actual shooting)*7 | Approx. 105 min (LCD monitor) (CIPA standard) |
| Movies (continuous shooting) | Approx. 170 min (LCD monitor) (CIPA standard) |
| Internal battery charge | Yes (Available with USB Type-C terminal. USB Power Delivery compatible)*8 |
| USB power supply | Yes (Available with USB Type-C Terminal. USB Power Delivery compatible) |
| Power Consumption (with LCD Screen) |
Approx. 7.4 W (with FE 28-70mm F3.5-5.6 OSS II lens attached)
|
Weight |
|
| Including Accessory |
Approx.1046 g
|
| With battery and memory card | 734 g (1 lb 9.9 oz) |
| Body Only | 643 g (1 lb 6.7 oz) |
| Dimensions (W x H x D) |
Approx. 132.2 x 79.0 x 87.0 mm (from grip to monitor)
|
| Dimensions (W x H x D) (in.) | Approx. 5 1/4 x 3 1/8 x 3 1/2 inches (from grip to monitor) |
| Operation Temperature |
0 - 40 ℃ / 32 - 104 °F
|
| Storage Temperature |
-20 to 55 ℃ / -4 to 131 °F
|
Questions & Answers
Sony FX5 Full-Frame Cinema Camera w/ XLR Handle Unit
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